La chica de mi escuela

When Beli was thirteen, La Inca landed her a scholarship at El Redentor, one of the best schools in Baní. On paper it was a pretty solid move. Orphan or not, Beli was the Third and Final Daughter of one of the Cibao’s finest families, and a proper education was not only her due, it was her birthright. La Inca also hoped to take some of the heat off Beli’s restlessness. A new school with the best people in the valley, she thought, what couldn’t this cure? But despite the girl’s admirable lineage, Beli herself had not grown up in her parents’ upper-class milieu. Had had no kind of breeding until La Inca — her father’s favorite cousin — had finally managed to track her down (rescue her, really) and brought her out of the Darkness of those days and into the light of Baní. In these last seven years, meticulous punctilious La Inca had undone a lot of the damage that life in Outer Azua had inflicted, but the girl was still crazy rough around the edges. Had all the upper-class arrogance you could want, but she also had the mouth of a colmado superstar. Would chew anybody out for anything. (Her years in Outer Azua to blame.) Putting her darkskinned media-campesina ass in a tony school where the majority of the pupils were the whiteskinned children of the regime’s top ladronazos turned out to be a better idea in theory than in practice. Brilliant doctor father or not, Beli stood out in EI Redentor. Given the delicacy of the situation, another girl might have adjusted the polarity of her persona to better fit in, would have kept her head down and survived by ignoring the 10,001 barbs directed at her each day by students and staff alike. Not Beli. She never would admit it (even to herself), but she felt utterly exposed at EI Redentor, all those pale eyes gnawing at her duskiness like locusts — and she didn’t know how to handle such vulnerability. Did what had always saved her in the past. Was defensive and aggressive and mad over-reactive. You said something slightly off-color about her shoes and she brought up the fact that you had a slow eye and danced like a goat with a rock stuck in its ass. Ouch. You would just be playing and homegirl would be coming down on you off the top rope.

Let’s just say, by the end of her second quarter Beli could walk down the hall without fear that anyone would crack on her. The downside of this of course was that she was completely alone. (It wasn’t like In the Time of the Butterflies, where a kindly Mirabal Sister↓ steps up and befriends the poor scholarship student. ≡ The Mirabal Sisters were the Great Martyrs of that period. Patria Mercedes, Minerva Argentina, and Antonia Maria — three beautiful sisters from Salcedo who resisted Trujillo and were murdered for it. (One of the main reasons why the women from Salcedo have reputations for being so incredibly fierce, don’t take shit from nobody, not even a Trujillo.) Their murders and the subsequent public outcry are believed by many to have signaled the official beginning of the end of the Trujillato, the ‘tipping point,’ when folks finally decided enough was enough.

No Miranda here: everybody shunned her.) Despite the outsized expectations Beli had had on her first days to be Number One in her class and to be crowned prom queen opposite handsome Jack Pujols, Beli quickly found herself exiled beyond the bonewalls of the macroverse itself flung there by the Ritual of Child. She wasn’t even lucky enough to be demoted into that lamentable subset — those mega-losers that even the losers pick on. She was beyond that, in Sycorax territory. Her fellow ultra-dalits included: the Boy in the Iron Lung whose servants would wheel him into the corner of the class every morning and who always seemed to be smiling, the idiot, and the Chinese girl whose father owned the largest pulperia in the country and was known, dubiously, as Trujillo’s Chino. In her two years at El Redentor, Wei never managed to learn more than a gloss of Spanish, yet despite this obvious impediment she reported dutifully to class every day. In the beginning the other students had scourged her with all the usual anti-Asian nonsense. They cracked on her hair (It’s so greasy!), on her eyes (Can you really see through those?), on chopsticks (I got some twigs for you!), on language (variations on ching chong-ese.) The boys especially loved to tug their faces back into bucked-tooth, chinky-eyed rictuses. Charming. Ha-ha. Jokes aplenty.

But once the novelty wore off (she didn’t ever respond), the students exiled Wei to the Phantom Zone, and even the cries of China, China, China died down eventually.

This was who Beli sat next to her first two years of high school. But even Wei had some choice words for Beli.

You black, she said, fingering Beli’s thin forearm. Black-black.

Beli tried her hardest but she couldn’t spin bomb-grade plutonium from the light-grade uranium of her days. During her Lost Years there had been no education of any kind, and that gap had taken a toll on her neural pathways, such that she could never fully concentrate on the material at hand. It was stubbornness and the expectations of La Inca that kept Belicia lashed to the mast, even though she was miserably alone and her grades were even worse than Wei’s. (You would think, La Inca complained, that you could score higher than a china.) The other students bent furiously over their exams while Beli stared at the hurricane whorl at the back of Jack Pools’ crew cut.

Senorita Cabral, are you finished? No, maestra. And then a forced return to the problem sets, as though she were submerging herself in water against her will.

No one in her barrio could have imagined how much she hated school. La Inca certainly didn’t have a clue. Colegio el Redentor was about a million miles removed from the modest working-class neighborhood where she and La Inca lived. And Beli did everything possible to represent her school as a paradise where she cavorted with the other Immortals, a four-year interval before the final Apotheosis. Took on even more airs: where before, La Inca had to correct her on grammar and against using slang, she now had the best diction and locution in Lower Baní. (She’s starting to talk like Cervantes, La Inca bragged to the neighbors. I told you that school would be worth the trouble.) Beli didn’t have much in the way of friends — only Dorca, the daughter of the woman who cleaned for La Inca, who owned exactly no pair of shoes and worshipped the ground Beli walked on. For Dorca she put on a show to end all shows. She wore her uniform straight through the day until La Inca forced her to take it off (What do you think, these things were free?), and talked unceasingly about her schoolmates, painting each one as her deepest friend and confidante; even the girls who made it their mission to ignore and exclude her from everything, four girls we will call the Squadron Supreme, found themselves rehabilitated in her tales as benevolent older spirits that dropped in on Belicia every now and then to give her invaluable advice on the school and life in general. The Squadron, it turned out, were all very jealous of her relationship with Jack Pujols (who, she reminded Dorea, is my boyfriend) and invariably one member or another of the Squadron fell to weakness and attempted to steal her novio but of course he always rebuked their treacherous advances. I am appalled, Jack would say, casting the hussy aside. Especially considering how well Belicia Cabral, daughter of the world-famous surgeon, has treated you. In every version, after a prolonged period of iciness the offending Squadron member would throw herself at Beli’s feet and beg forgiveness, which, after tense deliberation, Beli invariably granted. They can’t help it that they’re weak, she explained to Dorea. Or that Jack is so guapo. What a world she spun! Beli talked of parties and pools and polo games and dinners where bloody steak was heaped onto plates and grapes were as common as tangerines. She in fact, without knowing, was talking about the life she never knew: the life of Casa Hatüey. So astonishing were her descriptions that Dorea often said, I would like to go to school with you one day.

Beli snorted. You must be crazy! You’re too stupid! And Dorea would lower her head. Stare at her own broad feet. Dusty in their chancletas. La Inca talked about Beli becoming a female doctor (You wouldn’t be the first, but you’d be the best!), imagined her hija raising test tubes up to the light, but Beli usually passed her school days dreaming about the various boys around her (she had stopped staring at them openly after one of her teachers had written a letter home to La Inca and La Inca had chastised her, Where do you think you are? A brothel? This is the best school in Baní, muchacha, you’re ruining your reputation!), and if not about the boys then about the house she was convinced she would one day own, furnishing it in her mind, room by room by room. Her madre wanted her to bring back Casa Hatüey, a history house, but Beli’s house was new and crisp, had no history at all attached to it. In her favorite María Montez daydream, a dashing European of the Jeans Pierre Aumont variety (who happened to look exactly like Jack Pujols) would catch sight of her in the bakery and fall madly in love with her and sweep her off to his chateau in France.↓ ≡ María Montez, celebrated Dominican actress, moved to the U.S. and made more than twenty-five films between 1940 and 1951, including Arabian Nights, Ali Baba and the Forty Thieves, Cobra Woman, and my personal favorite, Siren of Atlantis. Crowned the ‘Qyeen of Technicolor’ by fans and historians alike. Born María Africa Gracia Vidal on June 6, 1912, in Barahona, bit her screen name from the famous nineteenth-century courtesan Lola Montez (herself famous for fucking, among others, the part-Haitian Alexandre Dumas). María Montez was the original J. Lo (or whatever smoking caribeña is the number-one eye-crack of your time), the first real international star the DR had. Ended up marrying a Frenchie (sorry, Anacaona) and moving to Paris after World War II. Drowned alone in her bathtub, at the age of thirty-nine. No sign of struggle, no evidence of foul play. Did some photo ops for the Trujillato every now and then, but nothing serious. It should be pointed out that while in France, María proved to be quite the nerd. Wrote three books. Two were published. The third manuscript was lost after her death.

(Wake up, girl! You’re going to burn the pan de agua!)

She wasn’t the only girl dreaming like this. This jiringonza was in the air, it was the dreamshit that they fed girls day and night. It’s surprising Beli could think of anything else, what with that heavy rotation of boleros, canciones, and versos spinning in her head, with the Listin Diario’s society pages spread before her. Beli at thirteen believed in love like a seventy-year-old widow who’s been abandoned by family, husband, children, and fortune believes in God. Belicia was, if it was possible, even more susceptible to the Casanova Wave than many of her peers. Our girl was straight boy-crazy. (To be called boy-crazy in a country like Santo Domingo is a singular distinction; it means that you can sustain infatuations that would reduce your average northamericana to cinders.) She stared at the young bravos on the bus, secretly kissed the bread of the buenmosos who frequented the bakery, sang to herself all those beautiful Cuban love songs.

(God save your soul, La Inca grumbled, if you think boys are an answer to anything.)

But even the boy situation left a lot to be desired. If she’d been interested in the niggers in the barrio our Beli would have had no problems, these cats would have obliged her romantic spirit by jumping her lickety-split. But alas, La Inca’s hope that the rarified private airs of Colegio El Redentor would have a salutary effect on the girl’s character (like a dozen wet-belt beatings or three months in an unheated convent) had at least in this one aspect borne fruit, for Beli at thirteen only had eyes for the Jack Pujolses of the world. As is usually the case in these situations, the high-class boys she so desired didn’t reciprocate her interest — Beli didn’t have quite enough of anything to snap these Rubirosas out of their rich-girl reveries.

What a life! Each day turning on its axis slower than a year. She endured school, the bakery, La Inca’s suffocating solicitude with a furious jaw. She watched hungrily for visitors from out of town, threw open her arms at the slightest hint of a wind and at night she struggled Jacob-like against the ocean pressing down on her.

KIMOTA!

So what happened? A boy happened.

Her First.

NÚMERO UNO

Jack Pujols of course: the school’s handsomest (read: whitest) boy, a haughty slender melnibonian of pure European stock whose cheeks looked like they’d been knapped by a master and whose skin was unflawed by scar, mole, blemish, or hair, his small nipples were the pink perfect ovals of sliced salchicha. His father was a colonel in the Trujillato’s beloved air force, a heavy duty player in Baní (would be instrumental in bombing the capital during the revolution, killing all those helpless civilians, including my poor uncle Venicio), and his mother, a former beauty queen of Venezuelan proportions, now active in the Church, a kisser of cardinal rings and a socorro of orphans. Jack, Eldest Son, Privileged Seed, Hijo Bello, Anointed One, revered by his female family members — and that endless monsoon — rain of praise and indulgence had quickened in him the bamboo of entitlement. He had the physical swagger of a boy twice his size and an unbearable loudmouthed cockiness that he drove into people like a metal spur. In the future he would throw his lot in with the Demon Balaguer↓ and end up ambassador to Panama as his reward, but for the moment he was the school’s Apollo, its Mithra. ≡ Although not essential to our tale, per se, Balaguer is essential to the Dominican one, so therefore we must mention him, even though I’d rather piss in his face. The elders say, Anything uttered for the first time summons a demon, and when twentieth century Dominicans first uttered the word freedom en masse the demon they summoned was Balaguer. (Known also as the Election Thief — see the 1966 election in the DR — and the Homunculus.) In the days of the Trujillato, Balaguer was just one of El Jefe’s more efficient ring wraiths. Much is made of his intelligence (he certainly impressed the Failed Cattle Thief) and of his asceticism (when he raped his little girls he kept it real quiet). After Trujillo’s death he would take over Project Domo and rule the country from 1960 to 1962, from 1966 to 1978, and again from 1986 to 1996 (by then dude was blind as a bat, a living mummy). During the second period of his rule, known locally as the Twelve Years, he unleashed a wave of violence against the Dominican left, death-squading hundreds and driving thousands more out of the country. It was he who oversaw/initiated the thing we call Diaspora. Considered our national ‘genius’, Joaquin Balaguer was a Negrophobe, an apologist to genocide, an election thief, and a killer of people who wrote better than himself, famously ordering the death of journalist Orlando Martinez. Later, when he wrote his memoirs, he claimed he knew who had done the foul deed (not him, of course) and left a blank page, a página en blanco, in the text to be filled in with the truth upon his death. (Can you say impunity?) Balaguer died in 2002. The página is still blanca. Appeared as a sympathetic character in Vargas Llosa’s The Feast of the Goat. Like most homunculi he did not marry and left no heirs.

The teachers, the staff: the girls, the boys, all threw petals of adoration beneath his finely arched feet: he was proof positive that God — the Great God absolute! The centre and circumference of all democracy! — does not love his children equally.

And how did Beli interact with this insane object of attraction? In a way that is fitting of her bullheaded directness: she would march down the hallway, books pressed to her pubescent chest, staring down at her feet, and, pretending not to see him, would smash into his hallowed vessel.

Caramb —, he spluttered, wheeling about, and then he’d see it was Belicia, a girl, now stooping over to recover her books, and he bent over too (he was, if nothing, a caballero), his anger diffusing, becoming confusion, irritation. Caramba, Cabral, what are you, a bat? Watch. Where. You’re. Going.

He had a single worry line creasing his high forehead (his ‘part,’ as it became known) and eyes of the deepest cerulean. The Eyes of Atlantis. (Once Beli had overheard him bragging to one of his many female admirers: Oh, these ol’ things? I inherited them from my German abuela.)

Come on, Cabral, what’s your difficulty?