- •History through art
- •Развитие речевой способности в контексте диалога культур и цивилизаций
- •С.В. Сомова
- •Part II
- •Part III
- •Step 1: Understanding the Information Historical Background
- •Archaic Period
- •Classical Period
- •Hellenistic Period
- •Part II Words to be pronounced and learnt
- •Part III
- •Step 2: Spelling and Vocabulary
- •Ancient rome Historical Background
- •Step 1: Understanding the Information Historical Background (509 bc – ad 476)
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 4: Shaping Ideas and Facts in English
- •Step 5: Subject and Thesis
- •Part II
- •The middle ages
- •The MiDdLe aGeS
- •Historical Background
- •Part I
- •Part II
- •Part III
- •Step 1: Understanding the Information Historical Background 800 bc – 146 bc
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Hildegard of bingen
- •Part III
- •The renaissance
- •The renaissance
- •Historical Background
- •Part I
- •Part II
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Портрет высокого возрождения
- •Vincenzo perugia
- •Part IV
- •The baroque
- •The baroque
- •Historical Background
- •Part I
- •Part II
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Giovanni lorenzo bernini
- •Part V
- •The enlightenment
- •The enlightenment
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Versailles
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Thomas gainsborough
- •Step 4: Shaping Ideas and Facts in English
- •Franz joseph haydn
- •George frideric handel
- •Part VI
- •Romanticism
- •Romanticism
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •John constable
- •Step 4: Shaping Ideas and Facts in English
- •Part VII the new times
- •Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Part III
- •Step 2: Spelling and Vocabulary
- •The twentieth century Historical Background
- •Part I
- •Step 1: Understanding the Information Historical Background
- •Part I
- •Part II
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Step 5: Writing an Essay
- •Topics for Your Essays
- •Reference
- •1. Writing technique
- •1.1. How to Start to Write
- •1.2. How to Take Notes
- •1.3. Library Resources for Writing
- •1.4. Effective Sentences
- •1.5. Paragraphing
- •1.6. Paraphrasing
- •2. Written forms
- •2.1. Précis-writing
- •2.2. Synopsis-making
- •2.3. Composition and Essay-Writing
- •3. Elements of style. Expressive means of the english language
- •3.1. Metaphor
- •3.2. Metonymy
- •3.3. Simile.
- •Compare
- •3.4. Epithets
- •Compare
- •3.5. Hyperbole and understatement.
- •3.6. Oxymoron
- •3.6. Irony
- •4. Punctuation
- •4.4. The comma
- •4.5. The semi-colon
- •4.6. The colon
- •4.7. Quotation marks
- •4.8. Apostrophe
- •4.9. Hyphen
- •4.10. Marks of Parenthesis
- •4.11. A series of periods
- •4.12. Punctuating within the Compound Sentences
- •4.13. Punctuating within the Complex Sentence
- •5. Capitalization
- •6. Numbers spelled out or used in figures
- •Appendix 1
- •Appendix 2
- •Dictation 1 Early Years of Christianity
- •Dictation 4
- •Dictation 5 Socrates, Plato, and Aristotle
- •Dictation 6 The Roman Republic
- •Dictation 7 The Gladiators
- •Dictation 8 The Roman Empire
- •Dictation 9 Ancient Rome
- •Dictation 10
- •Keys to
- •Ancient Rome step 1: Understanding the Information
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Step 4: Shaping Ideas and Facts in English
- •Part II. The Middle Ages step 1: Understanding the Information
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Part III. The Renaissance
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Vincenzo perugia
- •Part IV. The Baroque
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Giovanni Lorenzo bernini
- •Part V. The Enlightenment
- •Step 3: Punctuation and Logic
- •Thomas gainsborough
- •Part VI. Romanticism
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •John constable
- •Part VII. The New Times
- •Step 2: Spelling and Vocabulary
- •The Twentieth Century
- •Step 2: Spelling and Vocabulary
- •Step 3: Punctuation and Logic
- •Resource List
- •Contents
- •Авторы-составители:
Step 1: Understanding the Information Historical Background
Give the English equivalents for the following words and word-combinations. Learn the active vocabulary
постоянно ускоряющийся темп
доступный в самых несбыточных
мечтах
мгновенный доступ к информации
приобретать знания
разрушительный масштаб
превосходить свои возможности
простая прогулка
безвозвратная потеря
формы художественного выражения
захватывающий прогресс
занять видное положение
наследие Древней Греции и Рима
безмятежный
Answer the questions, using the information you have learnt from the tape
How can we describe what has happened in the 20th century?
What are the positive and the negative experiences of the modern world?
Identify some of the new artistic movements that have emerged during the 20th century?
Does the appearance of new artistic movements mean the denial of the legacy of the past?
Fill in the gaps, using the active vocabulary. Reproduce the sentences in the form of a monologue (combine the sentences logically)
We can describe what has happened in the 20th century – the years of earth-shattering events, _______________________________________ – the phenomenal improvement of all technology and so on.
On the positive side, a revolution in transportation has made all parts of the world _____________________________________.
The moon has been reached and distant lands are ____________________.
Telephones, radio, television, lasers, computers, and satellites have made communication and ___________________________________________.
______________________________ during this Information Revolution has far exceeded all the knowledge acquired throughout the previous history of mankind.
Also in this century, the world’s population is ______________________ to feed itself.
And, in the name of progress, people have destroyed much of earth’s environment, in some instances to the point where _________________________________ and may threaten our existence.
Many different and often conflicting __________________________ have emerged.
At the same time, ________________________________________ and all major artistic styles since then have continued and have been joined by influences from cultures in Latin America, Africa, Asia, and the Middle East.
Part I
Find the English equivalents for the following words and word combinations. Learn the active vocabulary
традиционная точка зрения
разделяться
производить беспорядок (разрушать)
разлагать целое на отдельные фрагменты
многократная перспектива
преобразовывать окружающий мир
по той или иной причине
манера восприятия
второстепенный характер
чувство спонтанности
предопределенный
изображение движения в живописи
границы искусства
иллюзия трехмерного пространства
изобразить объем
на ровной поверхности
разрабатывать проект
недоумение
использовать
(в качестве источника энергии)
бессистемная структура
обобщать опыт
служить примером
возвеличивать красоту машины
сходство с чем-либо
чистота помыслов
посторонний
упрощать действительность
целостность
объективная безупречность
устранить изгибы и диагонали
на ощуп
ь
Post-viewing Questions and Activities
Discuss change and the advances in technology over the past one hundred years. How does change, such as the kind we have witnessed in this century, force people to examine their place in the world? People have always found change to be difficult, and the artists of the 20th century were no exception. What changes were the early 20th-century artists reacting to or against?
What was an important musical development during the beginning of the 20th century? How does this musical form reflect the attitudes of the 20th century?
The Futurist movement of 1910 rejected the past and hailed the beauty of the machine. What later event caused people to rethink their ideas about the machine and the development of a mechanized world? Why did it do that?
Give a definition of abstraction. How did the Cubists use abstraction? What is referred to as the “traditional world order”? How does the abstract view of the world differ from the traditional one? What do Mondrian’s paintings say about the importance of perspective? (recall the works of Piet Mondrian that were seen in the program)
Finish the sentences logically, using the active vocabulary. Reproduce the sentences by hear
During the 19th century, ideas and institutions which once had appeared so solid and real began to seem much less so. The ______________________________ world order ________________________________________.
The Industrial Revolution _____________________________________ the old divisions of social order.
Some artists reflected the new sensibility by _________________________ of vibrating dots.
There were many new ways of seeing things. Objects were broken and displaced into _________________________________________ - as if we could see the objects from all sides.
Sometimes artists ______________________________________ to reflect their inner visions.
For many, doubt became ________________________________________.
Artists sought to communicate their experience _________________________________ of modern life.
Early in the 20th century, jazz became an important form of musical expression. Improvisation is an integral part of jazz, which at its best has ______________________________________________________________________.
Nothing was certain - not even a definition of art. Here, the painter sought to achieve what had been considered impossible: _________________________________________.
We are no longer certain about ___________________________________.
Painting was to be about painting. The artists sought to find ways in which
_____________________________________________________.
The machine is of the age. None of us can escape its influence. As the machine ________
____________________________ – there is nothing ____________________________ – here – so, too have our artists sought to purify their means.