- •About the Authors
- •Dedication
- •Authors’ Acknowledgments
- •Table of Contents
- •Introduction
- •What’s Not (And What Is) in This Book
- •Mac attack!
- •Who Do We Think You Are?
- •How This Book Is Organized
- •Part I: AutoCAD 101
- •Part II: Let There Be Lines
- •Part III: If Drawings Could Talk
- •Part IV: Advancing with AutoCAD
- •Part V: On a 3D Spree
- •Part VI: The Part of Tens
- •But wait . . . there’s more!
- •Icons Used in This Book
- •A Few Conventions — Just in Case
- •Commanding from the keyboard
- •Tying things up with the Ribbon
- •Where to Go from Here
- •Why AutoCAD?
- •The Importance of Being DWG
- •Seeing the LT
- •Checking System Requirements
- •Suddenly, It’s 2013!
- •AutoCAD Does Windows (And Office)
- •And They’re Off: AutoCAD’s Opening Screens
- •Running with Ribbons
- •Getting with the Program
- •Looking for Mr. Status Bar
- •Let your fingers do the talking: The command window
- •The key(board) to AutoCAD success
- •Keeping tabs on palettes
- •Down the main stretch: The drawing area
- •Fun with F1
- •A Simple Setup
- •Drawing a (Base) Plate
- •Drawing rectangles on the right layers
- •Circling your plate
- •Nuts to you
- •Getting a Closer Look with Zoom and Pan
- •Modifying to Make It Merrier
- •Hip-hip-array!
- •Stretching out
- •Crossing your hatches
- •Following the Plot
- •A Setup Roadmap
- •Choosing your units
- •Weighing up your scales
- •Thinking annotatively
- •Thinking about paper
- •Defending your border
- •A Template for Success
- •Making the Most of Model Space
- •Setting your units
- •Making the drawing area snap-py (and grid-dy)
- •Setting linetype and dimension scales
- •Entering drawing properties
- •Making Templates Your Own
- •Setting Up a Layout in Paper Space
- •Will that be tabs or buttons?
- •View layouts Quick(View)ly
- •Creating a layout
- •Copying and changing layouts
- •Lost in paper space
- •Spaced out
- •A view(port) for drawing in
- •About Paper Space Layouts and Plotting
- •Managing Your Properties
- •Layer one on me!
- •Accumulating properties
- •Creating new layers
- •Manipulating layers
- •Using Named Objects
- •Using AutoCAD DesignCenter
- •Copying layers between drawings
- •Controlling Your Precision
- •Keyboard capers: Coordinate input
- •Understanding AutoCAD’s coordinate systems
- •Grab an object and make it snappy
- •Other Practical Precision Procedures
- •Introducing the AutoCAD Drawing Commands
- •The Straight and Narrow: Lines, Polylines, and Polygons
- •Toeing the line
- •Connecting the lines with polyline
- •Squaring off with rectangles
- •Choosing your sides with polygon
- •(Throwing) Curves
- •Going full circle
- •Arc-y-ology
- •Solar ellipses
- •Splines: The sketchy, sinuous curves
- •Donuts: The circles with a difference
- •Revision clouds on the horizon
- •Scoring Points
- •Commanding and Selecting
- •Command-first editing
- •Selection-first editing
- •Direct object manipulation
- •Choosing an editing style
- •Grab It
- •One-by-one selection
- •Selection boxes left and right
- •Perfecting Selecting
- •AutoCAD Groupies
- •Object Selection: Now You See It . . .
- •Get a Grip
- •About grips
- •A gripping example
- •Move it!
- •Copy, or a kinder, gentler Move
- •A warm-up stretch
- •Your AutoCAD Toolkit
- •The Big Three: Move, Copy, and Stretch
- •Base points and displacements
- •Move
- •Copy
- •Copy between drawings
- •Stretch
- •More Manipulations
- •Mirror
- •Rotate
- •Scale
- •Array
- •Offset
- •Slicing, Dicing, and Splicing
- •Trim and Extend
- •Break
- •Fillet and Chamfer and Blend
- •Join
- •When Editing Goes Bad
- •Zoom and Pan with Glass and Hand
- •The wheel deal
- •Navigating your drawing
- •Controlling your cube
- •Time to zoom
- •A View by Any Other Name . . .
- •Looking Around in Layout Land
- •Degenerating and Regenerating
- •Getting Ready to Write
- •Simply stylish text
- •Taking your text to new heights
- •One line or two?
- •Your text will be justified
- •Using the Same Old Line
- •Turning On Your Annotative Objects
- •Saying More in Multiline Text
- •Making it with Mtext
- •It slices; it dices . . .
- •Doing a number on your Mtext lists
- •Line up in columns — now!
- •Modifying Mtext
- •Gather Round the Tables
- •Tables have style, too
- •Creating and editing tables
- •Take Me to Your Leader
- •Electing a leader
- •Multi options for multileaders
- •How Do You Measure Up?
- •A Field Guide to Dimensions
- •The lazy drafter jumps over to the quick dimension commands
- •Dimension associativity
- •Where, oh where, do my dimensions go?
- •The Latest Styles in Dimensioning
- •Creating and managing dimension styles
- •Let’s get stylish!
- •Adjusting style settings
- •Size Matters
- •Details at other scales
- •Editing Dimensions
- •Editing dimension geometry
- •Editing dimension text
- •Controlling and editing dimension associativity
- •Batten Down the Hatches!
- •Don’t Count Your Hatches. . .
- •Size Matters!
- •We can do this the hard way. . .
- •. . . or we can do this the easy way
- •Annotative versus non-annotative
- •Pushing the Boundary (Of) Hatch
- •Your hatching has no style!
- •Hatch from scratch
- •Editing Hatch Objects
- •You Say Printing, We Say Plotting
- •The Plot Quickens
- •Plotting success in 16 steps
- •Get with the system
- •Configure it out
- •Preview one, two
- •Instead of fit, scale it
- •Plotting the Layout of the Land
- •Plotting Lineweights and Colors
- •Plotting with style
- •Plotting through thick and thin
- •Plotting in color
- •It’s a (Page) Setup!
- •Continuing the Plot Dialog
- •The Plot Sickens
- •Rocking with Blocks
- •Creating Block Definitions
- •Inserting Blocks
- •Attributes: Fill-in-the-Blank Blocks
- •Creating attribute definitions
- •Defining blocks that contain attribute definitions
- •Inserting blocks that contain attribute definitions
- •Edit attribute values
- •Extracting data
- •Exploding Blocks
- •Purging Unused Block Definitions
- •Arraying Associatively
- •Comparing the old and new ARRAY commands
- •Hip, hip, array!
- •Associatively editing
- •Going External
- •Becoming attached to your xrefs
- •Layer-palooza
- •Creating and editing an external reference file
- •Forging an xref path
- •Managing xrefs
- •Blocks, Xrefs, and Drawing Organization
- •Mastering the Raster
- •Attaching a raster image
- •Maintaining your image
- •Theme and Variations: Dynamic Blocks
- •Lights! Parameters!! Actions!!!
- •Manipulating dynamic blocks
- •Maintaining Design Intent
- •Defining terms
- •Forget about drawing with precision!
- •Constrain yourself
- •Understanding Geometric Constraints
- •Applying a little more constraint
- •AutoConstrain yourself!
- •Understanding Dimensional Constraints
- •Practice a little constraint
- •Making your drawing even smarter
- •Using the Parameters Manager
- •Dimensions or constraints — have it both ways!
- •The Internet and AutoCAD: An Overview
- •You send me
- •Send it with eTransmit
- •Rapid eTransmit
- •Bad reception?
- •Help from the Reference Manager
- •Design Web Format — Not Just for the Web
- •All about DWF and DWFx
- •Autodesk Design Review 2013
- •The Drawing Protection Racket
- •Autodesk Weather Forecast: Increasing Cloud
- •Working Solidly in the Cloud
- •Free AutoCAD!
- •Going once, going twice, going 123D
- •Your head planted firmly in the cloud
- •The pros
- •The cons
- •Cloudy with a shower of DWGs
- •AutoCAD 2013 cloud connectivity
- •Tomorrow’s Forecast
- •Understanding 3D Digital Models
- •Tools of the Trade
- •Warp speed ahead
- •Entering the third dimension
- •Untying the Ribbon and opening some palettes
- •Modeling from Above
- •Using 3D coordinate input
- •Using point filters
- •Object snaps and object snap tracking
- •Changing Planes
- •Displaying the UCS icon
- •Adjusting the UCS
- •Navigating the 3D Waters
- •Orbit à go-go
- •Taking a spin around the cube
- •Grabbing the SteeringWheels
- •Visualizing 3D Objects
- •Getting Your 3D Bearings
- •Creating a better 3D template
- •Seeing the world from new viewpoints
- •From Drawing to Modeling in 3D
- •Drawing basic 3D objects
- •Gaining a solid foundation
- •Drawing solid primitives
- •Adding the Third Dimension to 2D Objects
- •Creating 3D objects from 2D drawings
- •Modifying 3D Objects
- •Selecting subobjects
- •Working with gizmos
- •More 3D variants of 2D commands
- •Editing solids
- •Get the 2D Out of Here!
- •A different point of view
- •But wait! There’s more!
- •But wait! There’s less!
- •Do You See What I See?
- •Visualizing the Digital World
- •Adding Lighting
- •Default lighting
- •User-defined lights
- •Sunlight
- •Creating and Applying Materials
- •Defining a Background
- •Rendering a 3D Model
- •Autodesk Feedback Community
- •Autodesk Discussion Groups
- •Autodesk’s Own Bloggers
- •Autodesk University
- •The Autodesk Channel on YouTube
- •The World Wide (CAD) Web
- •Your Local ATC
- •Your Local User Group
- •AUGI
- •Books
- •Price
- •3D Abilities
- •Customization Options
- •Network Licensing
- •Express Tools
- •Parametrics
- •Standards Checking
- •Data Extraction
- •MLINE versus DLINE
- •Profiles
- •Reference Manager
- •And The Good News Is . . .
- •APERTURE
- •DIMASSOC
- •MENUBAR
- •MIRRTEXT
- •OSNAPZ
- •PICKBOX
- •REMEMBERFOLDERS
- •ROLLOVERTIPS
- •TOOLTIPS
- •VISRETAIN
- •And the Bonus Round
- •Index
270 Part III: If Drawings Could Talk
Dimensions use text styles to format the appearance of the dimension text. When you create a text style that you think you might use for your dimensions, you must set a height of 0. Otherwise, the setting that controls the dimension text won’t work, and your dimension text is likely to be either enormous or microscopic. This one should be a double warning because it’s one of the most common mistakes made by new AutoCAD drafters!
9.Click Apply and then click Close.
The Text Style dialog box closes, and the text style that you selected or created is now the current style for new text objects.
Taking your text to new heights
On the off chance that you’re choosing not to use annotative text styles, this section shows you why you might want to change your mind.
In Chapter 4, we describe the importance of choosing an appropriate drawing scale when you set up a drawing. We warn you that you need to know the drawing scale factor for tasks described in other chapters of this book. This is one of those chapters, and we’re about to explain one of those tasks! And when we’re done, remember — you can avoid all the arithmetic by using annotative text — it’s just a check box away!
Drawing scale is the traditional way of describing a scale with an equal sign or colon — for example 1/4" = 1'–0", 1:20, or 2:1. The drawing scale factor represents the same relationship with a single number, such as 48, 20, or 0.5. The drawing scale factor is the multiplier that converts the first number in the drawing scale into the second number.
Make it a point to determine the drawing scale factor of a drawing before you add non-annotative text to it.
Plotted text height
Most industries have plotted text height standards (AutoCAD refers to paper text height, which means the same thing). A plotted text height of 1/8" or 3mm is common for notes. Some companies use slightly smaller heights (for example, 3/32" or 2.5mm) to squeeze more text into small spaces.
Calculating non-annotative AutoCAD text height
To calculate non-annotative text height, you need to know the drawing scale factor, the desired plotted text height, and the location of the multiplication button on your calculator. Use the following steps to figure out text height:
www.it-ebooks.info
Chapter 13: Text with Character 271
1.Determine the drawing scale factor.
If you set up the drawing, you should know its drawing scale, as described in Chapter 4. If someone else set up the drawing, and is still around, ask that person!
Other methods of figuring out a drawing’s scale factor include searching the drawing for a bar scale or a text note that indicates the drawing scale, or if a printout is available, measuring dimensioned distances on the hard copy with an architectural or engineering scale if the drawing was plotted to a specific scale and not “to fit”. Finally, if the drawing dimensions are in model space, you can check the value of the DIMSCALE variable (the system variable that controls dimension scale), as described in Chapter 14.
2.Determine the height that your notes should appear when you plot the drawing to scale.
See the preceding “Plotted text height” section for suggestions.
3.Multiply the numbers that you figured out in Steps 1 and 2.
After you know the AutoCAD text height, you can use it to define the height of a text style or of an individual text object.
If you assign a nonzero height to a text style (Step 8 in the “Get in style” section, earlier in this chapter), all text that you create with that style will use the fixed height. If you leave the text style’s height set to 0, AutoCAD asks you for the text height when you draw single-line text objects.
This discussion of text height assumes that you’re adding non-annotative text in model space. In addition to annotative text in model space, there’s a third alternative. You can add annotative or non-annotative text to a paper space layout — for example, when you draw text in a title block or add a set of sheet notes that doesn’t directly relate to the model space geometry. When you create text in paper space, you specify the actual, plotted paper height instead of the scaled-up height.
One line or two?
For historical reasons (namely, because the AutoCAD text capabilities used to be much more primitive than they are now), AutoCAD offers two different kinds of text objects and two corresponding text-drawing commands. Table 13-1 explains the two commands, with their aliases shown in parentheses.
www.it-ebooks.info
272 Part III: If Drawings Could Talk
Table 13-1 |
|
The Two Kinds of AutoCAD Text |
|
Button Icon |
Text Object |
Command |
Comments |
|
|
(with Alias) |
|
|
Single-line |
TEXT (DT) |
Designed for creating single |
|
text |
|
lines. Although you can press |
|
|
|
Enter to create more than one |
|
|
|
line of text, each line becomes |
|
|
|
a separate text object. |
|
Paragraph |
MTEXT (T) |
Designed for multiple lines, with |
|
text |
|
word-wrapping. AutoCAD keeps |
|
|
|
the multiple lines together as |
|
|
|
a single object. Other special |
formatting, such as numbered or bulleted lists and columns, is possible.
Although you may be inclined to ignore the older single-line text option, it’s worth knowing how to use both kinds of text. The TEXT command is quite a bit simpler than the MTEXT command, and it’s still useful for entering short, single-line pieces of text such as object labels and one-line notes. And it’s the command of choice for CAD comedians who want to document their one-liners!
If you work in an office with people who’ve been AutoCAD users for more than a few years, you may hear them referring to DTEXT. For the last few releases, TEXT has been an alias for the DTEXT (D for Dynamic) command. However, lurking up in the dusty back corners of AutoCAD’s attic is a third text-creation command, also named TEXT (confused yet?); if you want to experience this creaky old command, type -TEXT. Unlike the current TEXT (formerly known as DTEXT) command, with -TEXT you get no onscreen feedback at all. In summary, TEXT begat DTEXT which begat TEXT . . . hey, don’t shoot the messengers! We just report on what we know!
Your text will be justified
Both the TEXT and MTEXT commands offer a bewildering array of text justification options — in other words, which way the text flows from the point or points that you pick in the drawing to locate it. For most purposes, the default Left justification for single-line text or Top Left justification for paragraph text works fine. Occasionally, you may want to use a different justification, such as Center for labels or titles. Both commands provide options for changing text justification. We point out these options when we demonstrate the commands later in this chapter.
www.it-ebooks.info