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1280× 720 HD

41

SMPTE ST 296, 1280× 720 Progressive Image Sample Structure – Analog and Digital Representation and Analog Interface.

24 23.976

1.001

30 29.97

1.001

60 59.94

1.001

This chapter details the scanning, timing, and sync structure of 1280× 720 video, also called 720p. The scanning and timing information in this chapter applies to all variants of 720p video, both analog and digital.

Scanning

720p video represents stationary or moving twodimensional images sampled temporally at a constant rate of 241.001, 24, 25, 301.001, 30, 50, 601.001, or 60 frames per second. The sampling rate is 74.25 MHz (modified by the ratio 10001001 in 720p59.94,

720p29.97, and 720p23.976). All of these systems have 750 total lines (LT). The number of samples per total line (STL) is adapted to achieve the desired frame rate. Table 41.1 below summarizes the scanning parameters.

A frame comprises a total of 750 horizontal raster lines of equal duration, uniformly progressively scanned top to bottom and left to right, numbered consecutively

System

fS [MHz]

STL

720p60

74.25

1650

720p59.94

74.251.001

1650

720p50

74.25

1980

720p30

74.25

3300

720p29.97

74.251.001

3300

720p25

74.25

3960

720p24

74.25

4125

720p23.976

74.251.001

4125

Table 41.1 720p scanning parameters are summarized.

467

tri Trilevel pulse

BR Broad pulse

The vertical center of the picture is located midway between lines 385 and 386.

Line number

Contents

 

 

1–5

tri/BR (5 lines)

6

Blanking

7–25

Blanking/Ancillary

(19 lines)

 

26–745

Picture

(720 lines)

[Clean aperture 702 lines]

746–750

Blanking

(5 lines)

 

 

 

Table 41.2 1280×720 line assignment

0H precedes the first word of SAV by 256 clocks.

0H follows the first word of EAV by STL -1280-260 clocks.

starting at 1. Of the 750 total lines, 720 contain picture. Table 41.2 above shows the assignment of line numbers and their content.

For studio video, the tolerance on frame rate is normally ±10 ppm. In practice the tolerance applies to a master clock at a high frequency, but for purposes of computation and standards writing it is convenient to reference the tolerance to the frame rate.

At a digital interface, video information is identified by a timing reference signal (TRS) conveyed across the interface. (See SDI and HD-SDI sync, TRS, and ancillary data, on page 433.) The last active line of a frame is terminated by EAV where the V-bit becomes asserted. That EAV marks the start of line 746; line 1 of the next frame starts on the fifth following EAV.

Analog sync

Horizontal events are referenced to 0H, defined by the zero-crossing of trilevel sync. Digital samples and analog timing are related such that the first (zeroth) sample of active video follows the 0H instant by

260 reference clock intervals.

At an analog interface, each line commences with a trilevel sync pulse. Trilevel sync comprises a negative

portion asserted to -300±6 mV during the 40 reference clock intervals preceding 0H, and a positive portion asserted to +300±6 mV during the 40 reference clock intervals after 0H. The risetime of each transition is 4±1.5 reference clock intervals.

Vertical sync in the analog domain is signaled by broad pulses, one each on lines 1 through 5. Each broad

468

DIGITAL VIDEO AND HD ALGORITHMS AND INTERFACES

pulse is asserted to -300±6 mV, with timing identical to active video – that is, to the production aperture’s picture width. The risetime of each transition is

4±1.5 reference clock intervals. Line 1 can be detected as the first broad pulse of a frame – that is, by a line without a broad pulse followed by a line with one.

Lines 7 through 25 do not convey picture information. They may convey ancillary or other signals either related or unrelated to the picture.

Analog signal timing is defined by the digital standard; the digital sampling frequency defines reference time intervals used to define analog timing.

Figure 41.1 overleaf shows details of the sync structure; this waveform diagram is the analog of Table 41.2.

Picture center, aspect ratio, and blanking

The center of the picture is located midway between the central two of the 1280 active samples – that is, between samples 639 and 640 – and midway between the central two 720 picture lines – that is, between lines 385 and 386.

The aspect ratio is defined to be 16:9 with respect to the production aperture of 1280× 720.

In Transition samples, on page 378, I mentioned that it is necessary to avoid, at the start of a line, an instantaneous transition from blanking to picture information. A clean aperture pixel array 1248 samples wide and 702 lines high, centered on the production aperture, should remain subjectively uncontaminated by edge transients.

R’G’B’ EOCF and primaries

Picture information is referenced to linear-light primary red, green, and blue (RGB) tristimulus values, represented in abstract terms in the range 0 (reference black) to +1 (reference white).

Three nonlinear primary components R’, G’, and B’ are computed such that the intended image appearance is obtained on the reference display in the reference viewing conditions; see Reference display and viewing conditions, on page 427.

In the default power-up state of a camera, the nonlinear primary components are computed according to the opto-electronic conversion function of BT.709

CHAPTER 41

1280 × 720 HD

469

470

INTERFACES AND ALGORITHMS HD AND VIDEO DIGITAL

0V

PROGRESSIVE SYSTEM, FRAME

30 H

25 H

5 H

 

 

 

 

 

 

 

 

 

 

 

top

bottom

 

 

 

 

 

 

 

 

 

 

 

 

image

image

 

 

 

 

 

 

 

 

 

 

 

 

row

row

 

(bottom)

 

 

 

 

 

 

 

 

 

 

 

 

 

745

746... 750

1

2

3

4

5

6

7

8 ...

25

26

27... 745

746... 750

Figure 41.1 720p raster, vertical

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