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1 3 6 EVIL

The world had been destroyed and only the lamp-post, like Noah, preserved from the universal cataclysm.

ALDOUS HUXLEY Point Counter Point, 1928

Pegasus In Greek mythology, Pegasus was the winged horse on which Perseus came to rescue Andromeda, who had been tied to a rock and left to be devoured by a sea monster. The name Pegasus can represent a means of escape.

Bertie, in short, was to be the Pegasus on whose wings they were to ride out of their present dilemma.

ANTHONY TROLLOPE Barchester Towers, 1857

He seemed to see her like a lovely rock-bound Andromeda, with the devouring monster Society careering up to make a mouthful of her; and himself whirling down on his winged horse—just Pegasus turned Rosinante for the nonce—to cut her bonds, snatch her up, and whirl her back into the blue.

EDITH WHARTON The Custom of the Country, 1913

Jack Sheppard Jack Sheppard (1702-24) was a notorious thief who was famous for his prison escapes, including one in which he escaped from Newgate prison through a chimney. He was later captured and hanged.

He is safe now at any rate. Jack Sheppard himself couldn't get free from the strait-

waistcoat that keeps him restrained.

BRAM STOKER Dracula, 1897

Teflon Teflon (®) is a material used as a non-stick coating for pans and kitchen utensils. Its name can be used in connection with criminals who always manage to avoid having criminal charges 'stuck' on them, or with politicians who seem able to shrug off scandal or misjudgement so that nothing 'sticks'.

In their periods of melancholy, such as the day he walked from court after beating a charge of importing 1.4 tonnes of pure cocaine, they called him the Teflon criminal!

The Observer, 1997

Tinker Bell In J. M. Barrie's play Peter Pan (first performed in 1904), Tinker Bell is a fairy and a friend of Peter's. It is said in the play that every time someone says that they do not believe in fairies, a fairy dies. When Tinker Bell herself is close to death, members of the audience are invited to clap their hands to show that they do believe in fairies, and thus save Tinker Bell's life.

Evil

Most of the entries below deal with individual exemplars of villainy and

wickedness. Allusions to other aspects of the idea of evil are covered else-

where in this book. • See also Criminals, Devil, Dictators and Tyrants,

Monsters, Ruthlessness, Unpleasant or Wicked Places.

EVIL 1 3 7

Ahab Ahab (c.8 7554 BC) was an idolatrous king of Israel, the husband of Jezebel. With her he introduced into Israel the worship of the Phoenician god Baal, and his name thereafter became associated with wickedness, especially the offence of honouring pagan gods: 'There was none who sold himself to do what was evil in the sight of the Lord like Ahab, whom Jezebel his wife incited' (1 Kgs. 2 1 : 25).

Cesare Borgia Cesare Borgia (1476-1507) was the son of Pope Alexander VI and the brother of Lucrezia Borgia. He was a ruthless political and military leader, and was said to be the model for the ruler in Machiavelli's The Prince. His father made him a cardinal in 1493 and subsequently the Duke of Romagna. His name is popularly associated with ruthless plotting and the use of poison to dispatch his enemies.

The men of Faith, the Madmen, as I have been calling them, who believe in things unreasonably, with passion, and are ready to die for their beliefs and their desires.

. . . These wild men, with their fearful potentialities for good or for mischief, will no longer be allowed to react casually to a casual environment. There will be no more Caesar Borgias, no more Luthers and Mohammeds, no more Joanna Southcotts, no more Com stocks.

ALDOUS HUXLEY Crome Yellow, 1921

Lucrezia Borgia Lucrezia, or Lucretia, Borgia (1480-1519) was the daughter of Pope Alexander VI and sister of Cesare Borgia, both of whom she was alleged to have committed incest with. Although her court became a centre for Renaissance artists, poets, and scientists, she has acquired, probably unfairly, her brother's reputation as a ruthless plotter and poisoner.

Beautiful as Pauline Borghese, she looked at the moment scarcely purer than Lucrèce de Borgia.

CHARLOTTE BRONTE The Professor, 1857

She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo's rapier or Lucrezia's poison vial.

RAYMOND CHANDLER The Long Coodbye, 1953

Borgias The Borgias were a Spanish-Italian noble family originating from Valencia, whose members included Pope Alexander VI, Cesare Borgia, and Lucrezia Borgia. They are associated with ruthlessness, murder (especially by

poisoning), and incest. • See also CESARE BORGIA, LUCREZIA BORGIA.

I'm not talking hot air, my friend. I happen to know every detail of the hellish contrivance, and I can tell you it will be the most finished piece of blackguardism since the Borgias.

JOHN BUCHAN The Thirty Nine Steps, 1915

Caliban Caliban is a character in Shakespeare's The Tempest (1623). A brutish and misshapen monster, Caliban is the son of the witch Sycorax, and was the sole inhabitant of the island before Prospero's arrival. His name can be applied to a man of savage and bestial nature, or to the brutish side of human nature in general.

He escorted them to their box with a sort of pompous humility, waving his fat jewelled hands, and talking at the top of his voice. Dorian Cray loathed him more

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than ever. He felt as if he had come to look for Miranda and had been met by Caliban.

OSCAR WILDE The Picture of Dorian Gray, 1891

I was wrestling with my unconscious, an immense dark brother who seeped around me when I was awake, flowed over me when I slept . . . a force with a baby's features, greedy orifices, a madman's cunning and an animal's endurance, a Caliban as quicksilver as Ariel.

EDMUND WHITE A Boy's Own Story 1982

Cmella de Vil Cruella de Vil is the rich, evil, screeching villainess in Dodie Smith's One Hundred and One Dalmations (1956), who steals ninety-nine Dalmation puppies in order to make a spotted fur coat from their skins. Two Disney film versions have been made, an animated one in 1961 and a liveaction remake in 1996.

Something terrible had happened to the toughest office manager in Manchester. Imagine Cruella De Vil transformed into one of those cuddly Dalmation puppies, only more so. It was like watching Ben Nevis grovel. And could you sign one, "for Ted"?' she begged.

VAL MCDERMID Star Struck, 1988

Darth Vader Darth Vader is the villain in the film Star Wars (1977) and its sequels. Formerly Anakin Skywalker, a Jedi knight who has been corrupted to 'the dark side', Darth Vader is always dressed in black and wears a helmet.

Markby looked towards the large studio portrait of the late Jack glowering handsomely from a sidetable. A dark-haired, thick-browed, lantern-jawed thug. Women often found that type attractive. Clyn didn't resemble him particularly. Perhaps he rode around on the motorbike, dressed up like Darth Vader, to compensate.

ANN GRANGER Candle for a Corpse, 1995

Eve According to the biblical account, Eve committed the first sin by disobeying God's command not to eat the fruit of the Tree of Knowledge and by enticing Adam to do the same. She can thus be alluded to in the context of wrongdoing or tempting another to wrongdoing. • See special entry a ADAM AND EVE on p. 5.

When the women came in they were older than I had imagined, not at all like the pictures in the priest's book of sinful things. Not snake-like, Eve-like with breasts like apples, but round and resigned, hair thrown into hasty bundles or draped around their shoulders.

JEANETTE WINTERSON The Passion, 1987

Herod Herod the Great (c.74-4 BC) was the Roman King of Judaea who, according to Matthew's Gospel, ordered the Massacre of the Innocents, hoping that by killing all male children under two he would ensure the death of the infant Jesus. Allusions to Herod are often in the context of the killing of children on a large scale.

'I think of the A4,' sez he, 'as a baby Jesus, with endless committees of Herods out to destroy it in its infancy.'

THOMAS PYNCHON Gravity's Rainbow, 1973

The infant Udin is dead. I mourn him as though he had been my own. I say Sukarno

EVIL 1 3 9

killed him, as surely as though he were a Herod. CHRISTOPHER J . KOCH The Year of Living Dangerously, 1978

All babies start off looking like the last tomato in the fridge, but 'cute', 'gorgeous' and 'adorable', which were the adjectives Lucy was throwing about the place with gay abandon, struck me as the ravings of an insane and blind woman. Quite frankly, I began to see King Herod in a wholly different light.

BEN ELTON Inconceivable, 1999

Hogarth William Hogarth (169 7-1764) was an English painter, engraver, and satirist. His series of engravings on 'modern moral subjects', such as A Rake's Progress (1735) and Marriage à la Mode (1743-5), satirized the vices of both high and low life in 18th-century England. Gin Lane (1751), depicting a scene of drunkenness and squalor, is one of Hogarth's most famous prints.

In his intrepid trip down the stairs he encountered every sort of vice: fornication, crack smoking, heroin injection, dice games and three-card monte, and more fornication . . . 'It's bloody Hogarth,' said Steiner. 'Gin Lane. Except that it's vertical.' TOM WOLFE The Bonfire of the Vanities, 1987

Mr Hyde In Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde

(1886), Mr Hyde is the separate, purely evil, personality that the physician Dr Jekyll is able to assume by means of a drug he discovers. A person who reveals an unsuspected evil side to their character can be said to be changing into Mr Hyde.

Now we are getting to know Mr Hyde. Only he isn't Dr Jekyll's gaudy monster, who trampled a child; he is just a proud little boy who hurt some humble people, and knew it and enjoyed it.

ROBERTSON DAviEs The Manticore, 1972

'Domestic violence,' said Boehlinger. 'More P.C. crap. All we do is rename things. It's wife-beating! I've been married thirty-four years, never laid a finger on my wife! First he woos her like Prince Charming then it all goes to hell in a handbasket and he's Mr Hyde—she was frightened of him, Miss Connor. Scared clean out of her mind. That's why she left him!

JONATHAN KELLERMAN Billy Straight, 1998

lago lago is a character in Shakespeare's play Othello (1622). Although Othello believes his ensign lago to be completely loyal and 'honest', lago is in fact scheming against him. lago incites Othello into believing that the latter's wife, Desdemona, has been unfaithful to him, resulting ultimately in Othello's killing first Desdemona and, later, himself. lago has become an archetype of pure malevolence.

Sarah glared at him through the window. 'And you say Mathilda was evil-minded?' Furiously, she ground into gear. 'Compared with you she was a novice. Juliet to your lago.'

MINETTE WALTERS The Scold's Bridle, 1994

She was like some lago. Or some evil guardian angel.

CONNIE WILLIS Bellwether, 1996

Loki In Scandinavian mythology, Loki was the god of mischief and evil, who was responsible for the death of Balder and was punished by being bound to a rock.

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Lady Macbeth In Shakespeare's play Macbeth (1623), Lady Macbeth plots with her husband to kill King Duncan so that her husband can assume the throne in his place. She persuades him to commit the murder despite his hesitation and reluctance. Any ambitious, scheming, or ruthless woman can be described as a Lady Macbeth.

And, as I did so, the door

burst open, and there was Miss Brinkmeyer, looking like

Lady Macbeth at her worst.

p. c. woDEHOusE Laughing

Cas, 1936

Ellen is just too ruthless for

comfort. Ellen and Lady Macbeth? Nothing in it!

FAY WELDON Darcy's Utopia,

1990

'In a way her son was a much nastier character. Sophie was Lady Macbeth writ large. She pulled the trigger on Jean-Louis and Caterina Tozharska herself He smiled wryly. 'But even Lady Macbeth couldn't bring herself to kill!

MAX MARQUIS Written in Blood, 1995

Moloch Moloch was a Canaanite deity referred to in several books of the Old Testament to whom worshippers sacrificed their children. The Israelites, moving into the land of Canaan, were expressly forbidden to worship Moloch (Levi. 18: 21).

Indeed . . . the national education of women is of the utmost consequence, for what a number of human sacrifices are made to that Moloch prejudice!

MARY WOLLSTONECRAFT A Vindication of the Rights of Women, 1792

Rasputin Grigori Rasputin (1871-1916) was a Russian monk, notorious for his debauchery, who came to exert great influence over the Tsarina Alexandra, wife of Nicholas II, by claiming miraculous powers to heal the heir to the throne, who suffered from haemophilia. Rasputin was eventually assassinated by a group of Russian noblemen loyal to the Tsar.

Believe me, I'd much rather be by your side than poolside, where I spend most of my time these days. Which is what a 'development deal' seems to entail. . . . I develop a tan while the studio develops cold feet on the project. Happily, thanks to my beloved agent, Rasputin, they still have to pay oodles of money either way, but I have to stick around awhile, just in case it's a go.

JANE DENTINCER Death Mask, 1988

Whore of Babylon The Whore of Babylon is referred to in the Book of Revelation. She is described as a woman sitting on a scarlet beast with seven heads and ten horns: 'The woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication.' On her forehead was written: 'Babylon the great, mother of harlots and abominations of the earth' (Rev. 17: 3-5). The term was applied to the Roman Catholic Church by the early Puritans, and could also be used to represent sexual immorality.

I'd marry the W— of Babylon rather than do anything dishonourable! THOMAS HARDY Jude the Obscure, 1895

Here he was: leading foreigners over in hordes to places that were not theirs, to cause disputes, to uproot niggers, to plant the Whore of Babylon in the midst of the righteous!

FLANNERY O'CONNOR The Displaced Person, 1953

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