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The -I and +Q elements correspond to R’G’B’ values of [-0.3824, 0.1088, 0.4427] and [0.2483, -0.2589, 0.6817], respectively; and to 10-bit 601Y’CBCR values [0, 228, -244] and [0, 345, 159]. To produce RGB-legal codes having the same hue and saturation as -I and +Q, and having minimum luma, use R’G’B’ values [0, 0.2456, 0.412545] and [0.253605, 0, 0.470286], respectively. See SMPTE RP 219.

SMPTE RP 219, High-Definition,

Standard-Definition Compatible

Color Bar Signal.

-I, +Q, and pluge elements in SD colourbars

The lower-left quadrant of the SMPTE colourbar pattern contains subcarrier frequency components at -I and +Q phase. These elements were designed to exercise the encoding and decoding axes of the original NTSC chroma modulation method (circa 1953). Encoding and decoding on I and Q axes fell into disuse around 1970, being replaced by encoding and decoding on the B’-Y’ and R’-Y’ axes, so the utility of this portion of the signal is now lost. The historical -I and +Q elements contain high chroma resting upon black. These combinations correspond to illegal mixtures of R’G’B’ where one component is dramatically negative; consequently, the -I and +Q elements are not representable in the positive R’G’B’ domain.

The -I element, the +Q element, and the negativegoing element of pluge are generated synthetically. None of these elements represents picture information; none is useful in evaluating pictures; and none can be generated in – or survive transit through – the positive R’G’B’ domain between 0 and 1 (or 0 and 255, or even 16 through 235 or 64 through 940 if footroom is clipped).

In fact, it is not just the -I, +Q, and pluge elements of colourbars that are synthetic: The entire signal is generated synthetically! We call it the colourbar signal, not the colourbar image, because the -I, +Q, and pluge elements cannot be represented in nonnegative RGB components. The colourbar signal represents values of R’G’B’ as if they came from a gamma-corrected camera and were inserted prior to an encoder. R’G’B’ values of colourbars are implicitly gamma-corrected.

HD colourbars

Figure 36.1 overleaf is a sketch of an image produced by the SMPTE colourbar test pattern for HD.

CHAPTER 36

COLOURBARS

423

Figure 36.5 The SMPTE RP 219 SD colourbar test signal is used for HD.

424

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DIGITAL VIDEO AND HD ALGORITHMS AND INTERFACES

Part 4

Studio standards

37Reference display and viewing conditions 427

38SDI and HD-SDI interfaces 429

39480i component video 445

40576i component video 457

411280× 720 HD 467

421920× 1080 HD 473

44 Component analog HD interface 485

43 HD videotape 481

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Reference display

and viewing conditions

37

 

Historically, the video industry has been lax in setting

 

standards for studio video reference displays. Over the

 

next few years, as fixed-pixel displays (FPDs) reach

 

studio quality levels and see deployment as reference

 

displays, that situation has to change. As I write, stan-

 

dards groups within EBU, SMPTE, and ITU-R are

 

working to remedy these deficiencies. However, given

 

the absence today of official standards, I am writing the

 

remainder of this chapter as if it is the missing standard.

 

This chapter attempts to codify current practice in

 

2011, as exemplified by CRT “broadcast video

 

 

monitors.” In my view, LCDs are not yet studio-grade.

 

Changes will be necessary to accommodate mastering

 

of wide-gamut colour and/or high dynamic range.

Introduction

The reference display converts an R’G’B’ video signal

 

to light – characterized by CIE tristimulus values

 

according to CIE 15 – as if through an additive RGB

 

process. (A reference display need not physically use

 

additive mixing providing that it behaves as an additive

 

RGB device as far as its operation is observed externally.)

Signal interface

R’G’B’ video signal values herein are normalized to

 

reference black at value 0 and reference white at value

 

1. Signal values below 0 are clipped to 0. Signal values

 

up to the fraction 955/

876

of reference white are

 

accommodated; signal values beyond 955/

shall be

876 clipped to 955/876. (Various video standards define

mappings into integers; for example, 10-bit digital video encoding according to ITU-R BT.709 includes scaling by 876 and offset of +64; reference black is represented as R’G’B’ signal code 64, reference white as signal code 940, and peak white as signal code 1019.)

427

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