Добавил:

ivanov666 Опубликованный материал нарушает ваши авторские права? Сообщите нам.

Вуз:

Башкирский Государственный Аграрный Университет

Предмет:

[НЕСОРТИРОВАННОЕ]

Файл:

Компаративные филологические исследования в XXI веке. Монография-1

.pdf

Скачиваний:

Добавлен:

07.09.2026

Размер:

2 Мб

Скачать

☆

<<< < Предыдущая 1 2 3 4 5 6 7 8 9 1011 / 2011 12 13 14 15 16 17 18 19 20 > Следующая >>>

too deep into impenetrable dark, that no one could ever nd me and help me out. Istopped crawling. Iheld my mum’s hand again for the nal time as she closed her eyes for the nal time” [Almond, p. 89]. 

         ,      .    , ,  ,       .   ,   ,    ,     ,   .

        ,   « » (“Kit’s Wilderness”, 1999),               .     ,  « »      .

,    ,     ,  .      .     ,  ,   ,     ,   .   ,       young adult [-].

    .   ,   «»— ,  ,    ,   .    ,     .    «»—   ,       .   , ,     ,   ,     .   ,                

101

;  ,       [Latham, p. 68].

   ,     . ,   ,     ,           .    «»,   . ,         ,     —  — : “Mebbe one day Imust cross the river to the world of ghosts” [Almond, p. 66].         ,  ,  , «»  «».  ,    ,    «»  ,    ,  ,   .

—  ,  ,  .  — ,  ,   , ,   , ,    «»  ,  ,   .  ,      ,    ,   .        ,   , ,  ,  ,    , ,     .

    ,     ,  ,        ,  ,  ,       .      ,      .   ,     ,     «» «»— -,   ,  .      , 

102

  ,    ,   [Estrin].     ,     «». ,  ,   ,     :     ,   ,    —      .

 ,        « ».    :     1980-, — 2004.

    .  ,    ,   ,      .       ,    ,      .      ;    -    ,          ,      « ».      ,   ,  ,   .   ,   ,   : “…vanished into thin air. No witnesses, no sightings, no body [O’Flynn, p. 107].    ,      .

  —    « »,  , , , ,       .  ,  ,   :      .    : “at’s the point of life, isn’t it? Towaste time until you die” [Ibid., p. 143].

 ,        ,  

103

  , ,  ;   — lost—   .

    ,  ,  « »,   ,   ,   . —     ,     .    ,   ,     ;     ,      ,  .  ,   -      .

,   ,          .      ,   ,   .     ,      .

  «»,             .       ,    :        ,   ,  ,   .  «» «»   :       ,    —     ,    ,       .

 ,      ,     ’ ,       .    ,    ,   .         ,   ,    .  ’    -

104

 ,     « »       .

  :  «»,   ,             .            .  « »,    ,     - .  ’        .

        ,       ,   ,   «»  .  ,   —   , , ,     .

   « »,    ,   ,     .      : “Ithink sometimes adults… Well, they think they

know what’s best for their children but they don’t really. In fact oen they have very bad ideas, and the children have much better ideas” [O’Flynn, p. 63].

       , — ,      .     ,    ,   .   ;     ,  ,    .

    ,  , ,   ,   . ,    «», “it’s easy to go away. e magic thing is to come back again” [Almond, p. 41].

Источники

Almond D. Heaven Eyes. Amsterdam: Laurel Leaf, 2008. 256p.

O’Flynn C. What Was Lost. Birmingham: Tindal Street Press, 2007. 265p.

105

Исследования

Чарская-Бойко В. Ю.      //  /  . . . , . . . .: , 2018. .113–122.

Estrin B. “IHad Rather Adopt aChild an Get It”: Mythical Lost Children in Caryl Phillips’s e Nature of Blood// Ariel: AReview of International English Literature. 2003. Vol.34, nr.4. P.23–50.

Froud M. e Lost Child in Literature and Culture. London: Palgrave Macmillan, 2017. 198p.

Grylls D. Guardians and Angels: Parents and Children in Nineteenth Century Literature. London: Faber & Faber, 1978. 211p.

Heywood C. AHistory of Childhood: Children and Childhood in the West from Medieval to Modern Times. Cambridge: Polity Press, 2001. 240p.

Latham D. David Almond: Memory and Magic. New York: Scarecrow Press, 2006. 168p.

2.6. Литература недля детей: детские персонажи

вроманах Д. Ф. Уоллеса «Innite Jest» и«e Pale King»

     (Marshall Boswell),   —  « ».     ,   , «  ,        »12 [Boswell, p. 30].

   ( 1962.)   ,    .  , “e Broom of the System” (« »)     ,          1996.  “Innite Jest” (« »).            2008.: 2011    “e Pale King” (« »),    , 2022. — “Something to Do

 . — В. К.

106

with Paying Attention” («-,  »).      ;    ,   ,         .

       ,         ,   ,    .

“Innite Jest”    :      -   ,      ().         « »,      . “e Pale King”—           1980-.

        “Innite Jest” “e Pale King”:   (   )      ,      ,      .

     ;  -  .  .   «»   [Hering, p. 104]. , “e Pale King”     ,    -    ;      ,     ,    ;            .              [Wallace 2012]. “Innite Jest”     :   

107

   ; , —   .   —  ,   [Wallace 2012].     .

   «»     :        . , « » [Daalder, p. 228]  —    , -       ;   —    ;      ;        .

,   ,    “Innite Jest”,     ,      .      ,      ;        ,     ,    .

   ,  : “Trauma seems to have been the consensus. <…> O., it got worse and worse. Idropped weight. Icouldn’t sleep. is was when the nightmares started» [Wallace 2009, p. 513–517]. ,       ,  ,      ,   ,     .              ,    ,    : “e whole thing was nightmarish. Ijust could not gure out what the guy wanted. Iwent down and chewed through the Copley Square library’s grief section” [Ibid., p. 515].

 . .      , ,  ,       ,    . “Innite Jest”        ,     ,   ,     .     “e Pale

108

King”:    , ,     .  “Innite Jest”     :  ,    .    :       ,  ,     —   .

     «  » [, c. 263],  ,       .      ,        , ,  ,    .

“e Pale King”        ,     , ,      [Wallace 2012]. “Innite Jest”     :    -  ().       ,      ,   [Freudenthal, p. 200].      .

      :       - ,      .     -      :  ,            10–11. .    «  »13 [Cofer, p. 9].    ,        :    ,   .        ( ),   ,      

 . — В. К.

109

      , , ,     [Cofer, p.9].          ,    [Ibid.].

 ,  ,     : “Innite Jest”     « »,      ,         . ,    ,    ,  ,  ,  ,     .  ,    ,       “I’m sorry”,       [Wallace 2009, p. 1896–1897].

 ,  -   . . :   ,    .  ,      ,  .            :   ,    “Innite Jest”    , -     .

Источники

Wallace D. F. Innite Jest. New York: Little, Brown and Company, 2009. 1104p.

Wallace D. F. e Pale King. London: Penguin Books, 2012. 592p.

Исследования

Лакшин В.   //  .

1970. 12. .263–265.

Boswell M. Slacker Redemption: Wallace and GenerationX// e Cambridge Companion to David Foster Wallace. Cambridge University Press, 2018. P.19–32.

Cofer E. Pleasure as Pathology: Trauma and Perversion in the Fiction of David Foster Wallace: Master’s esis. Georgia State University, 2014. 60p.

110

<<< < Предыдущая 1 2 3 4 5 6 7 8 9 1011 / 2011 12 13 14 15 16 17 18 19 20 > Следующая >>>

Соседние файлы в предмете [НЕСОРТИРОВАННОЕ]