I am your real family, La Inca said forcefully. I am here to save you.

And so, in a heartbeat, by a whisper, were two lives irrevocably changed. La Inca installed Beli in the spare room in her house where her husband had once taken his naps and worked on his carvings. Filed the paperwork to give the girl an identity, called in the doctors. The girl’s burns were unbelievably savage. (One hundred and ten hit points minimum.) A monster glove of festering ruination extending from the back of her neck to the base of her spine. A bomb crater, a world-scar like those of a hibakusha. As soon as she could wear real clothes again, La Inca dressed the girl and had her first real photo taken out in front of the house.

Here she is: Hypatia Belicia Cabral, the Third and Final Daughter. Suspicious, angry, scowling, uncommunicative, a wounded hungering campesina, but with an expression and posture that shouted in bold, gothic letters: DEFIANT.

Darkskinned but clearly her family’s daughter. Of this there was no doubt. Already taller than Jackie in her prime. Her eyes exactly the same color as those of the father she knew nothing about.

Forget me naut

Of those nine years (and of the Burning) Beli did not speak. It seems that as soon as her days in Outer Azua were over, as soon as she reached Baní, that entire chapter of her life got slopped into those containers in which governments store nuclear waste, triple-sealed by industrial lasers and deposited in the dark, uncharted trenches of her soul. It says a lot about Beli that for forty years she never leaked word one about that period of her life: not to her madre, not to her friends, not to her lovers, not to the Gangster, not to her husband. And certainly not to her beloved children, Lola and Oscar. Forty years. What little anyone knows about Beli’s Azua days comes exclusively from what La Inca heard the day she rescued Beli from her so-called parents. Even today La Inca rarely saying anything more than Casi la acabaron.

In fact, I believe that, barring a couple of key moments, Beli never thought about that life again. Embraced the amnesia that was so common throughout the Islands, five parts denial, five parts negative hallucination. Embraced the power of the Untilles. And from it forged herself anew.

Sanctuary

But enough. What matters is that in Baní, in La Inca’s house, Belicia Cabral found Sanctuary. And in La Inca, the mother she never had. Taught the girl to read, write, dress, eat, behave normally. La Inca a finishing school on fast-forward; for here was a woman with a civilizing mission, a woman driven by her own colossal feelings of guilt, betrayal, and failure. And Beli, despite all that she’d endured (or perhaps because of it), turned out to be a most apt pupil. Took to La Inca’s civilizing procedures like a mongoose to chicken. By the end of Sanctuary’s first year, Beli’s rough lines had been kneaded out; she might have cursed more, had more of a temper, her movements more aggressive and unrestrained, had the merciless eyes of a falcon, but she had the posture and speech (and arrogance) of una muchacha respetable. And when she wore long sleeves the scar was only visible on her neck (the edge of a larger ruination certainly, but greatly reduced by the cut of the cloth).This was the girl who would travel to the U.S. in 1962, whom Oscar and Lola would never know. La Inca the only one to have seen Beli at her beginnings, when she slept fully dressed and screamed in the middle of the night, who saw her before she constructed a better self one with Victorian table manners and a disgust of filth and poor people.

Theirs, as you might imagine, was an odd relationship. La Inca never sought to discuss Beli’s time in Azua, would never refer to it, or to the Burning. She pretended it didn’t exist (the same way she pretended that the poor slobs in her barrio didn’t exist when they, in fact, were overrunning the place). Even when she greased the girl’s back, every morning and every night, La Inca only said, Síentese aquí, señorita. It was a silence, a lack of probing, that Beli found most agreeable. (If only the waves of feeling that would occasionally lap her back could be so easily forgotten.) Instead of talking about the Burning, or Outer Azua, La Inca talked to Beli about her lost, forgotten past, about her father, the famous doctor, about her mother, the beautiful nurse, about her sisters Jackie and Astrid, and about that marvelous castle in the Cibao: Casa Hatüey.

They may never have become best friends — Beli too furious, La Inca too correct — but La Inca did give Beli the greatest of gifts, which she would appreciate only much later; one night La Inca produced an old newspaper, pointed to a photograph: This, she said, is your father and your mother. This, she said, is who you are.

The day they opened their clinic: so young, both of them looking so serious.

For Beli those months truly were her one and only Sanctuary, a world of safety she never thought possible. She had clothes, she had food, she had time, and La Inca never ever yelled at her. Not for nothing, and didn’t let anybody else yell at her either. Before La Inca enrolled her in Colegio EI Redentor with the richies, Beli attended the dusty, fly-infested public school with children three years younger than her, made no friends (she couldn’t have imagined it any other way), and for the first time in her life began to remember her dreams. It was a luxury she’d never dared indulge in, and in the beginning they seemed as powerful as storms. She had the whole variety, from flying to being lost, and even dreamt about the Burning, how her ‘father’s’ face had turned blank at the moment he picked up the skillet. In her dreams she was never scared. Would only shake her head. You’re gone, she said. No more.

There was a dream, however, that did haunt her. Where she walked alone through a vast, empty house whose roof was being tattooed by rain. Whose house was it? She had not a clue. But she could hear the voices of children in it.

At first year’s end, the teacher asked her to come to the board and fill in the date, a privilege that only the ‘best’ children in the class were given. She is a giant at the board and in their minds the children are calling her what they call her in the world: variations on La Prieta Quemada or La Fea Quemada. When Beli sat down the teacher glanced over her scrawl and said, Well done, Senorita Cabral! She would never forget that day, even when she became the Queen of Diaspora.

Well done, Senorita Cabral! She would never forget. She was nine years, eleven months. It was the Era of Trujillo.

SIX

Land of the Lost

1992-1995

THE DARK AGE

After graduation Oscar moved back home. Left a virgin, returned one. Took down his childhood posters — Star Blazers, Captain Harlock — and tacked up his college ones — Akira and Terminator 2. Now that Reagan and the Evil Empire had ridden off into never-never land, Oscar didn’t dream about the end no more. Only about the Fall. He put away his Aftermath! game and picked up Space Opera.

These were the early Clinton years but the economy was still sucking an eighties cock and he kicked around, doing nada for al most seven months, went back to subbing at Don Bosco whenever one of the teachers got sick. (Oh, the irony!) He started sending his stories and novels out, but no one seemed interested. Still, he kept trying and kept writing. A year later the substituting turned into a full-time job. He could have refused, could have made a ‘saving throw’ against Torture, but instead he went with the flow. Watched his horizons collapse, told himself it didn’t matter.

Had Don Bosco, since last we visited, been miraculously transformed by the spirit of Christian brotherhood? Had the eternal benevolence of the Lord cleansed the students of their vile? Negro, please. Certainly the school struck Oscar as smaller now, and the older brothers all seemed to have acquired the Innsmouth ‘look’ in the past five years, and there were a grip more kids of color — but some things (like white supremacy and people-of-color self-hate) never change: the same charge of gleeful sadism that he remembered from his youth still electrified the halls. And if he’d thought Don Bosco had been the moronic inferno when he was young — try now that he was older and teaching English and history. Jesú Santa Maria. A nightmare. He wasn’t great at teaching. His heart wasn’t in it, and boys of all grades and dispositions shitted on him effusively. Students laughed when they spotted him in the halls. Pretended to hide their sandwiches. Asked in the middle of lectures if he ever got laid, and no matter how he responded they guffawed mercilessly. The students, he knew, laughed as much at his embarrassment as at the image they had of him crushing, down on some hapless girl. They drew cartoons of said crushings, and Oscar found these on the floor after class, complete with dialogue bubbles. No, Mr. Oscar, no! How demoralizing was that? Every day he watched the ‘cool’ kids torture the crap out of the fat, the ugly, the smart, the poor, the dark, the black, the unpopular, the African, the Indian, the Arab, the immigrant, the strange, the feminino, the gay — and in every one of these clashes he saw himself: In the old days it had been the whitekids who had been the chief tormentors, but now it was kids of color who performed the necessaries. Sometimes he tried to reach out to the school’s whipping boys, offer them some words of comfort, You are not alone, you know, in this universe, but the last thing a freak wants is a helping hand from another freak. These boys fled from him in terror. In a burst of enthusiasm he attempted to start a science fiction and fantasy club, posted signs up in the halls, and for two Thursdays in a row he sat in his classroom after school, his favorite books laid out in an attractive pattern, listened to the roar of receding footsteps in the halls, the occasional shout of Beam me up! and Nanoo-Nanoo! outside his door; then, after thirty minutes of nothing he collected his books, locked the room, and walked down those same halls, alone, his footsteps sounding strangely dainty.

His only friend on the staff was another secular, a twenty-nine-year-old alterna-latina named Nataly (yes, she reminded him of Jenni, minus the outrageous pulchritude, minus the smolder). Nataly had spent four years in a mental hospital (nerves, she said) and was an avowed Wiccan. Her boyfriend, Stan the Can, whom she’d met in the nuthouse (‘our honeymoon’), worked as an EMS technician, and Nataly told Oscar that the bodies Stan the Can saw splattered on the streets turned him on for some reason. Stan, he said, sounds like a very curious individual. You can say that again, Nataly sighed. Despite Nataly’s homeliness and the medicated fog she inhabited, Oscar entertained some pretty strange Harold Lauder fantasies about her. Since she was not hot enough, in his mind, to date openly, he imagined them in one of those twisted bedroom-only relationships. He had these images of walking into her apartment and ordering her to undress and cook grits for him naked. Two seconds later she’d be kneeling on the tile of her kitchen in only an apron, while he remained fully clothed.

From there it only got weirder.

At the end of his first year, Nataly, who used to sneak whiskey during breaks, who introduced him to Sandman and Eightball, and who borrowed a lot of money from him and never paid it back, transferred to Ridgewood — Yahoo, she said in her usual deadpan, the suburbs — and that was the end of their friendship. He tried calling a couple of times, but her paranoid boyfriend seemed to live with the phone welded to his head, never seemed to give her any of his messages, so he let it fade, let it fade.

Social life? Those first couple of years home he didn’t have one. Once a week he drove out to Woodbridge Mall and checked the RPGs at the Game Room, the comic books at Hero’s World, the fantasy novels at Waldenbooks. The nerd circuit. Stared at the toothpick-thin black girl who worked at the Friendly’s, whom he was in love with but with whom he would never speak.

AI and Miggs — hadn’t chilled with them in a long time. They’d both dropped out of college, Monmouth and Jersey City State respectively, and both had jobs at the Blockbuster across town. Probably both end up in the same grave.

Maritza he didn’t see no more, either. Heard she’d married a Cuban dude, lived in Teaneck, had a kid and everything.

And Olga? Nobody knew exactly. Rumor had it she tried to rob the local Safeway, Dana Plato style — hadn’t bothered to wear a mask even though everybody at the supermarket knew her and there was talk that she was still in Middlesex, wouldn’t be getting out until they were all fifty.

No girls who loved him? No girls anywhere in his life?

Not a one. At least at Rutgers there’d been multitudes and an institutional pretense that allowed a mutant like him to approach without causing a panic. In the real world it wasn’t that simple. In the real world girls turned away in disgust when he walked past. Changed seats at the cinema, and one woman on the cross-town bus even told him to stop thinking about her! I know what you’re up to, she’d hissed. So stop it.

I’m the permanent bachelor, he wrote in a letter to his sister, who had abandoned Japan to come to New York to be with me. There’s nothing permanent in the world, his sister wrote back. He pushed his fist into his eye. Wrote: There is in me.

The home life? Didn’t kill him but didn’t sustain him, either. His moms, thinner, quieter, less afflicted by the craziness of her youth, still the work-golem, still allowed her Peruvian boarders to pack as many relatives as they wanted into the first floors. And tío Rudolfo, Fofo to his friends, had relapsed to some of his hard pre-prison habits. He was on the caballo again, broke into lightning sweats at dinner, had moved into Lola’s room, and now Oscar got to listen to him chickenboning his stripper girlfriends almost every single night. Tío, he yelled out once, less bass on the headboard, if you will. On the walls of his room do Rudolfo hung pictures of his first years in the Bronx, when he’d been sixteen and wearing all the fly Willie Colón pimpshit, before he’d gone off to Vietnam, only Dominican, he claimed, in the whole damned armed forces. And there were pictures of Oscar’s mom and dad. Young. Taken in the two years of their relationship.

You loved him, he said to her.

She laughed. Don’t talk about what you know nothing about.

On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn’t want this future but he couldn’t see how it could be avoided, couldn’t figure his way out of it.

Fukú.

The Darkness. Some mornings he would wake up and not be able to get out of bed. Like he had a ten-ton weight on his chest. Like he was under acceleration forces. Would have been funny if it didn’t hurt his heart so. Had dreams that he was wandering around the evil planet Gordo, searching for parts for his crashed rocketship, but all he encountered were burned-out ruins, each seething with new debilitating forms of radiation. I don’t know what’s wrong with me, he said to his sister over the phone. I think the word is crisis but every time I open my eyes all I see is meltdown. This was when he threw students out of class for breathing, when he would tell his mother to fuck off: when he couldn’t write a word, when he went into his tío’s closet and put the Colt up to his temple, when he thought about the train bridge. The days he lay in bed and thought about his mother fixing him his plate the rest of his life, what he’d heard her say to his tío the other day when she thought he wasn’t around, I don’t care, I’m happy he’s here.

Afterward — when he no longer felt like a whipped dog inside, when he could pick up a pen without wanting to cry — he would suffer from overwhelming feelings of guilt. He would apologize to his mother. If there’s a goodness part of my brain, it’s like somebody had absconded with it. It’s OK, hijo, she said. He would take the car and visit Lola. After a year in Brooklyn she was now in Washington Heights, was letting her hair grow, had been pregnant once, a real moment of excitement, but she aborted it because I was cheating on her with some girl. I have returned, he announced when he stepped in the door. She told him it was OK too, would cook for him, and he’d sit with her and smoke her weed tentatively and not understand why he couldn’t sustain this feeling of love in his heart forever.

He began to plan a quartet of science-fiction fantasies that would be his crowning achievement. J. R. R. Tolkien meets E. E. ‘Doc’ Smith. He went on long rides. He drove as far as Amish country, would eat alone at a roadside diner, eye the Amish girls, imagine himself in a preacher’s suit, sleep in the back of the car, and then drive home.

Sometimes at night he dreamed about the Mongoose.

(And in case you think his life couldn’t get any worse: one day he walked into the Game Room and was surprised to discover that overnight the new generation of nerds weren’t buying role-playing games anymore. They were obsessed with Magic cards! No one had seen it coming. No more characters or campaigns, just endless battles between decks. All the narrative flensed from the game, all the performance, just straight unadorned mechanics. How the fucking kids loved that shit! He tried to give Magic a chance, tried to put together a decent deck, but it just wasn’t his thing. Lost everything to an eleven-year-old punk and found himself not really caring. First sign that his Age was coming to a close. When the latest nerdery was no longer compelling, when you preferred the old to the new.)