- •51. Разграничение исполнительной и судебной власти.
- •52. Исторические предпосылки права.
- •53. Признаки права.
- •54.Функции права.
- •55. Социальное значение права.
- •56. Право и мораль.
- •57. Право и другие социальные нормы.
- •58,59,60,61,62 Признаки правовых норм, структура, гипотеза, диспозиция и санкция правовой нормы.
- •63. Понятие и структура правоотношений.
- •64,69. Содержание правоотношений.
- •66. Юридические факты.
- •65. Виды правоотношений.
- •67. Субъекты правоотношений.
- •68. Объект и предмет правоотношений.
- •70. Субъективное и объективное право.
- •71. Осуществление (действие) права.
- •72. Эффективность права.
- •73. Формы реализации права.
- •74. Правоприменение: понятие, отличие от иных форм реализации права.
- •75. Стадии правоприменения.
- •76. Понятие юридической квалификации.
- •77. Толкование норм права: понятие, виды.
- •78. Понятие источника права.
- •79. Форма права, виды.
- •80. Нормативно-правовой акт как форма права.
- •81. Судебный прецедент как форма права.
- •82. Обычай как форма права.
- •83. Правопорядок и общественный порядок.
- •84,85 Понятие и признаки правонарушения, состав правонарушения.
- •87,88 Понятие юридической ответственности, основания юридической ответственности.
- •89. Виды юридической ответственности.
- •90. Основные правовые системы современности.
- •91. Романо-германская (континентально-европейская) правовая система.
- •92. Англо-саксонская (англо-американская) правовая система.
- •93. Особенности российской правовой системы.
- •94. Критерии периодизации государства и права.
- •95.Правосознание: понятие, структура и виды.
- •96, 99. Особенности российского правосознания, особенности российской правовой культуры.
- •97.Правовая культура: понятие, структура, функции.
- •98.Типы правовых культур.
- •1.Теория государства и права как наука.
- •100. Правовой режим законности.
- •История создания ансамбля Петропавловской Крепости/The Peter and Paul Fortress Ensemble – the history of creation, 1703-1730s
- •2. Летний Сад Петра Великого/The Summer Gardens Ensemble of Peter the Great, 1704-1720s
- •3. Архитектурный облик Адмиралтейства/The architectural design of the Admiralty, (1704 – the date of the foundation), 1732-1738
- •4. Меншиковский Дворец – резиденция светлейшего князя Александра Даниловича/The Menshikov Palace – the residence of Prince Alexander Danilovich, 1710-1720s
- •Петропавловский Собор: история и современность/The Saints Peter and Paul Cathedral: the past and the present, 1712-1733
- •Ансамбль Александро-Невской Лавры/The Alexander Nevskiy Lavra Ensemble(Lavra - an honoured and populated monastery), 1717-1790
- •Кунсткамера как первый общественный музей в России/The Kunstkammer – the first Russian public museum, (1718-1734)
- •Здание Двенадцати Здание Двенадцати Коллегий (Санкт-Петербургский Государственный Университет/The Twelve Collegia Building (The Saint-Petersburg State University), 1721-1742
- •Шереметевский Дворец на Фонтанке: несколько музеев под одной крышей/The Sheremetev Palace: several museums under one roof, 1740s-1750s
- •Аничковский Дворец: история создания и особенности декора/The Anichkov Palace: the history of creation and peculiarities of the décor, 1741-1754
- •Ансамбль Воронцовского Дворца (Суворовское Военное Училище)/The Vorontsov Palace (The Suvorov Military School) Ensemble, 1749-1800
- •Строгановский Дворец – уникальный образец творения ф.-б. Растрелли/The Stroganov Palace – the unique example of the architecture by f.-b. Rastrelli, 1752-1754
- •Зимний Дворец – история создания и особенности внутреннего убранства/The Winter Palace – the history of creation and peculiarities of the interior décor, 1754-1762
- •Юсуповский Дворец – царская резиденция князей Юсуповых/The Yusupov Palace – the imperial residence of the Yusupovs, 1760s
- •Дворец Разумовского (Российский Государственный Педагогический Университет им. А.И. Герцена/The Razumovskiy Palace (The Herzen State Pedagogical University of Russia), 1762-1766
- •Малый Эрмитаж: история создания/The Small Hermitage: the history of creation, 1764-1775
- •Мраморный Дворец – интерьеры в веках/The Marble Palace: the interiors in centuries, 1768-1785
- •Большой (Старый) Эрмитаж: история создания эрмитажной коллекции/The Big (Old) Hermitage: the history of the Hermitage collection formation
- •28. Эрмитажный Театр – личный театр императрицы/The Hermitage Theatre – the private theatre of the Empress, 1783-1787
- •29. Таврический Дворец – шедевр архитектуры классицизма/The Taurida Palace – the masterpiece of Classicism architecture, 1783-1789
- •30. Инженерный Замок (Михайловский Замок)/The Engineers’ Castle (The Michael Castle), 1797-1800
- •31. Казанский собор – история создания кафедрального собора Санкт-Петербурга/The Kazan Cathedral – the history of creation of Saint-Petersburg Cathedral, 1801-1811
- •32. Биржа: история создания/The Stock Exchange: the history of creation, 1805-1810
- •33. Ростральные Колонны – часть архитектурного ансамбля стрелки Васильевского острова/The Rostral Columns – as part of the Spit of the Vasilyevskiy Island Ensemble, 1805-1810
- •35. Исаакиевский Собор – шедевр о. Монферрана/The St Isaac’s Cathedral – the masterpiece of a. Montferrand
- •39. Пристань со Сфинксами – египетские мотивы в архитектуре Санкт-Петербурга/The Pier with Sphinxes – the Egyptian motifs in the architecture of Saint-Petersburg, 1832-1834
- •36. Михайловский Дворец – Русский Музей/The Michael Palace – the Russian Museum, 1819-1825
- •37. Ансамбль Дворцовой Площади – уникальный памятник архитектуры классицизма/The Palace Square Ensemble as the unique example of Classicism architecture, 1819-1834
- •38. Александринский Театр – история строительства и внутреннего убранства/The Alexandrinskiy Theatre – the history of creation and peculiarities of the interior décor, 1828-1832
- •40. Аничковский мост – конные пары п. Клодта/The Anichkov Bridge – the horse pairs by p. Klodt, (1782-1787 an unknown author), 1839-1841
- •41. Мариинский Дворец – история создания и особенности интерьера/The Mariinskiy Palace – the history of creation and peculiarities of the interior décor, 1839-1844
- •42. Новый Эрмитаж – императорский музей Николая I/The New Hermitage – the Imperial Museum of Nicholas I, 1842-1852
- •43. Дворец Белосельских-Белозерских – последний дворец на Невском/The Belosel’skikiy-Belozerskiy Palace – the last Palace in Nevskiy, 1846-1848
- •44. Памятник Николаю I – история создания/Monument to Nicholas I – the history of creation, 1856-1859
- •45. Мариинский Театр: вчера и сегодня/The Mariinskiy Theatre – past and present, 1859-1860
- •46. Памятник Екатерине II – отражение эпохи/Monument to Catherine II – the mirror of the epoch, 1862-1873
- •47. Воскресенская Церковь («Спас-на-Крови»)/The Church of Christ’s Resurrection (“The Savior on Blood”), 1883-1907
- •48. Дворцово-парковый Ансамбль Ломоносова (Ораниенбаум)/The Palace and Park Ensemble of Lomonosov (Oranienbaum), 1710-1836
- •51. Дворцово-парковый ансамбль Гатчины/The Palace and Park Ensemble of Gatchina, 1766-1801
- •49. Дворцово-парковый ансамбль Петергофа/The Palace and Park Ensemble of Peterhof, 1714-183
- •50. Дворцово-парковый ансамбль Царского Села/The Palace and Park Ensemble of Tsarskoye Selo, 1717-1863
- •52. Дворцово-парковый ансамбль Павловска/The Palace and Park Ensemble of Pavlovsk, 1777-1825
- •24. Испанская живопись XV - начала XVIII века
48. Дворцово-парковый Ансамбль Ломоносова (Ораниенбаум)/The Palace and Park Ensemble of Lomonosov (Oranienbaum), 1710-1836
Authors: architects – D.Fontana and G.Schadel (1710-1727), F.-B.Rastrelli (1746-1750s), A.Rinaldi (1765-1775), L.Ruska, C.I.Rossi, V.P.Stasov, A.StakenshneiderAddress: Lomonosov town, from the Baltic Station
The country estate in Lomonosov (formerly Oranienbaun) belonged lo Peter's close associate - Alexander Danilovich Menshikov'" and was one of the four summer residences he began lo ereel in the environs of Saini-Pciersburg al the time of Peter I's reign: Favorite in Strel'na, Mnrt Courage in Pctcrhof (nowadays -the Park Alexandria), in Ust'-lzhora and in front of Krondstadt - Oranienhaum.The construction of the state Palace and Park Hnsemble in Oranienbamn started soon after the Poltava battle. The name given to the residence comes from the German words: orange and haum - tree. The Hnsemble is located on the southern coast of the Gulf of Finland, forty kilometers from Saint-Petersburg. On the spot of a small wooden palace a vast gala residence was erected by G. KonUma and G. Schadcl. The Grand Palace is the compositional ecmre of the Hnscmble and includes the main building with a huge crown on the top. two semi-circular galleries and two side pavilions - the Japanese and the Church, A regular Lower Garden decorated with fountains and sculpture was laid out in front of it being connected to the Palace by a system of terraces and staircases. The Orange Comervainty and the Picture Gallery were erected on the sides of the Lower Garden. The Upper and the Lower Ponds were created on the banks of the Karosi' River, The Lower Pond was also called a small entertainment sea and was used for all kinds of entertainment and boating by numerous guests coming to the most gorgeous summer residences of the Petrine epoch.
On 3 September 1727 the Oranienbaum Chimb was consecrated, five days later A. Menshikov was arrested and afterwards sent to exile. By order of Peter П all Menshikov's properties were confiscated. In 1728 - 1743 the former residence belonged to the Office of Construction that organized repair works fulfilled by M. Zemtsov and I. Mordvinov. Since 1736 the Grand Palace and adjacent constructions were rebuilt for the Sea Hospital to the design by M. Zomtsov and I. Korobov.However thai project was not accomplished, and in 1743 the former Menshikov's residence became the property of Grand Duke Pyotr Kyodorovich (future Peler 111) whom Elizabeth Petrovna proclaimed heir to the Russian throne. Since 1746 he and his wife (future Catherine II) had been spending every summer in the estate. F.-B. Rastrelli was commissioned to reconstruct the Ensemble. The architect added the eastern wing to the Palace in conformity with an existing western one. decorated the interiors of the Grand Palace and erected the Concert Halt (ihe Entertainment House).In 1756 A. Rinaldi was appointed Archiieci-in-Chief having introduced features of Rococo and Classicism to the Oranienbaum Ensemble. In 1756 - 1761 the second original ensemble of Oranienbaum - Peterstadt with a Fortress, the Palace and the Gale of Honour was created by A. Rinaldi. Only a two-storey Palace of Peter Ml and the Gate of Honour crowned with a gilded spire and a weather-vane have survived up to nowadays.In 1762 - 1774 A. Rinaldi constructed the third ensemble in Oranienbaum -Her Majesty's Own Dacha with the Chinese Palace, the Coasting Hill Pavilion (have come down to our day) and a great number oi" smaller structures. The Chinese Palace is of high value. The plafonds were executed by the best painters of the Venetian Academic School. The Palace parquetry (to the sketches by A. Rinaldi) is made of 15 species of wood. A slate enfilade of the Palace consists of 7 apartments: the Hall of Muses, ihe Blue Silting-Room, ihe Glass-Beaded Study, the Grand Hall, the Plaster Study, the Small and the Grand Chinese Studies.The Coasting Hill Pavilion (Kaial'naya Gorka) having no analogues in the European architecture, is adorned with columns and vases well seen from the Gulf. and ihc interiors decoraied with ornamental paintings and moulding, the floors lined with an artificial marble. The only compositional element of that ensemble that has survived up to nowadays is a slone pavilion - nearby there was a wooden ramp for skating on special figured carriages.The Palaee and Park Ensemble of Oranienbaum served as a summer residence of the Royal Family: since 1796 - Grand Duke Alcxandr (future Alexander 1); since 1832 - Grand Duke Mikhail: later on - Duchess Maklenburg-Strlitskaya. Their descendants owned the Ensemble up to 1917. In vicinity of the Palace and Park Ensemble, along the road there gradually formed a little town later named Lumonusov &$ well as the Palace Ensemble.