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Adobe Photoshop Help

Using Channels and Masks

 

 

 

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The images you want to merge must be in Grayscale mode, have the same pixel dimensions, and be open. (See “Changing the pixel dimensions of an image” on page 67.) The number of grayscale images you have open determines the color modes available when merging channels. For example, you can’t merge the split channels from an RGB image into a CMYK image, because CMYK requires four channels and RGB requires only three.

Note: If you are working with DCS files that have accidentally lost their links (and so cannot be opened, placed, or printed), open the channel files, and merge them into a CMYK image. Then resave the file as a DCS EPS file.

To merge channels:

1 Open the grayscale images containing the channels you want to merge, and make one of the images active.

You must have more than one image opened for the Merge Channels option to be available.

2Choose Merge Channels from the Channels palette menu.

3For Mode, choose the color mode you want to create. If an image mode is unavailable, it is dimmed. The number of channels appropriate for the mode appears in the Channels text box.

4If necessary, enter a number in the Channels text box.

If you enter a number that is incompatible with the selected mode, Multichannel mode is automatically selected. This creates a a multichannel image with two or more channels.

5Click OK.

6For each channel, make sure the image you want is open. If you change your mind about image type, click Mode to return to the Merge Channels dialog box.

7If merging into a multichannel image, click Next, and repeat step 6 to select the remaining channels.

Note: All channels of a multichannel image are alpha channels.

8 When you are finished selecting channels, click OK.

The selected channels are merged into a new image of the specified type, and the original images are closed without any changes. The new image appears in an untitled window.

Note: You cannot split and recombine (merge) an image with spot color channels. The spot color channel will be added as an alpha channel.

Deleting channels

You may want to delete spot or alpha channels you no longer need before saving an image. Complex alpha channels can substantially increase the disk space required for an image.

To delete a channel (Photoshop):

1Select the channel in the Channels palette.

2Do one of the following:

Alt-click (Windows) or Option-click (Mac OS) the Trash button .

Drag the channel name in the palette to the Trash button.

Using Help | Contents | Index

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270

Adobe Photoshop Help

Using Channels and Masks

 

 

 

Using Help | Contents | Index

Back

271

Choose Delete Channel from the Channels palette menu.

Click the Trash button at the bottom of the palette. Then click Yes.

To delete a channel (ImageReady):

Choose Select > Delete Channel, and choose the channel from the submenu.

Note: When deleting a channel from a file with layers, visible layers are flattened and hidden layers are discarded. This is done because removing a color channel converts the image to Multichannel mode, which does not support layers.

Mixing color channels (Photoshop)

The Channel Mixer command lets you modify a color channel using a mix of the current color channels. With this command, you can do the following:

Make creative color adjustments not easily done with the other color adjustment tools.

Create high-quality grayscale images by choosing the percentage contribution from each color channel.

Create high-quality sepia-tone or other tinted images.

Convert images to and from alternative color spaces, such as YCbCr, which is used in digital video.

Swap or duplicate channels.

To mix color channels:

1In the Channels palette, select the composite color channel.

2Choose Image > Adjustments > Channel Mixer.

3For Output Channel, choose the channel in which to blend one or more existing

(or source) channels. (See “Restricting blending to channels (Photoshop)” on page 298.)

4Drag any source channel’s slider to the left to decrease the channel’s contribution to the output channel or to the right to increase it, or enter a value between –200% and +200% in the text box. Using a negative value inverts the source channel before adding it to the output channel.

5Drag the slider or enter a value for the Constant option. This option adds a black or white channel of varying opacity—negative values act as a black channel, positive values act as a white channel.

6Select Monochrome to apply the same settings to all the output channels, creating a color image that contains only gray values.

Use the Channel Mixer with the Monochrome option applied to control the amount of detail and contrast in the images you plan to convert to grayscale.

If you select and then deselect the Monochrome option, you can modify the blend of each channel separately, creating a handtinted appearance.

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