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Файл:Современная литература Великобритании и США. Учебно-методическое пособие
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ФЕДЕРАЛЬНОЕ ГОСУДАРСТВЕННОЕ АВТОНОМНОЕ ОБРАЗОВАТЕЛЬНОЕ УЧРЕЖДЕНИЕ
«НАЦИОНАЛЬНЫЙ ИССЛЕДОВАТЕЛЬСКИЙ ТЕХНОЛОГИЧЕСКИЙ УНИВЕРСИТЕТ
МИНИСТЕРСТВО НАУКИ И ВЫСШЕГО ОБРАЗОВАНИЯ РФ
ВЫСШЕГО ОБРАЗОВАНИЯ
«МИСиС»
ИНСТИТУТ БАЗОВОГО ОБРАЗОВАНИЯ
Кафедра иностранных языков и коммуникативных технологий
С. П. Толкачев
СОВРЕМЕННАЯ ЛИТЕРАТУРА
ВЕЛИКОБРИТАНИИ И США
Учебно-методическое пособие
Рекомендовано редакционно-издательским
советом университета
Москва 2021

УДК 81
Т52
Рецензент
канд. филол. наук, доц. Д.А. Беляков
Толкачев, Сергей Петрович.
Т52 Современная литература Великобритании и США :
учеб.-метод. пособие / С.П. Толкачев. – Москва : Издательский Дом НИТУ «МИСиС», 2021. – 216 с.
Учебно-методическое пособие посвящено творчеству современных писателей Великобритании и США, которые на сегодняшний
день являются наиболее яркими фигурами англоязычной литературы, в том числе лауреатами Букеровской, Пулитцеровской и Нобелевской премий по литературе.
Предназначено для обучающихся на лингвистических факультетах университетов и институтов иностранных языков, преподавателей зарубежной литературы вузов в целях подготовки
лекционных курсов и проведения семинаров, слушателей курсов
повышения квалификации, а также может быть рекомендовано
широкому кругу читателей, интересующихся современной прозой
Великобритании и США.
С.П. Толкачев, 2021
НИТУ «МИСиС», 2021
УДК 81

Содержание
1. Literature of England ...............................4
1.1. Introduction: what is a “modern English novel”? ......4
1.2. Уильям Голдинг ..............................22
1.3. Айрис Мердок ................................37
1.4. Джон Фаулз ..................................66
1.5. Питер Акройд ................................87
1.6. Салман Рушди ...............................105
Произведения английских писателей
для обязательного чтения .........................116
Литературно-критические источники ...............117
2. Literature of the USA .............................119
2.1. What do we mean by the concept
“Modern American Prose”? .........................119
2.2. Торнтон Уайлдер .............................142
2.3. Курт Воннегут ...............................155
2.4. Джон Апдайк ...............................172
2.5. Томас Пинчон ...............................186
2.6. Джон Барт ..................................203
Произведения американских писателей
для обязательного чтения .........................214
Литературно-критические источники ...............215
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1. LITERATURE OF ENGLAND
1.1. Introduction:
what is a “modern English novel”?
The literary process in the UK is determined not only by the
interaction of realism and postmodernism. There are many
other areas that need to be kept in mind in order to present an
objective picture of modern verbal creativity in the British Isles.
In Western literary studies a paradoxical phenomenon is being
observed. For three decades the phrase about the development of
the “English novel” has been widely used. Today this definition
is quite rare. There is an internationalization of the concept
«English literature» as is evidenced by the appearance of large
works of migrant writers from the East, Africa, Southeast
Asia who being English writers in terms of language and literary
problems are at the same time carriers of their national eastern
cultures. Often they write about their abandoned homeland and
their people, but the use of English does not completely free them
from the connection with more traditional English literature,
with the work of classics that has been tested by time.
At the same time the English novelists of the second half of
the XX century continued the traditions of their predecessors
whether it was D. Defoe or R. Kipling, who rushed into the alien
world of nature and civilization together with their heroes,
exploring aesthetically the countries located thousands of miles
from the foggy Albion. Therefore, it can rightly be argued that
the modern English novel was the result of the meeting of the
former British civilization with the cultures of other peoples
entering the time of political and social maturity.
The symbol of the post-war era was the creative activity
work of the patriarch of English critical realism, Charles Percy
Snow (1905–1980). A huge cycle of his novels called “Alien and
Brothers” covers a period of time half a century long. The writer
observed a wide social spectrum of British society: politicians,
scientists, university teachers. The cycle is united by the
personality of the main character named Lewis Eliot, lawyer
and scientist, who plays an important role in the formulation
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of and resolving many moral and ethical conflicts related to
the expansion of human knowledge. The epopee “Strangers and
Brothers” echoes in many ways “The Human Comedy” by Balzac,
with the novel cycle of E. Powell “Dance to the Music of Time”.
The conflict of the “two cultures” that of “physicists” and
“lyricists” is the main problem that worried Snow throughout
his life, because he was always concerned about what mentality
a man of science would enter the new century with.
The search for a balance between the visible and the imaginary,
the real and the ideal has always attracted attention of the
outstanding English novelist Anthony Powell (1905–2000), who
completed the epopee in twelve volumes “Dance to the Music
of Time” in 1975 – one of the largest canvases of manners and
everyday life in modern English literature. The author unfolds
a picture of the life of high English society and refined bohemia.
The story stretches over four decades, and the cycle itself was
created over a quarter of a century. The accomplishments of the
author is his success in solving the most difficult problem a writer
faces: he managed to achieve authenticity in the portrayal of
characters. At the same time, his creative method became the
embodiment of a peculiar philosophy that implies the presence
of two inseparable sides in human life: visible and hidden. The
alternative life becomes a reflection of the metamorphoses
that occur in the minds of other people. The human experience,
according to Powell, is really only a dream of some higher being
whose existence we are not aware of. Life as a text, a person
as a novelist who creates this text – this idea embodied in the
literary heritage of Powell brings the English classic closer to
the ideologists of postmodernism. Powell’s characters are drawn
with a high degree of persuasiveness. From time to time a reader
might find himself thinking that such human types are hard
to meet in “real” life. At the same time, the author constantly
reminds us that his characters are the ones due to the will and
the intention of the author.
In the post-war the most prominent English satirist of the
twentieth century Evelyn Waugh (1902–1966) continued his
creative work. His last novels can undoubtedly be attributed to
modern literature. In 1945 one of Waugh’s most significant
5

novels “Brideshead Revisited” appeared. In this novel the writer
recreates the way of life of the English aristocracy in the period
between the two World Wars. The best pages of the novel are
devoted to condemning the hypocrisy and bigotry associated
with Catholic Church. The acerbic satirical novel “The Loved
One” (1948), which is largely permeated with anti-American
sentiments that arose under the influence of acquaintance with
Hollywood, is still very popular today.
From 1952 to 1965 the “Sword of Honor” trilogy was created,
which included the novels “Men at Arms” (1952), “Officers and
Gentlemen” (1955) and “Unconditional Surrender” (1961). In
this cycle the English author depicts war in dark colors as the
embodiment of inevitable evil. Stupidity, ignorance, and violence
in the army become the main objects of his ridicule and merciless
analysis. Nevertheless, the darkest situations in Waugh’s works
always have a comic flavour. The source of this comedy is in the
absurdity of situations that help to shade and ridicule the absurd
in human nature.
By the middle of the century, in the 50s and 80s, the creative
method and style of the largest prose writer in Great Britain,
Graham Greene (1904–1991), was formed. Greene’s most famous
novels are “The Quiet American” (1955), “Our Man in Havana”,
“The Comedians” (1966), “The Honorary Consul” (1973), “Doctor
Fischer of Geneva or the Bomb Party” (1980), and “Getting to
Know the General: The Story of an Involvement” (1984), etc.
Most of his works are written in the genre of political detective.
Their pathos is aimed at protecting human dignity in hotspots of
the globe, where there is a struggle against dictatorial regimes
or against the secret intelligence services of totalitarian states.
A detective story with elements of politics is always complicated
by Green’s satire, buffoonery and pamphlet. Many pages of
the novels are imbued with lyrical intonations, the best pages
are devoted to revealing deep and sincere human feelings. An
unexpected work was the novel “Monsignor Quixote” (1982),
in which the immortal image of Cervantes’s hero comes to life.
The action is transferred to modern Spain. The old bishop of
La Mancha, Monsignor Quixote, and the former mayor of the
city, called Sancho, travel the roads of Spain in search of the
6

truth. This novel confirms the deep connection of Green’s work
with the archetypal images of world literature.
The beginning of the 1950s was marked by the arrival of
several young writers in English literature, who initiated the
flow of “angry young men”. Representatives of this peculiar
trend rebelled against the philistine existence, against the
betrayal of the ideals of the young, who hoped for a social
revolution “in the English way” after the war.
The heroes of the novels of K. Amis “Lucky Jim”, J. Wayne
“Hurry on Down”, J. Brain “Room at the Top”, plays Osborne
“Look Back in Anger” have some common features. These young
people from Kingsley Amis’s novels, for example, Jimmy Dixon
from the novel “Lucky Jim”, are representatives of the middle
intelligentsia, who graduated from provincial, “redbrick”
universities. To protest against the mores and customs
established in the middle-class environment, they are pushed by
the hopeless boredom and melancholy of a monotonous existence.
In the novel “The Anti-Death League”, Amis rises to satirical
generalizations, reaching the subtlety of comic art, reminiscent
of the best works of E. Waugh. In Wayne’s “Hurry on Down”,
Charles Lumley consciously rushes “down”, to people who earn
their daily bread honestly and modestly. The main pathos of
the work is an aversion to the main punishment of that world –
money. Wayne defines the problem of a young man who doesn’t
know how to adapt to life in which no one is going to welcome
him with open arms. The Joe Lampton’s behaviour in Brain’s
“The Way Up” is defined by the affluent existence of the hilltop
town well-to-do residents. The image of Lampton is a product of
the bourgeois provincial environment. His desire to climb “to
the surface” is due to the ideas of “high” and “low”, which are
brought up in a small town.
In post-war British literature the so-called “working-class
novel” appears. The most famous representatives of this genre
are Alan Sillitoe (“Saturday Night and Sunday Morning”, “The
Key to the Door”, “The Death of William Posters”) and Sid
Chaplin, who in his acclaimed novel “The Day of the Sardine”
tells about the fate of the English generation of “sixtiers”, who
came from a working environment. The main character Arthur
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Haggerston feels like a sardine, locked in the “tin can” of
a standard existence. The feeling of hostility of the surrounding
world is also inherent in the young heroes of S. Chaplin’s novel
“The Watchers and the Watched”.
The theme of the colonial past and the post-colonial present
of Great Britain and India as an extension of the line started by
R. Kipling and E. M. Forster is brilliantly revealed in the creative
legacy of Paul Scott (1920–1978), known for his tetralogy “The
Raj Quartet”. This series includes the novels “The Jewel in
the Crown” (1966), “Day of the Scorpion” (1968), “Towers of
Silence” (1971) and “A Division of the Spoils” (1975). “The Raj
Quartet” (Raj means the British Rule in India) is a vivid largescale narrative that recreates the last years of British rule in
India and the relations between the two countries during these
years. The problem is certainly very complex and requires a fairly
large number of actors. The idea is broad, but Scott’s method is
to focus the narrative on individual episodes and scenes that are
part of the overall compositional plan. In this narrative, a sense
of history and a feeling of momentary concreteness coexist. Scott
perfectly conveys the peculiarities of the Indian “background”,
but he is interested, first and foremost, in both the British and
the Indians, their behavior in public and private life in a tense
period of history.
In modern English literature, a prominent place is occupied
by the work of authors who tend to philosophical problems.
These are the novelists W. Golding, A. Murdoch, C. Wilson, the
playwrights R. Bolt, G. Pinter, T. Stoppard.
Professor of Philosophy C. Wilson became famous in 1956
with the book «The Outsider», which made him an idol of the
English students, who were still under the influence of “the
angry young men”. Unlike the hero of the novel “L’etranger”
of A. Camus, the hero of C. Wilson, is a real rebel, who has the
courage to fight against the evil of the world around him. The
novel “Necessary Doubt” by C. Wilson tells about experiments
on the human brain and at the same time examines the ethical
problems that arise in this case. The interesting plot of the novel
“The Philosopher’s Stone” is only a package, under which the
metaphorical meaning of the idea associated with the legend
8

of the dream of the alchemists is hidden. In the science fiction
novel “Parasites of Consciousness” (1967), C. Wilson makes
extensive use of the phenomenology of E. Husserl, and refers
to M. Heidegger, C.-G. Jung. The philosophical concept that
C. Wilson illustrates in his science fiction book is marked
by an undeniable humanism, a belief in Man, in his limitless
possibilities, first of all, the possibilities of the brain, and the
associated prospects for biological evolution.
The genre of science fiction itself in English literature can be
judged by the work of its best representatives – J.G. Ballard and
M. Moorcock. The creative evolution of both prose writers reveals
some similarities. Early in their careers, Ballard and Moorcock
wrote traditional science fiction. But in the future, they managed
to cross the barriers of this genre in order to preserve the
freedom of the author’s imagination, the intellectual content of
prose – the qualities necessary for this type of literature. Critics
have noted the pattern according to which writers who create
their literary works in the genre of science fiction, sooner or later
come to the historical literature forms. Proof of this is the novel
by J.G. Ballard “Empire of the Sun” (1984), which takes place in
a Japanese concentration camp. M. Moorcock, in turn, released
a series of novels set in England the late XVI century.
English literature since Walter Scott is inextricably linked
to history. In our time, in connection with the collapse of the
British Empire, this problem has become particularly relevant.
The choice, subject matter and plot of the novels of the post-war
period were influenced by the historical realities associated with
political changes.
In recent decades, there has been a tendency to create
a qualitatively new type of historical novel. Within the
framework of this genre, the author does not so much recreate
authentic facts and events, as he seeks to deeply define the
essence of the era, to think over the mythological plots that
connect the creator, psychologically and artistically, with the
modern worldview.
Such, for example, is the novel “Falstaff”, in which the
author R. Nye describes the thoughts and feelings of the heroes
of the Elizabethan era, which sound quite modern. This work
9

is both a tribute to Shakespeare and an attempt to discover the
connection between the Elizabethan era and modernity.
The unsurpassed master of the political detective in the history
of modern English literature remains John Le Carre (1931–2020).
The writer used the form of a political detective story as a means
of assessing the moral state of the nation. In his works, Le Carre
portrays the dark world of the corridors of power (the title of one
of the major novels of the patriarch of English realism, C.P. Snow)
as a kind of break in the fabric of the normal, orderly life of his
characters. Le Carre’s attempt to show the falseness of the world of
civil servants in a critical but camouflaged way creates an illusion
of the integrity and stability of social life for the reader, but, in
fact, this technique becomes a parody of the distorted ethics of the
upper classes, who honour secrecy and hypocrisy.
The characters of Le Carre are completely immersed in the
world of «corridors of power», as their formation took place
in it. “The secret world” becomes the only way to master the
reality of those characters, which tells the story of Le Carre. The
natural course of life is unacceptable for them. The existence of
secret services, according to Le Carre, makes no sense, because
they do not protect anything and no one but themselves. At the
same time, Le Carre’s prose always has a solid ethical subtext, as
evidenced by the best novels of the writer “Tinker Tailor Soldier
Spy” (1974) and “Smiley’s People” (1980). Le Carre constantly
reminds us that the desire for power, which serves as the basis for
the stifling bureaucratic system of state institutions, can become
a destructive force that destroys the foundations of society.
A high degree of psychologism was achieved by the classic
English detective story, which came from the pen of its best
creators – A. Christie and D.L. Sayers. Traditional detective
stories were written by P.D. James, who strictly adhered to the
tradition of supporting the charge of intellectual mystery in
the narrative fabric of her work. This, in turn, did not exclude
the complexity of emotional messages in her literary pieces (the
novel “The Taste of Death” (1986)). The police prose series was
created by Ruth Rendell, whose prose is notable for its interest
in phenomena bordering on psychopathy. The works created
by this writer under the pseudonym Barbara Vine explore the
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