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Английский язык. Учебное пособие для аспирантов консерваторий и вузов искусств

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it makes him much in demand as concert artist, lecturer and jury
member. b). Make up a story about professional skills and teaching practice of
your teacher or colleague. c). Make up your Curriculum Vitae using expressions from the text above. d) Speak on your experience of being a teacher/concertmaster/soloist…
Was your experience negative?
II. GETTING A JOB.
JOB HUNTING
Resume
An excellent resume may help you get the job of your dreams and
a; poor resume may mean a lost opportunity.
Since this is the first piece of information a company will receive
about; you, it is critically important that your resume be well-written.
It should be presented at the beginning of any interview that you have with a company. Ideally, resume should not be longer than one page.
The contents of a resume can be roughly categorized as:
1) PERSONAL INFORMATION (address and telephone number),
2) JOB OBJECTIVE 3) EDUCATION, 4) EXPERIENCE, 5) SKILLS,
6) EXTRACURRICULAR ACTIVITIES, 7) REFERENCES.
The resume begins with PERSONAL INFORMATION, nаmе, ad­dress, telephone number centered at the top page.
After your address, a statement of intent or JOB OBJECTIVE should be written. This objective should be well thought out from the very beginning since it will influence how you will write the rest of the resume. It should not be too general, e. g: "To obtain a managerial posi­tion in a Western company."
Think about your job search and career goals carefully, write them down in a way that shows you have given this much thought.
For example: "Objective: To obtain a position in telecommunica­tion that will allow me to use my knowledge of engineering and take ad­vantage of my desire to work in sales."
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Notice that your desire to have a well-paid job is not included in this statement. A focus on money in your resume's first sentence will not make the best impression anywhere in the world, not just in Russia.
After the statement of intent, describe your EDUCATION.
List the universities, institutes and colleges you have attended in reverse chronological order.
Any studying you have done abroad should be included and cours­es that you have taken that are relevant.
If you graduated with honors, you should definitely include this. A "red diploma" can be called "graduated with high honors" in English. Do not include your high school.
Your working EXPERIENCE is the next section. List your experi­ence starting with your most recent place of employment and work backwards. Spell out the exact dates of employment, your position, and the name of the company you worked for.
Provide information about your responsibilities, emphasizing im­portant activities by listing the most relevant to your objective. Do not use complete sentences! List your responsibilities in short statements that do not include the words "my" or "1".
Following experience, you should list your special SKILLS. These include your language skills, computer abilities, and any other talent that relates to your statement of intent.
When describing your language abilities, it is best to be honest about your level, "Fluent English," "native Russian," "intermediate 'German", and "beginning French" are all ways to describe your lan­guage abilities.
EXTRACURRICULAR ACTIVITIES should be included in the next section. Student or professional organizations you belong to, travel, sports and hobbies should be listed here.
Do not list "reading" or "writing" as an activity. It is assumed most people with a higher education do these things regularly.
The last section of your resume is the REFERENCE section. List at "least two people, not related to you, who can describe your qualification for the job.
Their names, titles, places of work, and telephone numbers should be included. If you do not have space on your resume for this, write "Available upon request." You will then be expected to give this infor­mation to a prospective employer if it is requested.
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The style and format of a resume are extremely important. Your re-
EXPERIENCE
April – 2002 till now January – March 2001
Insurance Co.Rodina Ros Duties: schedules of meetings, appointments and re­cording of the personnel, interpreting and translation of documents, Personal assistant and secretary to Mr. Ron Black at the office of Operation Carelift. Mr. Black, a former member of the Pennsilvania House of Representatives supervised the activities of this NGO in distributing humanitarian assistance. Duties: interviewing and screening Russian organi­zations which applied for humanitarian assistance, ar-
sume must be typed, preferably on a computer in order to format it most effectively. A neat and well-written resume with no spelling mistakes will give an employer the impression that you are accurate and take care of details.
A resume will not get you a job. An interview with a company will get you a job. In order to have the opportunity of interviewing with a company you should send your resume with a cover letter.
(abridged from "The St. Petersburg Press")
Study the resume below and try to write one for yourself:
RESUME
Peter Smirnoff
37, Tchaikovsky St.,apt.87
Saratov, 410030,
Russia
Phone: +7 918 234 0765
OBJECTIVE: Obtain employment in the field of public relations
that will allow me to use my ability to work with people and take advantage of my knowledge of English
EDUCATION: Saratov State University
1997–2002 Diploma in English and French. Qualified as English interpreter.
WORK Assistant, Interpreter of Director General
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ranging and supervising of deliveries of children's shoes and boots in Saratov, scheduling of the drivers and Russian personnel.
LANGUAGES:
ENGLISH Fluent reading, writing and speaking abil­ity. Qualified as interpreter and translator.
FRENCH Good reading and translating ability. GERMAN Rudimentary conversation. German ac-
quired during several visits to Germany.
OTHER SKILLS:COMPUTER Microsoft Word and Excel. Typ-
Mr.Peter Bright, Manager Anglo-American School US Consulat General St. Petersburg Phone: +7 812 325 62 47
ing, fax, xerox.
HOBBIES & ACTIVITIES: Theatre, music, tourism, sports.
REFERENCES Mrs. Elena Petrova, Assosiate professor St.Petersburg, State University 11, Universitetskaya Nab. St.Petersburg Phone: +7 812 218 95 65
III. As you know, folklore is often called the soul of a nation:
аs the body without the soul is dead, so a nation without folklore is
not a nation anymore, but population.
Read the text and get ready to discuss this statement with your class­mates. Memorize the key sentences.
FOLKLORE IS THE SOUL OF A NATION.
The life of a folk song depends not upon print, but upon its appeal to children. If the young ones don't like what they hear their old folks singing, those songs will be forgotten. In this sense folk song is made for children and that is why, since the facts of childhood are pretty much the same everywhere in our culture, folk song has a permanence not shared by any other kind of music. The songs especially created with children in mind, therefore, possess incomparable vitality and staying power. Since
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they must please the most critical and candid of audiences, they have unmatched charm, subtlety, strength, and, above all, fancy.
Thus, in their long march across this great continent of America the people have tossed off thousands of such rhymes, creating for their children an American Mother Goose that includes riddles, rib-ticklers, knee-bouncers, tongue-twisters, finger plays, rocking songs, and every other sort of silly trick and fancy for the imagination of kids to feed up­on. These are the songs you remember until the day you die. These are the songs by means of which you learned to sing. These are the songs from which you learned to understand and enjoy rhyme and rhythm and melody.
When the first settlers came from England to the New World, the violin was still a folk instrument, popular at country dances in the shires, but not yet accepted in polite society. For frontier America, however, the fiddle was not just another musical instrument, it was music itself. Played but against chest, rather than under the chin, sounding the old English and Irish reels and the wild bagpipe melodies of the Scottish Highlands, its wailing throbbing voice rang through the wilderness like the crow of a rooster, calling the folks to their hoedowns, husking bees, log-rollings, corn-shuckings, weddings, and infares. The ingredient most necessary to the fun at a frolic was the fiddle. Its resin scream could cut through the racket of the rowdiest of country balls, echoing the screech of the catamount, the war-cry of the Indian, the sobbing of a woman, the soft and tender voice of the little turtle dove. Light and portable, it rode the packs of the men who walked across the Appalachians into the dark forests beyond, it sailed all the great inland rivers with the raftsmen, the keelboatmen, and the stevedores, it stowed away in the covered wagons that lumbered over the Rocky Mountains to the western ocean, it was tied in the saddle strings of cowboys moving their wild herds north from Texas to Montana. So the fiddle traveled with the pioneers from the At­lantic to the Pacific, acquiring on the way a bag of tunes the names of which, themselves, make a catalogue of early American fancies and folkways.
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Lesson Three
MOZART: POVERTY AND GENIUS
Part I
(continued)
III
They went to Munich first, and the townspeople went wild over the children. Then they sailed down the Danube, stopping off to play at vari­ous noblemen's houses. Wolfgang astonished the monks in a monastery along their way by playing the organ, and in one place he played the vio­lin to the customs officials so sweetly that they did not charge any toll.
All up and down the Danube people were soon talking of the gifted children, and invitations came pouring in for them to play at the palaces of dukes and counts. At length an invitation came from the Empress Ma­ria Theresa, and they performed at the court of Schonbrunn.
They returned home for a short while and then went to Paris and played for Madame de Pompadour; they were royally feasted in the great hall of Versailles; they crossed the English Channel and played for the King and Queen of England. They continued to travel and give concerts though they had various illnesses. The boy wrote his first symphony in England, his first light opera in Vienna, his first Mass in Salzburg.
And then in 1769, because Leopold was convinced that Italy was the very fountainhead of music, he took the boy across the Alps. Wolf­gang loved the journey. He wrote his mother on the way, "My heart is completely ravished from sheer joy because the journey is so jolly, be­cause it is so warm in the coach, and our coachman is a splendid fellow who when the road permits goes like the wind." In the end they made not one Italian journey but three, and they were triumphal tours.
In Italy the pope conferred the Order of the Golden Spur on Mo­zart, and the Accademia Filarmonica at Bologna set aside its age re­quirements and admitted him to membership. There too he received in­struction and help from Padre Giovanni Battista Martini, who was a great musician and teacher and who had a music library of some seven­teen thousand volumes. In Milan an opera the young Mozart wrote was performed with enormous success at the famous opera house, La Scala; in Naples he played the pianoforte so brilliantly that the audience thought there must be magic in the ring he wore. He took off the ring and played again, but the magic was still there. (to be continued)
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1. noblemen – аристократы, знать
Present Continu-
ous
Past Continuous
Future Continu-
ous
His father is playing a quartet in the garden.
They were playing a quartet in the garden, when the little boy joined them.
They will be playing a quartet tomorrow at
2. went wild over – сходили с ума от…
3. monk – монах
4. customs officials – таможенники
5. duke – герцог сount – граф empress – императрица (emperor – император) at court – при дворе
6. at length – наконец
7. for a short while – на короткое время, ненадолго
8. the very fountainhead of music – тот самый (перво)источник
музыки
9. in the end – в конечном итоге
10. confer on – присваивать (звание), присуждать ученую степень
11. set aside its age requirements – отменить условия, касающи-
VOCABULARY NOTES
еся возраста (академика)
12. admit to membership – принять в члены
13. some seventeen thousand volumes – около 17 тысяч томов
14. music library – нотная библиотека
TERMINOLOGY
Give concerts; symphony; light opera; Mass; triumphal tours;
music library; opera house; pianoforte; play brilliantly.
GRAMMAR COMMENTARY
1. People were talking of the gifted children
ВРЕМЕНА ГРУППЫ CONTINUOUS ACTIVE
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Is he still playing in the garden?
Were they playing music when the boy joined them?
Will they be playing tomorrow at 5 o’clock?
He is not playing in the garden, he is read- ing a newspaper.
They were not play- ing when the boy joined them, they were having lunch.
They will not be play- ing music tomorrow at
5. They will be listen-
ing to music records.
EXERCISES
A. COMPREHENSION MOZART: POVERTY and GENIUS
1. Answer the questions:
Was the boy’s performance a success? Were people really impressed by his talent?
Were noble people in Europe eager to invite the gifted children to play for them at their Palaces and houses?
Did young Mozart compose music during his tour? What pieces did he write?
Did Wolfgang love the journey? Why do you think so? Give your rea­sons.
Why does the author of the book call these tours of the young musi­cians triumphal?
What impression did the prodigy make on the audience in Naples? In Milan?
Have you ever performed for a wide public in your green years?
Do you think it to be a hard trial for a young player?
2. Say in English:
Сначала они поехали в Мюнхен, где жители были от детей без ума. Вольфганг поразил монахов в монастыре игрой на органе. Он настолько прекрасно сыграл на скрипке таможенникам, что те не об­ложили их пошлиной. В Париже он играл для мадам Помпадур, их по­королевски принимали в Версале. Они пересекли Ла-Манш и играли для короля и королевы Англии.
Мальчик написал свою первую симфонию в Англии, первую опе­ру в Вене, первую мессу в Зальцбурге.
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Леопольд Моцарт был убежден, что Италия – первоисточник му-
зыки, и повез мальчика через Альпы. Вольфгангу путешествие очень нравилось.
Это были триумфальные гастроли. Папа римский наградил Мо-
царта орденом Золотой Шпоры. В Милане в оперном театре La Scala была исполнена опера юного Моцарта.
B. COMMUNICATION
I. Improve your speech habits.
OUR CHANGING EARTH
The earth is always changing. Old mountains wear away. New mountains appear. Rivers of ice come and go. The sea eats into the land. These changes are usually very slow. They often take thousands of years.
We do not usually notice the changes in the earth. Our lives are too short. We do not see these changes in our lifetime.
A. Choose the correct word from the words listed below each sentence.
1. The main subject of this reading is .
(a) the changing weather (b) mountains (c) the changing earth
2. The changes are usually .
(a) quick (b) first (c) slow
3. The word………… does not appear in the reading.
(a) land (b) wind (c) river
4. We do not see these changes .
(a) at first (b) in our lifetime (c) in the beginning
5. Our lifetimes are ………. .
(a) long (b) too short (c) changing
B. Add the word in parentheses to the sentence.
Example: He is right, (usually) He is usually right.
1. The weather is changing, (always)
2. We're busy, (usually)
3. He comes here on Saturday, (often)
4. We notice changes in the earth, (never)
5. He changes jobs, (often)
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C. Make a correct sentence with these words: very, are, changes, slow,
A
to set a table
B
to run over
hors-d’oeuvre
broth
to dine at a restaurant(not at home)
to lay the table
to wash the dishes
a slow oven
very hot
square
barely warm (of liquids)
appetizer
substantial (meal)
to put on weight
these, usually
II. Talk on familiar topics:
ARE YOU A HEAVY EATER?
1. Answer the questions:
1. Do you like to eat out? Give your reasons. 2. Do you like tea? How do you make your tea? 3. When do you like to have coffee? Nowa­days many people prefer instant coffee. Why? 4. Do you know what food-stuffs are fattening? 5. What kind of food is convenient for picnics?
6. Are you fond of cooking? Have you taught yourself through cookery­books or did somebody teach you? 7. Who does the cooking in your house? Do other members of the family help? In what way? 8. If you are just a "consumer" tell what dishes you like. 9. When a woman goes out to work, cooking substantial and complicated meals makes a great prob­lem, doesn't it? How do you think this problem should be dealt with?
10. Shopping is another problem, isn't it? How do you solve it? 11. What kind of food do we eat? 12. What do we usually have for breakfast, lunch, dinner, supper? 13. What is your favourite dish? 14. What must we do to get potatoes ready for boiling or frying? 15. What do we boil (roast, stew, fry, bake)? 16. What is the difference in the procedures of frying, roasting, grilling and broiling meat? 17. What do we sprinkle some dishes with before serving them? 18. What vegetables are usually grated for salads? 19. How are macaroni and rice cooked? 20. Think of a menu for a birthday or housewarming party. 21. What dairy products (fruit, berries, vegetables) do you know?
2. Give equivalents from B to the words and expressions from A:
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