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Файл:premierepro_cs5_help.pdf
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- •Legal notices
- •Contents
- •Chapter 1: What's new
- •What’s new (CS5.5)
- •What’s new (CS5)
- •Chapter 2: User interface
- •Workspaces
- •Import a workspace with a project
- •Customizing workspaces
- •About workspaces
- •Choose a workspace
- •Dock, group, or float panels
- •Resize panel groups
- •Open, close, and scroll to panels
- •Working with multiple monitors
- •Save, reset, or delete workspaces
- •Brighten or darken the interface
- •Working with Panels
- •Navigate the panels
- •Display any panel full-screen
- •Display panel options
- •Display context and panel menus
- •Tools panel and Options panel
- •Tools
- •Open the Options panel
- •Dock the Tools panel to the Options panel
- •Undock the Tools panel from the Options panel
- •Clip details in the Info panel
- •Preferences
- •Change preferences
- •General preferences
- •Appearance preferences
- •Audio Preferences
- •Audio Hardware preferences
- •Audio Output Mapping preferences
- •Change the Auto Save settings
- •Capture preferences
- •Device Control preferences
- •Label Colors preferences
- •Label Defaults preferences
- •Media preferences
- •Memory preferences
- •Player Settings preferences
- •Titler preferences
- •Trim preferences
- •Chapter 3: Workflows and setup
- •Basic workflow
- •Cross-platform workflow
- •Cross-application workflows
- •Edit a clip in its original application
- •Working with Photoshop and Premiere Pro
- •Create and edit Photoshop files
- •Copy between After Effects and Adobe Premiere Pro
- •Copy from After Effects to Adobe Premiere Pro
- •Results of pasting into Adobe Premiere Pro
- •Copy from Adobe Premiere Pro to After Effects
- •Results of pasting into After Effects
- •Working with Adobe Premiere Pro and Adobe Flash
- •Working with Adobe Story, Adobe OnLocation, and Adobe Premiere Pro
- •Import clips with In and Out points set in Adobe OnLocation
- •Working with Encore and Premiere Pro
- •Add Encore chapter markers
- •Send to Encore or to an MPEG-2 file
- •Working with Final Cut Pro and Adobe Premiere Pro
- •Working with Avid Media Composer and Premiere Pro
- •Adobe Dynamic Link
- •About Dynamic Link (Production Premium or Master Collection only)
- •Dynamic Link performance (Production Premium or Master Collection only)
- •Create and link to After Effects compositions with Dynamic Link (Production Premium or Master Collection only)
- •Create a composition from clips in Adobe Premiere Pro
- •Create a dynamically linked composition from Adobe Premiere Pro or Encore
- •Link to an existing composition
- •Delete a dynamically linked composition or clip (Production Premium or Master Collection only)
- •Modify a dynamically linked composition in After Effects (Production Premium or Master Collection only)
- •Create an After Effects composition from clips in Premiere Pro (Production Premium only)
- •Offline compositions and Dynamic Link (Production Premium or Master Collection only)
- •Take a dynamically linked composition offline
- •Relink a dynamically linked composition
- •Setting up your system
- •Premiere Pro trial versions
- •Set up a DV or HDV system
- •Set up an SD-SDI, HD-SDI, or component system
- •Set up a file-based system
- •Set up an S-Video or composite system
- •Specify the default audio device
- •Audio Hardware Settings (Windows only)
- •Set up a USB microphone (Mac OS)
- •Specify ASIO device settings (Windows only)
- •Specify whether to render audio when rendering video
- •Specify the duration for preroll and postroll pauses
- •Specify scratch disks to improve system performance
- •Specify scratch disks
- •Optimizing scratch disk performance
- •Online resources for improving system performance
- •Move or clean the Media Cache Database
- •Optimize rendering for available memory
- •Chapter 4: Project setup
- •Creating and changing projects
- •Create a project
- •Review project settings
- •Project Settings dialog box
- •Open a project
- •Delete a project file
- •Moving a project to another computer
- •Archiving projects
- •Trim or copy your project
- •Chapter 5: Importing, transferring, capturing, and digitizing
- •Transferring and importing files
- •File formats supported for import
- •About transferring files
- •About importing files
- •Import files with the Media Browser
- •Import files with the Import commands
- •Import files using Adobe Bridge
- •Start Adobe Bridge from Adobe Premiere Pro
- •Import files from Adobe Bridge
- •Channel support
- •Importing assets from tapeless formats
- •Import assets from file-based sources with Media Browser
- •About spanned clips
- •Importing still images
- •Preparing still images before importing
- •Importing Photoshop and Illustrator files
- •Import a layered Photoshop file
- •Importing Illustrator images
- •Import numbered still-image sequences as video clips
- •Importing digital audio
- •Using audio from audio CDs
- •Using compressed audio formats
- •Using audio from Adobe Soundbooth
- •Audio sample rates supported
- •Conforming audio
- •Importing sequences, clip lists, libraries, and compositions
- •Import clips from Adobe OnLocation projects using the Media Browser
- •Importing earlier Premiere Pro projects
- •Import selected sequences from Premiere Pro projects
- •Import a Premiere Elements project (Windows only)
- •Importing libraries (Windows only)
- •Importing After Effects compositions
- •Import After Effects compositions
- •Import CMX3600 EDL projects
- •Importing XML project files from Final Cut Pro
- •Import an XML file from Final Cut Pro
- •Final Cut Pro clip data
- •Final Cut Pro effects and transitions
- •Conversion of Final Cut Pro video effects
- •Conversion of Final Cut Pro video transitions
- •Conversion of Final Cut Pro audio effects
- •Conversion of Final Cut Pro audio transitions
- •Final Cut Pro composite modes
- •Final Cut Pro Multiclips
- •Capturing and digitizing
- •About capturing and digitizing
- •System requirements for capturing
- •Set capture format, preferences, and tracks
- •Specify capture settings
- •Set capture preferences
- •Select tracks for capture
- •Capture from stereo sources to mono tracks
- •File size limits
- •Set up device control
- •Disable device control
- •Capture without device control
- •Capture with device control
- •Capture an entire tape or portion of a tape
- •Select and capture a clip
- •Determine whether your device is online
- •Log clips with automatic scene detection
- •Common capture issues
- •Capturing DV or HDV video
- •Capturing HD video
- •Create clips for offline editing
- •Create low-resolution clips for offline editing
- •Replace low-resolution clips with high-resolution clips for online editing
- •Digitizing analog video
- •About capture card settings
- •Digitize analog video
- •Capturing content for DVD
- •Batch capturing and recapturing
- •About logging clips
- •Log clips for batch capturing
- •Log clips interactively
- •Tips for logging clips interactively
- •About batch capturing
- •Choosing batch-capture settings
- •Determine whether an offline clip has capture settings
- •Change capture settings for an offline clip
- •Remove capture settings from an offline clip
- •Batch capture clips
- •Troubleshooting batch capturing
- •Import and export batch lists
- •Recapture clips
- •Working with timecode
- •About timecode
- •Choose timecode display format
- •Change how timecode is displayed
- •Stripe tape or replace timecode
- •Stripe a tape with timecode
- •Replace DV timecode
- •Capturing timecode
- •Set timecode manually for a clip
- •Enter timecode
- •View timecode as a burn-in
- •View clip timecode as a burn-in
- •View sequence timecode as a burn-in
- •View source timecode in the Program Monitor
- •Chapter 6: Managing assets
- •Customizing the Project panel
- •Change Project panel views
- •Customize List view columns
- •Edit the display of columns in the Project panels
- •Rearrange columns
- •Change the width of a column
- •Sort by a column
- •Add a column
- •List view columns
- •Select format for timecode display in the Project panel
- •Organizing assets in the Project panel
- •Work with bins
- •Change bin behaviors
- •Label assets
- •Rename assets
- •Rename a clip
- •Rename an original source file
- •Jump to an asset in the Project panel
- •Find assets in the Project panel
- •Find assets matching criteria
- •Finding clips with Face Detection
- •Identify clips containing faces
- •Find clips containing faces
- •Remove assets from a project
- •Remove an asset from the Project panel
- •Remove unused assets from the Project panel
- •Define a different thumbnail for a clip
- •Edit cells in the Project panel
- •Viewing clip properties
- •View the properties of a clip
- •Change the frame rate of a clip
- •Managing metadata
- •About the Metadata panel and XMP
- •About schemas and properties
- •About the XMP standard
- •About the Metadata panel in Premiere Pro
- •About file, clip, and project XMP metadata
- •Using clip metadata and file metadata
- •Edit XMP metadata
- •Search XMP metadata
- •Show or hide XMP metadata
- •Save, switch, or delete metadata sets
- •Create schemas and properties
- •View clip data in the Metadata panel
- •Link clip data to XMP metadata
- •Working with aspect ratios
- •About aspect ratios
- •Using assets with various aspect ratios
- •Fix aspect ratio distortion
- •Correct individual aspect ratio misinterpretations
- •Correct recurring aspect ratio misinterpretations
- •Common pixel aspect ratios
- •Chapter 7: Monitoring assets
- •Using the Source Monitor and Program Monitor
- •Source Monitor and Program Monitor overview
- •Setting display quality for the Source and Program Monitors
- •Change magnification
- •Open or clear a clip in the Source Monitor
- •Navigate clips in the Source Monitor
- •Using the Source Monitor and Program Monitor time controls
- •View safe zones in the monitors
- •Choose fields in the Source and Program Monitors
- •Choose a display mode
- •Playing assets
- •Play video in the Source Monitor and Program Monitor
- •Play a sequence or clip with preroll and postroll pauses
- •Jog or shuttle playback
- •Move to a different frame in the Source Monitor and Program Monitor
- •Using the J, K, and L keys to shuttle video
- •Match a frame with its source
- •Using the Waveform monitors and vectorscope
- •View a scope
- •Vectorscope
- •YC Waveform
- •YCbCr Parade
- •RGB Parade
- •Using the Reference Monitor
- •Open a Reference Monitor
- •Gang the Reference Monitor and Program Monitor
- •Chapter 8: Editing sequences and clips
- •Creating and changing sequences
- •Timeline panels
- •Open additional Timeline panels
- •Open a sequence in a Timeline panel
- •Navigate in a sequence
- •Position the current-time indicator in a Timeline panel
- •Move the current-time indicator using timecode
- •Snap to clip edges and markers
- •Zoom into or out of a sequence in a Timeline panel
- •Scroll through a sequence in a Timeline panel
- •Work with tracks
- •Add tracks
- •Delete tracks
- •Rename a track
- •Specify the tracks to change with Sync Lock
- •Prevent changes with Track Lock
- •Exclude tracks in a sequence
- •Set track display
- •Expand and resize a track
- •Set the display style of the video track
- •Set the default keyframe display of video tracks
- •Set the default keyframe display of audio tracks
- •Set the display style of the audio track
- •Resize the track header section
- •Adjust visible area of video and audio tracks
- •Create a sequence
- •Sequence presets and settings
- •Selecting a sequence preset
- •Create a custom sequence preset
- •Change sequence settings
- •Change sequence preview resolution settings
- •Create a widescreen sequence
- •Create an HDV or HD sequence
- •Create a sequence with uncompressed video playback
- •Create a sequence for RED camera footage
- •24p sequences
- •About 24p footage and sequences
- •About 3:2 and 24pA pulldown
- •Create a 24p sequence
- •Set 24p playback options
- •Disable 24p pulldown to simulate film-video transfer
- •Display 24p source timecode
- •Start a mobile device sequence
- •Using multiple sequences
- •Nest sequences
- •Nest a sequence in another sequence
- •Create a nested sequence from a selection of clips
- •Open the source of a nested sequence
- •Reveal a source frame from a nested sequence
- •Attach closed caption files (CS5.5 and later)
- •Editing multi-camera sequences
- •About multi-camera editing
- •About the Multi-Camera Monitor
- •Display the Multi-Camera Monitor
- •Add clips for multi-camera editing
- •Synchronize clips with markers
- •Create a multi-camera target sequence
- •Record multi-camera edits
- •Play nested multi-camera clips in the Program Monitor
- •Play clips in the Multi-Camera Monitor
- •Rerecord multi-camera edits
- •Adjust multi-camera edits in a Timeline panel
- •Insert or overwrite clips in a multi-camera sequence
- •Creating and playing clips
- •Source clips, clip instances, subclips, and duplicate clips
- •Duplicate a clip
- •Creating subclips
- •Create a subclip from the Project panel
- •Create a subclip from a Timeline panel
- •Adjust media start and end times of a subclip
- •Convert a subclip to a master clip
- •Play back a clip in the Project panel
- •Synchronizing audio and video with Merge Clips (CS5.5 and later)
- •Merge clips in the Project panel
- •Merge clips in the Timeline panel
- •Synchronize clips in the Timeline panel
- •Editing with merged clips
- •Editing merged clips with gaps into the Timeline
- •Trimming merged clips
- •Merged clips and the Metadata panel
- •Merged Clips limitations
- •Working with offline clips
- •Create an offline clip
- •Edit an offline clip
- •Relink an offline clip
- •Convert an online clip to an offline clip
- •Modifying clip properties with Interpret Footage
- •Interpret footage
- •Creating special clips (synthetics)
- •Create a counting leader (Windows only)
- •Create color bars and a 1-kHz tone
- •Create black video
- •Create a color matte
- •Create a transparent video clip
- •Adding clips to sequences
- •Adding clips to a sequence
- •Open a sequence
- •Targeting tracks
- •Drag video and audio to a sequence
- •Drag video only or audio only to a sequence
- •Add a track while adding a clip
- •Insert a clip into a sequence
- •Overwrite a clip into a sequence
- •Insert or Overwrite by dragging a clip to the Program panel
- •Make three-point and four-point edits
- •Make a three-point edit
- •Make a four-point edit
- •Add clips to a sequence automatically
- •Mixing clip types in a sequence
- •Replace one clip with another in a Timeline
- •Replace the source footage for a clip
- •Set or remove sequence In and Out points
- •Set sequence In and Out points
- •Set sequence In and Out points around a selection
- •Remove sequence In and Out points
- •Set sequence start time
- •Trimming clips
- •Working with In and Out points
- •Scrub the waveform in the Source Monitor
- •Zoom in or out on a waveform in the Source Monitor
- •Return to default vertical zoom level
- •Return to previous vertical zoom level
- •Trim in the Source Monitor
- •Open a clip in the Source Monitor
- •Select a clip to view in the Source Monitor
- •Set In points and Out points in the Source Monitor
- •Move In point and Out point together
- •View In and Out frames in the Source Monitor
- •Cue to an In point or Out point
- •Remove source clip In point or Out point
- •Trim with Trim-in and Trim-out tools
- •Trim with the current-time indicator
- •Set keyboard commands to trim with the current-time indicator
- •Set In and Out Points with the current-time indicator
- •Trim with Speech Analysis
- •Making rolling and ripple edits
- •About rolling and ripple edits
- •Make a rolling edit using the Rolling Edit tool
- •Make a rolling edit using the Trim Monitor
- •Make rolling edits with the current-time indicator
- •Make a ripple edit using the Ripple Edit tool
- •Make a ripple edit using the Trim Monitor
- •Make slip and slide edits
- •Make a slip edit
- •Make a slide edit
- •Making split edits
- •Work in the Trim Monitor
- •Open or close the Trim Monitor
- •Display the edit point you want to trim
- •Preview the edit in the Trim Monitor
- •Cancel an edit
- •Set trim preferences
- •Working with clips in a sequence
- •Find a clip in any sequence with Clip Usage
- •View the source of a sequence clip in the Project panel
- •Analyze speech for text XMP metadata
- •Analyze speech to create text metadata
- •Navigate to a specific word in speech metadata
- •Edit speech metadata
- •Copy text from speech metadata to the clipboard for use in a text editor
- •Improve speech analysis with reference scripts
- •Improve speech analysis with Adobe Story scripts (CS5.5 and later)
- •Select one or more clips
- •Enable or disable a clip
- •Group clips
- •Snap clips
- •Enable and disable the snap feature
- •Snap a clip to a clip edge, marker, or current-time indicator
- •Rearranging clips in a sequence
- •Move clips
- •Move clips in a Timeline panel
- •Move clips using the keypad
- •Move clips to a different track
- •Rearrange clips in a Timeline panel
- •Split or cut one or more clips with the Razor tool
- •Remove clips from a sequence
- •Lift and paste frames
- •Extract and paste frames
- •Delete clips and close gaps simultaneously
- •Delete gaps between clips
- •Find gaps in sequences and tracks
- •Copy and paste at the current-time indicator
- •Delete all clips on one track
- •Rendering and previewing sequences
- •Define the work area for rendering
- •Render a preview file for a section of a sequence
- •Render audio when rendering video
- •Work with preview files
- •Use preview files when rendering
- •Delete preview files
- •Play a sequence from start to finish
- •Scroll a sequence during preview
- •Previewing on a television monitor
- •Previewing on a television monitor via video card
- •Preview on a television monitor via camcorder or deck
- •Ensure that Adobe video applications use the same cached files
- •Correcting mistakes
- •Correct mistakes
- •History panel
- •Remove alerts with the Events panel
- •Working with markers
- •Add markers
- •Add an unnumbered clip marker
- •Add an unnumbered sequence marker
- •Add a numbered marker
- •Create markers in the Effect Controls panel
- •Find, move, and delete markers
- •Go to a clip marker in the Source Monitor
- •Go to a clip or sequence marker in a Timeline panel
- •Move a marker
- •Delete a marker
- •Add comments, chapters, and links to sequence markers
- •Read marker comments in tool tips
- •Sharing markers with After Effects, Encore, and Flash
- •Add Encore chapter markers
- •Chapter 9: Editing Audio
- •Overview of audio and the Audio Mixer
- •Audio tracks in a sequence
- •Channels in audio clips
- •Mixing audio tracks and clips
- •Processing order for audio
- •Making quick audio adjustments
- •View audio data
- •View audio clips
- •View time in audio time units
- •Audio Mixer overview
- •Modify the Audio Mixer
- •Monitor specific tracks in the Audio Mixer
- •Open the Audio Master Meters panel
- •Customize a VST effect in an options window
- •Working with clips, channels, and tracks
- •Mapping source and output audio channels
- •Map source audio channels on import
- •Change the source audio channel mapping for one or more clips
- •Map P2 clip audio for export to P2
- •Map sequence audio channels to audio output device hardware channels
- •Audio channel icons
- •Extract audio from clips
- •Render and replace audio
- •Break a stereo track into mono tracks
- •Break all stereo tracks into mono tracks
- •Use a mono clip as stereo
- •Placing sound from one channel of a stereo clip into both channels
- •Linking multiple audio clips
- •Link audio clips
- •Edit a multi-clip link in the Source Monitor
- •Editing audio in a Timeline panel
- •Set sample-based audio In and Out points
- •Switch a time ruler to audio units in the Source or Program Monitor
- •Navigate audio in sample view
- •Trim audio in sample view in a Timeline panel
- •Link and unlink video and audio clips
- •Link or unlink video and audio
- •Edit tracks of linked clips individually
- •Automatically synchronize clips that were moved out of sync
- •Create split edits
- •Create a split edit
- •Set source In and Out points for a split edit
- •Recording audio
- •Capturing analog audio
- •Set the location for captured audio
- •Preparing the audio input channel for recording
- •Record audio from a microphone or another analog source
- •Mute input during recording
- •Adjusting volume levels
- •Monitor volume level from Timeline, or Program Monitor
- •Monitor volume level while capturing
- •Specify whether to play audio while scrubbing
- •Adjusting gain and volume
- •Normalize one or more clips
- •Normalize the Master track
- •Adjust volume with keyframes
- •Changing volume over time with keyframes
- •Apply a volume level to several clips
- •Adjust volume in Effect Controls
- •Set track volume in the Audio Mixer
- •Mute a track in the Audio Mixer
- •Mix tracks in the Audio Mixer
- •Recording audio mixes
- •Record changes to sound tracks
- •Preserve a track property while recording an audio mix
- •Audio Mixer automation modes
- •Set Automatch Time for Touch mode and Read mode
- •Specify automated keyframe creation
- •Panning and balancing
- •Panning and balancing in the Audio Mixer
- •Pan or balance a stereo track
- •Pan or balance a 5.1 surround track
- •Pan or balance a 16-channel track
- •Pan or balance a track in a Timeline panel
- •Advanced mixing
- •Work with submixes
- •Create a submix in a Timeline panel
- •Simultaneously create a submix and assign a send
- •Route a track’s output to a submix
- •Route tracks with sends
- •Send a track to a submix
- •Edit Send settings
- •Work with sends
- •Downmixing to fewer channels
- •Change 5.1 audio to stereo or mono
- •Routing track output
- •Route or turn off track output
- •Editing audio in Adobe Soundbooth
- •Edit audio in Adobe Soundbooth
- •Undoing edits made in Adobe Soundbooth
- •Editing and mixing audio in Adobe Audition
- •Edit audio in Adobe Audition (CS5.5)
- •Export sequence tracks to Adobe Audition (CS5.5)
- •Editing audio clips in Adobe Audition (CS5.5)
- •Export a multitrack mix to Adobe Premiere Pro
- •Chapter 10: Titling and the Titler
- •Creating and editing titles
- •Create new titles
- •Create a title
- •Create a title based on the current title
- •Open, import, or export a title
- •Open a title for editing
- •Import a title file
- •Export a title as an independent file
- •About safe margins in the Titler
- •Choose, create, and import title templates
- •Load a template for a new title
- •Import a saved title file as a template
- •Set or restore a default template
- •Rename or delete a template
- •Create a template from an open title
- •Import a title template from Resource Central
- •Show video behind the title
- •Creating and formatting text in titles
- •Enter text in titles
- •Type text without boundaries
- •Wrap text automatically
- •Type horizontal or vertical text in a text box
- •Type text along a path
- •Edit and select text
- •Format text in titles
- •Specify a font
- •Change the letters that appear in the Font Browser
- •Change the font size
- •Change text orientation
- •Specify text properties
- •Work with paragraph text
- •Change paragraph justification
- •Reflow paragraph text
- •Create tab stops in titles
- •Set and adjust a tab stop
- •Delete a tab stop
- •Drawing shapes in titles
- •Create shapes
- •Change the shape of a graphic object or a logo
- •Draw straight segments with Pen Tool
- •Draw curves with Pen Tool
- •Adjust object anchor points and curves
- •Add an object anchor point to a path
- •Delete an object anchor point
- •Adjust an object anchor point
- •Convert object anchor points from one type to another
- •Change the curve of a segment
- •Set options for open and closed Bezier shapes
- •Add images to titles
- •Place a logo in a title
- •Place a logo in a text box
- •Return a logo to its original size or aspect ratio
- •Working with text and objects in titles
- •Change the stacking order of objects in titles
- •Align and distribute objects in titles
- •Center objects in titles
- •Align objects in titles
- •Distribute objects in titles
- •Transform objects in titles
- •Adjust an object’s opacity
- •Adjust the position of objects
- •Scale objects
- •Change the rotation angle of objects
- •Distort an object or multiple objects
- •Fills, strokes, and shadows in titles
- •Set a fill for text and objects
- •Fill type options
- •Add a sheen
- •Add a texture for text or object
- •Add a stroke to text or object
- •Change the listing order of strokes
- •Delete strokes from an object or text
- •Create a drop shadow
- •Titler text styles
- •Modify the style swatch display
- •Change the default characters in swatches
- •Create a style
- •Apply a style to an object
- •Specify the characters in the Title Styles panel
- •Delete, duplicate, or rename, a style
- •Manage style libraries
- •Rolling and crawling titles
- •Create a rolling or crawling title
- •Roll/Crawl Timing options
- •Convert a title to another type
- •Chapter 11: Effects and transitions
- •About effects
- •Fixed effects
- •Standard effects
- •Clip-based and track-based effects
- •Effect plug-ins
- •GPU-accelerated effects
- •Disable or enable GPU acceleration of effects
- •List of GPU accelerated effects in Premiere Pro CS5
- •List of GPU accelerated effects in Premiere Pro CS5.5 and later
- •High-bit-depth effects
- •Applying, removing, finding, and organizing effects
- •Find and group effects
- •Filter effects by type
- •Create bins of favorite effects
- •Remove a Custom bin
- •Apply effects to clips
- •Copy and paste clip effects
- •Remove selected effects from a clip
- •Remove all effects from a clip
- •Disable or enable effects in a clip
- •Viewing and adjusting effects and keyframes
- •View effects in the Effect Controls panel
- •View keyframes for an effect property in the Timeline panel
- •Adjust or reset controls in the Effect Controls panel
- •Applying effects to audio
- •Applying audio effects in the Audio Mixer
- •Apply a track effect in the Audio Mixer
- •Adjust audio track effects in a Timeline
- •Copy and paste track effects
- •Designate a track effect as pre-fader or post-fader
- •Remove or bypass a track effect in the Audio Mixer
- •Working with VST effects
- •Adjust a VST effect in a VST Editor panel
- •Select a preset for a VST effect
- •Working with audio transitions
- •Specify the default audio transition
- •Set the default duration for audio transitions
- •Crossfade between audio clips
- •Fade in or fade out clip audio
- •Adjust or customize an audio transition
- •Effect presets
- •Effect presets
- •Create and save an effect preset
- •Apply an effect preset
- •Work with a custom bins and preset bins
- •Creating common results
- •Fade in video
- •Picture-in-picture (PIP) and split screen
- •Zoom and pan a still image
- •Place lightning over part of a clip
- •Create a Jacob’s Ladder
- •Make reverb ring out
- •Motion: position, scale, and rotate a clip
- •Adjust position, scale, and rotation
- •Scale assets
- •Scale assets manually
- •Scale assets to frame size
- •Scale assets automatically
- •Animate motion in the Program Monitor
- •Animate a clip in the Program Monitor
- •Change Position keyframes in a motion path
- •Move a clip along a curve
- •Adjust or animate clip anchor points
- •Eliminate flicker
- •Duration and speed
- •View the total duration of selected clips
- •Change the default duration for still images
- •Change speed and duration for one or more clips
- •Change clip speed and duration with the Rate Stretch tool
- •Change clip speed and duration with Time Remapping
- •Vary changes to speed or direction with Time Remapping
- •Blend frames for smooth motion
- •Freeze a frame
- •Freeze a frame for a portion of a clip
- •Freeze a video frame for the duration of a clip
- •Interlacing and field order
- •Interlaced video, noninterlaced video, and progressive scanning
- •About field dominance and field reversal
- •Create interlaced or non-interlaced clips
- •Change the field order of a clip
- •Color correction and adjustment
- •Adjusting color and luminance
- •Set up a Color Correction workspace
- •Apply the Color Correction effects
- •Quickly remove a color cast
- •Make quick luminance corrections
- •Color balance, angle, and saturation controls
- •Adjust color balance and saturation
- •Adjust color and luminance using curves
- •Adjust luminance using levels
- •Select a color with the Adobe Color Picker
- •Define the tonal ranges in a clip
- •Specify a color or range of colors to adjust
- •Replace a color
- •Remove color in a clip
- •Mix color channels in a clip
- •Isolate a single color using Color Pass
- •Adjust edges, blurs and brightness using Convolution presets
- •Add Lighting Effects
- •Apply Lighting Effects textures
- •Transition overview: applying transitions
- •Clip handles and transitions
- •Applying transitions
- •Apply a transition between two clips
- •Apply a single-sided transition
- •Specify and apply default transitions
- •Specify a default transition
- •Set the duration of the default transition
- •Add the default transition between two clips
- •Apply default transitions between selected clips
- •Copy and paste a transition
- •Replace a transition
- •Modifying and customizing transitions
- •Display transitions in the Effect Controls panel
- •Adjust transition alignment
- •Align a transition in a Timeline panel
- •Align a transition using the Effect Controls panel
- •Move a cut and transition together
- •Change transition duration
- •Change transition duration in a Timeline panel
- •Change transition duration in the Effect Controls panel
- •Set the default duration for transitions
- •Reposition the center of a transition
- •Change transition settings
- •Effects and transitions reference
- •Effects and transitions list
- •Adjust effects
- •Blur and sharpen effects
- •Channel effects
- •Color correction effects
- •Distort effects
- •Generate effects
- •Image control effects
- •Keying effects
- •Noise and grain effects
- •Perspective effects
- •Stylize effects
- •Time effects
- •Transform effects
- •Transition effects
- •Utility effects
- •Video effects
- •Video dissolve transitions
- •Adjust effects
- •Auto Color, Auto Contrast, and Auto Levels effects
- •Convolution Kernel effect
- •Extract effect
- •Levels effect
- •Lighting Effects effect
- •ProcAmp effect
- •Shadow/Highlight effect
- •Blur and Sharpen effects
- •Antialias effect (Windows only)
- •Camera Blur effect (Windows only)
- •Channel Blur effect
- •Compound Blur effect
- •Directional Blur effect
- •Fast Blur effect
- •Gaussian Blur effect
- •Ghosting effect (Windows only)
- •Sharpen effect
- •Unsharp Mask effect
- •Channel effects
- •Arithmetic effect
- •Blend effect
- •Calculations effect
- •Compound Arithmetic effect
- •Invert (video) effect
- •Set Matte effect
- •Solid Composite effect
- •Color Correction effects
- •Brightness & Contrast effect
- •Broadcast Colors effect
- •Change Color effect
- •Change To Color effect
- •Channel Mixer effect
- •Color Balance effect
- •Color Balance (HLS) effect
- •Equalize effect
- •Fast Color Corrector effect
- •Leave Color effect
- •Luma Corrector effect
- •Luma Curve effect
- •RGB Color Corrector effect
- •RGB Curves effect
- •Three-Way Color Corrector effect
- •Tint effect
- •Video Limiter effect
- •Distort effects
- •Bend effect (Windows only)
- •Corner Pin effect
- •Lens Distortion effect (Windows only)
- •Magnify effect
- •Mirror effect
- •Offset effect
- •Spherize effect
- •Transform effect
- •Turbulent Displace effect
- •Twirl effect
- •Wave Warp effect
- •Generate effects
- •4-Color Gradient effect
- •Cell Pattern effect
- •Checkerboard effect
- •Circle effect
- •Ellipse effect
- •Eyedropper Fill effect
- •Grid effect
- •Lens Flare effect
- •Lightning effect
- •Paint Bucket effect
- •Ramp effect
- •Write-on effect
- •Image Control effects
- •Black & White effect
- •Color Balance (RGB) effect
- •Color Pass effect (Windows only)
- •Color Replace effect (Windows only)
- •Gamma Correction effect
- •Keying effects
- •Alpha Adjust effect
- •Blue Screen Key effect (Windows only)
- •Chroma Key effect (Windows only)
- •Chromakey with the Ultra Key effect
- •Color Key effect
- •Difference Matte effect
- •Eight-Point, Four-Point, and Sixteen-Point Garbage Matte effects
- •Image Matte Key effect
- •Luma Key effect
- •Non Red Key effect
- •RGB Difference Key effect (Windows only)
- •Remove Matte effect
- •Track Matte Key effect
- •Noise & Grain effects
- •Dust & Scratches effect
- •Median effect
- •Noise effect
- •Noise Alpha effect
- •Noise HLS and Noise HLS Auto effects
- •Perspective effects
- •Basic 3D effect
- •Bevel Alpha effect
- •Bevel Edges effect
- •Drop Shadow effect
- •Radial Shadow effect
- •Stylize effects
- •Alpha Glow effect
- •Brush Strokes effect
- •Color Emboss effect
- •Emboss effect
- •Find Edges effect
- •Mosaic effect
- •Posterize effect
- •Replicate effect
- •Roughen Edges effect
- •Solarize effect
- •Strobe Light effect
- •Texturize effect
- •Threshold effect
- •Time effects
- •Echo effect
- •Posterize Time effect
- •Transform effects
- •Camera View effect (Windows only)
- •Crop effect
- •Edge Feather effect
- •Horizontal Flip effect
- •Horizontal Hold effect (Windows only)
- •Vertical Flip effect
- •Vertical Hold effect (Windows only)
- •Transition effects
- •Block Dissolve effect
- •Gradient Wipe effect
- •Linear Wipe effect
- •Radial Wipe effect
- •Venetian Blinds effect
- •Utility effects
- •Cineon Converter effect
- •Video effects
- •Timecode effect
- •Video dissolve transitions
- •Additive Dissolve transition
- •Cross Dissolve transition
- •Dip To Black transition
- •Dip To White transition
- •Dither Dissolve transition
- •Film Dissolve transition(CS5.5 and later)
- •Non-Additive Dissolve transition
- •Random Invert transition
- •Audio effects and transitions reference
- •Audio effects and transitions list
- •Audio effects
- •Audio crossfade transitions
- •Audio effects
- •Balance effect
- •Bandpass effect
- •Bass effect
- •Channel Volume effect
- •Chorus effect
- •DeClicker effect
- •DeCrackler effect
- •DeEsser effect
- •DeHummer effect
- •Delay effect
- •DeNoiser effect
- •Dynamics effect
- •EQ effect
- •Fill Left effect, Fill Right effect
- •Flanger effect
- •Highpass and Lowpass effects
- •Invert (audio) effect
- •MultibandCompressor effect
- •Multitap Delay effect
- •Notch effect
- •Parametric EQ effect
- •Phaser effect
- •PitchShifter effect
- •Reverb effect
- •Spectral Noise Reduction effect
- •Swap Channels effect
- •Treble effect
- •Volume effect
- •Audio crossfade transitions
- •Constant Gain transition
- •Constant Power transition
- •Exponential Fade transition
- •Chapter 12: Animation and keyframes
- •Adding, navigating, and setting keyframes
- •View keyframes and graphs
- •View keyframes in the Effect Controls panel
- •View keyframes and properties in a Timeline panel
- •Set keyframe display for a Timeline panel
- •Move the current-time indicator to a keyframe
- •Add, select, and delete keyframes
- •Add keyframes
- •Select keyframes
- •Delete keyframes
- •Modify keyframe values
- •Edit keyframe graphs in the Effect Controls panel
- •Edit keyframe graphs from a Timeline panel
- •Moving and copying keyframes
- •Move keyframes in time
- •Determine keyframe snapping
- •Copy and paste keyframes
- •Copy and paste keyframes in the Effect Controls panel
- •Copy and paste keyframes in a Timeline panel
- •Controlling effect changes using keyframe interpolation
- •About interpolation
- •Change the keyframe interpolation method
- •Control change using Bezier keyframe interpolation
- •Create Bezier keyframes
- •Adjust Bezier handles
- •Fine-tune the speed of an effect
- •Optimize keyframe automation
- •Chapter 13: Compositing
- •Compositing, alpha channels, and adjusting clip opacity
- •Alpha channels and mattes
- •About straight and premultiplied channels
- •About keying
- •Blend clips with a Garbage Matte effect
- •Blend clips with a matte using the Track Matte Key effect
- •Specify clip opacity in a Timeline panel
- •Compositing tips
- •Blending modes
- •Blend mode reference
- •Blending mode descriptions
- •Chapter 14: Exporting
- •Workflow and overview for exporting
- •Types of exporting
- •Adobe Media Encoder
- •Workflow for exporting video and audio files
- •Formats exported directly from Premiere Pro
- •Export to Panasonic P2 format
- •Exporting OMF files for Pro Tools
- •Export an OMF file for Pro Tools
- •Features supported in OMF files
- •Tips for importing OMF files into Pro Tools
- •Export a still image
- •Exporting to DVD or Blu-ray Disc
- •Choosing file formats for various discs
- •Send a sequence to Encore to create a DVD, Blu-ray Disc, or SWF
- •Exporting projects for other applications
- •Export a project as an EDL file
- •Exporting AAF files
- •Export an Advanced Authoring Format (AAF) project file
- •About the AAF plug-in
- •Export a Final Cut Pro project XML file
- •Exporting to videotape
- •Prepare for exporting to DV videotape
- •Export a sequence to tape with device control
- •Export a sequence to tape without device control
- •Exporting for the Web and mobile devices
- •Moving assets between Adobe Premiere Pro and Adobe Flash
- •Tips for creating FLV and F4V files
- •Tips for creating video for mobile devices
- •Chapter 15: Keyboard shortcuts
- •Finding and customizing keyboard shortcuts
- •Find keyboard shortcuts
- •Customize or load keyboard shortcuts
- •Remove shortcuts
- •Print keyboard shortcuts
- •Default keyboard shortcuts
- •Selecting tools (keyboard shortcuts)
- •Viewing panels (keyboard shortcuts)
- •Capture panel (keyboard shortcuts)
- •Multi-Camera Monitor (keyboard shortcuts)
- •Project panel (keyboard shortcuts)
- •Timeline panel (keyboard shortcuts)
- •Titler (keyboard shortcuts)
- •Trim panel (keyboard shortcuts)
- •Effect Controls panel (keyboard shortcuts)
USING ADOBE PREMIERE PRO |
121 |
Managing assets
Correct recurring aspect ratio misinterpretations
Premiere Pro automatically assigns pixel aspect ratios to files according to a file of rules. If a specific type of image is consistently misinterpreted (distorted) when you import it, you can change the relevant rule.
1Open a text editor.
2From within the text editor, go to the Premiere Pro Plug-ins folder.
3Open the file named Interpretation Rules.txt.
4Edit the rule that you want to modify, and choose Save.
Common pixel aspect ratios
|
Pixel aspect ratio |
When to use |
|
|
|
Square pixels |
1.0 |
Footage has a 640x480 or 648x486 frame size, is 1920x1080 HD (not |
|
|
HDV or DVCPRO HD), is 1280x720 HD or HDV, or was exported from an |
|
|
application that doesn’t support nonsquare pixels. This setting can also |
|
|
be appropriate for footage that was transferred from film or for |
|
|
customized projects. |
|
|
|
D1/DV NTSC |
0.91 |
Footage has a 720x486 or 720x480 frame size, and the desired result is |
|
|
a 4:3 frame aspect ratio. This setting can also be appropriate for |
|
|
footage that was exported from an application that works with |
|
|
nonsquare pixels, such as a 3D animation application. |
|
|
|
D1/DV NTSC |
1.21 |
Footage has a 720x486 or 720x480 frame size, and the desired result is |
Widescreen |
|
a 16:9 frame aspect ratio. |
|
|
|
D1/DV PAL |
1.09 |
Footage has a 720x576 frame size, and the desired result is a 4:3 frame |
|
|
aspect ratio. |
|
|
|
D1/DV PAL |
1.46 |
Footage has a 720x576 frame size, and the desired result is a 16:9 frame |
Widescreen |
|
aspect ratio. |
|
|
|
Anamorphic 2:1 |
2.0 |
Footage was shot using an anamorphic film lens, or it was |
|
|
anamorphically transferred from a film frame with a 2:1 aspect ratio. |
|
|
|
HDV 1080/DVCPRO |
1.33 |
Footage has a 1440x1080 or 960x720 frame size, and the desired result |
HD 720, HD |
|
is a 16:9 frame aspect ratio. |
Anamorphic 1080 |
|
|
|
|
|
DVCPRO HD 1080 |
1.5 |
Footage has a 1280x1080 frame size, and the desired result is a 16:9 |
|
|
frame aspect ratio. |
|
|
|
Last updated 1/16/2012
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