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Слово в предложении. Коллективная монография

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         tree                fuzzy) (Jackendoff 1986, 115).
       
                                                                            (-44).
         
                                               хороший  плохой, вкусный  невкусный          красный, синий  желтый.                                            
172
        хорошего плохого      (-139).
                    
         (   )                                                                         -             
       love                  
  love                                  
173
            Random House Websters Unabridged DictionaryWebsters New Encyclopedic Dictionary -594), online American Heritage Dictionary of the English
Language http://education.yahoo.com/reference/dictionary  Wordsmyth The Premier Educational Dictionary-Thesaurushttp://www.wordsmyth.net 
1) a strong and passionate affection for another person based on
sexual attraction;
2) a deep and tender affection for another person such as a friend
or relative;
3) a strong interest in, enjoyment of or liking for an object,
phenomenon or activity.
                   love  affection          love,   affection -    affection.
He is the son of Bert Weedon, the guitar star, who used to take him to      love with that marvellous pier and the noises, taffection grew during summer seasons in places like Bournemouth and Scarborough, and when he had to do a thesis at art school he chose fairground art as his subject (The Times, Feb. 17, 1990).
   love  affection       -     love          affection   the   affection  love                   love   a strong interest in, enjoyment of or liking
for an object, phenomenon or activity
174
   love       affection          affection                  -          gnalls Standard Handbook of Synonyms, Affection, usually
directed toward a living being ( . Л.К.), expresses more warmth of feeling; we should not speak attachment to her babe, but of her affection or of her devotion(. 73).
                that pier    the noises  the people           Bournemouth, Scarboroughthe art the art             
         
диффузность лексического значения    недискретность  осциллирование     
  Meaning and Change of Meaning With Special Reference to the English LanguageGteborg, 
 Words and Their Use London,                                 (1973, 76-) (1974,
179-181).
     . 
175
                                                                                      (10).)
                      
 
Синкретизм   syn-     cresco-                                                          (http://vocabulary.ru/dictionary/7/word).
     Random House Websters Unabridged
Dictionarysyncretism:
176
1) the attempted reconciliation or union of different or opposing
principles, practices, or parties, as in philosophy or religion;
2) Gram. the merging, as by historical change in a language, of
two or more categories in a specified environment into one, as, in nonstandard English, the use of was with both singular and plural subjects, while in standard English was is used with singular subjects (except for you in the second person singular) and were with plural subjects (. 1928).
                         
    love  affection   
 love         -            affection -                                     that pier, the noises, the people, the art which went with it)      art         явление   The ART                            ­       
affection.
          
177
             
                     
        закон семантической иррадиации     
                    love  affection, love  passion                                                      ().
But as she went to sleep she would be conscious of a vague contentment. The basis of this contentment was the fact that she and Samuel comprehended and esteemed each other, and made allowances for each other. Their characters had been tested and had stood the test. Affection, love, was not to them a salient phenomenon in their relations (Bennett).
affection love          
178
 - to be  
    affection, love          
  love    
      affection   
 love  affection                 
Первая интерпретация                  -                                         
                     love  affection                                    -                          нож, стол, огород              
179
            (  )                                ().
                 общего значения                   ( 1962, 245, 246)     осел          осел                     (   246).
-     -                    love  affection    Funk & Wagnalls
Standard Handbook of Synonyms, Antonyms, and Prepositions By James C. Fernald, L.H.D       
love love may be briefly defined    Л.К.) as strong and absorbing affection for and attraction toward a person or object
        ,     ( )          
180
    концептуальной внутренней форме            представления, понятия блоки
знаний*
      концептуальная внутренняя
форма (КВФ), схематизированное представление или схематизированная «картинка»
        
Концептуальная внутренняя форма формирует своеобразный концептуальный «скелет» обозначаемого фрагмента действительности, превращая его в лексико-семантический вариант многозначного слова или
в отдельное однозначное слово (   )  
                                                         thing                              affair         stuff,      thing       Would you please take your stuff out of here) ( -11) 

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