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CURSE 7 7

Becky Sharp Becky Sharp and Amelia Sedley are the main characters in Thackeray's satirical novel Vanity Fair (1847-8). Becky starts out penniless and orphaned unlike the comfortably-off Amelia. However, she harnesses her charm and wits in her relentless pursuit of her own comfort and wealth.

But

there was a minute tilt at the corner of her eyelids, and a corresponding tilt at

the

corner of her lips . . . that denied, very subtly but quite unmistakably, her

apparent total obeisance to the great god Man. An orthodox Victorian would perhaps have mistrusted that imperceptible hint of a Becky Sharp; but to a man like Charles she proved irresistible.

JOHN FOWLES The French Lieutenant's Woman, 1969

Trojan Horse In Greek mythology, the Trojan Horse, also known as the Wooden Horse of Troy, was a device used by the Greeks after the death of Achilles to capture the city of Troy. The Greek craftsman Epeius constructed a large wooden horse and left it outside the walls of the city. The Greeks then sailed out of sight, leaving behind just one man, Sinon, who pretended to be a Greek deserter. Sinon reported to the Trojans that the horse was an offering to Athene, which, if brought within the city walls, would render Troy impregnable. The horse was in fact full of Greek soldiers, and once it had been brought into Troy and night had fallen, these soldiers came out and took the city. • See special entry TROJAN WAR on p. 392.

Volpone Volpone is the main character in Ben Jonson's comedy of the same name (printed 1607). Volpone, a childless man, lures potential heirs to his bedside where he pretends he is about to die imminently. His sidekick, Mosca, persuades each of these suitors that a suitable expensive present will confirm that he is the heir, and Volpone gloats gleefully over the gifts. Eventually Mosca engineers a position in which he can blackmail Volpone. Rather than lose his wealth to him, Volpone confesses to the authorities and the two are punished for their scheme.

Curse

The most striking of those whose names have come to be linked allusively to the idea of being cursed are whole families such as the house of ATREUS and, less commonly, the family of JÉROBOAM, in which not only more than one person but more than one generation is involved. The allusion is thus to a family who seem to have considerably more than their fair share of misfortune or tragedy. Cursed individuals include CAIN, who can stand for a disastrous and doomed person, and JONAH, for one who brings bad luck (particularly at sea). • See also Guilt; Punishment.

Albatross •See ANCIENT MARINER.

7 8 CURSE

Ancient Mariner In Samuel Coleridge's poem 'The Rime of the Ancient Mariner' (1798), a mariner shoots an albatross at sea and as a result of this 'hellish thing', killing a bird of good omen, a curse falls on his ship. As a penance, he is forced to wear the albatross hung round his neck. The ship is becalmed near the Equator and everyone except the mariner perishes.

Must go and see how Bert is getting on. Cod! I wish I'd never got involved with him;

he is like an Ancient Mariner around my neck.

SUE TOWNSEND The Crowing Pains of Adrian Mole, 1984

In my weaker moments I have often longed to cast myself on your mercy. How lucky, for both our sakes, that I have held out! You do not need an albatross from the old world around your neck,

j . M. COETZEE Age of Iron, 1990

AtreilS In Greek mythology, Atreus was the progenitor of a family known as the House of Atreus. His brother Thyestes laid a curse on it after Atreus had tricked him into eating the flesh of Thyestes' own sons at a feast. The family were subsequently involved in mutual murder and betrayal for several generations. One of Atreus' sons, Agamemnon, leader of the forces who besieged Troy, was murdered by his wife, Clytemnestra. The other son, Menelaus, was

married to Helen of Troy, whose abduction

by Paris led to the Trojan War.

• 5ee special entry u TROJAN WAR on p. 392.

 

'I'm trying to protect my sister. That's all I'm

concerned about. You're not helping.'

'You can't hide things for ever. The Mordifords should know that by now! 'What's left of us. Beatrice would say it's a family curse, like the House of Atreus. A bit above our mercantile station, wouldn't you say?'

GILLIAN LINSCOTT Widow's Peak, 1994

Cain In the Bible, Cain, the elder son of Adam and Eve, murdered his brother, Abel, and as a consequence was cursed to wander the earth for the rest of his life (Gen. 4: 1-16). God branded him with a mark, identifying him as not to be

killed but

instead left to live out his nomadic punishment. • See special entry

• CAIN on

p. 44.

In this manner, Hester Prynne came to have a part to perform in the world. With her native energy of character and rare capacity, it could not entirely cast her off, although it had set a mark upon her, more intolerable to a woman's heart than that which branded the brow of Cain.

NATHANIEL HAWTHORNE The Scarlet Letter, 1850

However the unjust discrimination against him had begun earlier; it had begun the day after Boxing Day. It seemed that since that business in the Market Square when that silly bitch fell off her horse and cracked her head open, the mark of Cain was on

him.

No one wanted him around. Others felt they could not drink in comfort knowing

he

was there, ill-omened, accursed.

ANN GRANGER A Season for Murder, 1991

Flying Dutchman The Flying Dutchman was a legendary ghost ship supposed to be seen in the region of the Cape of Good Hope and presaging disaster. It was said to haunt the seas eternally as a result of a murder that had been committed on board. The term is sometimes applied to the ship's captain. In Wagner's opera of the same name (1843), Captain Vanderdecken is freed from a curse when he finds a woman willing to sacrifice herself for him.

Jeroboam In the Bible, Jeroboam rebelled against Solomon and, after

DANCING 7 9

Solomon's death, encouraged the Israelites to rebel against Solomon's successor, Reheboam. Jeroboam incited the Israelites to commit the sin of idolatry, encouraging them to worship two golden calves as gods. He also established a priesthood and, even though warned against it, continued to appoint priests. In punishment God decreed that Jeroboam's entire family be destroyed. 'Therefore, behold, I will bring evil upon the house of Jeroboam . . . And will take away the remnant of the house of Jeroboam, as a man taketh away dung, till it be all gone' (i Kgs. 14: 10).

'How horrid that story was last night! It spoiled my thoughts of today. It makes me feel as if a tragic doom overhung our family, as it did the house of Atreus.' 'Or the house of Jeroboam,' said the quondam theologian.

THOMAS HARDY Jude the Obscure, 1894

Jonah In the Bible, Jonah was a Hebrew minor prophet, who was commanded by God to 'go to Nineveh, that great city, and cry against it; for their wickedness is come up before me' (Jonah 1: 2). However, Jonah was afraid and ran away, boarding a ship bound for Tarshish. God responded by sending a violent storm to threaten the ship. Eventually, acknowledging that he was the cause of the tempest, Jonah told the sailors to throw him overboard, whereupon the storm abated. Jonah lived to comply with God's instructions, but his disobedience had endangered the unwitting sailors with whom he had sailed and his name has subsequently stood for a bringer of ill luck.

His presence was a perpetual reminder of bad luck, and soon he was suffering the cold shoulder that had been my lot when Happy Hannah first decided I was a Jonah.

ROBERTSON DAviES World of Wonders, 1975

Tutankhamun The tomb of Tutankhamun, in the Valley of the Kings in Egypt, was discovered by Howard Carter (1874-1939) and the Earl of Carnarvon (1866-1923)01 November 1922. Carnarvon died in Luxor shortly after the discovery from a mosquito bite which led to a blood infection and pneumonia. Carter died seventeen years later but before he was able to provide a final report on the find, having spent the intervening years conserving the contents of the tomb and sending them to the Cairo Museum. The association of the two deaths gave rise to a popular tradition that the tomb was cursed.

Dancing

Most of the dancers included here are modern, drawn from ballet and the cinema. The frenzied dancing associated with the worship of Dionysus is covered at Chaos and Disorder.

Fred Astaire Fred Astaire (1899-1987), who was born Frederick Austerlitz, was an American actor, singer, and dancer. His first partner was his sister Adele, who starred with him in Broadway shows such as Lady Be Good in the 1920s. When his sister married he moved to Hollywood, where he paired up

8 0 DANCING

with Ginger Rogers. Together they made many successful film musicals including Top Hat (1935) and Shall We Dance? (1937). Astaire starred without Rogers in later films such as Easter Parade (1948) and The Band Wagon (1953).

Lucifer sank his teeth into a woman's nose, anointed a teenaged boy's hair with brown slickum, and leaped from pew to pew like a demonic little version of Fred Astaire.

ROBERT R. MCCAMMON Boy's Life, 1991

Isadora Duncan The American dancer Isadora Duncan (1878-1927) developed a new style of fluid barefoot dancing derived from classical Greek art. She travelled widely in Europe, and founded several dancing schools there. She was strangled accidentally when her trailing scarf became entangled in the wheel of a car.

The girl, on her knees, arms thrown back, was a dancer. She

was effecting some kind

of Isadora Duncan, swan-raped, Noh swoon: demonstrating

both her 'inner stillness'

and the power she exercised over her body.

 

IAIN SINCLAIR Downriver, 1991

 

Margot Fonteyn Margot Fonteyn was the stage name of the English classical ballet dancer Margaret Hookham. She danced for the company that became the Royal Ballet and was trained by Ninette de Valois. She started her partnership with Rudolph Nureyev in 1962 and created many roles with notable choreographers such as Frederick Ashton and Kenneth MacMillan. Fonteyn was named 'prima ballerina assoluta' in 1979, a title that has only been awarded three times.

'That's Bella on the terrace of our hotel.' Featherstone had produced his wallet, from which he proudly drew a number of creased and faded snaps from the space between his credit cards and his cheque book. 'What's she doing?' said Miss Trant, giving a cursory look, 'The Dying Swan?' 'Oh, yes,' said Featherstone proudly. 'Quite a little Margot Fonteyn, isn't she?'

JOHN MORTIMER Rumpole's Return, 1980

Rita Hayworth Rita Hayworth (1918-87), born Margaret Carmen Cansino, was an American film actress, star of such films as Gilda (1946) and The Lady from Shanghai (1948). A cousin of Ginger Rogers, she was an accomplished dancer.

Brenda, who'd been drinking champagne like her Uncle Leo, did a Rita Hayworth

tango with herself.

PHILIP ROTH Goodbye, Columbus, 1959

Nijinsky Vaslav Nijinsky (1890-1950), the legendary Russian dancer, trained at the Imperial Ballet School in St Petersburg and became one of the leading dancers in Diaghilev's Ballet Russe. He appeared in the first performance of Stravinsky's Petrouchka (1911) and danced in Fokine's ballets as well as in the classical repertoire. His own choreography included L'Après-midi d'un Faune (1912) and Sacre du Printemps (1913). His career ended when he was diagnosed as having paranoid schizophrenia in 1917.

It is said of the same puppets... that they are antigrav, that they can rise and leap, like Nijinsky, as if no such thing as gravity existed for them.

PAUL DE MAN Rhetoric of Romanticism, 1983

DANCING 8 1

Rudolph Nureyev Rudolph Nureyev (1939-93) was a Russian ballet dancer who defected to Paris in 1961. His partnership with Margot Fonteyn, dancing for the Royal Ballet, was inspired. In addition to his wide range of roles in classical and modern ballet, he choreographed La Bayadere (1963) and other ballets, performed in films such as Don Quixote (1975), and was artistic director of the Paris Opera Ballet 1983-9.

So I Nureyeved the front steps and flowed through the door in a single motion of Yale and Chubb.

JULIAN BARNES Talking It Over, 1991

Pavlova Anna Pavlova (1881-1931) was a Russian ballerina who became famous for her roles in Fokine's ballets, in particular in his solo dance for her, The Dying Swan. She lived in Britain from 1912 and formed her own company with which she toured Europe and the world.

Her office was hardly larger than the interior of my car. . . and she had to squeeze between the edge of her desk and the wall to get up to greet me. It was a maneuver that would have looked clumsy performed by Pavlova and Margaret Dopplemeier turned it into a lurching stumble.

JONATHAN KELLERMAN When the Bough Breaks, 1992

Johnnyboy draped himself across the workbench like Pavlova in the closing moments of the 'Dying Swan!

JOYCE HOLMS Bad Vibes, 1998

Red Shoes The Red Shoes was a Powell and Pressburger film released in 1948 starring Moira Shearer as a student who becomes a famous ballerina. When she falls in love and has to choose between love and career, she commits suicide.

Ginger Rogers Ginger Rogers (1911-95), born Virginia Katherine McMath, was an American actress and dancer. Best known for her dancing partnership with Fred Astaire, she also won an Oscar for her performance as an actress in

Kitty Foyle (1940). • See also FRED ASTAIRE.

I put my hand in his and followed. He was one of those men who can make you feel like Ginger Rogers on the dance floor, conveying an entire set of suggestions in the way he applied pressure to the small of my back.

SUE GRAFTON H Is for Homicide, 1991

Salome According to the Bible (Matt. 14: 6-9), Salome, the stepdaughter of King Herod Antipas, danced for her stepfather the king and 'pleased him'. He then 'promised with an oath to give her whatsoever she would ask' and Salome, instructed by her mother, demanded the head of John the Baptist.

Terpsichore Terpsichore (literally 'delighting in dance') was the Muse of dancing, particularly choral dancing and its accompanying song. The adjective derived from her name is 'Terpsichorean'.

The old-fashioned fronts of these houses . . . rose sheer from the pavement, into which the bow-windows protruded like bastions, necessitating a pleasing chassezdéchassez movement to the time-pressed pedestrian at every few yards. He was bound also to evolve other Terpsichorean figures in respect of door-steps, scrapers, cellar-hatches, church buttresses.

THOMAS HARDY The Mayor of Casterbridge, 1886

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