- •IMPORTANT SAFETY INFORMATION
- •How to Use This Manual
- •The Big Picture
- •Knobs, Keys, and Jacks
- •The Front Panel
- •The Back Panel
- •AES/EBU Digital Audio Input/Output (Professional)
- •S/P DIF Digital Audio Input/Output (Consumer)
- •Getting Around and Altering Parameters
- •Adjusting the Brightness and Contrast of the Display
- •The "Areas" of the H8000FW
- •Understanding the Display and SOFT KEYS
- •Using the Cursor Keys, the SELECT key, the NUMERIC KEYPAD, and the KNOB
- •Ganged Parameters
- •Entering or Changing Text
- •QuickStart Or "Nearly Instant Gratification"
- •Hooking Up and Internal Routing
- •Things to Know about Routing
- •Loading Routing Configurations
- •4 Channel series Routings
- •8 Channel series Routings
- •Stereo Dual Machine Routings
- •4 channel Dual Machine Routings
- •4 Channel parallel routings
- •8 Channel parallel routings
- •Complex FireWire Routings
- •Analog & FireWire AB
- •ADAT & AES8 I/O
- •The I/O Identifier
- •Setting Input Levels
- •Effecting Things
- •"Panic" Muting
- •Loading Programs
- •Parameters
- •"Tweaking" and Saving "Tweaks"
- •Wrap Up
- •Mounting and Handling
- •Memory Cards
- •The Comprehensive Input / Output Scheme
- •Routing Configuration
- •Connecting real world inputs to the H8000FW
- •CONFIGURING THE MAIN INPUTS
- •Configuring the DSP input sources
- •Configuring the MAIN Outputs
- •Connecting to the H8000FW’s outputs
- •Configuring the outputs
- •Further Input and Output options
- •DIN 1/2 Allows the Selection of Either AES/EBU or S/P DIF for the First Digital Input Pair.
- •OPTO out – allows use of optical output connector for optical S/P DIF (H8000FW only)
- •Signal Flow Example
- •Storing and Loading Routing Configurations
- •Programs’ Effect on Routing Decisions
- •Controlling Levels
- •The Level Meters
- •Controlling the Level of the Analog and Digital Inputs
- •Input Levels, Wet/Dry Ratios, and Output Levels for Each DSP
- •Controlling the Level of the Analog and Digital Outputs
- •Digital Setup
- •Digital Setup Overview
- •Sampling Rates
- •The System Sampling Rate – A Digital Audio Primer
- •Using the Internal Clock
- •Selecting the Internal Clock’s Rate
- •The Status of The Digital Inputs When Using the Internal Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the Internal Clock
- •Using an External Clock
- •Selecting the External Clock
- •The Status of the Digital I/Os When Using the External Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the External Clock
- •Sample Rate Conversion (SRC)
- •Word Clock Termination
- •Word Length (Bits)
- •Input Word Length
- •Output Word Length
- •Bypassing and Muting
- •System Bypass
- •Machine Bypass
- •External Controllers
- •Setting Up the External Controllers
- •Foot Pedals 1 and 2
- •MIDI Setup
- •External Modulation and Trigger Menu Pages
- •"Manually" Selecting an External Controller for Modulation
- •"Manually" Selecting the External Controller for Triggers
- •External Controller Selection
- •Parameters Common to Both External Modulation and External Trigger Menu Pages.
- •MIDI Running Status
- •Automatically" Selecting a MIDI External Controller
- •Scaling the External Controller
- •The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2
- •Remote Controlling Parameters
- •Remote Controlling Triggers
- •MIDI Groups
- •Program Load, Save, Delete, Etc.
- •Categorizing Programs
- •Categorized by Effects Type
- •Categorized by Similar Programs (Banks)
- •Loading Programs
- •Loading a Program Remotely
- •Loading a Program Via a MIDI Program Change Message
- •Triggering the Next or Previous Program to Load
- •Saving a Program
- •Copying Programs
- •The "Size" of a Program and Its Ramifications for Storage
- •Updating a Program
- •Renaming a Program
- •Deleting a Program
- •Parameters
- •System Tempo
- •System Timer
- •Taps
- •Textblocks
- •Graphics and Curves
- •Storing and Loading Setups
- •Miscellaneous Setup Options
- •Transmitting and receiving Data
- •Setting Up the Serial Port
- •Dumping Data and Receiving Data Dumps
- •Controlling One H8000FW from Another H8000FW
- •Sending A Program From One the H8000FW to Another
- •Sequencing With MIDI
- •Connecting user-supplied crystals and external clocks
- •Service and Start-Up Options
- •Fixing Internal Memory Problems
- •Fixing PCMCIA SRAM Memory Card Problems
- •Changing the Internal Battery
- •Clear Setup
- •Software Version and Accessories
- •Start-Up Options
- •Making connections between the H8000FW and the computer.
- •Setting the sample rate and buffer size for the system
- •Synchronizing connected audio devices
- •Configuring the H8000FW for Throughput
- •Device Settings
- •Device Description
- •Device nickname
- •Measured Sampling Rate
- •Status
- •Global Settings - Bus Page
- •Master
- •Sample Rate
- •Sync Source
- •Buffer Size
- •Unique ID
- •Operation Mode
- •Global Settings - WDM Page
- •Set WDM Channel Maps
- •Global Settings - DPC Page
- •Global Settings -System Page
- •Global Settings -Info Page
- •PAL, Driver version
- •Viewing the H8000FW’s Configuration
- •Setting Up the H8000FW for Default Audio Output
- •Configuring the H8000FW for Output with Logic Pro
- •Creating an Aggregate Audio Device
- •Routing Audio to the H8000FW
- •Configuring Logic Pro for H8000FW Input and Output
- •An Example of Using Logic Pro with the H8000FW
- •Step-by-Step Descriptions of the Routing Process Flow
- •Sample Rates
- •Frequency Response
- •Digital Inputs/Outputs
- •Analog Input (XLR Balanced Inputs)
- •Analog Output
- •Remote Control Inputs
- •Remote Control Outputs
- •MIDI Connections
- •Memory Card Interface
- •Factory Preset Capabilities (at 48k sampling)
- •Power
- •Size
- •Weight:
4 channel Dual Machine Routings
The following routings configure the H8000FW as two separate 4 channel units. If a dual stereo preset, e.g. “1030 2 Stereo Verbs” is loaded in each DSP, this will give 4 independent effects.
"Analog&AES 8 Track A,B"
The four analog inputs and outputs use DSP A. The four AES1-4 inputs and outputs use
DSP B. |
inputs |
1 |
1 |
|
1 |
1 |
A |
1 |
1 |
|
1 |
1 |
analog |
|
2 |
2 |
|
2 |
2 |
2 |
2 |
|
2 |
2 |
|||
|
3 |
3 |
|
3 |
3 |
3 |
3 |
|
3 |
3 |
|||
|
analog |
4 |
4 |
|
4 |
4 |
4 |
4 |
|
4 |
4 |
outputs |
|
|
|
inputblock |
DSP BDSP |
outputblock |
|
||||||||
|
4 |
1 |
5 |
5 |
1 |
1 |
5 |
5 |
1 |
-4 |
|||
|
- |
2 |
6 |
6 |
2 |
2 |
6 |
6 |
2 |
||||
|
inputs |
||||||||||||
|
3 |
7 |
7 |
3 |
3 |
7 |
7 |
3 |
|||||
|
AES1 |
4 |
8 |
8 |
4 |
4 |
8 |
8 |
4 |
AES1 outputs |
|||
|
|
|
|
|
|
ADAT inputs
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
input block
1 1
2 2
3 3
4 4
5 1
6 2
7 3
8 4
DSP B DSP A
1 1
2 2
3 3
4 4
1 5
2 6
3 7
4 8
output block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
ADAT outputs
AES8 8 Track A,B"
AES11-14 inputs go into DSP A, out from DSP A to the analog outputs and the AES1114 outputs. The AES15-18 inputs go into DSP B, out from DSP B into the AES15-18 outputs.
AES11-18 inputs
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
input block
1 1
2 2
3 3
4 4
5 1
6 2
7 3
8 4
DSP B DSP A
1 1
2 2
3 3
4 4
1 5
2 6
3 7
4 8
output block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
AES11-18 outputs
29
FireWire 8 Track A,B"
FireWire1 1-4 inputs go into DSP A, out from DSP A to the analog outputs and the FireWire1 1-4 outputs. The FireWire1 5-8 inputs go into DSP B, out from DSP B into the FireWire1 5-8 outputs.
FireWire1 inputs
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
input block
1 1
2 2
3 3
4 4
5 1
6 2
7 3
8 4
DSP B DSP A
1 1
2 2
3 3
4 4
1 5
2 6
3 7
4 8
output block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
FireWire1 outputs
4 Channel parallel routings
In a parallel routing, each DSP has the same inputs and the outputs of each are mixed. This gives two discrete effects, unlike a series configuration where the effect from the second DSP is added to the effected signal from the first.
"Analog A||B"
All four analog inputs get sent to both DSPs. The first four outputs of each DSP are summed before being sent to the analog and AES1-4 outputs.
AES1-4 analog inputs inputs
1 1
2 2
3 3
4 4
15
26
37
48
input block
1 |
1 |
2 |
2 |
3 |
3 |
4 |
4 |
51
62
73
84
DSP B DSP A
1 1
2 2
3 3
4 4
1 5
2 6
3 7
4 8
output block
11
22
33
44
51
62
7 |
3 |
8 |
4 |
AES1-4 analog outputs outputs
"AES4 A || B"
All four AES1-4 inputs get sent to both DSPs. The first four outputs of each DSP are summed before being sent to the analog and AES1-4 outputs.
AES1-4 analog inputs inputs
11
22
33
44
1 5
2 6
3 7
4 8
input block
11
22
33
44
5 1
6 2
7 3
8 4
DSP B DSP A
1 1
2 2
3 3
4 4
1 5
2 6
3 7
4 8
output block
11
22
33
44
51
62
7 |
3 |
8 |
4 |
AES1-4 analog outputs outputs
30
8 Channel parallel routings
"ADAT A || B"
All eight ADAT inputs go into DSP A and DSP B, all eight outputs from both DSP A and DSP B are summed at the output block.
ADAT inputs
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
input block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
1
2
3
4
5
6
7 8
DSP A
DSP B
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
1
2
3
4
5
6
7
8
output block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
ADAT outputs
"AES8 A || B"
All AES11-18 inputs go into DSP A and DSP B, all eight outputs from both DSP A and DSP B are summed at the output block.
AES11-18 inputs
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
input block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
1
2
3
4
5
6
7 8
DSP A
DSP B
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
1
2
3
4
5
6
7
8
output block
1 1
2 2
3 3
4 4
5 5
6 6
7 7
8 8
AES11-18 outputs
31