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Современная литература Великобритании и США. Учебно-методическое пособие

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№ 4311
ФЕДЕРАЛЬНОЕ ГОСУДАРСТВЕННОЕ АВТОНОМНОЕ ОБРАЗОВАТЕЛЬНОЕ УЧРЕЖДЕНИЕ
«НАЦИОНАЛЬНЫЙ ИССЛЕДОВАТЕЛЬСКИЙ ТЕХНОЛОГИЧЕСКИЙ УНИВЕРСИТЕТ
МИНИСТЕРСТВО НАУКИ И ВЫСШЕГО ОБРАЗОВАНИЯ РФ
ВЫСШЕГО ОБРАЗОВАНИЯ
«МИСиС»
ИНСТИТУТ БАЗОВОГО ОБРАЗОВАНИЯ
Кафедра иностранных языков и коммуникативных технологий
СОВРЕМЕННАЯ ЛИТЕРАТУРА ВЕЛИКОБРИТАНИИ И США
Учебно-методическое пособие
Рекомендовано редакционно-издательским советом университета
Москва 2021
УДК 81 Т52
Рецензент
канд. филол. наук, доц. Д.А. Беляков
Толкачев, Сергей Петрович.
Т52 Современная литература Великобритании и США :
учеб.-метод. пособие / С.П. Толкачев. – Москва : Из­дательский Дом НИТУ «МИСиС», 2021. – 216 с.
Учебно-методическое пособие посвящено творчеству современ­ных писателей Великобритании и США, которые на сегодняшний день являются наиболее яркими фигурами англоязычной литера­туры, в том числе лауреатами Букеровской, Пулитцеровской и Но­белевской премий по литературе.
Предназначено для обучающихся на лингвистических фа­культетах университетов и институтов иностранных языков, пре­подавателей зарубежной литературы вузов в целях подготовки лекционных курсов и проведения семинаров, слушателей курсов повышения квалификации, а также может быть рекомендовано широкому кругу читателей, интересующихся современной прозой Великобритании и США.
С.П. Толкачев, 2021
НИТУ «МИСиС», 2021
УДК 81
Содержание
1. Literature of England ...............................4
1.1. Introduction: what is a “modern English novel”? ......4
1.2. Уильям Голдинг ..............................22
1.3. Айрис Мердок ................................37
1.4. Джон Фаулз ..................................66
1.5. Питер Акройд ................................87
1.6. Салман Рушди ...............................105
Произведения английских писателей
для обязательного чтения .........................116
Литературно-критические источники ...............117
2. Literature of the USA .............................119
2.1. What do we mean by the concept
“Modern American Prose”? .........................119
2.2. Торнтон Уайлдер .............................142
2.3. Курт Воннегут ...............................155
2.4. Джон Апдайк ...............................172
2.5. Томас Пинчон ...............................186
2.6. Джон Барт ..................................203
Произведения американских писателей
для обязательного чтения .........................214
Литературно-критические источники ...............215
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1. LITERATURE OF ENGLAND
1.1. Introduction:
what is a “modern English novel”?
The literary process in the UK is determined not only by the interaction of realism and postmodernism. There are many other areas that need to be kept in mind in order to present an objective picture of modern verbal creativity in the British Isles. In Western literary studies a paradoxical phenomenon is being observed. For three decades the phrase about the development of the “English novel” has been widely used. Today this definition is quite rare. There is an internationalization of the concept «English literature» as is evidenced by the appearance of large works of migrant writers from the East, Africa, Southeast Asia who being English writers in terms of language and literary problems are at the same time carriers of their national eastern cultures. Often they write about their abandoned homeland and their people, but the use of English does not completely free them from the connection with more traditional English literature, with the work of classics that has been tested by time.
At the same time the English novelists of the second half of the XX century continued the traditions of their predecessors whether it was D. Defoe or R. Kipling, who rushed into the alien world of nature and civilization together with their heroes, exploring aesthetically the countries located thousands of miles from the foggy Albion. Therefore, it can rightly be argued that the modern English novel was the result of the meeting of the former British civilization with the cultures of other peoples entering the time of political and social maturity.
The symbol of the post-war era was the creative activity work of the patriarch of English critical realism, Charles Percy Snow (1905–1980). A huge cycle of his novels called “Alien and Brothers” covers a period of time half a century long. The writer observed a wide social spectrum of British society: politicians, scientists, university teachers. The cycle is united by the personality of the main character named Lewis Eliot, lawyer and scientist, who plays an important role in the formulation
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of and resolving many moral and ethical conflicts related to the expansion of human knowledge. The epopee “Strangers and Brothers” echoes in many ways “The Human Comedy” by Balzac, with the novel cycle of E. Powell “Dance to the Music of Time”. The conflict of the “two cultures” that of “physicists” and “lyricists” is the main problem that worried Snow throughout his life, because he was always concerned about what mentality a man of science would enter the new century with.
The search for a balance between the visible and the imaginary, the real and the ideal has always attracted attention of the outstanding English novelist Anthony Powell (1905–2000), who completed the epopee in twelve volumes “Dance to the Music of Time” in 1975 – one of the largest canvases of manners and everyday life in modern English literature. The author unfolds a picture of the life of high English society and refined bohemia. The story stretches over four decades, and the cycle itself was created over a quarter of a century. The accomplishments of the author is his success in solving the most difficult problem a writer faces: he managed to achieve authenticity in the portrayal of characters. At the same time, his creative method became the embodiment of a peculiar philosophy that implies the presence of two inseparable sides in human life: visible and hidden. The alternative life becomes a reflection of the metamorphoses that occur in the minds of other people. The human experience, according to Powell, is really only a dream of some higher being whose existence we are not aware of. Life as a text, a person as a novelist who creates this text – this idea embodied in the literary heritage of Powell brings the English classic closer to the ideologists of postmodernism. Powell’s characters are drawn with a high degree of persuasiveness. From time to time a reader might find himself thinking that such human types are hard to meet in “real” life. At the same time, the author constantly reminds us that his characters are the ones due to the will and the intention of the author.
In the post-war the most prominent English satirist of the twentieth century Evelyn Waugh (1902–1966) continued his creative work. His last novels can undoubtedly be attributed to modern literature. In 1945 one of Waugh’s most significant
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novels “Brideshead Revisited” appeared. In this novel the writer recreates the way of life of the English aristocracy in the period between the two World Wars. The best pages of the novel are devoted to condemning the hypocrisy and bigotry associated with Catholic Church. The acerbic satirical novel “The Loved One” (1948), which is largely permeated with anti-American sentiments that arose under the influence of acquaintance with Hollywood, is still very popular today.
From 1952 to 1965 the “Sword of Honor” trilogy was created, which included the novels “Men at Arms” (1952), “Officers and Gentlemen” (1955) and “Unconditional Surrender” (1961). In this cycle the English author depicts war in dark colors as the embodiment of inevitable evil. Stupidity, ignorance, and violence in the army become the main objects of his ridicule and merciless analysis. Nevertheless, the darkest situations in Waugh’s works always have a comic flavour. The source of this comedy is in the absurdity of situations that help to shade and ridicule the absurd in human nature.
By the middle of the century, in the 50s and 80s, the creative method and style of the largest prose writer in Great Britain, Graham Greene (1904–1991), was formed. Greene’s most famous novels are “The Quiet American” (1955), “Our Man in Havana”, “The Comedians” (1966), “The Honorary Consul” (1973), “Doctor Fischer of Geneva or the Bomb Party” (1980), and “Getting to Know the General: The Story of an Involvement” (1984), etc. Most of his works are written in the genre of political detective. Their pathos is aimed at protecting human dignity in hotspots of the globe, where there is a struggle against dictatorial regimes or against the secret intelligence services of totalitarian states. A detective story with elements of politics is always complicated by Green’s satire, buffoonery and pamphlet. Many pages of the novels are imbued with lyrical intonations, the best pages are devoted to revealing deep and sincere human feelings. An unexpected work was the novel “Monsignor Quixote” (1982), in which the immortal image of Cervantes’s hero comes to life. The action is transferred to modern Spain. The old bishop of La Mancha, Monsignor Quixote, and the former mayor of the city, called Sancho, travel the roads of Spain in search of the
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truth. This novel confirms the deep connection of Green’s work with the archetypal images of world literature.
The beginning of the 1950s was marked by the arrival of several young writers in English literature, who initiated the flow of “angry young men”. Representatives of this peculiar trend rebelled against the philistine existence, against the betrayal of the ideals of the young, who hoped for a social revolution “in the English way” after the war.
The heroes of the novels of K. Amis “Lucky Jim”, J. Wayne “Hurry on Down”, J. Brain “Room at the Top”, plays Osborne “Look Back in Anger” have some common features. These young people from Kingsley Amis’s novels, for example, Jimmy Dixon from the novel “Lucky Jim”, are representatives of the middle intelligentsia, who graduated from provincial, “redbrick” universities. To protest against the mores and customs established in the middle-class environment, they are pushed by the hopeless boredom and melancholy of a monotonous existence. In the novel “The Anti-Death League”, Amis rises to satirical generalizations, reaching the subtlety of comic art, reminiscent of the best works of E. Waugh. In Wayne’s “Hurry on Down”, Charles Lumley consciously rushes “down”, to people who earn their daily bread honestly and modestly. The main pathos of the work is an aversion to the main punishment of that world – money. Wayne defines the problem of a young man who doesn’t know how to adapt to life in which no one is going to welcome him with open arms. The Joe Lampton’s behaviour in Brain’s “The Way Up” is defined by the affluent existence of the hilltop town well-to-do residents. The image of Lampton is a product of the bourgeois provincial environment. His desire to climb “to the surface” is due to the ideas of “high” and “low”, which are brought up in a small town.
In post-war British literature the so-called “working-class novel” appears. The most famous representatives of this genre are Alan Sillitoe (“Saturday Night and Sunday Morning”, “The Key to the Door”, “The Death of William Posters”) and Sid Chaplin, who in his acclaimed novel “The Day of the Sardine” tells about the fate of the English generation of “sixtiers”, who came from a working environment. The main character Arthur
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Haggerston feels like a sardine, locked in the “tin can” of a standard existence. The feeling of hostility of the surrounding world is also inherent in the young heroes of S. Chaplin’s novel “The Watchers and the Watched”.
The theme of the colonial past and the post-colonial present of Great Britain and India as an extension of the line started by R. Kipling and E. M. Forster is brilliantly revealed in the creative legacy of Paul Scott (1920–1978), known for his tetralogy “The Raj Quartet”. This series includes the novels “The Jewel in the Crown” (1966), “Day of the Scorpion” (1968), “Towers of Silence” (1971) and “A Division of the Spoils” (1975). “The Raj Quartet” (Raj means the British Rule in India) is a vivid large­scale narrative that recreates the last years of British rule in India and the relations between the two countries during these years. The problem is certainly very complex and requires a fairly large number of actors. The idea is broad, but Scott’s method is to focus the narrative on individual episodes and scenes that are part of the overall compositional plan. In this narrative, a sense of history and a feeling of momentary concreteness coexist. Scott perfectly conveys the peculiarities of the Indian “background”, but he is interested, first and foremost, in both the British and the Indians, their behavior in public and private life in a tense period of history.
In modern English literature, a prominent place is occupied by the work of authors who tend to philosophical problems. These are the novelists W. Golding, A. Murdoch, C. Wilson, the playwrights R. Bolt, G. Pinter, T. Stoppard.
Professor of Philosophy C. Wilson became famous in 1956 with the book «The Outsider», which made him an idol of the English students, who were still under the influence of “the angry young men”. Unlike the hero of the novel “L’etranger” of A. Camus, the hero of C. Wilson, is a real rebel, who has the courage to fight against the evil of the world around him. The novel “Necessary Doubt” by C. Wilson tells about experiments on the human brain and at the same time examines the ethical problems that arise in this case. The interesting plot of the novel “The Philosopher’s Stone” is only a package, under which the metaphorical meaning of the idea associated with the legend
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of the dream of the alchemists is hidden. In the science fiction novel “Parasites of Consciousness” (1967), C. Wilson makes extensive use of the phenomenology of E. Husserl, and refers to M. Heidegger, C.-G. Jung. The philosophical concept that C. Wilson illustrates in his science fiction book is marked by an undeniable humanism, a belief in Man, in his limitless possibilities, first of all, the possibilities of the brain, and the associated prospects for biological evolution.
The genre of science fiction itself in English literature can be judged by the work of its best representatives – J.G. Ballard and M. Moorcock. The creative evolution of both prose writers reveals some similarities. Early in their careers, Ballard and Moorcock wrote traditional science fiction. But in the future, they managed to cross the barriers of this genre in order to preserve the freedom of the author’s imagination, the intellectual content of prose – the qualities necessary for this type of literature. Critics have noted the pattern according to which writers who create their literary works in the genre of science fiction, sooner or later come to the historical literature forms. Proof of this is the novel by J.G. Ballard “Empire of the Sun” (1984), which takes place in a Japanese concentration camp. M. Moorcock, in turn, released a series of novels set in England the late XVI century.
English literature since Walter Scott is inextricably linked to history. In our time, in connection with the collapse of the British Empire, this problem has become particularly relevant. The choice, subject matter and plot of the novels of the post-war period were influenced by the historical realities associated with political changes.
In recent decades, there has been a tendency to create a qualitatively new type of historical novel. Within the framework of this genre, the author does not so much recreate authentic facts and events, as he seeks to deeply define the essence of the era, to think over the mythological plots that connect the creator, psychologically and artistically, with the modern worldview.
Such, for example, is the novel “Falstaff”, in which the author R. Nye describes the thoughts and feelings of the heroes of the Elizabethan era, which sound quite modern. This work
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is both a tribute to Shakespeare and an attempt to discover the connection between the Elizabethan era and modernity.
The unsurpassed master of the political detective in the history of modern English literature remains John Le Carre (1931–2020). The writer used the form of a political detective story as a means of assessing the moral state of the nation. In his works, Le Carre portrays the dark world of the corridors of power (the title of one of the major novels of the patriarch of English realism, C.P. Snow) as a kind of break in the fabric of the normal, orderly life of his characters. Le Carre’s attempt to show the falseness of the world of civil servants in a critical but camouflaged way creates an illusion of the integrity and stability of social life for the reader, but, in fact, this technique becomes a parody of the distorted ethics of the upper classes, who honour secrecy and hypocrisy.
The characters of Le Carre are completely immersed in the world of «corridors of power», as their formation took place in it. “The secret world” becomes the only way to master the reality of those characters, which tells the story of Le Carre. The natural course of life is unacceptable for them. The existence of secret services, according to Le Carre, makes no sense, because they do not protect anything and no one but themselves. At the same time, Le Carre’s prose always has a solid ethical subtext, as evidenced by the best novels of the writer “Tinker Tailor Soldier Spy” (1974) and “Smiley’s People” (1980). Le Carre constantly reminds us that the desire for power, which serves as the basis for the stifling bureaucratic system of state institutions, can become a destructive force that destroys the foundations of society.
A high degree of psychologism was achieved by the classic English detective story, which came from the pen of its best creators – A. Christie and D.L. Sayers. Traditional detective stories were written by P.D. James, who strictly adhered to the tradition of supporting the charge of intellectual mystery in the narrative fabric of her work. This, in turn, did not exclude the complexity of emotional messages in her literary pieces (the novel “The Taste of Death” (1986)). The police prose series was created by Ruth Rendell, whose prose is notable for its interest in phenomena bordering on psychopathy. The works created by this writer under the pseudonym Barbara Vine explore the
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