- •Practical modern english stylistics (практическая стилистика современного английского языка)
- •Содержание
- •Introduction to stylistics 8
- •Введение
- •Introduction to stylistics
- •2. Expressive means and stylistic devices
- •3. Functional styles of speech
- •Questions to lecture #1
- •Stylistic classification of the english vocabulary
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words:
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words
- •Questions to lecture #2
- •Lexical stylistic devices
- •2. Metaphor
- •3. Personification
- •4. Allusion
- •5. Metonymy
- •6. Synecdoche
- •7. Antonomasia
- •8. Periphrasis
- •9. Euphemism
- •10. Epithet
- •11. Over-statement (hyperbole)
- •12. Under-statement (meiosis)
- •13. Oxymoron
- •14. Zeugma
- •15. Pun
- •16. Irony
- •17. Paradox
- •Questions to lecture #3
- •Syntactical expressive means and stylistic devices
- •2. Detachment
- •3. Parenthesis
- •4. Ellipsis
- •5. Break-in-the-narrative (aposiopesis)
- •6. Parallelism
- •7. Chiasmus (reversed parallelism)
- •8. Repetition
- •9. Tautology
- •10. Polysyndeton
- •11. Asyndeton
- •12. Enumeration
- •13. Rhetorical question
- •14. Stream-of-consciousness method
- •Questions to lecture #4
- •Poetic expressive means and stylistic devices
- •1. Euphony
- •2. Metre
- •1. Euphony
- •2. Metre
- •Questions to lecture #5
- •English versification
- •1) Full rhyme
- •3. Patterns of rhyme
- •4. Structure of verse. Stanza
- •Questions to lecture #6
- •The Eve of St. Agnes
- •Functional styles of the english language
- •1. Style of official documents
- •2. Scientific prose style
- •3. Publicistic style
- •4. Newspaper style
- •5. Belles-letter style (fiction)
- •Questions to lecture #7
- •Stylistic analysis of the narrative
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •Questions to lecture #8
- •Supplements
- •1. Stylistically coloured and neutral verbs
- •2. Paraphrase the text
- •3. Translate the text
- •4. Lexical stylistic devices
- •5. Syntactic stylistic devices
- •6. Poetic stylistic devices
- •1) State the types of feet in the following poems (iambus, trochee, dactyl, amphibrach, and anapest)
- •2) Choose three of the poems and learn them by heart
- •7. To be or not to be … William Shakespeare To be, or not to be (from Hamlet 3/1)
- •8. Application letter
- •9. Cover letter
- •10. Abstract
- •12. Giving a presentation
- •14. The football match
- •Библиография
3. Personification
Personification is a variety of metaphor, attributing human properties to lifeless objects, mostly to abstract notions such as thoughts, intentions, emotions, seasons of the year, or animals.
Personification is often represented grammatically by the choice of masculine or feminine pronouns for the names of inanimate objects, or by capitalization of these words.
Personification The sun shone brightly down on me as if she was shining for me alone. |
Personifications are most often used in poetry.
Personification in poetry Twinkle, twinkle, little star, How I wonder what you are! (Jane Taylor)
No sleep till morn, when Youth and Pleasure meet To chase the glowing hours with flying feet. (Byron) How soon hath Time, the subtle thief of youth, Stolen on his wings my three and twentieth year! (Milton) |
4. Allusion
Allusion is a special variety of metaphor, an indirect reference to some historical or literary fact commonly known. The frequently used sources for allusions are the Bible and mythology. The effect of allusion can be achieved only if facts alluded to are known to the reader.
Allusion Пить или не пить (Быть или не быть) The United Colors of Benetton (The United States of America)
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5. Metonymy
Metonymy is based on contiguity of notions, not on resemblance. It is applying the name of an object to another object in some way connected with the first one. There is an objectively existing relationship between the object named and the object implied.
Metonymy The kettle is boiling. The gallery applauded. Вся школа пришла на собрание. Силы порядка пришли и арестовали преступника. |
Metonymic relations are varied in character:
1) the result may stand for the cause (The fish desperately takes the death);
2) the cause may stand for the result (The writer lives by his pen only);
3) a symbol may stand for an object signified (“brain drain”);
4) a characteristic feature may stand for its bearer (She turned round and took a long look at her grandmother’s blackness);
5) the instrument may stands for the action (Countrymen, give me your ears!);
6) the container may stand for the thing contained or vise versa (The kettle boils);
7) an abstract noun may stand for a concrete noun (Labour demonstrated in the streets);
8) the material may stand for the thing made of it (There was a shower of steel on the trenches);
9) the name of the creator may stand for his creation (We bougnt two Rembrands).