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USING ADOBE PREMIERE PRO

365

Effects and transitions

Hue, Saturation, and Luma Specify the color range to be corrected by hue, saturation, or luminance. Click the triangle next to the option name to access the threshold and softness (feathering) controls to define the hue, saturation, or luminance range.

Soften Makes boundaries of the specified area more diffuse, blending the correction more with the original image. A higher value increases the softness.

Edge Thinning Makes the specified area more sharply defined. The correction becomes more pronounced. A higher value increases the edge definition of the specified area.

Invert Limit Color Corrects all colors except for the color range that you specified with the Secondary Color Correction settings.

Jeff Sengstack explains how to use the Three-way Color Corrector effect to change the color of an object in this lynda.com video from his tutorial -- Premiere Pro: Color Correction and Enhancement.

Karl Soule shows the basic Use of the 3-Way Color Corrector in this video tutorial.

Karl Soule shows how to set up the 3 wheels of the Three-Way Color Corrector in this video tutorial.

Karl Soule shows use of Three-Way Color Corrector effect for secondary color correction in this video tutorial.

Maxim Jago demonstrates the Three Way Color Corrector effect for secondary color correction on the video2brain website.

Andrew Devis demonstrates how to use the Secondary Color Correction option in this video tutorial.

More Help topics

Using the Three Way Color Corrector in Premiere Pro

Apply the Color Correction effects” on page 313

Adjust color and luminance using curves” on page 318

Tint effect

The Tint effect alters an image’s color information. For each pixel, the luminance value specifies a blend between two colors. Map Black To and Map White To specify to which colors dark and bright pixels are mapped. Intermediate pixels are assigned intermediate values. Amount To Tint specifies the intensity of the effect.

Video Limiter effect

The Video Limiter effect lets you limit the luminance and color in a clip so that they fall within parameters that you define. These parameters are useful for preserving the video as much as possible while making its signal fall within the broadcasting limits.

Show Split View Displays one part of the image as the corrected view and the other part of the image as the uncorrected view.

Layout Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical).

Split View Percent Adjusts the size of the corrected view. The default is 50%.

Reduction Axis Lets you set the limits defining the range of luminance (Luma), color (Chroma), both color and luminance (Chroma and Luma), or the overall video signal (Smart Limit). The Min and Max controls available depend on the Reduction Axis option you choose.

Luma Min Specifies the darkest level in an image.

Luma Max Specifies the brightest level in an image.

Last updated 1/16/2012