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Phonology and morphology

67

poetry, as we can see from careful versifiers like Chaucer. Here are examples from Troilus and Criseyde illustrating three options: total retention, partial retention and total deletion. In these examples pronounced final -e is represented as -, and deleted -e as -(e):

(30)(a) Han felt that lov- dorst- yow disples- (27)

(b)O blynd- world, O blynd-(e) entencioun (211)

(c)Among this-(e) other-(e) folk was Criseyda (169)

Since many final -e were vowels that had triggered MEOSL, their phonological loss made available a new diacritic for indicating vowel length in writing. Given name /na m/ < /na mə/, etc., length could be marked with a ‘silent’ final <e>, even in originally monosyllabic words like wrote < wrat¯ . Similarly, after degemination, pre-cluster shortening allowed double consonant graphs to be diacritics for shortness: otter, hammer < OE otor, hamor.

2.6.2.4Stress

The controversy´ or controversy´ about how to pronounce this word, as well as British rotate´ vs American rotate´, are remnants of a complex pattern of variability. The heyday of the conflict was the period from about 1600 to 1780, when both codifiers of the emerging standard and speakers in general were struggling with the relics of a complex history. But the seeds were already present in Middle English, as we can see from this Chaucerian line:

(31)In d´ıvers arts and in diverse´ figures (CT 2:1460)

Such doublets were available to later poets as well (here Shakespeare):

(32)The Reuennew´ whereof shall furnish vs (Richard II, I.iv.46) My manors, Rents, Reuenues´, I forgoe (Richard II, IV.i.212)

Two stress systems coexist, one old and one new. To understand the later developments, we must go back to Old English. Let us imagine accentuation as a kind of ‘scanning’ procedure that inspects a word – either from the beginning or the end – looking for certain specified syllables to make prominent. Recall that OE stress was assigned by the Germanic Stress Rule (GSR), which counts from the left-hand word-edge, and stresses the first syllable of the lexical root, ignoring prefixes (except special ones defined as stress-bearing). Examples (major lexical categories like N, V, A have brackets at each end; affixes have only one bracket;marks the ‘start’ of the scan):

(33)

input

stress

 

[#[Nhand]]

[#[Nh´and]]

 

[#ge-[Ahend]-e] ‘at hand’

[#ge-[Ah´end]-e]

68 R O G E R L A S S

Items with stressable prefixes and compounds are treated the same way: the rule scans the leftmost element first and assigns primary stress; then repeats the procedure for the right-hand element and assigns secondary stress (* marks a stressable prefix):

(34)

input

stress

 

[#wiþ-[Vsac-]-an] ‘to contend’

[#wiþ-[Vs´ac-]-an]

 

[#*wiþer-[Vsac-]-a] ‘adversary’

[#w´ıþer-[Vs`ac-]-a]

 

[#[N hand] [N belle]] ‘hand-bell’

[#[N h´and] [N b`elle]]

This system, then, is ‘left-handed’, sensitive to morphology, and insensitive to syllable structure.

Starting in the eleventh century, increasing numbers of Romance and GraecoLatin loanwords began to enter English. At first right-strong forms tended to be accented according to the old Germanic pattern (L candela´ > OE candel´); but over time increasing numbers were imported with their original accentuation, which was of the Romance type, as it is now called. This is quite different from the Germanic, since (at least in its most elaborate form) it takes syllable weight or quantity into account. A syllable is heavy (in older literature ‘long’) if its rhyme (nuclear vowel plus any following material) consists of a long vowel, a diphthong, or a short vowel + two or more consonants; otherwise it is light (‘short’: this is a somewhat controversial definition, based on a particular syllabification; see Lass, 1992).

Romance accentuation (the Romance Stress Rule, or RSR) counts from the right-hand word-edge, and selects the syllable to be stressed as follows (orthographic representations: = heavy, ˘ = light; examples from the General Prologue to the Canterbury Tales):

(35)(a) Stress the final syllable if it is heavy or the only syllable; ignore the final consonant:

 

input

 

 

licour#]¯

 

 

swich#]

 

(b)

If the final syllable is

 

light, stress the

penult if it is heavy or the only other syllable:

input eng¯endr˘ed#] chap˘el#]

stress licour#]´ sw´ıch#]

stress eng´endred#] ch´apel#]

(c)If the penult is light, stress the antepenult regardless of weight:

input

 

Z˘eph˘ırus#]˘

 

p¯ardon˘er#]

 

stress

Z´ephirus#]

p´ardoner#]

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