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Line number,

Line number,

Line number,

Contents,

Contents,

first field

second field

progressive

(F=0)

(F=1)

V left half

right half

 

 

 

 

 

 

 

563

 

 

1

1

 

 

 

 

 

564

 

 

2

2

 

 

 

 

 

565

 

 

3

3

 

 

 

 

 

566

 

 

4

4

 

 

 

 

 

567

 

 

5

5

 

 

 

 

 

568

 

 

6

6

 

 

 

 

7–20

 

vertical interval video

7–41

(14 lines)

 

 

 

 

(35 lines)

 

569–583

vertical interval video

 

 

(15 lines)

 

 

 

 

 

21–560

 

lines)

picture

 

(540 lines)

 

 

 

 

 

 

42–1121 (1080 lines)

584–1123 (540 lines)

V=0 (1080

picture

1122–1125

561–562

1124–1125

(4 lines)

(2 lines)

(2 lines)

 

 

 

Table 42.2 1080i and 1080p line assignment

start of line 561. In the second field, that EAV marks the start of line 1124; line 1 of the next frame starts on the second following EAV.

Analog sync

At an analog interface, each line commences with a trilevel sync pulse. The zero-crossing of trilevel sync defines the line sync datum 0H, to which horizontal events are referenced. Digital samples and analog timing are related such that the first (zeroth) sample of

CHAPTER 42

1920 × 1080 HD

475

0H precedes the first word of SAV by 192 clocks.

0H follows the first word of EAV by STL -1920-192 clocks.

active video follows the 0H instant by 192 reference clock intervals.

Trilevel sync comprises a negative portion asserted to -300±6 mV during the 44 reference clock intervals preceding 0H, and a positive portion asserted to +300±6 mV during the 44 reference clock intervals after 0H. The risetime of each transition is 4±1.5 reference clock intervals.

Details of horizontal timing are shown in Figure 42.1 opposite.

Vertical sync in the analog domain is signaled by broad pulses, whose structure differs between progressive and interlaced systems.

A progressive system has five broad pulses per frame, one each on lines 1 through 5. Each broad pulse is asserted to -300±6 mV, 132 reference clock intervals after 0H, and deasserted 2112 reference clock intervals after 0H. (Deassertion coincides with the end of active video – that is, with the right-hand edge of the production aperture.) The risetime of each transition is

4±1.5 reference clock intervals. Line 1 is defined by the first broad pulse of a frame – that is, by a line with

a broad pulse preceded by a line without one. Line 6 has a second trilevel pulse whose zero-crossing is STL /2 reference clock intervals after 0H. This pulse is reminiscent of an equalization pulse in analog SD.

In an interlaced system, several lines in the vertical interval have a second trilevel sync pulse whose zerocrossing is at STL /2 reference clock intervals after 0H. An interlaced system has ten broad pulses per field, in the arrangement indicated in Table 42.2. Each broad pulse is asserted to -300±6 mV, 132 reference clock intervals after the zero-crossing of the immediately preceding trilevel sync, and is deasserted 880 reference clock intervals later. The risetime at each transition is 4±1.5 reference clock intervals. Line 1 can be decoded as the first broad pulse in a left-hand halfline – that is, by detecting a normal line (with no broad pulse and no mid-line trilevel sync) followed by a broad pulse immediately after 0H. Each broad pulse is preceded by a trilevel pulse whose zero-crossing is either at 0H or delayed STL /2 reference clock intervals from 0H.

476

DIGITAL VIDEO AND HD ALGORITHMS AND INTERFACES

+300

Sync

0

–300

0H

+350

+300

PB, PR

0

–300

–350

+700

+350 mV +300

132(d)

BLANKING

BROAD PULSE

1012

1056

1100

1144

1232

Y’,R’,G’,B’

0

–300

 

 

 

 

 

–44

 

44

192

0H

 

 

Reference clocks (at 74.25 MHz)

2112

2112

2200

Figure 42.1 1080i30 analog line details. Time intervals are shown as intervals of a reference clock at 74.25 MHz, with reference clock zero defined at 0H. To obtain sample numbers relative to the zeroth sample of active video, add SAL +88 (modulo STL) to these counts.

CHAPTER 42

1920 × 1080 HD

477

Vertical interval video lines do not convey picture information. They may convey ancillary or other signals either related or unrelated to the picture.

Analog signal timing is defined by the digital standard; the digital sampling frequency defines reference time intervals used to define analog timing.

Figure 42.2 shows details of the vertical sync structure; this waveform diagram is the analog of Table 42.2, on page 475.

Picture center, aspect ratio, and blanking

The center of the picture is located midway between the central two of the 1920 active samples (between samples 959 and 960), and midway between the central two 1080 picture lines (between lines 581 and 582 in a progressive system, and between lines 290 and 853 in an interlaced system).

The aspect ratio is defined to be 16:9 with respect to the production aperture of 1920× 1080.

In Transition samples, on page 378, I mentioned that it is necessary to avoid, at the start of a line, an instantaneous transition from blanking to picture information. A clean aperture pixel array 1888 samples wide and 1062 lines high, centered on the production aperture, should remain subjectively uncontaminated by edge transients.

R’G’B’ EOCF and primaries

Picture information is referenced to linear-light primary red, green, and blue (RGB) tristimulus values, represented in abstract terms in the range 0 (reference black) to +1 (reference white).

Three nonlinear primary components R’, G’, and B’ are computed such that the intended image appearance is obtained on the reference display in the reference viewing conditions; see Reference display and viewing conditions, on page 427.

In the default power-up state of a camera, the nonlinear primary components are computed according to the opto-electronic conversion function of BT.709 OECF, described on page 320; this process is loosely called gamma correction.

The colorimetric properties of the display primaries are supposed to conform to BT.709 primaries described

478

DIGITAL VIDEO AND HD ALGORITHMS AND INTERFACES

42 CHAPTER

2.42 Figure

HD 1080 × 1920

interval blanking vertical p1080 and i1080

0V

PROGRESSIVE SYSTEM, FRAME

45 H

41 H

5 H

 

 

 

 

 

 

 

 

 

top

bottom

 

 

 

 

 

 

 

 

 

image

image

 

 

 

 

 

 

 

 

 

row

row

(bottom)

 

 

 

 

 

 

 

 

 

 

1121 1122 ...1125 1

2

3

4

5

6

7

8 ...

41

42

43 ... 1121 1122 ...1125

INTERLACED SYSTEM, FIRST FIELD/SEGMENT

22 H

20 H

5 H

top image row

(bottom)

1123

1124

1125

1

2

3

4

5

6

7

8 ...

20

21

22 ...

560

561

562

INTERLACED SYSTEM, SECOND FIELD/SEGMENT

23 H

20 12 H

6 H

5 H

bottom image row

0V

560

561

562

563

564

565

566

567

568

569

570 ...

582

583

584

585 ...

1123

1124

1125

479

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