- •Harriet evans ))))))
- •If you close your eyes, perhaps you can still see them. As they were that sundrenched afternoon, the day everything changed.
- •Part one February 2009
- •I nod instead. 'Of course,' I say. 'Have you booked a cabin?'
- •I blink, trying to take it in. 'So?'
- •I can't answer this, as I know she's right, but I can't agree with her without hurting her feelings. 'I just don't know, Mum,' I say. 'I look at our life together and I—'
- •Frances Seymour
- •I'm going to scream. I'm going to scream. Yes, I am.
- •I don't care about their damn c/othes.
- •If Louisa was surprised at this sudden confidence from her brother, she didn't show it. 'She is rather a funny old thing, isn't she,' she said casually. 'What do you mean exactly?'
- •Into the silence that followed this statement came Mary. 'Now, does anyone want some more coffee?' she said, wiping her hands on her apron. 'Eggs? Frank, how about you?'
- •91All right,' she said.
- •It came to an end for them not long afterwards. The following day, Saturday, was hot and muggy, and over the next few days the winds seemed to drop as the temperature increased.
- •Part three February 2009
- •I take the pages out from my skirt and look at them, wondering what comes next.
- •I am not in the mood for her amateur dramatics, her sighing and hair tossing. 'I had my reasons,' I say. 'I told you that. I'm sorry if you feel left out.'
- •I remember how angry she was with him in the kitchen, just before I left last night. Only twenty-four hours ago. 'Why not? He seemed quite nice. As if he knew what he was talking about.'
- •I am completely absorbed by the conversation and her voice in my ear, but the noise, someone calling my name, somewhere nearby, makes me jerk upright and I remember. I didn't close the door.
- •I nod. 'Sorry. I needed to get out. You were still asleep.' Oli touches my hand. 'Look,' he says. 'You can't just run away again. We need to talk about this.'
- •I can't believe she feels guilty about it. 'Louisa, you've been amazing,' I say, and it's true. 'Please! What are you talking about?'
- •I'd forgotten; she told me that awful day at Arthur's, that she wasn't working with him any more. I should have remembered. I just haven't seen them. I blush. 'Of course, sorry.'
- •I unfurl my legs, stiff and aching from the cold and from being in the same position for so long. I roll my head slowly around my neck, and it crunches satisfyingly.
- •I ask just one more question. 'You don't know where she is, though?' 'No,' he says. 'As I said, she'll be back.'
- •The frances seymour foundation
- •I laugh: Ben is really funny. Then there's an awkward silence, in amongst the noise and chatter of the pub. I start picking at a beer mat.
- •I nod emphatically. 'Sure.'
- •I don't know how to respond to such honesty, and the silence is rather uncomfortable. After a few moments, Guy recalls himself.
- •I don't say anything. 'Natasha, you don't know what it's like to lose a sibling,' he says.
- •It is V hot in Dad's study. I remember that even in winter & today in the heat it was baking. Me: No.
- •Part four March 2009
- •I stare at him, unsure of what to say next - so, is it normal between us now? Is that it?
- •I don't expect him to remember. 'Cecily's diary?' he says immediately. 'I've been wondering about that. Did your mum have it?'
- •I touched her shoulder. 'Cathy - it's Oli,' I said. 'Look - over there. He's - I'm sorry. I just, I just want to get out of here.'
- •I want to say, I don't bloody care about bloody Fez! What the hell are you talking about! I want to know about the diary, about you, about what you think of all of this! Jesus! h! Christ!
- •I must be imagining it, but it seems his tone is softer, kinder, for a moment, and the parent he could have been is apparent for a split second.
- •I say softly, 'How could you ever forgive Granny, Arvind? I mean - did you know?' He is silent, for so long that I think perhaps he hasn't heard me.
- •I see Mum taking in her out-of-breath cousin, in her slightly too-sheer white kaftan, red shining face, floral skirt and fluffy blonde hair.
- •I lean forward and give her a big hug. 'Thank you for everything you did today,' I say. 'Well, everything. You should come into town some time. Come and see me.'
- •I was starving, but now I have no appetite at all. 'No, thanks. Can I have a coffee?' I say.
- •If I can do this right now.'
- •I blink; it still sounds so strange. 'You didn't have any idea? I mean - you knew you'd slept with her, Guy, didn't you? Are you trying to say she drugged you?'
- •I smile, because he's totally right, and it's so strange that he knows this. Knows her as well as he does. I prop my elbows up on the table, my chin in my hands, listening intently.
- •I let his fingers rest on mine, feeling his warm dry hand, his flesh, and I stare at him again in
- •I shake my head, overwhelmed all of a sudden. I don't know what to say and I am very tired. 'I'm
- •I nod. 'He's lovely.'
- •I take a deep breath. I'm feeling completely light-headed, with the running, the sunshine, the events of the last hour.
I don't know how to respond to such honesty, and the silence is rather uncomfortable. After a few moments, Guy recalls himself.
'Rather maudlin,' he says. 'Too much time to think. Bad thing.' He pats his knees and stands up, rather stiffly, for the stool is a long way down. 'Time to explain why I asked you here.'
He goes over to the corner of the room. 'Now, Natasha, I have something to give you, and that's why I wanted to meet up. To - explain.' He opens a cupboard door and turns back towards me.
He is holding a small, flat thing in his hand, and I stare down at it, not really thinking.
'Here,' he says, holding his hand out to me. 'Cecily's diary.' There's a thud and a squeal from Thomasina the cat. I have dropped my cup of tea, boiling water is everywhere.
Chapter Thirty-Seven
It takes a few minutes to clean up, and I am very sorry. There is a painting that is probably ruined, as hot tea and water-colours don't mix, and I keep apologising as I help Guy wipe down various cases and books and random antiques, but he is completely relaxed about it. As I am on the floor, mopping up the tea with a cloth, I say, 'Where the hell did you get this?'
'Well—' Guy is immersed in a stain on the wall, and has his back to me. 'It's - it's complicated.'
I stare at the innocuous red exercise book, the white pages yellow with age. On the front is written, in the scrawling handwriting I know so well:Continuing the Secret Diary of Cecily Kapoor. 'Did you take it?'
'No, I did not,' he says firmly. 'Your mother sent it to me. She took it.'
'What?'
I am still holding a soggy ball of kitchen paper; my head snaps up. 'She posted it to me a few days ago. Said I should read it.'
'But—' My anger is rising. 'Why you? She can't stand you.' I catch the tip of my tongue between my lips. 'Sorry. She - she's just not your biggest fan, maybe.'
'Yes,' Guy says. 'Right. I'd gathered that. I don't know why, to be honest. But I don't know why she sent me the diary either, I'm afraid. Well - I do know why. You ought to read it and find out.'
I'm blushing, with embarrassment and anger. 'Still. Where the hell did she get it in the first
place?'
'It was in your grandmother's studio. She'd found it after Cecily died and kept it in there, all these years.' He stops. 'I did wonder, a few months after Cecily died - what happened to the diary? But I assumed they'd just put it away with all her things. I didn't think about it, really.' His head sags. 'I was too - I was thinking about other things.'
'So Mum just took it.' My head is spinning. 'After the funeral? So she's had it ever since? Why did she take it? Why hasn't she said anything?'
'I haven't spoken to her. I think she just saw it and snapped,' Guy says carefully. 'She was in the studio with Arvind, and she spotted it. The pages you have must have become separated, somehow, just fallen out.'
'Have you got the note?'
He pauses. 'I didn't keep it. I'm sorry. I don't think she planned it out. I'm rather concerned about her, you know, Natasha. It's a lot to cope with, what she's been through. And she's completely disappeared now. I rang her after I'd - I'd read it, to talk to her. I've rung her several times, but she never answers.'
'Typical,' I say. My head is spinning. 'She - I accused her of all these things, last week, and she just stood there. She didn't say anything. She didn't mention she had the diary, didn't say anything. And then she just sends it off to you - of all people, when she's told me you're the worst of the lot of them. She's—' I don't know what to say. 'She is mad.'
'You haven't read what's in here,' Guy says. The lines on his face deepen, and a spasm of pain flashes in his eyes. 'If she's mad - I can see why.'