- •Practical modern english stylistics (практическая стилистика современного английского языка)
- •Содержание
- •Introduction to stylistics 8
- •Введение
- •Introduction to stylistics
- •2. Expressive means and stylistic devices
- •3. Functional styles of speech
- •Questions to lecture #1
- •Stylistic classification of the english vocabulary
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words:
- •1. Stylistically-neutral words
- •2. Stylistically-coloured words
- •Questions to lecture #2
- •Lexical stylistic devices
- •2. Metaphor
- •3. Personification
- •4. Allusion
- •5. Metonymy
- •6. Synecdoche
- •7. Antonomasia
- •8. Periphrasis
- •9. Euphemism
- •10. Epithet
- •11. Over-statement (hyperbole)
- •12. Under-statement (meiosis)
- •13. Oxymoron
- •14. Zeugma
- •15. Pun
- •16. Irony
- •17. Paradox
- •Questions to lecture #3
- •Syntactical expressive means and stylistic devices
- •2. Detachment
- •3. Parenthesis
- •4. Ellipsis
- •5. Break-in-the-narrative (aposiopesis)
- •6. Parallelism
- •7. Chiasmus (reversed parallelism)
- •8. Repetition
- •9. Tautology
- •10. Polysyndeton
- •11. Asyndeton
- •12. Enumeration
- •13. Rhetorical question
- •14. Stream-of-consciousness method
- •Questions to lecture #4
- •Poetic expressive means and stylistic devices
- •1. Euphony
- •2. Metre
- •1. Euphony
- •2. Metre
- •Questions to lecture #5
- •English versification
- •1) Full rhyme
- •3. Patterns of rhyme
- •4. Structure of verse. Stanza
- •Questions to lecture #6
- •The Eve of St. Agnes
- •Functional styles of the english language
- •1. Style of official documents
- •2. Scientific prose style
- •3. Publicistic style
- •4. Newspaper style
- •5. Belles-letter style (fiction)
- •Questions to lecture #7
- •Stylistic analysis of the narrative
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •1. Characteristics of the narrative
- •3. The basics of analysis
- •Questions to lecture #8
- •Supplements
- •1. Stylistically coloured and neutral verbs
- •2. Paraphrase the text
- •3. Translate the text
- •4. Lexical stylistic devices
- •5. Syntactic stylistic devices
- •6. Poetic stylistic devices
- •1) State the types of feet in the following poems (iambus, trochee, dactyl, amphibrach, and anapest)
- •2) Choose three of the poems and learn them by heart
- •7. To be or not to be … William Shakespeare To be, or not to be (from Hamlet 3/1)
- •8. Application letter
- •9. Cover letter
- •10. Abstract
- •12. Giving a presentation
- •14. The football match
- •Библиография
6. Synecdoche
Synecdoche is the simplest kind of metonymic relations which can be called quantitative. It is when a part stands for the whole, or the whole stands for a part.
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Synecdoche “Red Hood”, “Hands wanted”, “I am reading books.” These wheels will drive you at your pleasure. |
7. Antonomasia
Antonomasia is the use of a proper name for a common noun or vice versa. The examples of metonymic antonomasia are:
1) using the name of a famous personality for his characteristic feature;
2) using a geographical name where some event took place for the very event;
3) using the name of some establishment to denote its policy;
4) using geographical names for things that originated from there;
5) naming things for their inventors.
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Metonymic antonomasia famous personality : He is the Napoleon of crime. event : He met his Waterloo. establishment : the White House. geographical name : china, champaign. inventors : Amper, Volt, Makintosh. |
The examples of metaphoric antonomasia are:
1) using a proper noun for a common one. The proper name in this case expresses the most striking feature in the personage’s character;
2) using a common noun as a proper name. The proper name serves the man’s main characteristic.
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Metaphoric antonomasia A proper name for a common noun : “Don Juan” for an amorous man; “Othello” for a jealous man. A common noun for a proper name : Bekky Sharp, Коробочка. |
The appeal to imagination in metonymy is much weaker than in metaphor. Nevertheless, it is a powerful means of poetic expression because of its conciseness with which the metonymy can pick out one particular aspect of a complex things or idea making it easier to understand.
8. Periphrasis
Periphrasis, or circumlocution, is a device which both names and describes. The name of a person or thing is substituted by a descriptive phrase. This is the way of speaking around a topic, and not stating it directly. Periphrasis may be trite or original.
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Periphrasis trite: man-in-the street, organs of vision original: The little boy was deprived of what can never be replaced (Charles Dickens). |
Periphrasis may be logical or figurative. Logical periphrasis is based on some inherent or prominent feature of the described object. Figurative periphrasis is based either on metaphor or on metonymy.
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Periphrasis logical: weak sex – strong sex, guardian of the public order. figurative: root of all evil, young blood, head-hunters. |
9. Euphemism
Euphemism is a variety of periphrasis. It is a word or phrase, which substitutes an idea or a thing which the author does not want to name directly, or which he finds unpleasant. A euphemism calls in the reader’s (listener’s) mind the word it stands for.
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Euphemism to die – to go to the forefathers; to pass away; to join the majority; to kick the bucket; to depart this life drunk – fresh; high; merry; three sheets to the wind; high as a kite |
Nowadays in English we may distinguish between the following groups of euphemisms:
1) traditional, i.e. religious or moral euphemisms which have been long in usage, and become clichés;
2) political, parliamentary and medical euphemisms;
3) individual euphemisms.
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traditional: ‘God’ – Heaven, Jove, Goodness, Lot; ‘Devil’ – Old Nick, Deuce, the Prince of Darkness; political: ‘capitalism’ – free enterprise; ‘the poor’ – less fortunate people; ‘hunger’ – undernourishment; individual: ‘What did I tell you! He’s round the twist! He’s got rats in the bottle!’ (R. Dahl) |
