- •IMPORTANT SAFETY INFORMATION
- •How to Use This Manual
- •The Big Picture
- •Knobs, Keys, and Jacks
- •The Front Panel
- •The Back Panel
- •AES/EBU Digital Audio Input/Output (Professional)
- •S/P DIF Digital Audio Input/Output (Consumer)
- •Getting Around and Altering Parameters
- •Adjusting the Brightness and Contrast of the Display
- •The "Areas" of the H8000FW
- •Understanding the Display and SOFT KEYS
- •Using the Cursor Keys, the SELECT key, the NUMERIC KEYPAD, and the KNOB
- •Ganged Parameters
- •Entering or Changing Text
- •QuickStart Or "Nearly Instant Gratification"
- •Hooking Up and Internal Routing
- •Things to Know about Routing
- •Loading Routing Configurations
- •4 Channel series Routings
- •8 Channel series Routings
- •Stereo Dual Machine Routings
- •4 channel Dual Machine Routings
- •4 Channel parallel routings
- •8 Channel parallel routings
- •Complex FireWire Routings
- •Analog & FireWire AB
- •ADAT & AES8 I/O
- •The I/O Identifier
- •Setting Input Levels
- •Effecting Things
- •"Panic" Muting
- •Loading Programs
- •Parameters
- •"Tweaking" and Saving "Tweaks"
- •Wrap Up
- •Mounting and Handling
- •Memory Cards
- •The Comprehensive Input / Output Scheme
- •Routing Configuration
- •Connecting real world inputs to the H8000FW
- •CONFIGURING THE MAIN INPUTS
- •Configuring the DSP input sources
- •Configuring the MAIN Outputs
- •Connecting to the H8000FW’s outputs
- •Configuring the outputs
- •Further Input and Output options
- •DIN 1/2 Allows the Selection of Either AES/EBU or S/P DIF for the First Digital Input Pair.
- •OPTO out – allows use of optical output connector for optical S/P DIF (H8000FW only)
- •Signal Flow Example
- •Storing and Loading Routing Configurations
- •Programs’ Effect on Routing Decisions
- •Controlling Levels
- •The Level Meters
- •Controlling the Level of the Analog and Digital Inputs
- •Input Levels, Wet/Dry Ratios, and Output Levels for Each DSP
- •Controlling the Level of the Analog and Digital Outputs
- •Digital Setup
- •Digital Setup Overview
- •Sampling Rates
- •The System Sampling Rate – A Digital Audio Primer
- •Using the Internal Clock
- •Selecting the Internal Clock’s Rate
- •The Status of The Digital Inputs When Using the Internal Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the Internal Clock
- •Using an External Clock
- •Selecting the External Clock
- •The Status of the Digital I/Os When Using the External Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the External Clock
- •Sample Rate Conversion (SRC)
- •Word Clock Termination
- •Word Length (Bits)
- •Input Word Length
- •Output Word Length
- •Bypassing and Muting
- •System Bypass
- •Machine Bypass
- •External Controllers
- •Setting Up the External Controllers
- •Foot Pedals 1 and 2
- •MIDI Setup
- •External Modulation and Trigger Menu Pages
- •"Manually" Selecting an External Controller for Modulation
- •"Manually" Selecting the External Controller for Triggers
- •External Controller Selection
- •Parameters Common to Both External Modulation and External Trigger Menu Pages.
- •MIDI Running Status
- •Automatically" Selecting a MIDI External Controller
- •Scaling the External Controller
- •The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2
- •Remote Controlling Parameters
- •Remote Controlling Triggers
- •MIDI Groups
- •Program Load, Save, Delete, Etc.
- •Categorizing Programs
- •Categorized by Effects Type
- •Categorized by Similar Programs (Banks)
- •Loading Programs
- •Loading a Program Remotely
- •Loading a Program Via a MIDI Program Change Message
- •Triggering the Next or Previous Program to Load
- •Saving a Program
- •Copying Programs
- •The "Size" of a Program and Its Ramifications for Storage
- •Updating a Program
- •Renaming a Program
- •Deleting a Program
- •Parameters
- •System Tempo
- •System Timer
- •Taps
- •Textblocks
- •Graphics and Curves
- •Storing and Loading Setups
- •Miscellaneous Setup Options
- •Transmitting and receiving Data
- •Setting Up the Serial Port
- •Dumping Data and Receiving Data Dumps
- •Controlling One H8000FW from Another H8000FW
- •Sending A Program From One the H8000FW to Another
- •Sequencing With MIDI
- •Connecting user-supplied crystals and external clocks
- •Service and Start-Up Options
- •Fixing Internal Memory Problems
- •Fixing PCMCIA SRAM Memory Card Problems
- •Changing the Internal Battery
- •Clear Setup
- •Software Version and Accessories
- •Start-Up Options
- •Making connections between the H8000FW and the computer.
- •Setting the sample rate and buffer size for the system
- •Synchronizing connected audio devices
- •Configuring the H8000FW for Throughput
- •Device Settings
- •Device Description
- •Device nickname
- •Measured Sampling Rate
- •Status
- •Global Settings - Bus Page
- •Master
- •Sample Rate
- •Sync Source
- •Buffer Size
- •Unique ID
- •Operation Mode
- •Global Settings - WDM Page
- •Set WDM Channel Maps
- •Global Settings - DPC Page
- •Global Settings -System Page
- •Global Settings -Info Page
- •PAL, Driver version
- •Viewing the H8000FW’s Configuration
- •Setting Up the H8000FW for Default Audio Output
- •Configuring the H8000FW for Output with Logic Pro
- •Creating an Aggregate Audio Device
- •Routing Audio to the H8000FW
- •Configuring Logic Pro for H8000FW Input and Output
- •An Example of Using Logic Pro with the H8000FW
- •Step-by-Step Descriptions of the Routing Process Flow
- •Sample Rates
- •Frequency Response
- •Digital Inputs/Outputs
- •Analog Input (XLR Balanced Inputs)
- •Analog Output
- •Remote Control Inputs
- •Remote Control Outputs
- •MIDI Connections
- •Memory Card Interface
- •Factory Preset Capabilities (at 48k sampling)
- •Power
- •Size
- •Weight:
Remote Controlling Triggers
As we mentioned before, some soft keys are known as triggers because pressing them causes an action to happen, as opposed to displaying a menu page. An example of this is shown in the
program Simple Sampler. <record>, <play>, and stop are all triggers.
To remote one of the triggers, press and hold the soft key for about a second. This will then bring up the remote control screen described above, allowing you to choose how you want to
control it. The flashing underbar indicates that this key is remotely controlled. If you change the mode to off on the "remote control" menu page, the underline will, of course, go away.
To change the "one second hold time," see Miscellaneous Setup Options on page 138.
MIDI GROUPS
The use of "MIDI groups" allows an alternative way to control the H8000FW from MIDI, with the minimum of setting up. A MIDI group is a numbered sequence of MIDI controllers, for example, 70,71,72 .. 77. When the H8000FW has been told to respond to this group, these controllers will correspond to the parameters on the H8000FW's screen. This allows a multi-controller such as the Peavey PC1600 to control the H8000FW with very little configuration required.
For example, referring to the parameter screen at the right, the MIDI group from 70-77 would give you the following results:
70: predelay
71:decay time
72:room size
73:diffusion
74:hi decay
75:hi freq
76:lo decay
77:lo freq
112
Each parameter would be controlled over its full range - for example, in this preset lo freq has a minimum value of 10 (Hz) and a maximum value of 1000 (Hz). This means that the minimum MIDI value (0) would give you 10 (Hz) and the maximum MIDI value (127) would give you 1000 (Hz).
In this example, using a MIDI single controller, the resolution will be limited to the 128 steps offered by MIDI, meaning that the minimum change possible is (1000-10)/128 or about 8Hz. MIDI double controllers (numbered 0 to 31) will give better resolution.
If you then changed to a different screen, say
in the LEVELS area, the following would
70:A OUT1 Wet/Dry
71:A OUT2 Wet/Dry
72:A OUT3 Wet/Dry
73:A OUT4 Wet/Dry
74:A OUT5 Wet/Dry
75:A OUT6 Wet/Dry
76:A OUT7 Wet/Dry
77:A OUT8 Wet/Dry
The MIDI group will continue to control whichever screen is displayed. This looks useful: how do we set up such a MIDI group ? All will become clear ….
Configuring the MIDI Group
The last key in the SETUP/MIDI "stack" controls the MIDI group. This operates just like any of the H8000FW's other controller screens, with some added features:
The parameters on this screen cannot be controlled by way of the MIDI group. There's a reason for this. The controller number con is the first
controller number in the group. This is most usefully set up by MIDI capture.
See page 96 for more on MIDI capture.
113
The group size is the number of controllers in the group. For example, in the screen at the right, the group is from 70 to 77. This is a useful location for the group, as these controllers are unassigned by the MIDI specification and not generally used.
The active con displays the number from 1 to group size of any member in the group that changes. This is useful as a way of checking that the group is set up correctly and is acting on received MIDI signals. It will display 0 as shown above if no group member has changed since power-up.
If operation is normal, the external controller will directly control the parameters on the current screen. This sounds right, but can cause problems when moving from screen to screen. For example, suppose you are using a faderbased controller like the Peavey 1600, and you push the fader all the way up to control, say, a vibrato depth. Then you switch to another screen where the same fader controls the master output level. The minute you touch the fader, the level will go way up, and the floor will be covered with bits of loudspeaker. This can be prevented by setting operation to sticky.
If operation is sticky, each member in the group can only be changed by moving the controller through its current position. The value will then
stick and respond to further movements of the controller. Looking at the top right of the screen, you will see a small horizontal thermometer. The arrow shows the direction to move the controller to pass through the current value, while the vertical bar is the position of the current value. Once the current value has been reached the thermometer will disappear and you will have full control.
114