- •Version conversational speech [Polischuk, Syrotynyna 1979, 180].
- •Interrupted ... Emotional speech disruption "[ibid].
- •Interposed the visitor, - I kept it to myself for two reasons. I don't know that
- •I quickly die ... When ... When you see his daughter ... Christ ... Tell her ...
- •I reluctantly ... Nezumysne ... Your vyshni scattered ... - Said Radiuk,
- •Ing Emma, and their own replica uses a combination of free links
- •I? I? [Priska] have? This is thanks this Mother that you in mind
I reluctantly ... Nezumysne ... Your vyshni scattered ... - Said Radiuk,
zapykuyuchys to the old. "[Nechuy-Levitsky 1968, 255]. An
justification (Radiuk) uses speech tactics "Search suttye-
of the Public Organisation argument justification, "performing the social role of the child. It
tries as soon as possible to convey information, not making a certain
his way to formulate the opinion. To sum it up - ahramatychnist syntak-
sychnyh structures bezspoluchnykovist, the links to the free-
unity within the statements as a reflection rozmovnosti.
The following example communicative situation "excuse" that re-
presented an artistic dialogue with Jane Austen novel "Emma", we con-
sterihayemo as an excuse (Jane), using speech
tactics "Verbalization positive attitude to the interlocutor / Saints,
object justification "and" confession communicants, "interrupted as-
Ing Emma, and their own replica uses a combination of free links
ment ("You are very kind, but I [Jane] know what my manners were to you ...
So cold and artificial! .. I had always a part to act ... It was a life of deceit! .. "),
formed as a result of emotional excitement Jane: English.: "Oh! you
are too scrupulous, - indeed you are, cried Emma warmly, and taking her
hand. - You owe me no apologies; and every body to whom you might be
supposed to owe them, is so perfectly satisfied, so delighted even ... - You
are very kind, but I [Jane] know what my manners were to you ... So cold and
artificial! .. I had always a part to act ... It was a life of deceit! .. I know that I
must have disgusted you. "[Austen 1994, 339].
2. Another stylized element of conversational speech in the artist-
It is a discourse repeats. Repetition is a characteristic syntactic
features dialogues with communicative-pragmatic purpose "re-
pravdannya. "According to IM Prozhohinoyi origin of this phenomenon is ambiguous,
home: "Re as a result of inertia of speech other than repeats
other origins, especially its "nerelevantnistyu" in a con-
text, the lack of semantic and pragmatic load of you-
slovlenni "[Prozhohyna 1997, 37]. a communicative situation" excuse
tion "repeat signal the intense emotional state of the speaker, caused his excitement. That is why the subject of justification enough
difficult to find the desired word. The process of finding there "on stage
formation and development of ideas through personal conversion
meanings in treaty language meaning "[Prozhohyna 1997, 21]. Repeat
addressing the structural element of the dialogue spoken characterizes
speech, he reflected in his works of art focused on cre-
tion effect rozmovnosti. In communicative situations "justification" in
sec performs intensive-extracted a feature that helps
speaker drew attention to a specific audience segment expression: Ukrainian. "Yes
I? I? [Priska] have? This is thanks this Mother that you in mind
suggested? I vyhryzla her? ". [Pacific 1971, 154]," I will not! I will not! - Oh,
misfortune, calamity! - He ordered [miser]. "[Pacific 1971, 158];
grew. "Then I Natalia bыt otkrovennыm, while the skrыvat That was not me-
cheho but now ... And Now ... And now I dolzhen udalytsya. Pro-
schayte. "[Turgenev 1987, 384]," Dolly, what I [Stephen Arkadych] graves
say? .. One: forgive, forgive ... "[Tolstoy 1951, 17]," And no one from the
poshloy vezhlyvosty this is talking, and after ... later ... If the same I [Ra-
zumyhyn] so ponosyl ego yesterday, then this is later, something yesterday I was a mud-
but drunk and another ... bezumen, yes, bezumen without holovы, soshel crazy, Sauveur-
target country ... and today stыzhus it! .. "[Dostoyevsky 1970, 217], Eng.:" No,
no, sir, - sobbed Oliver, clinging to the hand which held the well-known cane;
- No, no, sir; I will be good indeed; indeed, indeed I will, sir! I am a very
little boy, sir; and it is so ... so ... "[Dickens 1992, 26];" I beg your pardon [Mrs.
Smith], my dear Miss Elliot ... I beg your pardon for the short answers I have
been giving you, but I have been uncertain what I ought to do. "[Austen,
Persuasion, 205]; "It's a lie! - Said Oliver. - It's a lie!" [Dickens 1992, 47].
The following example communicative situation "justification" of the ro-
Manu FM Dostoevsky's "Crime and Punishment", a replica of the subject re-
pravdannya (Dunya) are represented by elements of repetition, a characteristic espe-
blyvistyu which is the repetition of the statement ("... I do not vыydu by
him, not bыv ubezhdena ... ") because there was a change of social role
Child ("not true, not lhu! .. - Vskrychala Dunechka, teryaya all hladno-
krovye ... ") to adult. repeat replica Dunya stresses on our
view, their indignation at the fact that her brother (Raskolnikov) not
understands morale and sisters makes justify: Russian.:
"Not true, not lhu! .. - Vskrychala Dunechka, teryaya all hladnokrovye - I
vыydu not for him, not bыv ubezhdena that the online tsenyt me and cherish
mnoy; vыydu not for him, not bыv ubezhdena firmly that the very graves
to respect the ego. "[Dostoyevsky 1970, 231].
Repeat replica "It's a lie ..." in the following example, communication sys-
sition "justification" illustrates the time delay (zameshatelstva) respon-
VD subject of justification (Arthur) and forced in this case, "Save-
thick "Repeat: English.:" Of course it's a lie ... It's a lie! - Arthur repeated words in a quick, breathless whisper. "[Voinich 1964, 79]. Use of-Arthur
stovuye speech tactics "Disclaimer statement spivrozmovny-
ca ", rejecting accusations his side repeat the expression" It's a
lie ... ". With repeat an acquittal rate of delayed dialogue
to reflect on the replica of the interlocutor and reply to it.
Analyzed material indicates that repeated mo-
zhut not just some tokens of expression and speech and
tactics. The following example communicative situation "justifying"
an excuse (tenacious) in each replica can own to-Use of
stannya speech tactics "Declaration of sincerity": Ukrainian. "Am I [tenacious]
I do not know, did I not hear that about me, say, think? .. I know ... ext-
D I know .. And let them say, let think ... Each free, he wants
say and think! .. I tell you a lot to say and listen to some ... Let
I rake for my hands to work does not rise, I let the drunkard, because
I just vodka and soul odvesty ... What I did odvedu tell you
me? .. "[Pacific 1989, 481]. Repeatedly using speech
tactics "Declaration of sincerity", tenacious in trying to sympathy
interlocutor, as if forcing the recipient to be an active accomplice
events, calls not to outsiders and remain insensitive.
Repeat verbal forms know to say, think reflects the like-
tion of inertia caused by the passion of the subject justified
the data. Perezapytannya "you tell me? .." is convenient because it allows
Chiptsi "slow down" communication and makes the recipient to contact pre-
supozytsiyi.
Various types of repetitions, appearing in the communicative situation, "you-
pravdannya "somehow realize illokutsiyu: evidence of strain-
ing the emotional state of the participants of communication, which in Ukrainian, Russian and
English speech behavior in the situation presented reflects
sincerity of the speaker, focusing on essential speech segments.
Thus, the interrupted forms of speech, like free connections
combination and repetition of verbal fabric communicative situation "you-
pravdannya "are links in the chain of achieving a single important task-
tion that is equally well represented in Ukrainian, Russian
and British artistic dialogues.
The article observes the markers of oral speech in the communicative
situation of "justification" in Ukrainian, Russian and English literary discourse,
defines the transitions of thoughts and forms of speech, the connections of free
combination and the reiterations as stylized elements of oral speech, specifies
function of their using in Ukrainian, Russian and English literary discourse.
Key words: literary dialogue, oral speech, markers of oral speech (the
transitions of thoughts and forms of speech, the connections of free combination,
the reiterations), the communicative situation of "justification".
