- •IMPORTANT SAFETY INFORMATION
- •How to Use This Manual
- •The Big Picture
- •Knobs, Keys, and Jacks
- •The Front Panel
- •The Back Panel
- •AES/EBU Digital Audio Input/Output (Professional)
- •S/P DIF Digital Audio Input/Output (Consumer)
- •Getting Around and Altering Parameters
- •Adjusting the Brightness and Contrast of the Display
- •The "Areas" of the H8000FW
- •Understanding the Display and SOFT KEYS
- •Using the Cursor Keys, the SELECT key, the NUMERIC KEYPAD, and the KNOB
- •Ganged Parameters
- •Entering or Changing Text
- •QuickStart Or "Nearly Instant Gratification"
- •Hooking Up and Internal Routing
- •Things to Know about Routing
- •Loading Routing Configurations
- •4 Channel series Routings
- •8 Channel series Routings
- •Stereo Dual Machine Routings
- •4 channel Dual Machine Routings
- •4 Channel parallel routings
- •8 Channel parallel routings
- •Complex FireWire Routings
- •Analog & FireWire AB
- •ADAT & AES8 I/O
- •The I/O Identifier
- •Setting Input Levels
- •Effecting Things
- •"Panic" Muting
- •Loading Programs
- •Parameters
- •"Tweaking" and Saving "Tweaks"
- •Wrap Up
- •Mounting and Handling
- •Memory Cards
- •The Comprehensive Input / Output Scheme
- •Routing Configuration
- •Connecting real world inputs to the H8000FW
- •CONFIGURING THE MAIN INPUTS
- •Configuring the DSP input sources
- •Configuring the MAIN Outputs
- •Connecting to the H8000FW’s outputs
- •Configuring the outputs
- •Further Input and Output options
- •DIN 1/2 Allows the Selection of Either AES/EBU or S/P DIF for the First Digital Input Pair.
- •OPTO out – allows use of optical output connector for optical S/P DIF (H8000FW only)
- •Signal Flow Example
- •Storing and Loading Routing Configurations
- •Programs’ Effect on Routing Decisions
- •Controlling Levels
- •The Level Meters
- •Controlling the Level of the Analog and Digital Inputs
- •Input Levels, Wet/Dry Ratios, and Output Levels for Each DSP
- •Controlling the Level of the Analog and Digital Outputs
- •Digital Setup
- •Digital Setup Overview
- •Sampling Rates
- •The System Sampling Rate – A Digital Audio Primer
- •Using the Internal Clock
- •Selecting the Internal Clock’s Rate
- •The Status of The Digital Inputs When Using the Internal Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the Internal Clock
- •Using an External Clock
- •Selecting the External Clock
- •The Status of the Digital I/Os When Using the External Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the External Clock
- •Sample Rate Conversion (SRC)
- •Word Clock Termination
- •Word Length (Bits)
- •Input Word Length
- •Output Word Length
- •Bypassing and Muting
- •System Bypass
- •Machine Bypass
- •External Controllers
- •Setting Up the External Controllers
- •Foot Pedals 1 and 2
- •MIDI Setup
- •External Modulation and Trigger Menu Pages
- •"Manually" Selecting an External Controller for Modulation
- •"Manually" Selecting the External Controller for Triggers
- •External Controller Selection
- •Parameters Common to Both External Modulation and External Trigger Menu Pages.
- •MIDI Running Status
- •Automatically" Selecting a MIDI External Controller
- •Scaling the External Controller
- •The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2
- •Remote Controlling Parameters
- •Remote Controlling Triggers
- •MIDI Groups
- •Program Load, Save, Delete, Etc.
- •Categorizing Programs
- •Categorized by Effects Type
- •Categorized by Similar Programs (Banks)
- •Loading Programs
- •Loading a Program Remotely
- •Loading a Program Via a MIDI Program Change Message
- •Triggering the Next or Previous Program to Load
- •Saving a Program
- •Copying Programs
- •The "Size" of a Program and Its Ramifications for Storage
- •Updating a Program
- •Renaming a Program
- •Deleting a Program
- •Parameters
- •System Tempo
- •System Timer
- •Taps
- •Textblocks
- •Graphics and Curves
- •Storing and Loading Setups
- •Miscellaneous Setup Options
- •Transmitting and receiving Data
- •Setting Up the Serial Port
- •Dumping Data and Receiving Data Dumps
- •Controlling One H8000FW from Another H8000FW
- •Sending A Program From One the H8000FW to Another
- •Sequencing With MIDI
- •Connecting user-supplied crystals and external clocks
- •Service and Start-Up Options
- •Fixing Internal Memory Problems
- •Fixing PCMCIA SRAM Memory Card Problems
- •Changing the Internal Battery
- •Clear Setup
- •Software Version and Accessories
- •Start-Up Options
- •Making connections between the H8000FW and the computer.
- •Setting the sample rate and buffer size for the system
- •Synchronizing connected audio devices
- •Configuring the H8000FW for Throughput
- •Device Settings
- •Device Description
- •Device nickname
- •Measured Sampling Rate
- •Status
- •Global Settings - Bus Page
- •Master
- •Sample Rate
- •Sync Source
- •Buffer Size
- •Unique ID
- •Operation Mode
- •Global Settings - WDM Page
- •Set WDM Channel Maps
- •Global Settings - DPC Page
- •Global Settings -System Page
- •Global Settings -Info Page
- •PAL, Driver version
- •Viewing the H8000FW’s Configuration
- •Setting Up the H8000FW for Default Audio Output
- •Configuring the H8000FW for Output with Logic Pro
- •Creating an Aggregate Audio Device
- •Routing Audio to the H8000FW
- •Configuring Logic Pro for H8000FW Input and Output
- •An Example of Using Logic Pro with the H8000FW
- •Step-by-Step Descriptions of the Routing Process Flow
- •Sample Rates
- •Frequency Response
- •Digital Inputs/Outputs
- •Analog Input (XLR Balanced Inputs)
- •Analog Output
- •Remote Control Inputs
- •Remote Control Outputs
- •MIDI Connections
- •Memory Card Interface
- •Factory Preset Capabilities (at 48k sampling)
- •Power
- •Size
- •Weight:
The CURSOR keys take you around the virtual keyboard.
SELECT enters the currently selected letter (equivalent to actually pressing a key on a real keyboard).
The key toggles between "insert" and "overwrite" modes. Alternatively, you can place the cursor over Ovr/Ins and press SELECT.
The KNOB moves the insert/overwrite point on the top row.
The key toggles between capital and lower-case letters and gives you access to very special characters such as "!", "@", and "&". Alternatively, you can place the cursor over Caps and press SELECT.
The numeric keypad enters numbers, a decimal point, or a minus sign.
CXL will delete the current character.
When you are finished naming the thing that needed naming, place the cursor over Enter and press SELECT (or use the ENT key on the keypad). If you change your mind and don’t want to name the thing that you thought needed naming, place the cursor over Quit and press SELECT.
QuickStart Or "Nearly Instant Gratification"
All right, all right! Areas, displays, SOFT KEYS, parameter this, scroll that. . . BUT WHAT CAN IT DO? Let’s cut to the chase and get you up and running! Besides, if you played with the box a good deal before moving on to the finer points of operation, those finer points will stick better to the ol’ gray matter. . .
Here are the steps we will take:
First, we’ll connect the H8000FW to the rest of your gear.
On page 25, we’ll route signals between all of those inputs, outputs, and DSPs you’ve been reading so much about.
On page 36, we’ll set the input levels so that things don’t distort.
On page 37, we’ll learn how to "mute" the H8000FW in the event of feedback.
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On page 40, we’ll run programs on DSP A and DSP B and we’ll run "monolithic programs." Moreover, we’ll "tweak" their parameters.
Finally, on page 43, we’ll learn how to save the programs you’ve "tweaked" for future use.
HOOKING UP AND INTERNAL ROUTING
Before we concentrate on what happens inside the H8000FW, we ought to get it hooked up to the rest of your rack.
See The Back Panel on page 9 for information on the jack types and their specifications.
Hook up the analog inputs to suitable output sources, such as an analog mixer’s effect sends or the outputs of a preamplifier. The connections may be made with either balanced
XLR connectors or unbalanced 1/4" connectors. You can plug a guitar into the 1/4" jacks, but you will need to turn up the input gain. This happens at the "bottom" inputs menu page in the LEVELS area.
See Setting Input Levels on page 36.
Hook up the balanced analog outputs to suitable input recipients, such as an analog mixer or an amplifier.
Hook up the AES/EBU, S/P DIF, and/or ADAT digital inputs to suitable output sources, such as a computer interface or a keyboard with digital outputs.
Hook up the digital outputs to suitable input recipients, such as a computer interface or a sampler.
You can specify whether the S/P DIF and AES/EBU 1/2 output signal uses the "consumer" or "professional" protocol at the
"second" format menu page in the SETUP area. To select the "consumer" protocol set DOUT 1/2 to S/P DIF. To select the "professional" protocol set DOUT 1/2 to AES/EBU.
(H8000 display shown; H8000FW is slightly different.)
To be clear, the signal assigned to digital outputs 1/2 will come out both the AES/EBU 1/2 port and the S/P DIF port regardless of your choice. Your choice simply defines the digital protocol the signal will use. Both AES/EBU 1/2 and S/P DIF use the same protocol as defined on this menu page. Use the professional (AES/EBU) protocol unless you have
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a compelling reason to do otherwise ... you are a professional, aren't you ? Eventide does not recommend the use of S/P DIF above 48kHz sampling.
Unless you’re only using the analog inputs and outputs, you’ll need to make sure all of the digital devices in your studio or rack are slaved to the same clock source. The H8000FW can generate
its own clock at 44.1kHz, 48kHz, 88.2kHz, or 96kHz as selected by Source on the clock menu page in the SETUP area.
If you use the H8000FW’s internal clock, be sure that the digital devices that are connected to it derive their clock signals from the H8000FW. If you are unable to synchronize AES/EBU inputs
1-4 or S/P DIF inputs 1/2, turn on the H8000FW’s sample rate conversion (SRC) algorithm on the "second" and "third" clock menu pages in the SETUP area. The H8000FW does not have sample rate conversion for AES11-18 or the ADAT inputs.
Depending on the particulars of your digital setup, you may wish to slave the H8000FW to another device. The H8000FW can slave to the S/P DIF 3/4 input, the AES/EBU inputs 11/12,
13/14, 15/16, 17/18, or the ADAT and FireWire inputs as well as a Wordclock signal. These are selected by Source on the clock menu page in the SETUP area. Note that the H8000FW cannot slave to AES/EBU inputs 1-4 or S/P DIF 1/2.
To read about the digital setup in more detail, see Digital Setup on page 78.
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