- •Delivering a lecture
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Signposts.
- •1.3. Style forming factors.
- •1.5. Delimitation of Discourse
- •1.6. Samples for Study and Analysis. Sample a
- •Good morning!
- •Notions of Style
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •Score Mark
- •2.8. Reading Technique
- •III. Project work
- •Sample a Forms of Address in Great Britain
- •Sample b Apologizing and Making Excuses
- •Score level criteria
- •Module 2 making a political speech
- •I. Input materials.
- •Rhetoric strategy.
- •Style forming factors:
- •Tunes (melody contours)
- •Combined tunes
- •1.5. Samples for study and analysis
- •Part of a Political Speech
- •Part of a Political Speech
- •The Common Market Negotiations
- •II. Skills development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Making business presentations
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Style forming factors
- •1.4. Rhythm
- •1.5. Samples for Study and Analysis
- •The Director of the Milk Marketing Board giving a presentation about key trends
- •Public Ownership
- •II. Skills Development
- •2.7. Auditory Test
- •Analyse these combined tunes:
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Advertising
- •I. Input materials
- •1.1. Rhetoric strategy.
- •Ways of Advertising
- •1.2. Style forming factors
- •1.3. Questions for preliminary exercise
- •Informative? – persuasive? – amusing? – well-made? – artistic?
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Expressive means of English Intonation
- •Irregular pre-heads
- •Reading
- •1.6. Samples for Study and Analysis tv Commercials
- •Radio Commercials
- •Advertising Campaigns
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Hotel ‘Caliente’ Barcelona
- •Score level criteria
- •Peculiarities of the drama
- •I. Input materials.
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •Delivering a lecture Sample a s f s
- •Sample b s
- •Making a Political Speech Sample a
- •Sample b
- •Making Business Presentation Sample a
- •Sample b
- •Advertising Sample a
- •Sample b
- •1.5. Voice Volume
- •Delivering a Lecture
- •Making a Political Speech
- •Making Business Presentation
- •Advertising
- •Extract One
- •1.6. Samples for Study and Analysis
- •Dramatic Monologue One
- •Dramatic Monologue Two
- •The Metropolitan Playhouse Productions
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Score level criteria
- •Interviewing
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Using questions for control
- •1.3. Style forming factors
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Specifics of the Pre-nuclear Pitch Change (the Head)
- •1.6. Samples for Study and Analysis
- •Linguistic Gaps
- •II. Skills development
- •2.5. Auditory Test
- •Score level criteria
- •2.6. Reading Technique
- •III. Project Work
- •Interview with Carl Sagan
- •Interview with Nigel Dempster
- •Score level criteria
- •Everyday talks
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •1.4. Weakform Words
- •II. Samples for Study and Analysis
- •Extract from a Spy Story
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project Work
- •Finding Somewhere to Live
- •The Ladies’ Dress Department
- •Score level criteria
- •Fairy tale rhetoric and language teaching
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Invariant phonostylistic peculiarities
- •1.3. Pragmaphonetic modeling
- •1.4. Samples for study and analysis
- •Snow White and Rose Red
- •The Happy Prince
- •II. Skills Development
- •2.6. Auditory Test
- •Score level criteria
- •2.7. Reading Technique
- •III. Project work
- •3.1. Reading Technique
- •The Star-child
- •The Young King
- •3.2. Drama Technique
- •Goldilocks and the Three Bears
- •Little Red Riding Hood and the Wolf
- •Supplement Effective Presentation Technique
- •How we breathe
- •Types of Breathing
- •Diaphragmatic Breathing for Speech
- •Exercises for Diaphragmatic Breathing and Control
- •Exercises for Breath Control
- •Overcoming speech fright
- •Delivering the Speech
- •Using Your Body to Communicate
- •Dimensions of Nonverbal Communication
- •Adapting Nonverbal Behavior to Your Presentations
- •References
- •Contents
Score level criteria
Excellent: relevant to assigned phonostylistic peculiarities
Good: mostly relevant but articulation and pitch patterns distortion at times
Fair: inadequate pitch patterns, lack of accuracy in timing, weak articulation skills
Poor: not enough to evaluate
Score Mark
20-19 – 5
18-16 – 4
15-12 – 3
11-… - 2
Module 4
Advertising
I. Input materials
1.1. Rhetoric strategy.
Advertising is an important means of promoting the goods that are being produced already as well as new lines in business. Different kinds of mass media-TV, radio, newspapers, cinema, journals, magazines, posters are used for advertising goods. The choice of media for advertising depends on the kind of goods and on the local conditions and people’s habits: sometimes TV and radio ads are best.
Advertising performances are designed to extend emotional influence on the listeners. This sort of exercise is overloaded with all sorts of tricks and characterized by various contrasts in all prosodic features to produce a complex vocal effect. Thus, the purpose of advertising is to stimulate the listeners, arouse enthusiasm and interest in them.
Ways of Advertising
A poster on a boarding or billboard.
A newspaper ad.
A TV commercial.
A cinema advertisement.
Sponsorship.
Radio commercial.
Classified advertisement in newspaper.
Sandwich-board man (TV and radio commercials).
1.2. Style forming factors
the purpose of communication – promoting new goods and lines in business
the speaker’s attitude – involved, emotionally coloured
the form of communication – monologue, dialogue performances
the degree of formality – depending upon the ads script
the degree of spontaneity – prepared in advance and acted out
1.3. Questions for preliminary exercise
a) What makes an advertisement memorable?
- humour? - originality? – the use of famous actors or personalities?
– endless repetition? – nudity? – other elements?
Do you find the advertisements on television generally:
Informative? – persuasive? – amusing? – well-made? – artistic?
– worth watching? – an annoying interruption to the programmes?
Give examples of ads that you have enjoyed.
Give examples of ads that have persuaded you to buy the product.
Are you able to ignore commercials on television?
1.4. Invariant phonostylistic peculiarities
P itch patterns (tunes)
|
(pre-head) Low level Head + High Fall complete with initial Rise |
(pre-head) + Descending Sliding Head + High emphatic Fall with initial Rise |
|
High Head + Low Fall incomplete |
|
Scale with a drop + High Fall with initial Rise |
|
High level Head (emphatic stress) + High Fall (complete, incomplete) emphatic |
|
Heterogeneous Head + High (Low) Fall, complete (incomplete) emphatic |
|
(pre-head) + Ascending Head + High Fall with initial Rise (emphatic) |
|
(pre-head) + Descending Scandent Head + High Fall with initial rise emphatic |
|
Low level Head + Low level nucleous |
|
(pre-head) + Low level nucleous |
|
High one peak head + level-Rise (mid) |
|
|
the interplay of properly organized and arythmic recurrence of stressed and unstressed syllables |
|
variable, necessitated by the purpose of performance |
|
varieties, predictable by the emotional setting and semantic appropriateness |
|
varied according to the message and emotional setting |