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Intrigued, she searched her memory for details of Medea’s story. She vaguely remembered that the play was

an ancient Greek tragedy and that the plot centered around Medea, who had been jilted by her husband,

Jason, for . . . Mikki scrunched up her face as she tried to sift through the dregs of long-forgotten high school

English.

. . . But women will never hate their own children.

Floating to her on the soft wind, the line jogged her cobwebby memory. Medea had been pissed at Jason

because he had dumped her for a younger woman, the daughter of the king of wherever it was they had fled

to after she’d betrayed her homeland to save Jason.

“Figures,” she muttered to herself. “Just like a man . . .” She slowed as she approached the busy group of

people who were rearranging lights and hauling pieces of freshly painted plywood setting here and there.

Several actresses were onstage, but they had fallen silent. Three grouped nervously together on stage left.

Another woman was standing by herself opposite them stage right. They were wearing drapey toga-like

outfits, and their hair flowed long and loose down their backs. All of them were looking around as if they

expected someone to materialize from the shadows at the edge of the stage. Mikki stopped to watch,

wondering why they seemed so uncomfortable.

“Where in the hell is Medea?”

The voice boomed from a little open-ended tent not far from her, causing Mikki to jump.

“She . . . she said she had to take a break,” the lone woman said sheepishly.

“That was half an hour ago!” the shadowed voice yelled, clearly annoyed. “How are we supposed to finish

the sound check without Medea?”

Mikki’s eyes slid to where the voice was coming from. All she could make out from the interior of the tent

was an illuminated soundboard that had lights and switches blinking away on it, in front of which the dark

figure of a man stood.

“I could wear two mikes and read her lines as well as mine,” one of the three women said, shielding her eyes

from the spotlights trained on the stage as she peered toward the man who Mikki decided must be the

director.

“That won’t work. We can’t get an accurate check that way. God-damnit! I’m tired of Catie’s theatrics. The

little twit thinks she is Medea.” The man paused, and Mikki could hear him pacing irritably back and forth

over the leafy ground. Then, as if her gaze had drawn it, his head turned in her direction. “Hey you! Would

you mind giving us a hand?”

Mikki looked around. No one was near her. The guy was actually talking to her.

“Me?” She laughed nervously.

“Yeah, it’ll just take a few minutes. Could you go up onstage, let them key a mike to you and say a few

lines?”

ina "1em">“I don’t know the lines,” Mikki said inanely.

“Doesn’t matter.” The man gestured at a worker who was standing near the stage. “Get the lady a script, and

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tell Cio to mike her.” Then he turned back to Mikki. “How ’bout I give you a couple tickets to opening night

for helping us out?”

“O-okay,” Mikki stammered. What the heck? Nelly loved this kind of stuff—she’d take her.

Feeling only a little foolish, she let two men lead her to the stage. One thrust an open script into her hand, and

the other guy, the one the director had called Cio, pushed back her hair, fitting a neat little mini-mike into her

hairline.

“Hey,” Cio yelled back at the director. “Her hair’s as thick as that wig Catie wears.”

“Good, it’ll give us an accurate test.”

“There’s your mark,” Cio told her, pointing to a line duct taped on the floor of the stage. “All you have to do

is stand there and after the Corinthian women say their lines, I’ll point to you and you read Medea’s

invocation of Hecate.” He paused, took a pen from his shirt pocket and circled a paragraph in the script.

“That stanza right there. Face the audience and try to speak as slowly and clearly as possible. Got it?”

Mikki nodded.

“Great.” He patted her shoulder absently before exiting the stage.

“You’ll be fine,” one of the three ladies said, smiling at her. “This is easy-peasy.”

“I don’t know,” Mikki whispered back at her. “I’ve never invoked a goddess before.”

“Hey, don’t worry about it. You won’t invoke one tonight unless you really are Medea,” the friendly looking

woman said, still grinning.

“Or unless you’re one of Hecate’s blood priestesses,” another lady chimed in.

“Or have delusions of grandeur and diva yourself into believing you’re both.” All of the actresses rolled their

eyes at the first woman’s comment. Clearly the absent lead actress had let the part go to her head.

“Ready, ladies?” the director called.

The four women sent her looks of encouragement as Mikki moved center stage to her mark.

“All right, let’s get this done so we can go home. First Corinthian Woman, start us out please.”

The First Corinthian Woman’s voice was strong and clear as she repeated the lines Mikki had overheard

earlier.

“The holy fountains flow up from the earth

the smoke of sacrifice flows up from the earth,

the eagle and the wild swan fly up from the earth . . .”

A little thrill tingled through Mikki’s stomach, and her nervousness was suddenly replaced by excitement. The

actress’s words seemed to fill the space around her, chasing away her trepidation.

The Second Corinthian Woman spoke her lines earnestly to Mikki.

“Women hate war, but men will wage it again.

Women may hate their husbands, and sons their fathers,

but women will never hate their own children.”

Mikki’s eyes followed the lines on the script as the First Woman’s voice trembled with emotion.

“But as for me, I will do good to my husband,

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