- •О музыке и музыкантах
- •Предисловие
- •I. Musical instruments
- •1.1. Wide possibilities of folk instruments active words and word combinations
- •Before you read the text
- •Text a yuri kazakov: “I played bach on my accordion”
- •After you have read the text
- •Text b russian guitar
- •1.2. Russian soul mirrored in their art active words and word combinations
- •Before you read the text
- •Тexт a russian soul mirrored in its art
- •After you have read the text
- •Vysotsky forever
- •1.3. Stringed instruments active words
- •Before you read the text
- •Text a stringed instruments
- •After you have read the text
- •Text в рianoforte
- •1.4. Wind instruments active words and word combinations
- •Before you read the text
- •Text a wind instruments
- •After you have read the text
- •Text в brass instruments
- •1.5. Organ active words and word combinations
- •Вefоre you read the тext
- •Text a organ
- •After you read тнe text
- •Text b harmonium
- •2. Geniusses of russian music
- •2.1. Тhe father of russian music active words and word combinations
- •Before you read the text
- •Text a the father of russian music
- •After you have read the text
- •Text в folk songs
- •2.2. Opera is always on modern lines active words
- •Before you read the text
- •After you have read the text
- •Text в from the history of opera
- •2.3. Pyotr ilyich tchaikovsky active words and word combinations
- •Before you read text
- •Text a р. I. Тсhаiкоvsку about himself
- •After you have read text
- •Text b p.I. Tchaikovsky in new york
- •2.4. Sergei rachmaninov active words and word combinations
- •Before you read the text
- •Text a sergei rachmaninov: liturgy of st. John chrisostom
- •After you have read the text
- •Text b rachmaninov’s vespers
- •2.5. The greatest composer
- •Active words and word combinations
- •Before you read the text
- •Text a the greatest composer of the mid-20th century
- •After you have read the text
- •Text в how did it start?
- •2.6. Leading interpreters of music active words and word combinations
- •Before you read the text
- •Text a one of the leading interpreters of music: conductor yevgeni mravinsky
- •After you have read the text
- •Text b musician’s rebellious nature
- •3. Brilliance of german music
- •3.1. Johann sebastian bach active words and word combinations
- •Before you read the text
- •Text a j.S. Bach in leipzig
- •Proper Names
- •After you have read the text
- •Text b early years of j. S. Bach
- •3.2. Wolfgang amadeus mozart active words and word combinations
- •Before you read the text
- •Text a wolfgang amadeus mozart
- •After you have read the text
- •Text b reinterpreting mozart
- •3.3. Ludwig van beethoven active words
- •Before you read the text
- •Text a ludwing van beethoven
- •After you have read the text
- •Text в beethoven’s sonatas
- •3.4. Exponents of romanticism in german music active words and word combinations
- •Before you read the text
- •After you have read the text
- •Text в robert schumann
- •3.5. Richard wagner active words and word combinations
- •Before you read the text
- •Text a richard wagner
- •After you have read the text
- •Text b wagner’s childhood and youth
- •3.6. New viennise school active words and word combinations
- •Before you read the text
- •Text a arnold schoenberg
- •Proper Names
- •After you have read the text
- •Text в paul hindemith
- •4. English and american music
- •4.1. From the history of english music active words and word combinations
- •Before you read the text
- •Text a from the history of english music
- •Proper Names
- •After you have read the text
- •Text b henry purcell
- •Proper Names
- •4.2. Opera, symphonic and chamber music
- •In england active words and word combinations
- •Before you read the text
- •Text a glimpse of english opera
- •After you have read the text
- •Text b promenade concerts
- •4.3. English light music of the 20th century active words and word combinations
- •Before you read the text
- •Text a the beatles
- •After you have read the text
- •Text b the rolling stones
- •Proper Names
- •4.4. From the history of american music active words and word combinations
- •Before you read the text
- •Text a from the history of american music
- •After you have read тнe тexт
- •Text b music of african americans
- •4.5. The greatest american composers of the 20th century active words and word combinations
- •Before you read the text
- •Text a george gershwin
- •After you have read the text
- •Text b leonard bernstein
- •4.6. Stars of american music active words and word combinations
- •Before you read the text
- •Text a the “duke” is gone but he’s left us with a rich legacy
- •After you have read the text
- •Text b marty lacker: portrait of a friend
- •Additional vocabulary
- •Contents
- •455036, Г. Магнитогорск, ул. Грязнова, 22
Text b early years of j. S. Bach
Johann Ambrosius Bach was a town musician in Eisenach, playing violin, organ and trumpet. Johann Sebastian Bach, the youngest of his eight children, entered the Eisenach Grammar School and sang in the church choir. He had a fine soprano voice. On the death of his father he was looked after by his eldest brother, Johann Christoph Bach, who was organist at the small town of Ohrdruf, near Arnstadt, and a former pupil of Pachelbel. Johann Sebastian did well at school, showing a strong inclination towards theology. He also gained a sound musical education from his brother, who in 1700 found him a salaried place in the choir of St. Michael's, Lüneburg. He was allowed to remain there after his voice broke, because he was also a useful player of various instruments. Here he came into contact with French music on a visit to the miniature Versailles created by the Duke of Celle, making copies of music by Grigny and Dieupart. He also admired the music of Böhm and is said to have walked 30 miles to Hamburg to hear the well-known organist Reincken.
By 1702, being now 17, Johann Sebastian Bach began to look for a more permanent position, and the next year was for a brief period a violinist in the orchestra of the brother of the Duke of Weimar. That July, after testing the organ of the new church of St. Boniface in Arnstadt, he was invited to become organist and choirmaster there at a good salary. In 1705 he obtained a month's leave to hear Buxtehude play, and direct the famous “Abendmusiken” (“Music Evenings”) at Lübeck.
The church council disapproved, while the congregation disliked his innovations in the services, so in 1707 he found a new post as organist at the church of St. Blasius at Muhlhausen, a free city. Soon after his move, a small legacy facilitated his marriage to a kinswoman, Maria Barbara Bach. At Mühlhausen he carried out his duties with energy, making suggestions for improving the organ and writing a festive cantata “Gott ist mein König” for the inauguration of the city council in 1708. But disputes between factions of orthodox Lutherans and more puritan Pietists threatened to restrict what music could be performed there, and so in June of 1708 he accepted the post of organist and court musician to Duke Wilhelm of Weimar.
Up to this time Bach was known as a composer of brilliant keyboard pieces. His organ music was especially influenced by Buxtehude.
Proper Names
Johann Ambrosius Bach [jou’hxn qmb’rouzjqs ’bRk]
Eisenach [‘QizqnAh]
Christoph [’kristqf]
Ohrdruf [’Ldruf]
Arnstadt [’ArnStAt]
Karl Pachelbel [’kRl ’pAkqlbql]
St. Michael’s [sqnt ’mIhAqls]
Lüneburg [’lunqbWg]
Versailles [vFq’sQI]
Celle [’tselq]
Grigny [gri’nji]
Dieupart [dju’pR]
Böhm [bWm]
Hamburg [’hxmbWg]
Reincken [’rQInkqn]
Weimar [’vQImq]
St. Boniface [sqnt ’bOnIfeIs]
Dietrich Buxtehude [’dJtrih ’bAkstq,hHdq]
Lübeck [’lubqk]
St. Blasius [sqnt ’blxzIqs]
Mühlhausen [’mulhQuzqn]
Maria Barbara Bach [mq’rQIq ’bRbqrq ’bRk]
