Добавил:
ivanov666
Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз:
Предмет:
Файл:Особенности употребления англоязычной терминологии дизайна = English Design Terminology in Use. Учебное пособие.pdf
1) visual
2) trending
3) classic
4) natural
5) realistic
6) neural
7) use-friendly
8) national
9) environmental
10) relevant
a) networks
b) hues
c) designs
d) diversity
e) textures
f) way
g) responsibility
h) interface
i) tones
j) combinations
sentences with them.
in English using the phrases from the exercise 4.
Section 3. SPEAKING
the word vintage.
new, especially when it is a good example of a style from the past”
(Cambridge Online Dictionary).
quality; dating from the past” (Merriam-Webster Online Dictionary).
harvest, yield of wine from a vineyard”, from Anglo-French vintage
(mid-14 c.), from Old French vendage, vendenge “vine-harvest, yield
from a vineyard”, from Latin vindemia “a gathering of grapes, yield
of grapes”.
wine (n)) + stem of demere “take off” (from de- “from, away
from” + emere “to take”; from PIE root *em- “to take, distribute”).
4. Match the two of the phrases from the text and recall the
5. Underline or mark the main ideas of the text and retell it
1. Consider the following passages [3] about the meaning of
Modern definitions
Vintage. “Used to describe clothing, jewellery, etc. that is not
“Of old, recognized, and enduring interest, importance, or
Etymological reference
Early 15 c., “harvest of grapes, annual product of the grape-
This is a compound of the combining form of vinum “wine” (see
101
The sense in English expanded to “age or year of a particular
wine” (1746), then, via the general adjectival meaning “being of an
earlier time” (1883), “date or period when anything was produced”
(1929).
2. Answer the following questions.
1. Where did the meaning vintage come from?
2. How did the meaning change through years?
3. How is the Latin root vindemia constructed etymologically?
4. How did the meaning expand from wine to general use by
1883?
5. How does the original wine-related meaning connect
metaphorically to modern usage?
3. Prepare a short talk on the one of the following topics.
1. The Paradox of Black-and-White.
2. Artificial Intelligence as a Co-Designer.
3. The Dark Side of Design Acceleration.
4. Eco-Design: Aesthetic or Obligation?
5. The Vintage Revival Paradox.
Section 4. LISTENING
1. Listen to the text and answer the questions.
1. What major trends are listed in the text?
2. What natural materials does the text suggest using in your
design?
3. Will bright or soft colours be preferred in 2025?
4. Is it true that old things will not be on trend in 2025?
5. What accessories are mentioned in the text?
2. Fill in the gaps in the sentences.
1. Trends in interior design are rather ways to make your life … .
2. The idea of … in interiors is really exciting!
3. Don‟t forget about … !
4. … are becoming an important trend in 2025.
5. They can become real … in your interior.
102
AUDIOSCRIPTS
Unit 1. What is Design?
When people think of design, they often think an elegant chair,
a well-turned logo, dramatic architecture. But that isn‟t all that
design is. Design is more. It‟s more than the drapes for the drop
shadows. More than a beautiful UI or a rad concept car. Design is
more than aesthetics. Much more. Design is fundamental. It‟s the
predilection to investigate and understand. It‟s the compulsion to
give form to ideas and make sense of disorder.
Design is the ability to amend the imperfect. Design is knowing
what questions to ask and how to ask them. What‟s the right problem
to solve? How do I solve it? Why should I solve it? In a world in
which anyone can now build anything, design is understanding
whether something is worth building it all. If you‟ve ever built,
tested, shipped, debugged, rebuilt or reshipped anything, then you‟re
a designer. And there has never been a better moment in history to be
a designer.
Now is your time to solve real and important problems, to start
great and enduring companies, to use curiosity, creativity and craft to
elevate lives. Because design at its core is optimistic. It‟s the call to
change what is into what ought to be. It is the attempt to make heart
and mind into tools of mass construction to build a better wiser, more
just, more beautiful world. Design is your gift and your
responsibility. Design is the way.
Unit 2. The Best Design
I think this is by far the best entry. It‟s a desk designed by
Vanessa Peroni. She‟s working in a studio in Milan. As you can see,
the desk looks very stylish. It‟s got a very modern design. We
haven‟t seen anything quite like it before. It‟s made of solid oak, so
it‟s obviously very durable.
There are several features I really like. For example, there‟s
a well-designed stand for your keyboard. There‟s also a secure
section for a laptop. You can hide the computer when you‟re not
using it. I like that design feature. And there‟s a drink holder. You
103
pull it out and you can put your cup of coffee, soft drink or whatever
in it. I also like the big file drawers. There are two and they have
good locks on them. One of the best points is that the desk‟s
functional. I‟d say it‟s aimed at home computer use. It would appeal
especially to a business person working from home.
It‟s really got everything we‟re looking for. It‟s excellent value
for money, too. The designer thinks the price will be about $1,200.
Not a lot for a desk of this quality. In my opinion, we have a winner
here.
Unit 3. How to Talk to a Graphic Designer about
Figures or Illustrations
I love working with graphic designers.
First off, they have a talent I completely lack. You describe
what you want, then something beautiful comes out. That feels like
magic to me.
Second, they‟re problem solvers. I solve communication
problems with text. They solve them with graphics. The process is
similar and the goals are similar, so I always feel like a collaboration
with a talented designer is rewarding. We understand each other.
Third, they‟re really creative. On viewing their work, I often
find myself thinking, “What a clever and innovative way to
communicate.” I always respect creative workers whose work solves
the needed problem.
Fourth, they‟re usually nice. Obviously, I‟m generalizing. But
the designers I‟ve worked with tended to be introverts without big
egos (that is, nothing like me). They listen carefully and respond in
as helpful a way as they can.
Unit 4. Understanding Client Needs in Interior Design
In the rapidly evolving world of interior design, it is not just
about being creative, innovative, and having an eye for beauty. It‟s
about the art of listening. This skill has a critical role when it comes
to understanding your clients‟ needs and preferences, and then
transforming these needs into a reality that exceeds expectations.
When a designer doesn‟t thoroughly comprehend a client‟s desires,
104
the result could be a lack of customer satisfaction, potential damage
to the designer‟s reputation, and opportunities lost. This article will
delve into how effective listening can become a clincher for
successful interior design projects.
THE POWER OF LISTENING IN INTERIOR DESIGN
Genuine listening is a foundational tool in the craft of interior
design. It‟s not a passive act but an intentional and focused approach
to build an understanding that goes beyond spoken words.
Effective listening enables designers to understand what the
client truly desires, even if they themselves are still grasping at their
vision.
Deep, attentive listening can transform a simple brief into an
exceptional design project, reflective of the client‟s unique taste,
style, and personality.
Each discussion becomes an opportunity to discover the nuances
of your client‟s aspirations, preferences, and lifestyle. This open
dialogue serves as the guiding light throughout the design process.
Unit 5. What Exactly is the Decorative Arts?
Exactly is the decorative arts. Is it art made for decoration? Like
things that decorate the walls of your house? Well, not exactly
because a painting can decorate the walls of your house, but
paintings are usually considered fine art. In general, the decorative
arts is defined as the design and aesthetics of functional and
utilitarian objects, often with an emphasis on unique and handcrafted
forms. Examples are furniture, pottery, basketry, textiles, metal
works, and stained glass. As opposed to most fine arts objects, which
usually have no other purpose than to be viewed and appreciated,
like paintings and sculptures. But as you can tell with my use of
words like in general, mostly and usually, that there are many fuzzy
edges to this definition. And in my opinion, also sometimes many
problems with this definition. The fuzzy edges often come from
questions like, well, what exactly do you mean by functional and
utilitarian? Are embroideries that are not meant to be used in
clothing or furniture, but only meant to be appreciated for their
beauty, considered decorative arts or fine arts? Wood carvings and
woodworking pieces are usually considered to be decorative arts, but
105
what exactly is the utilitarian function of a ceremonial wood carving?
Unless you consider religious devotion to be utilitarian. But by this
definition, paintings used in church and altar pieces are also used for
religious devotion, but those paintings are usually considered to be
fine art. One of the problems is that historically, in Western
European cultures, objects that were considered to be decorative art
were considered distinctively different from the fine arts. And in
many cases, also less worthy of appreciation and academic study.
Unit 6. What is Environmental Design?
Have you ever heard of environmental design? It‟s all about
creating spaces that enhance the natural, social, cultural, and physical
environment of particular areas. One example of environmental
design is green roofs. These roofs are covered in vegetation, which
provides insulation, reduces stormwater runoff, and improves air
quality.
Another example is daylighting in buildings. This is the practice
of using natural light to reduce energy use and improve the quality of
light in indoor spaces. A third example is the use of permeable
paving. This type of pavement allows water to infiltrate the ground,
reducing runoff and improving water quality.
Fourth, we have bioswales. These are landscape features that
capture, filter, and infiltrate stormwater runoff, improving water
quality, and reducing flooding. Finally, we have urban agriculture.
This involves growing food in urban areas, reducing the distance
food travels, and increasing access to fresh produce. So, there you
have it, five examples of environmental design. It‟s all about creating
spaces that work with the environment, not against it.
Unit 7. At the Design Museum
1. Anna, Barbara
A: Wow, look at that. What is it?
B: It‟s a drawing. I think it‟s a sort of flying machine.
A: Yes, it could be that. Who do you think it‟s by?
B: Mmm, it might be by da Vinci, I believe he did that sort of thing.
Have a look at the sign. What does it say?
A: Erm ... yes, you‟re right, it is da Vinci.
106
B: Goodness! It‟s in very good condition ... it says here he was born
in 1452, so it must be over 500 years old.
А: Yes, and it‟s an amazing drawing.
B: Yeah, I read somewhere he was fascinated by birds and flying.
Perhaps that‟s where he got his ideas for the drawing.
A: Yeah, you‟re probably right.
2. Elias, Freddie
E: Freddie, I want to see the racing cars. Where are they?
F: I haven‟t got a guide, but I‟m sure they‟re in that large space at
the back. Let‟s go there first.
E: Here they are. Look at that one over there. It must be a Ferrari,
surely.
F: Yes, it can‟t be anything else. It‟s so red and stylish. But it‟s
a pretty old one – look, it‟s quite high off the ground. What year do
you think it is?
E: It could date back to the 1930s.
F: That‟s impossible. It can‟t be that old. Look, here it says it was
made in the 1940s.
E: You‟re right. It‟s amazing they were able to go so fast at that time.
3. George, Sally
G: What‟s that?
S: I‟ve no idea. What could it be?
G: It might be a spaceship. Well, a toy spaceship. It‟s the right shape.
S: No, I‟m certain that it‟s not that. It wouldn‟t really be in a museum
of design.
G: Mmm, I see what you moan. And maybe it‟s too heavy to be
a toy. What else could it be?
S: Mmm, I don‟t know really. What does it say on the notice?
G: It says it‟s a lemon squeezer. Apparently, it‟s the designer
Philippe Starck‟s best-known design.
S: Ok I see it now. Would you like something like that?
G: No way! It just doesn‟t look practical.
107
Unit 8. Trends in Interior Design 2025
Trends in interior design are rather ways to make your life
harmonious, to show your own character and style. It is important
not to learn them all, but to understand the general trends in order to
create an interior that will please you for many years without losing
its freshness and relevance.
The idea of textured surfaces in interiors is really exciting! In
2025, the emphasis on natural materials such as raw wood, stone and
clay will create an atmosphere of coziness and connection with
nature. Embossed paneling and textured accessories such as clay
planters and wicker baskets will add uniqueness and warmth to your
home.
Don‟t forget about bold colours and patterns! Bright shades and
a combination of different prints, including animal motifs, will help
make your space more lively and interesting. The main thing is not to
be afraid to experiment and combine the modern with the traditional.
Eco-friendliness and natural materials are becoming an
important trend in 2025. With each passing year, people are looking
to bring natural elements into their homes. Sustainable design is not
only about natural materials, but also about reducing the negative
impact on the environment and saving resources. For example, using
rare wood furniture can be beneficial for the owner, but harmful to
nature. Therefore, many manufacturers suggest considering
environmentally friendly materials with minimal damage to the
planet.
If you have old things, do not hurry to throw them away. They
can become real treasures in your interior. Reupholster old armchairs
or use antique items in a new light. The main thing is to create
a harmonious and comfortable space, where every detail will please
the eye.
108
REFERENCES
1. Oxford Advanced Learner‟s Dictionary. – 9th Edition. – Oxford :
Oxford University Press, 2015. – 1820 p.
2. Oxford Learner‟s Dictionary of Academic English. – Oxford :
Oxford University Press, 2014. – 1023 p.
3. Online Etymological Dictionary : сайт. – URL:
https://www.etymonline.com/ (дата обращения: 15.12.2024). –
Текст : электронный.
4. Лаврентьев, Α. Η. История дизайна : учеб. пособие /
Α. Η. Лаврентьев. – Москва : Гардарики, 2007. – 303 с.
5. Lupton, E. Graphic Design: The New Basics / E. Lupton,
J. C. Phillips. – Second Edition, Revised and Expanded. – New
York : Princeton Architectural Press, 2015. – 264 p.
6. Карнаев, М. А. Методические особенности профессиональ-
ной живописной подготовки студентов-дизайнеров /
М. А. Карнаев, И. Н. Карнаева // Региональные архитектурно-художественные школы. – 2017. – № 1. – С. 182–185.
7. English for Graphic Designers : учеб. пособие / С. В. Рыжова,
О. А. Филончик, А. Ю. Николаева [и др.]. – Красноярск :
СФУ, 2018. – 80 с.
8. Михайлова, Е. М. Эволюция понятия «дизайн» в английской
и русской культурах / Е. М. Михайлова // Вестник Московского университета. Серия 19. Лингвистика и межкультурная коммуникация. – 2016. – № 2. – C. 133–140.
9. Яцевич, О. Е. Этимология понятия «дизайн»: корреляты
design/Dasein / О. Е. Яцевич // Общество: философия, история, культура. – 2015. – № 6. – С. 69–71.
109
Учебное издание
Новосибирский государственный
архитектурно-строительный университет (Сибстрин)
630008, Новосибирск, ул. Ленинградская, 113
Аникина Анна Александровна
Морозова Надежда Маратовна
Комкова Анастасия Сергеевна
Карнаева Ирина Николаевна
ОСОБЕННОСТИ УПОТ РЕБЛЕНИЯ
АНГЛОЯЗЫ ЧНОЙ ТЕ РМИНОЛОГИИ
ДИЗАЙНА
English Design Terminology in Use
Учебное пособие
Темплан 2025 г.
Корректор М.О. Мокшанова
Дизайн обложки Д.М. Карнаева,
иллюстрации А.С. Самарина
Объем 2,23 Мб
Тираж 50 экз.
Дата подписания к использованию 09.07.2025