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Mental processes and states in general psychology (for students in the English medium). Study aid

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and Character"). By analyzing morphological signs, Kretschmer identified three main body types, each corresponding to certain traits of temperament and predispositions to specific types of mental disorders.
1. Asthenic body type (leptosomic):
Characterized by an asthenic physique, tall stature, long slender limbs and neck, flat chest, and narrow shoulders. The asthenic type of constitution corresponds to a schizothymic temperament, which is marked by isolation, hypersensitivity, vulnerability, difficulties in interpersonal contact, and a tendency toward abstract thinking.
2. Picnic type:
Overweight, excess weight, short or average height, large abdomen, short neck. The picnic type corresponds to a cyclothymic temperament, characterized by openness, gentleness, kindness, responsiveness, as well as mood fluctuations ranging from manic to depressive.
3. Athletic type:
Strong build, broad shoulders, well-developed muscles, tall or medium height. Athletes are characterized by an ixothymic temperament: reserved, persistent, unemotional, and rigid.
Ernst Kretschmer's theory was highly influential in Europe. In the United States, during the 1940s, the morphological theory of the American psychologist William Sheldon gained prominence.
W. Sheldon identifies three constitutional types: endomorphic, mesomorphic, and ectomorphic, which correspond to the following components of temperament:
viscerotonia (Latin viscera "internal organs"), somatotonia (Greek soma "body"), and cerebrotonia (Latin cerebrum "brain"). Viscerotonics (endomorphs, digestive type) are characterized by friendliness, sociability, amiability, tolerance, and a love of comfort and pleasure. They correspond to the picnic type in E. Kretschmer's framework. Somatotonics (mesomorphs, muscular type) possess strong, muscular builds, broad shoulders and chests, and large heads. They are prone to physical activity, energetic, and known for their courage, confidence, and willingness to take risks. According to Kretschmer, somatotony is analogous to athleticism. Cerebrotonics (ectomorphs, cerebral type) correspond to an asthenic physique. These individuals are introverted, prefer solitude, and exhibit tendencies toward reasoning, reflection, sensitivity, and inhibition.
In contemporary psychology, the constitutional approach has faced criticism for correlating personal characteristics with factors lacking the necessary properties for such associations.
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The foundation for the development of the neurodynamic (physiological) theory of temperament was established by the teachings of I.P. Pavlov. He identified three principal properties of the nervous system: strength, mobility, and balance, introducing the concept of the type of higher nervous activity. The properties of the nervous system represent innate, typological, and stable features of the nervous system, evident in the distinctive qualities of the processes of excitation and inhibition. Strength, as defined by Pavlov, denotes the endurance of the nervous system and its capacity to withstand exceptionally strong stimuli. Individuals with a strong nervous system demonstrate high efficiency, low fatigue, and the capability to manage multiple tasks concurrently. Under high-stress conditions, their activity becomes even more productive. Conversely, individuals with a weak nervous system experience rapid fatigue, require frequent rest intervals, show diminished effectiveness under conditions of psycho-emotional stress, and struggle to divide their attention among multiple tasks simultaneously. Nevertheless, in familiar, repetitive activities conducted in a tranquil setting, their performance improves.
Nervous system mobility entails the ability to react swiftly to environmental changes and encompasses the speed of mental processes, along with the ease of shifting between nervous processes of the same or opposing natures. Mobility's foundation lies in the presence and persistence of trace processes. Observable manifestations of nervous system mobility include swift engagement in work, elevated workability, variability in techniques and methodologies for executing specific tasks, and ease in transitioning from one execution method to another, which manifests in motor, intellectual, and social domains alike. Nervous system balance pertains to the equilibrium between excitatory and inhibitory processes.
I. Pavlov posited that the combination of nervous system properties determines the types of higher nervous activity, aligning with the four classical temperamental types:
sanguine: strong, balanced, mobile;
choleric: strong, unbalanced, mobile;
phlegmatic: strong, balanced, inert;
melancholic: weak, unbalanced, inert.
A significant contribution to the study of the neurophysiological properties of temperament was made by the school of Russian differential psychophysiology (B.M. Teplov, V.D. Nebylitsyn, V.S. Merlin, V.M. Rusalov).
V.D. Nebylitsyn identified three primary components in the structure of temperament: general activity, motor skills, and emotionality.
General Activity represents the energy potential of a personality, primarily consisting of the individual's tendency toward self-expression, effective development,
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and transformation of external reality. The level of activity ranges from passivity to energy and impetuosity.
The second component, Motor Skills, is manifested through the speed, rhythm, strength, and sharpness of motor and speech activity.
The Emotional Component comprises a wide array of properties and qualities that define the emergence, progression, and cessation of various affects, feelings, and moods, thereby characterizing the ease and intensity of emotional reactions. Key characteristics of emotionality include impressionability, impulsivity, and emotional lability. Impressionability expresses sensitivity to emotional influences, whereas Impulsivity refers to the rapidity with which emotions drive actions without prior deliberation. Finally, Emotional Lability describes the rate at which one emotional state ends and another begins.
A sanguine individual exhibits high neuropsychic activity, animated facial expressions, and expressive movements. Their emotional experiences, though lively, are typically shallow, and their mobility often leads to hasty, sometimes superficial behavior. Sanguines are energetic, efficient, disciplined, and possess flexible minds. They readily engage in new tasks, adapting effortlessly to novel requirements and conditions. Sociable, active, and cheerful, sanguines form connections with others easily. Their high plasticity is evident in the variability of their feelings, moods, and interests.
Individuals with a choleric temperament display high levels of neuropsychic activity, energy, and impetuous movement. Their emotional reactions are intense and vividly expressed. Imbalance in cholerics may manifest as short tempers, intolerance, impatience, and reduced self-control in emotionally charged situations. Less plastic than sanguines, cholerics exhibit greater stability in their aspirations and interests, demonstrating perseverance.
Those with a phlegmatic temperament are characterized by high activity, slowness, calmness, and steadiness in their feelings and moods. While they exhibit low emotionality, they are resistant to change and may appear passive or lethargic in adverse conditions. Nonetheless, phlegmatics are noted for their self-control, patience, and efficiency. Their movements are deliberate, their facial expressions and speech are expressionless, and they rarely display overt emotions, tending instead to avoid conflict while accumulating negative emotions internally.
Finally, the melancholic temperament is marked by a low level of neuropsychic activity, impressionability, timidity, and reserve. Even minor issues can distress melancholics, especially in stressful situations, where they may experience heightened vulnerability, isolation, anxiety, and self-doubt. Their defining trait is exceptional
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sensitivity, which, combined with the depth and constancy of their emotional experiences, enables them to excel as musicians, artists, and thinkers (fig. 3.)
Fig. 3. Four Temperament
LIST OF QUESTIONS:
1. What are the three primary components of temperament identified by
V.D. Nebylitsyn?
2. How does the level of general activity range in terms of personality?
3. Describe the characteristics of a sanguine individual.
4. Compare and contrast the characteristics of a choleric temperament with
those of a sanguine temperament.
5. What distinguishes a phlegmatic temperament from other temperaments in
terms of emotional expression and adaptation to change?
6. Explain the main qualities of a melancholic temperament and how they
contribute to artistic or intellectual pursuits.
7. Why might the constitutional approach to studying temperament be subject
to criticism in modern psychology?
8. How did I.P. Pavlov's teachings lay the groundwork for the neurodynamic
theory of temperament?
TOPIC V. CHARACTER
In psychology, alongside the concept of "temperament", the notion of "character" (derived from the Greek word charaktēr, meaning "trait, feature, stamp, or mint") is widely utilized. Character refers to stable individual personality traits that
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emerge and manifest in activities and interactions, thereby shaping a person's typical modes of behavior. Among numerous character traits, some are dominant, while others are secondary. These traits can either harmonize (indicating a coherent character) or contrast with the dominant traits (signaling a contradictory character). Understanding a person's character enables predictions and corrections of anticipated actions with considerable accuracy.
Character is neither inherited nor a fixed, immutable attribute. Instead, it develops throughout a person's life under the influence of their environment, life experiences, and upbringing. Social conditions and specific life circumstances significantly impact character formation.
In 1964, the prominent German psychiatrist, neurologist, and psychologist Karl Leonhard coined the term "accentuated personalities". Character accentuations (from Latin accentus, meaning "emphasis") represent extreme variations of normal character, wherein particular traits are overly amplified. This enhancement renders individuals selectively vulnerable to certain psychogenic influences while conferring resistance to others.
Character accentuations are not classified as mental disorders; rather, they signify a certain disharmony in personality development, characterized by intensification of specific traits. This sharpening complicates adaptation to psychogenic situations. Hereditary factors, social influences, and, notably, family upbringing play pivotal roles in the development of character accentuations.
Character accentuations frequently surface during adolescence and puberty. In adulthood, these emphasised traits often soften. Provided favorable conditions prevail, social maladjustment remains minimal or transient. Based on severity, accentuations are categorized as either explicit or latent. Explicit accentuations persistently manifest, whereas latent ones are faintly expressed or apparent only under specific conditions. Several classifications exist for character accentuations. The initial classification belongs to Karl Leonhard (Leonhard, 1964, 1968), and the system devised by the Soviet psychologist Andrei Yevgenyevich Lichko (Lichko,
1977) is also widely recognized.
Karl Leonhard's classification outlines ten primary types of accentuations. These groups of accentuated personalities are unified by the principle of character or temperament emphasis. Character accentuations include obsessiveness, pedantry, demonstrativeness, and excitability. Temperament accentuations encompass hyperthymic, emotional, anxious, cycloid, dysthymic, and exalted types. Classification of Character Accentuations (According to K. Leonhard):
Demonstrative Type. The core trait of a demonstrative personality is an augmented need to occupy the center of attention, coupled with egocentricity,
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a craving for admiration, and a propensity for theatricality in gestures and actions designed to captivate. Such individuals often embellish details about themselves, exhibiting vanity and boastfulness. They relentlessly pursue their objectives, employing tactics such as provoking conflicts, shedding tears, deceiving, feigning illness, or even fainting.
Hyperthymic Type. Hyperthymic individuals are characterized by high spirits, optimism, a zealous pursuit of activity, and sociability. They establish interpersonal connections effortlessly, adeptly navigate challenges, and remain fixated on success, seldom dwelling on failures. While admirable, their frivolity, indiscipline, flippant attitude toward work, irascibility, and proclivity for immoral conduct constitute notable drawbacks.
Pedantic Type. Externally, pedantic individuals exhibit meticulousness, a yearning for order, hesitancy, and cautiousness. Prior to acting, they ponder extensively and deliberately. Beneath their outward precision lies reluctance to embrace swift alterations and aversion to assuming responsibility. They cherish routine tasks and demonstrate conscientiousness in daily life.
Obsessive Type. Obsessive personalities are hallmarked by unwavering affect stability, extended emotional responses, and profound experiences. Offenses to personal interests or dignity linger indefinitely, rarely forgiven outright. Consequently, others perceive them as touchy, vengeful, and grudge-holding individuals. Prolonged experiences often entwine with ruminations and plotting retaliation against offenders.
Excitable Type. Excitable personalities showcase pronounced impulsivity in behavior. Their mode of communication and conduct stem predominantly from impulses, attractions, instincts, or unrestrained urges rather than rational comprehension. Socially, they exhibit extremely low tolerance, often sparking friction.
Dysthymic Type. Dysthymic individuals embody the antithesis of hyperthymic personalities. Inhibited, passive, defeatist, and pessimistic, they maintain a gloomy demeanor. Typically secluded, they eschew raucous gatherings, maintaining aloofness and brevity in interactions. Despite their negativity, they exemplify seriousness, conscientiousness, and fairness.
Cyclothymic (Affective-Labile) Type. Cyclothymic individuals oscillate periodically between hyperthymic and dysthymic states, vacillating between peaks of enthusiasm and valleys of despondency.
Affective-Exalted Type (Exalted Type). Exalted personalities are defined by their vehement (exalted) reactions to occurrences. They exuberantly rejoice in joyful events and plummet into despair over sorrowful ones. Extremely impressionable, their inner sensibilities find vibrant external expression in their behavior.
Anxious Type. Anxious individuals are plagued by excessive concerns regarding potential failures, fretting over their destiny and that of their loved ones,
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despite the absence of substantive grounds for worry. Timorous and occasionally subservient, they perpetually monitor circumstances while harboring self-doubt.
Emotional Type. Emotional personalities are distinguished by acute sensitivity. Attributes such as tender-heartedness, kindness, sincerity, emotional responsiveness, heightened empathy, and susceptibility to tears are commonplace.
LIST OF QUESTIONS:
1. Define the concept of "character" in psychology.
2. How does character differ from temperament?
3. Explain the concept of "character accentuations" and give examples of types
identified by K. Leonhard.
4. What role do social conditions and upbringing play in the development of
character?
5. Distinguish between explicit and latent character accentuations.
6. How does the concept of "accentuated personalities" relate to mental health
diagnoses?
7. Critically evaluate the classification systems proposed by K. Leonhard
and A.E. Lichko.
8. Reflect on the implications of character for personal and professional
development.
ABILITIES
Abilities are personal qualities that serve as prerequisites for successfully engaging in a particular type of activity. They evolve from innate, stable psychophysiological characteristics (aptitudes) through participation in relevant activities. Natural aptitudes provide a versatile foundation, enabling the development of diverse abilities.
Abilities are malleable and subject to reconfiguration, offering compensatory possibilities for mental regulation. Weaknesses in certain neurophysiological components can be offset by strengths in others. A person’s aptitude for specific activities may foster inclinations toward those endeavors. Conversely, some individuals may exhibit traits unfavorable for certain activities, leading to inefficiencies. The development and cultivation of abilities remain a critical issue in psychological research.
Traditionally, abilities are classified into two categories:
1. General Abilities
Essential for all activities:
– elementary: ability to cognitively reflect reality, basic perceptual, mnemonic, imaginative, and volitional faculties;
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– complex: learning capabilities, observational acumen, and general intellectual advancement.
2. Special Abilities
Specific to distinct types of activities:
graphic, artistic, and literary;
scientifically oriented (e.g., mathematical);
practical-organizational;
creative-practical.
By recognizing and nurturing these capacities, individuals can optimize their performance across varied domains.
LIST OF QUESTIONS:
1. Define the concept of "abilities" in psychology.
2. Differentiate between "general abilities" and "special abilities".
3. Explain how abilities develop from innate aptitudes.
4. Compare and contrast the traditional classification of abilities with modern
approaches.
LABORATORY WORK
QUESTIONNAIRE FOR IDENTIFYING THE STRUCTURE OF SIGNAL SYSTEMS
(E.F. ZEER, A.M. PAVLOVA, N.O. SADOVNIKOVA)
Work progress: "Answer the questions in two ways: "YES" if your answer is affermative, and "No" if you answer to the question in the negatively.
1. Do you often turn to figurative representations to understand something
2. Do you have a craving for drawing?
3. Do you quite understand the language of signs, formulas, graphs?
4. Does it give you pleasure to retell what you have seen to your friends?
5. Are you rather trying to generalize the available information rather, to move
away from specifics to generalized, abstract forms?
6. Does it usually take you a lot of time to rethink what you have seen and
heard what happening around you?
7. Is it easier for you to understand something by turning it in your hands,
assembling, disassembling?
8. Are you trying to enrich your speech with metaphorical expressions?
9. Are drawing, modeling, decorative and applied arts your favorite
activities?
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10. When explaining something, do you often resort to the language of signs,
symbols, drawings?
11. Do you have any literary abilities?
12. Do you like abstract painting?
13. Do you easily find meaning in abstract images?
14. Have you ever managed to assemble or repair any technical device with
you own hands?
15. Have you ever managed to assemble or repair any technical device with
you own hands?
16. Do you agree that a speech without epithets, metaphors, figurative
expressions is dry and uninter esting?
17. Reading a book, do you vividly imagine what is happening, as if you are
a direct participant of the events?
18. Do you have a good memory for signs, symbols, numbers?
19. Are you considered to be a good storyteller?
20. Do you easily make up some abracadabre for yourself to replace a large
verbal expression?
21. Do you catch yourself thinking that every symbol, sign in a work of art
carries a great meaning?
22. Are you often drawn to needlework, handmade work, crafts?
23. Ones a well-used metaphor, allegory, or parable in a speech make
you happy?
24. Are you trying to build a collection of reproductions of paintings,
art books?
25. Are you fluent in the language of signs, formulas?
26. Do you write poetry?
27. Do your friends tell you that you resort to abstractions too often?
28. Does it happen that you watch the same movie several times, rethinking it
in a new way?
29. Are you been called a master of hands of gold"?
30. Do you like poetry for the originality of statements, interesting
associations?
31. Is the language of visual images more understandable to you than the
language of signs and formulas?
32. Do you try to use shortenings, abbreviations of words to the initial letters
when writing?
33. Do you like performing in front of the audience?
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34. Are your activities related to sign systems, machine languages, etc.?
35. When you going to bed, do you often recall the past day in your memory,
trying to put your impressions in order?
36. Does working with mechanisms bring you pleasure?
37. Do you tend to turn to works of art more often in search of the images,
metaphors, apt expressions, funny statements that you need?
38. Do you have a fertile imagination, a vivid and wild fantasy?
39. Are computer programming languages easy for you?
40. Do you speak foreign languages?
41. Do you sometimes feel tempted to screw a catchy and incomprehensible
phrase in a conversation?
42. Do you tend to think carefully about your actions, reckoning your steps
in advance?
43. Are you capable of technical inventing?
44. Do you like to come up with figurative metaphors?
45. Do you often get caught drawing?
46. Do you often use graphs, formulas to simplify the explanation?
47. Do you spend a lot of time writing poetry?
48. Do you often use abstract signs, images only by you understood in order to
remember something?
49. Do your friends and acquaintances think you are an over profound?
50. Do you have to do a lot of manual work that requires patience and
accuracy?
51. Do you have a good command of the language of metaphors, original
images?
52. Do you often have bright, interesting dreams full of exciting events?
53. You don’t have a problem to come up with your own system of signs,
at least for your own use, do you?
54. Does it bring you pleasure to talk about something so that the words come
out fluently?
55. Do you often use abstract concepts in your speech?
56. Do you usually manage to find your own, pretty unusual meaning in certain
events?
57. It is easier for you to do something with your hands than to solve
theoretical problems?