- •Using Help
- •About online Help
- •Navigating in Help
- •Using bookmarks, the table of contents, the index, and Find
- •Contents
- •Introduction
- •Welcome
- •Registration
- •Installing Adobe Photoshop and ImageReady
- •Getting started
- •If you are new to Photoshop:
- •If you are an experienced Photoshop user:
- •If you want to focus on Web features:
- •If you want to concentrate on photo editing and retouching:
- •If you want to focus on productivity features:
- •Using the printed documentation
- •Using online Help
- •Using tool tips
- •Using Web resources
- •About Adobe Online
- •Using Adobe Online
- •Accessing Adobe Online through the Help menu
- •Other learning resources
- •Customer support
- •Customer support on Adobe Online
- •Additional customer support resources
- •An Overview of Adobe Photoshop
- •Explore state-of-the-art tools
- •Edit images with ease
- •Enjoy unlimited creative options
- •Create compelling Web designs
- •Enjoy precise typographic control
- •Stay ahead of deadlines
- •Automate repetitive tasks
- •Maintain color precisely
- •What’s New in Photoshop 7.0
- •Meet every challenge
- •Stay competitive
- •Take advantage of tighter-than-ever integration
- •Looking at the Work Area
- •About the work area
- •Using the toolbox
- •Toolbox overview (1 of 3)
- •Toolbox overview (2 of 3)
- •Toolbox overview (3 of 3)
- •Using the tools
- •Using the tool pointers
- •Using the tool options bar
- •Using the palette well (Photoshop)
- •Using tool presets (Photoshop)
- •Using palettes
- •Changing the palette display
- •Docking palettes together
- •Customizing your workspace
- •Using pop-up sliders
- •Using pop-up palettes
- •Using the Info palette (Photoshop)
- •Using context menus
- •Viewing images
- •Changing the screen display mode
- •Using the document window
- •Navigating the view area
- •Magnifying and reducing the view
- •Correcting mistakes
- •Reverting to a previous version of an image
- •About the History palette
- •Using the History palette
- •Setting history options (Photoshop)
- •Making a snapshot of an image (Photoshop)
- •Painting with a state or snapshot of an image (Photoshop)
- •Duplicating images
- •Using rulers
- •Using columns (Photoshop)
- •Using the measure tool (Photoshop)
- •Using guides and the grid
- •Working with Extras
- •Displaying status information (Photoshop)
- •Annotating images (Photoshop)
- •Adding notes and audio annotations
- •Opening and editing annotations
- •Jumping between applications
- •Jumping between Photoshop and ImageReady
- •Jumping to other applications (ImageReady)
- •Previewing an image in a browser
- •Managing libraries with the Preset Manager (Photoshop)
- •Setting preferences
- •Resetting all warning dialogs
- •Monitoring operations
- •Using plug-in modules
- •Assigning scratch disks
- •Getting Images into Photoshop and ImageReady
- •About bitmap images and vector graphics
- •About image size and resolution
- •Changing image size and resolution
- •Displaying image size information
- •About resampling
- •Choosing an interpolation method
- •Changing the pixel dimensions of an image
- •Changing the print dimensions and resolution of an image (Photoshop)
- •Determining a recommended resolution for an image (Photoshop)
- •Scanning images
- •Importing scanned images
- •Importing an image using the TWAIN interface
- •Importing images using WIA (Windows Image Acquisition) Support
- •Scanning using the resolution setting (Photoshop)
- •Optimizing the dynamic range of the scan (Photoshop)
- •Eliminating unwanted color casts (Photoshop)
- •Creating new images
- •Opening and importing images
- •Opening PostScript artwork
- •Importing PICT resources (Mac OS)
- •Using the File Browser (Photoshop)
- •About workgroup management
- •Getting started with workgroup management
- •Logging on and off WebDAV servers
- •Saving changes to the server
- •Working with Color
- •About color modes and models (Photoshop)
- •HSB model
- •RGB model
- •RGB mode
- •CMYK model
- •CMYK mode
- •L*a*b model
- •Lab mode
- •Bitmap mode
- •Grayscale mode
- •Duotone mode
- •Indexed Color mode
- •Multichannel mode
- •Color gamuts (Photoshop)
- •Adjusting the monitor display
- •Specifying 8-bit color display (Photoshop)
- •Making previews display more quickly (Photoshop)
- •Adjusting color display for cross-platform variations
- •Channels and bit depth (Photoshop)
- •About color channels
- •About bit depth
- •Converting between bit depths
- •Converting between color modes (Photoshop)
- •Converting between Grayscale and Bitmap modes (Photoshop)
- •Making Grayscale and Bitmap mode conversions
- •Converting to indexed color (Photoshop)
- •Conversion options for indexed-color images (Photoshop)
- •Palette type
- •Number of colors
- •Color inclusion and transparency
- •Dithering
- •Customizing indexed color tables (Photoshop)
- •Using the color table to edit colors and assign transparency
- •Saving and loading color tables
- •Producing Consistent Color (Photoshop)
- •About color management
- •Do you need color management?
- •Creating a viewing environment for color management
- •Setting up color management
- •About working spaces
- •About color management policies
- •Working with policy warnings and messages
- •Customizing color management settings
- •Specifying working spaces
- •Specifying color management policies
- •Customizing advanced color management settings
- •Specifying a color management engine
- •Specifying a rendering intent
- •Using dither
- •Desaturating monitor colors
- •Blending RGB colors
- •Saving and loading color management settings
- •Synchronizing color management between applications
- •Calibrating versus characterizing a monitor
- •About monitor calibration settings
- •Calibrating with Adobe Gamma (Windows)
- •Entering custom CMYK settings
- •Specifying ink colors
- •Specifying dot gain
- •Adjusting the separation type and black generation
- •Printing a hard proof
- •Making Color and Tonal Adjustments
- •Basic steps for correcting images
- •1. Calibrate your monitor.
- •2. Check the scan quality and tonal range.
- •3. Adjust the tonal range.
- •4. Adjust the color balance.
- •5. Make other special color adjustments.
- •6. Sharpen the edges of the image.
- •Checking scan quality and tonal range (Photoshop)
- •Using the color adjustment tools
- •Making color adjustments
- •Seeing the color values of pixels (Photoshop)
- •Saving and reapplying settings
- •Comparing corrections in CMYK and RGB (Photoshop)
- •Identifying out-of-gamut colors (Photoshop)
- •Using the Levels dialog box
- •Using Levels to set highlights, shadows, and midtones
- •Using Levels to adjust color (Photoshop)
- •Using the Curves dialog box (Photoshop)
- •Using target values to set highlights and shadows (Photoshop)
- •Setting auto correction options (Photoshop)
- •Adjusting the gamma value of an image (ImageReady)
- •About the color wheel
- •Using the Color Balance command (Photoshop)
- •Using the Hue/Saturation command
- •Using the Replace Color command (Photoshop)
- •Using the Selective Color command (Photoshop)
- •Making quick overall adjustments to an image
- •Using the Brightness/Contrast command
- •Using the Auto Levels command
- •Using the Auto Contrast command
- •Using the Auto Color command (Photoshop)
- •Using the Variations command
- •Applying special color effects to images
- •Using the Desaturate command
- •Using the Invert command
- •Using the Equalize command (Photoshop)
- •Using the Threshold command (Photoshop)
- •Using the Posterize command (Photoshop)
- •Using the Gradient Map command (Photoshop)
- •Sharpening images
- •Selecting
- •About selections
- •Making pixel selections
- •Using the Select menu
- •Using the marquee tools
- •Using the lasso, polygonal lasso, and magnetic lasso tools
- •Setting options for the lasso, polygonal lasso, and magnetic lasso tools
- •Using the magic wand tool
- •Using the Color Range command (Photoshop)
- •Creating selections from slices (ImageReady)
- •Adjusting pixel selections
- •Moving, hiding, or inverting a selection
- •Adjusting selections manually
- •Adjusting selections numerically
- •Softening the edges of a selection
- •Moving, copying, and pasting selections and layers
- •Copying selections or layers
- •Using drag and drop to copy between applications
- •Using the Clipboard to copy between applications
- •Using the Snap command
- •Saving and loading selections
- •Deleting selections
- •Removing fringe pixels from a selection (Photoshop)
- •Extracting objects from their background (Photoshop)
- •Transforming and Retouching
- •Changing the size of the work canvas
- •Cropping images
- •Transforming perspective while cropping (Photoshop)
- •Transforming objects in two dimensions
- •Specifying what to transform
- •Setting the reference point
- •Applying transformations
- •Using the Free Transform command
- •Transforming objects in three dimensions
- •Transforming and manipulating objects
- •Modifying the preview image
- •Setting 3D rendering options
- •Cloning and repairing images
- •Using the clone stamp tool
- •Using the pattern stamp tool
- •Using the healing brush tool (Photoshop)
- •Using the patch tool (Photoshop)
- •Retouching images
- •Using the smudge tool
- •Using the focus tools
- •Using the toning tools
- •Using the sponge tool
- •Using the Liquify command
- •Using the Liquify dialog box
- •Distorting images
- •Freezing and thawing areas
- •Reconstructing distortions
- •Saving and loading distortions
- •Drawing
- •About drawing and painting
- •Drawing shapes and paths
- •About the drawing tools
- •Creating shape layers
- •Creating a work path (Photoshop)
- •Creating rasterized shapes
- •Using the shape tools
- •Setting shape tool options
- •Using preset shapes (Photoshop)
- •Controlling a shape as you draw it
- •Using the pen tools (Photoshop)
- •Drawing with the pen tool
- •Drawing curves with the pen tool
- •Drawing with the freeform pen tool
- •Editing shape layers
- •Using the Paths palette (Photoshop)
- •Editing paths (Photoshop)
- •About anchor points, direction lines, direction points, and components
- •Selecting paths (Photoshop)
- •Moving, reshaping, and deleting path segments
- •Moving, reshaping, copying, and deleting path components
- •Aligning and distributing path components
- •Adding, deleting, and converting anchor points
- •Managing paths (Photoshop)
- •Converting between paths and selection borders (Photoshop)
- •Converting paths to selection borders
- •Converting selection borders to paths
- •Adding color to paths (Photoshop)
- •Filling paths with color
- •Stroking to paint path borders
- •Painting
- •Using the painting tools (Photoshop)
- •Using the painting tools (ImageReady)
- •Erasing
- •Using the eraser tool
- •Using the magic eraser tool
- •Using the background eraser tool (Photoshop)
- •Using the Auto Erase option
- •Using the art history brush tool (Photoshop)
- •Working with brushes
- •Using the Brushes palette (Photoshop)
- •Selecting preset brushes
- •Customizing brush tips (Photoshop)
- •About brush dynamics (Photoshop)
- •Specifying brush shape dynamics (Photoshop)
- •Specifying brush scattering (Photoshop)
- •Creating textured brushes (Photoshop)
- •Creating dual brushes (Photoshop)
- •Specifying color dynamics (Photoshop)
- •Specifying paint dynamics (Photoshop)
- •Adding noise to brush strokes (Photoshop)
- •Using wet brush edges (Photoshop)
- •Creating airbrush effects (Photoshop)
- •Smoothing brush strokes (Photoshop)
- •Protecting texture in brush strokes (Photoshop)
- •Copying textures between tools (Photoshop)
- •Clearing brush options (Photoshop)
- •Creating and managing preset brushes (Photoshop)
- •Setting options for painting and editing tools
- •Selecting a blending mode
- •Using the gradient tool (Photoshop)
- •Specifying the gradient transparency
- •Managing gradients
- •Using the paint bucket tool
- •Filling and stroking selections and layers
- •Filling a selection or layer with colors or patterns
- •Stroking a selection or layer with color
- •Creating and managing patterns
- •Managing patterns (Photoshop)
- •Using the Pattern Maker
- •Generating patterns
- •Previewing patterns
- •Reviewing tiles and pattern previews
- •Specifying pattern smoothness and detail
- •Choosing foreground and background colors
- •Using color settings in the toolbox
- •Using the eyedropper tool
- •Using the Color palette
- •Using the Swatches palette
- •Using the Adobe Color Picker
- •Specifying a color using numeric values
- •Using Web-safe colors
- •Recognizing nonprintable colors (Photoshop)
- •Choosing custom colors (Photoshop)
- •Choosing a custom color system (Photoshop)
- •Using other color pickers
- •Using Channels and Masks
- •About channels
- •Using the Channels palette (Photoshop)
- •Viewing channels
- •Changing the display of the palette
- •Selecting and editing channels
- •Managing channels (Photoshop)
- •Rearranging and renaming channels
- •Duplicating channels
- •Splitting channels into separate images
- •Merging channels
- •Deleting channels
- •Mixing color channels (Photoshop)
- •Adding spot colors (Photoshop)
- •About spot colors
- •Creating spot channels
- •Modifying spot channels
- •Adjusting overlapping spot colors
- •Using channel calculations to blend layers and channels (Photoshop)
- •Using the Apply Image command
- •Using the Calculations command
- •About the Add and Subtract blending modes
- •About masks (Photoshop)
- •Creating temporary masks in Quick Mask mode (Photoshop)
- •Storing masks in alpha channels
- •About alpha channels (Photoshop)
- •Creating alpha channels (Photoshop)
- •Saving a mask selection
- •Modifying alpha channels (Photoshop)
- •Loading a selection into an image
- •Using Layers
- •About layers
- •Using the Layers palette
- •Creating layers and layer sets
- •About the background layer
- •Adding layers and layer sets
- •Working with layered images
- •Selecting layers
- •Displaying the contents of layers
- •Duplicating layers
- •Changing the stacking order of layers
- •Linking layers
- •Repositioning the contents of layers
- •Locking layers
- •Unifying layers (ImageReady)
- •Sampling from layers
- •Managing layers
- •Renaming layers
- •Color coding layers
- •Rasterizing layers
- •Deleting layers
- •Merging layers
- •Flattening all layers
- •Setting opacity and blending options
- •Setting layer opacity
- •Choosing a blending mode
- •Filling new layers with a neutral color
- •Specifying knockout options
- •Restricting blending to channels (Photoshop)
- •Grouping blend effects
- •Specifying a range for blending layers (Photoshop)
- •Using layer effects and styles
- •About layer effects and styles
- •Applying preset styles
- •Creating custom styles
- •Displaying layer styles
- •Editing styles
- •Modifying layer effects with contours (Photoshop)
- •Applying global lighting
- •Creating and managing preset styles
- •Copying and pasting styles
- •Scaling layer effects (Photoshop)
- •Removing layer effects
- •Converting layer styles to layers
- •Masking layers
- •About masking layers
- •Creating and editing layer masks
- •Creating and editing vector masks
- •Unlinking layers and masks
- •Applying and discarding layer masks
- •Selecting opaque areas on a layer
- •Creating clipping groups
- •Applying Filters for Special Effects
- •Loading images and textures
- •Using texture and glass surface controls
- •Tips for creating special effects
- •Choosing a Lighting Effects type
- •Choosing a Lighting Effects style
- •Using a Lighting Effects texture
- •Using Type
- •About type
- •Creating type
- •About using the type tools (Photoshop)
- •Entering point type
- •Entering paragraph type
- •Creating a type selection border (Photoshop)
- •Working with type layers
- •Editing text in type layers
- •Rasterizing type layers
- •Changing type layer orientation
- •Specifying anti-aliasing
- •Converting between point type and paragraph type
- •Warping type layers
- •Creating a work path from type (Photoshop)
- •Converting type to shapes (Photoshop)
- •Formatting characters
- •Selecting characters
- •Using the Character palette
- •Choosing a font
- •Choosing a type size
- •Changing the type color
- •Specifying leading
- •Specifying kerning and tracking
- •Adjusting horizontal or vertical scale
- •Specifying baseline shift
- •Changing case
- •Making characters superscript or subscript
- •Applying underline and strikethrough
- •Using ligatures and old style numerals
- •Using fractional character widths
- •Viewing text using the operating system layout
- •Rotating vertical type
- •Checking for spelling errors (Photoshop)
- •Finding and replacing text (Photoshop)
- •Formatting paragraphs
- •Selecting paragraphs and showing the Paragraph palette
- •Aligning and justifying type
- •Indenting paragraphs
- •Changing space above or below paragraphs
- •Specifying hanging punctuation
- •Adjusting hyphenation
- •Preventing unwanted word breaks
- •Adjusting spacing
- •Working with composition
- •About composition methods
- •Choosing a composition method
- •Setting options for Chinese, Japanese, and Korean type (Photoshop)
- •Displaying CJK type options
- •Adjusting tsume
- •Specifying how leading is measured
- •Using tate-chuu-yoko
- •Specifying left and right underlining
- •Working with Japanese composition
- •Using burasagari
- •Designing Web Pages
- •About designing Web pages with Photoshop and ImageReady
- •Creating and viewing slices
- •About slices
- •Types of slices
- •Creating user slices
- •Creating layer-based slices
- •Converting auto slices to user slices
- •Viewing slices
- •Selecting and modifying slices
- •Using the Slice palette (ImageReady)
- •Selecting slices
- •Moving and resizing user slices
- •Dividing user slices and auto slices
- •Duplicating slices
- •Combining slices (ImageReady)
- •Arranging user slices and layer-based slices
- •Aligning user slices (ImageReady)
- •Distributing user slices (ImageReady)
- •Deleting user slices and layer-based slices
- •Locking slices (Photoshop)
- •Specifying slice options
- •Viewing slice options
- •Choosing a content type
- •Specifying slice names
- •Specifying slice background colors
- •Assigning a URL to an Image slice
- •Resizing and moving slices using numeric coordinates
- •Specifying browser messages
- •Adding HTML text to a slice
- •Optimizing slices
- •Linking slices (ImageReady)
- •Creating and viewing image maps (ImageReady)
- •Creating image maps
- •Converting layer-based image maps to tool-based image maps
- •Viewing image maps
- •Selecting and modifying image maps (ImageReady)
- •Using the Image Map palette (ImageReady)
- •Selecting image maps
- •Duplicating image maps
- •Arranging image maps
- •Aligning tool-based image maps
- •Distributing tool-based image maps
- •Deleting image maps
- •Specifying image map options (ImageReady)
- •Selecting an image map type (ImageReady)
- •Creating Web photo galleries (Photoshop)
- •Customizing and creating Web photo gallery styles (Photoshop)
- •About Web photo gallery styles
- •Customizing Web photo gallery styles
- •Creating new Web photo gallery styles
- •Using tokens in Web photo gallery styles
- •Creating Rollovers and Animations (ImageReady)
- •About working with layers in rollovers and animations
- •Editing layers in rollover states and animation frames
- •Unifying and matching layers rollovers and animations
- •Using the Rollovers palette
- •Creating and editing rollovers
- •About rollovers
- •Creating slices for rollovers
- •Creating rollover states
- •Editing rollover states
- •Previewing rollover states
- •Adding animation to rollover states
- •Applying and creating rollover styles
- •Copying and pasting rollover states
- •Duplicating rollover states
- •Rearranging and deleting rollover states
- •Creating and editing animations
- •About animation
- •Using the Animation palette
- •Adding frames
- •Selecting frames
- •Editing frames
- •Rearranging and deleting frames
- •Copying and pasting frames
- •Tweening frames
- •Specifying looping
- •Specifying delay for frames
- •Adding layers to frames
- •Setting the frame disposal method
- •Flattening frames into layers
- •Viewing animations
- •Optimizing animations
- •Viewing animated images in Photoshop
- •Saving animations
- •Saving animations as animated GIFs
- •Saving animations as QuickTime movies
- •Opening animated GIFs
- •Opening QuickTime movies as animations
- •About optimization
- •Optimizing images
- •Using the Save for Web dialog box (Photoshop)
- •Working with slices in the Save for Web dialog box (Photoshop)
- •Using the Optimize palette (ImageReady)
- •Viewing optimized images (ImageReady)
- •Applying optimization settings
- •Optimization options for GIF and PNG-8 formats
- •Optimization options for JPEG format
- •Optimization options for PNG-24 format
- •Optimization options for WBMP format
- •Saving and resetting optimization settings
- •Resizing the image during optimization (Photoshop)
- •Controlling optimization (ImageReady)
- •Setting optimization preferences (ImageReady)
- •Using weighted optimization
- •About masks and weighted optimization
- •Using masks to modify JPEG quality
- •Using masks to modify GIF lossiness
- •Using masks to modify dithering
- •Using masks to modify color reduction
- •Optimizing colors in GIF and PNG-8 images
- •Viewing a color table
- •Generating a color table
- •Changing the display of the color table
- •Adding new colors to the color table
- •Including black and white in a color table
- •Selecting colors
- •Shifting colors
- •Shifting to Web-safe colors
- •Mapping colors to transparency
- •Locking colors in the color table
- •Deleting colors from the color table
- •Loading and saving color tables
- •Using master palettes (ImageReady)
- •Working with hexadecimal values for color
- •Viewing hexadecimal values for colors in the Info palette
- •Copying colors as hexadecimal values
- •Using a droplet to automate optimization settings (ImageReady)
- •Saving optimized images
- •Setting output options
- •Using the Output Settings dialog box
- •Setting HTML output options
- •Setting slice output options
- •Setting image map output options (ImageReady)
- •Setting background options
- •Adding title and copyright information to Web pages
- •Saving and Exporting Images
- •Saving images
- •Exporting images in ZoomView format (Photoshop)
- •Photoshop format
- •Photoshop 2.0 (Photoshop)
- •AVI (ImageReady)
- •Photoshop EPS
- •Photoshop DCS 1.0 and 2.0 (Photoshop)
- •EPS TIFF or EPS PICT Preview (Photoshop)
- •Filmstrip
- •JPEG
- •PICT File
- •PICT Resource
- •Pixar
- •QuickTime Movie (ImageReady)
- •Raw (Photoshop)
- •Scitex CT (Photoshop)
- •Targa
- •TIFF
- •Adding digital copyright information
- •Before adding a watermark
- •Embedding digital watermarks
- •Using the Watermark Durability setting
- •Using the signal strength meter
- •Creating multiple-image layouts (Photoshop)
- •Creating contact sheets
- •Creating picture packages
- •Customizing picture package layouts
- •Placing Photoshop images in other applications (Photoshop)
- •Using image clipping paths to create transparency
- •Printing image clipping paths
- •Exporting paths to Adobe Illustrator
- •Object linking and embedding (OLE) (Windows only)
- •Printing (Photoshop)
- •About printing
- •Printing images
- •Positioning and scaling images
- •Setting output options
- •Selecting halftone screen attributes
- •Printing part of an image
- •Choosing a print encoding method
- •Printing vector graphics
- •Using color management when printing
- •Creating color traps
- •Printing duotones
- •About duotones
- •Modifying the duotone curve
- •Specifying overprint colors
- •Saving and loading duotone settings
- •Viewing individual printing plates
- •Printing duotones
- •Exporting duotone images to other applications
- •Printing color separations
- •Automating Tasks
- •About actions
- •Using the Actions palette
- •Recording actions
- •Creating a new action
- •Recording paths (Photoshop)
- •Inserting stops
- •Setting modal controls
- •Excluding commands
- •Inserting nonrecordable commands (Photoshop)
- •Specifying an output folder (ImageReady)
- •Recording image size options (ImageReady)
- •Inserting optimization settings for selected slices (ImageReady)
- •Playing actions
- •Setting playback options (Photoshop)
- •Editing actions
- •Rearranging actions and commands
- •Recording additional commands
- •Rerecording and duplicating actions and commands
- •Deleting actions and commands
- •Changing action options
- •Managing actions in the Actions palette
- •Saving and loading actions (Photoshop)
- •Saving actions (ImageReady)
- •Organizing sets of actions (Photoshop)
- •Using the Batch command (Photoshop)
- •Using droplets
- •Creating a droplet from an action
- •Creating droplets for use on different operating systems
- •Editing droplets (ImageReady)
- •Using droplets to automate optimization settings (ImageReady)
- •Using the Automate commands (Photoshop)
- •External automation
- •Creating templates for data-driven graphics (ImageReady)
- •About data-driven graphics
- •Using variables
- •Using data sets
- •Previewing data-driven graphics
- •Saving templates for use with other Adobe products
- •Macintosh Shortcuts
- •Viewing
- •Selecting and moving objects
- •Painting
- •Editing
- •Path editing*
- •Slicing and Optimizing
- •Windows Shortcuts
- •Viewing
- •Selecting and moving objects
- •Painting
- •Editing
- •Path editing*
- •Slicing and Optimizing
- •Legal Notices
- •Copyright
- •Index
Adobe Photoshop Help |
Saving and Exporting Images |
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Origin Provides information on the history of the image. To enter the current date in a short text format, click Today. For Credit, enter the information needed in the credit line for a copyrighted image. Transmission Reference provides the Associated Press with information on the original transmission location of the image. For Urgency, specify the editorial urgency of the image—not its handling priority.
EXIF Displays information imported from a digital camera, such as the date and time the picture was taken, resolution, ISO speed rating, f/stop, compression, and exposure time. For more information about EXIF annotations, see your digital camera documentation.
To load, save, or append file information:
In the File Info dialog box, do one of the following:
•Click Load to replace the current information with information stored in a File Info file. You can load either an XMP file or an FFO file created by a previous version of Photoshop.
•Click Save to save the current file information in an XMP file for later use.
•Click Append to add information stored in a File Info file to the current file information. For each File Info field, if the field does not contain information then it will be updated with contents from the file. Caption and Keywords will always be appended with the information from the file.
Adding digital copyright information
You can add copyright information to Photoshop images and notify users that an image is copyright-protected via a digital watermark that uses Digimarc PictureMarc technology. The watermark—a digital code added as noise to the image—is generally imperceptible to the human eye. The watermark is durable in both digital and printed forms, surviving typical image edits and file format conversions—and is still detectable when the image is printed and then scanned back into a computer.
Embedding a digital watermark in an image lets viewers obtain complete contact information about the creator of the image. This feature is particularly valuable to image creators who license their work to others. Copying an image with an embedded watermark also copies the watermark and any information associated with it.
For more detailed information on embedding Digimarc watermarks, refer to the Digimarc Web site at www.digimarc.com.
Before adding a watermark
Keep in mind the following considerations before embedding a digital watermark in your image.
Color variation The image must contain some degree of variation or randomness in color to embed the watermark effectively and imperceptibly. The image cannot consist mostly or entirely of a single flat color.
Pixel dimensions The Digimarc technology requires a minimum number of pixels to work. Digimarc recommends the following minimum pixel dimensions for the image to be watermarked:
•100 pixels by 100 pixels if you don’t expect the image to be modified or compressed prior to its actual use.
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Adobe Photoshop Help |
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•256 pixels by 256 pixels if you expect the image to be cropped, rotated, compressed, or otherwise modified after watermarking.
•750 pixels by 750 pixels if you expect the image to appear ultimately in printed form at 300 dpi or greater.
There is no upper limit on pixel dimensions for watermarking.
File compression In general, a Digimarc watermark will survive lossy compression methods such as JPEG, though it is advisable to favor image quality over file size (a JPEG compression setting of 4 or higher works best). In addition, the higher the Watermark Durability setting you choose when embedding the watermark (see “Using the Watermark Durability setting” on page 462), the better the chances that the watermark will survive compression.
Workflow Watermarking should be one of the very last tasks you perform, except for file compression. Use the following recommended workflow:
•Make all necessary modifications to your image until it has the desired final appearance (this includes resizing and color correction).
•Embed the watermark.
•If needed, compress the image by saving it in JPEG or GIF format.
•If the image is intended for printed output, perform the color separation.
•Read the watermark and use the signal strength meter to verify that the image contains a watermark of sufficient strength for your purposes.
•Publish the watermarked image.
Embedding digital watermarks
To embed a watermark, you must first register with Digimarc Corporation—which maintains a database of artists, designers, and photographers and their contact infor- mation—to get a unique creator ID. You can then embed the creator ID in your images, along with information such as the copyright year or a restricted-use identifier.
To embed a watermark:
1 Open the image that you want to watermark. You can embed only one watermark per image. The Embed Watermark filter won’t work on an image that has been previously marked.
If you’re working with a layered image, you should flatten the image before marking it; otherwise, the watermark will affect the active layer only.
Note: You can add a watermark to an indexed-color image by first converting the image to RGB mode, embedding the watermark, and then converting the image back to indexedcolor mode. However, the results may be inconsistent. To make sure that the watermark was embedded, run the Read Watermark filter.
2 Choose Filter > Digimarc > Embed Watermark.
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3 If you are using the filter for the first time, click the Personalize button. Get a Digimarc ID by clicking Info to launch your Web browser and visit the Digimarc Web site at www.digimarc.com, or by contacting Digimarc at the telephone number listed in the dialog box. Enter your PIN and ID number in the Digimarc ID text box, and click OK.
(Once you have entered a Digimarc ID, the Personalize button becomes a Change button, allowing you to enter a new Digimarc ID.)
4Enter a copyright year for the image.
5Select any of the following image attributes:
•Restricted Use to limit the use of the image.
•Adult Content to label the image contents as suitable for adults only. (Within Photoshop, this option does not limit access to adult-only images, but future versions of other applications may limit their display.)
•Do Not Copy to specify that the image should not be copied.
6For Target Output, specify whether the image is intended for monitor, Web, or print display.
7For Watermark Durability, drag the slider or enter a value, as described in the next section.
8Select Verify to automatically assess the watermark’s durability after it is embedded (see “Using the signal strength meter” on page 462).
9Click OK.
Using the Watermark Durability setting
The default Watermark Durability setting is designed to strike a balance between watermark durability and visibility in most images. However, you can adjust the Watermark Durability setting yourself to suit the needs of your images. Low values are less visible in an image, but less durable, and may be damaged by applying filters or by performing some image-editing operations, printing, and scanning operations. High values are more durable but may display some visible noise in the image.
Your setting should depend on the intended use of the image and on the goals you’ve set for your watermarks. For example, it may be quite acceptable to use a higher Watermark Durability setting with JPEG images posted on a Web site. The higher durability helps to ensure the persistence of the watermark, and the increased visibility often is not noticeable with medium-resolution JPEG images. Digimarc recommends experimenting with various settings as part of your testing process to determine which setting works best for the majority of your images.
Using the signal strength meter
The signal strength meter helps you determine whether a watermark is durable enough to survive the intended use of the image. The signal strength meter is available only for images containing watermarks that you yourself have embedded.
Digimarc recommends that you check the signal strength meter before publishing your images. For example, if you often compress watermarked images for inclusion in a Web site, check the meter before posting the images. You can also use the signal strength meter to gauge the effectiveness of different Watermark Durability settings that you are experimenting with.
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To check the signal strength meter:
Choose Filter > Digimarc > Read Watermark. The signal strength meter appears at the bottom of the dialog box.
You can also display the meter automatically by selecting Verify while embedding the watermark. (See “Embedding digital watermarks” on page 461.)
Setting preferences for saving files (Photoshop)
In Photoshop, you can set preferences for saving image previews, using file extensions, and maximizing file compatibility.
To set file saving preferences:
1 Do one of the following:
• In Windows and Mac OS 9.x, choose Edit > Preferences > File Handling.
• In Mac OS X, choose Photoshop > Preferences > File Handling.
2 Set the following options:
Image Previews Choose an option for saving image previews: Never Save to save files without previews, Always Save to save files with specified previews, or Ask When Saving to assign previews on a file-by-file basis.
In Mac OS, you can select one or more of the following preview types (to speed the saving of files and minimize file size, select only the previews you need):
•Icon to use the preview as a file icon on the desktop.
•Macintosh Thumbnail to display the preview in the Open dialog box.
•Windows Thumbnail to save a preview that can display on Windows systems.
•Full Size to save a 72-ppi version of the file for use in applications that can only open low-resolution Photoshop images. For non-EPS files, this is a PICT preview.
File Extension (Windows) Choose an option for the three-character file extensions that indicate a file’s format: Use Upper Case to append file extensions using uppercase characters or Use Lower Case to append file extensions using lowercase characters.
Append File Extension (Mac OS) File extensions are necessary for files that you want to use on or transfer to a Windows system. Choose an option for appending extensions to filenames: Never to save files without file extensions, Always to append file extensions to filenames, or Ask When Saving to append file extensions on a file-by-file basis. Select Use Lower Case to append file extensions using lowercase characters.
To toggle the Append File Extension option for a single file, hold down Option when you choose a file format in the Save As dialog box.
To display a preview file icon (Windows only):
1Save the file in Photoshop format with a thumbnail preview.
2Right-click the file on the desktop (or in any Windows or Photoshop dialog box that displays a file list), and choose Properties from the context menu that appears.
3Click the Photoshop Image tab.
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