- •History through art
- •Развитие речевой способности в контексте диалога культур и цивилизаций
- •С.В. Сомова
- •Part II
- •Part III
- •Step 1: Understanding the Information Historical Background
- •Archaic Period
- •Classical Period
- •Hellenistic Period
- •Part II Words to be pronounced and learnt
- •Part III
- •Step 2: Spelling and Vocabulary
- •Ancient rome Historical Background
- •Step 1: Understanding the Information Historical Background (509 bc – ad 476)
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 4: Shaping Ideas and Facts in English
- •Step 5: Subject and Thesis
- •Part II
- •The middle ages
- •The MiDdLe aGeS
- •Historical Background
- •Part I
- •Part II
- •Part III
- •Step 1: Understanding the Information Historical Background 800 bc – 146 bc
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Hildegard of bingen
- •Part III
- •The renaissance
- •The renaissance
- •Historical Background
- •Part I
- •Part II
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Портрет высокого возрождения
- •Vincenzo perugia
- •Part IV
- •The baroque
- •The baroque
- •Historical Background
- •Part I
- •Part II
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Giovanni lorenzo bernini
- •Part V
- •The enlightenment
- •The enlightenment
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Versailles
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Thomas gainsborough
- •Step 4: Shaping Ideas and Facts in English
- •Franz joseph haydn
- •George frideric handel
- •Part VI
- •Romanticism
- •Romanticism
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •John constable
- •Step 4: Shaping Ideas and Facts in English
- •Part VII the new times
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •The twentieth century Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Step 5: Writing an Essay
- •Topics for Your Essays
- •Reference
- •1. Writing technique
- •1.1. How to Start to Write
- •1.2. How to Take Notes
- •1.3. Library Resources for Writing
- •1.4. Effective Sentences
- •1.5. Paragraphing
- •1.6. Paraphrasing
- •2. Written forms
- •2.1. Précis-writing
- •2.2. Synopsis-making
- •2.3. Composition and Essay-Writing
- •3. Elements of style. Expressive means of the english language
- •3.1. Metaphor
- •3.2. Metonymy
- •3.3. Simile.
- •Compare
- •3.4. Epithets
- •Compare
- •3.5. Hyperbole and understatement.
- •3.6. Oxymoron
- •3.6. Irony
- •4. Punctuation
- •4.4. The comma
- •4.5. The semi-colon
- •4.6. The colon
- •4.7. Quotation marks
- •4.8. Apostrophe
- •4.9. Hyphen
- •4.10. Marks of Parenthesis
- •4.11. A series of periods
- •4.12. Punctuating within the Compound Sentences
- •4.13. Punctuating within the Complex Sentence
- •5. Capitalization
- •6. Numbers spelled out or used in figures
- •Appendix 1
- •Appendix 2
- •Dictation 1 Early Years of Christianity
- •Dictation 4
- •Dictation 5 Socrates, Plato, and Aristotle
- •Dictation 6 The Roman Republic
- •Dictation 7 The Gladiators
- •Dictation 8 The Roman Empire
- •Dictation 9 Ancient Rome
- •Dictation 10
- •Keys to
- •Ancient Rome step 1: Understanding the Information
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Part II. The Middle Ages step 1: Understanding the Information
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Part III. The Renaissance
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Vincenzo perugia
- •Part IV. The Baroque
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Giovanni Lorenzo bernini
- •Part V. The Enlightenment
- •Step 3: Punctuation and Logic
- •Thomas gainsborough
- •Part VI. Romanticism
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •John constable
- •Part VII. The New Times
- •Step 2: Spelling and Vocabulary
- •The Twentieth Century
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Resource List
- •Contents
- •Авторы-составители:
Step 1: Understanding the Information Historical Background
Give the proper English equivalents. Learn the active vocabulary
стремительное изменение
быть исключением
считаться опасным
движущая сила (импульс)
очень быстро
небоскреб
изображать обычных
(простых) людей
городская (деревенская) обстановка
разоблачать бесчеловечное влияние техники
предсказывать
сбываться (о предсказаниях)
приносить плоды
застывшее изображение
изменение в восприятии
захватить (запечатлеть)
впечатление от момента
богатое наследие
подробно рассматривать
внутренний мир
Check the spelling of the proper names
Charles Dickens
Charles Darwin
Victor Emmanuel
Kaiser Wilhelm
Claude Monet
Pierre Auguste Renoir
Mary Cassatt
Vincent Van Gogh
Paul Gauguin
Discussion. Answer the questions
When did the Pre-Modern era begin? Give a one-word description of the period.
Where did the impetus for change come from?
What was a new architectural invention of the period?
How could the rapid changes influence: 1) people’s life; 2) members of the art community?
Give short sketches of the artistic movements that developed during the Pre-Modern Era.
Finish the sentences logically, using the active vocabulary
The Pre-Modern Era was a period __________________________________.
_______________________________for change during the Pre-Modern Era came from the Industrial Revolution.
In the United States, for example, the iron and steel industry was growing _______________________________________________________.
The necessity of providing more housing and work space brought about a new architectural invention made possible by steel: ____________________________________ .
Realist painters of the Pre-Modern era portrayed ___________________________________ facing the hardships of daily life in _________________________________________________.
Changes also influenced members of the art community. The Realism movement, with its _____________________________________, could not rival the newly invented camera for true reality.
Thus, a new group of artists decided to make a fundamental change in art. These painters, known as Impressionists, created their works quickly so as to __________________________________________________________.
A smaller group of artists post dates the Impressionists. These artists tried to __________________________________, they tried to escape it altogether.
Part I
Give the English equivalents for the following words and word-combinations. Learn the active vocabulary
cерии литографий
инженерных подвигов
делать что-либо реальным
отмечать (событие)
продвигаться вперед
сказочный (волшебный) фасад
функциональная внутренняя
структура
своды, поддерживаемые
тонкими железными колоннами
скрывать за перегородкой
книгохранилище
огромная конструкция
из стекла и железа
международная ярмарка
изготавливать на заводе
превращать мечты в реальность
сплав железа
оставить субъективные фантазии
угнетенные классы
обнаруживать
жестокую реальность
выживание сильнейших
отчаянная борьба за выживание
изнурительный труд
Answer the questions, using the information from the tape
What famous structure symbolizes the Age of Realism?
What kind of impact did the development of steel have on people during the late 19th century? What did the mass production of steel plus the application of architectural technology lead to? Were people concerned with ornamentation and decoration?
Describe the Realist movement in painting. Who was the leader of this movement? What were the concerns of the Realist painters?
How are the theories of Darwin and Marx reflected in the late 19th-century art? Recall some of the artists whose work reflected Darwin’s survival of the fittest; review those artists who shared Marx’s belief that life was a desperate struggle to survive.
Fill in the gaps, using the active vocabulary. Reproduce the sentences by heart
By the end of the 19th century, it was industry which produced much of what is now considered art. ____________________, such as the locomotive, are now collector's items.
By the late 19th century, advances in engineering and technology ___________________
______________________________________.
The engineer Eiffel constructed his famous tower ________________________ the great Paris Exposition of 1889.
Brighton Pavilion was built during the 1820s in the exotic and Oriental style favored by the Romantics. But ____________ concealed __________________.
The Crystal Palace, a ____________________, was designed to house the first ___________________________ known as the “Great Exhibition of the Works of Industry of All Nations.”
The tremendous strength of iron girders _______________________________.
Many late 19th-century artists felt that if the present were an ugly age and mankind suffered great hardships, it was the duty of art ___________________.
It is no coincidence that this was the century of Darwin, whose law described ______________________, and of Marx who saw life as a ________________.
Tasks to the Pictures
Look at Picture 15.
The Paris Exhibition of 1889 features two cast iron masterpieces that show the transformation of engineering to art: Gustave Eiffel’s Tower and Dutert and Contamin’s Palais des Machines. How tall is the Eiffel Tower?
300 metres
200 metres
500 metres
400 metres