- •Practical modern english stylistics (практическая стилистика современного английского языка)
- •Содержание
- •Introduction to stylistics 8
- •Введение
- •Introduction to stylistics
- •2. Expressive means and stylistic devices
- •3. Functional styles of speech
- •Questions to lecture #1
- •Stylistic classification of the english vocabulary
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words:
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words
- •Questions to lecture #2
- •Lexical stylistic devices
- •2. Metaphor
- •3. Personification
- •4. Allusion
- •5. Metonymy
- •6. Synecdoche
- •7. Antonomasia
- •8. Periphrasis
- •9. Euphemism
- •10. Epithet
- •11. Over-statement (hyperbole)
- •12. Under-statement (meiosis)
- •13. Oxymoron
- •14. Zeugma
- •15. Pun
- •16. Irony
- •17. Paradox
- •Questions to lecture #3
- •Syntactical expressive means and stylistic devices
- •2. Detachment
- •3. Parenthesis
- •4. Ellipsis
- •5. Break-in-the-narrative (aposiopesis)
- •6. Parallelism
- •7. Chiasmus (reversed parallelism)
- •8. Repetition
- •9. Tautology
- •10. Polysyndeton
- •11. Asyndeton
- •12. Enumeration
- •13. Rhetorical question
- •14. Stream-of-consciousness method
- •Questions to lecture #4
- •Poetic expressive means and stylistic devices
- •1. Euphony
- •2. Metre
- •1. Euphony
- •2. Metre
- •Questions to lecture #5
- •English versification
- •1) Full rhyme
- •3. Patterns of rhyme
- •4. Structure of verse. Stanza
- •Questions to lecture #6
- •The Eve of St. Agnes
- •Functional styles of the english language
- •1. Style of official documents
- •2. Scientific prose style
- •3. Publicistic style
- •4. Newspaper style
- •5. Belles-letter style (fiction)
- •Questions to lecture #7
- •Stylistic analysis of the narrative
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •Questions to lecture #8
- •Supplements
- •1. Stylistically coloured and neutral verbs
- •2. Paraphrase the text
- •3. Translate the text
- •4. Lexical stylistic devices
- •5. Syntactic stylistic devices
- •6. Poetic stylistic devices
- •1) State the types of feet in the following poems (iambus, trochee, dactyl, amphibrach, and anapest)
- •2) Choose three of the poems and learn them by heart
- •7. To be or not to be … William Shakespeare To be, or not to be (from Hamlet 3/1)
- •8. Application letter
- •9. Cover letter
- •10. Abstract
- •12. Giving a presentation
- •14. The football match
- •Библиография
4. Lexical stylistic devices
State the types of lexical stylistic devices used in the following sentences
Either you or your head must be off.
Hands wanted.
He has lived a long life with death.
He is the Napoleon of crime.
He knows a thing or two.
He met his Waterloo.
He passed away last month.
He resembled a fox.
He was more remote than the stars.
He went to the forefathers.
I did it not without his assistance.
I kind of agree with you.
I kind of liked it.
I would cross the world to find you.
Labour demonstrated in the streets.
Money is the root of all evil.
My Impatience has shown heels to my Politeness.
She is a star.
She rushed for the window and safety.
She sings like a nightingale.
She sings like a professional soloist.
The gallery applauded.
The kettle is boiling.
The party was not so bad.
The writer lives by his pen only.
These wheels will drive you at your pleasure.
United Colors of Benetton
We called him Tortoise because he taught us.
Wine costs money, blood costs nothing.
This is terribly nice!
He had an egg-like head and frog-like jaws.
My heart is like a singing bird.
O brawling love! O loving hate!
He took three weeks off and a ticket to London.
He smiled the sweet smile of an alligator.
5. Syntactic stylistic devices
State the types of syntactic stylistic devices used in the following sentences
She wasn't sure of anything and more, of him, herself, their friends, her work, her future.
My dearest daughter, at your feet I fall.
I apologize, sir, I wanted to …
They didn’t see – none could see – her distress.
Very small and child-like, he never looked more than fourteen.
The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect.
You have a question to me?
Into this society came she when she was 18.
I think, he will come.
I wouldn’t have troubled to…
He couldn't go abroad alone, the sea upset his liver, he hated hotels.
Anything wrong or what?
I wake up, and I’m alone, I walk around Warley, and I’m alone, I talk with people, and I’m alone.
Pain, even slight pain tends to isolate.
The principle production of these towns appear to be soldiers, sailors, chalk, shrimps and dockyard men.
Every racing car, every racer, every mechanic, every ice - cream van was also plastered with advertising.
In went this lady.
And the maiden, she lived with no other thought.
With her on my knee, I was then happy, happy at least in my own way.
The bare bows are sighing, the pale flowers are dying.
There were a couple of letters addressed to her on the table. One was the bill. The other...
A good man he was.
My heart’s in the Highlands, my heart is not here, my heart’s in the Highlands, a-chasing a deer.
Pleasure is a sin, and sometimes sin is a pleasure.
The warm sun is failing, the bleak wind is wailing.
What was the good of discontented people who fitted in nowhere?
You want this?
Money is what he’s after, money.
I observed Thompson, Thompson observed me.
John will come tomorrow, I’m sure.