- •51. Разграничение исполнительной и судебной власти.
- •52. Исторические предпосылки права.
- •53. Признаки права.
- •54.Функции права.
- •55. Социальное значение права.
- •56. Право и мораль.
- •57. Право и другие социальные нормы.
- •58,59,60,61,62 Признаки правовых норм, структура, гипотеза, диспозиция и санкция правовой нормы.
- •63. Понятие и структура правоотношений.
- •64,69. Содержание правоотношений.
- •66. Юридические факты.
- •65. Виды правоотношений.
- •67. Субъекты правоотношений.
- •68. Объект и предмет правоотношений.
- •70. Субъективное и объективное право.
- •71. Осуществление (действие) права.
- •72. Эффективность права.
- •73. Формы реализации права.
- •74. Правоприменение: понятие, отличие от иных форм реализации права.
- •75. Стадии правоприменения.
- •76. Понятие юридической квалификации.
- •77. Толкование норм права: понятие, виды.
- •78. Понятие источника права.
- •79. Форма права, виды.
- •80. Нормативно-правовой акт как форма права.
- •81. Судебный прецедент как форма права.
- •82. Обычай как форма права.
- •83. Правопорядок и общественный порядок.
- •84,85 Понятие и признаки правонарушения, состав правонарушения.
- •87,88 Понятие юридической ответственности, основания юридической ответственности.
- •89. Виды юридической ответственности.
- •90. Основные правовые системы современности.
- •91. Романо-германская (континентально-европейская) правовая система.
- •92. Англо-саксонская (англо-американская) правовая система.
- •93. Особенности российской правовой системы.
- •94. Критерии периодизации государства и права.
- •95.Правосознание: понятие, структура и виды.
- •96, 99. Особенности российского правосознания, особенности российской правовой культуры.
- •97.Правовая культура: понятие, структура, функции.
- •98.Типы правовых культур.
- •1.Теория государства и права как наука.
- •100. Правовой режим законности.
- •История создания ансамбля Петропавловской Крепости/The Peter and Paul Fortress Ensemble – the history of creation, 1703-1730s
- •2. Летний Сад Петра Великого/The Summer Gardens Ensemble of Peter the Great, 1704-1720s
- •3. Архитектурный облик Адмиралтейства/The architectural design of the Admiralty, (1704 – the date of the foundation), 1732-1738
- •4. Меншиковский Дворец – резиденция светлейшего князя Александра Даниловича/The Menshikov Palace – the residence of Prince Alexander Danilovich, 1710-1720s
- •Петропавловский Собор: история и современность/The Saints Peter and Paul Cathedral: the past and the present, 1712-1733
- •Ансамбль Александро-Невской Лавры/The Alexander Nevskiy Lavra Ensemble(Lavra - an honoured and populated monastery), 1717-1790
- •Кунсткамера как первый общественный музей в России/The Kunstkammer – the first Russian public museum, (1718-1734)
- •Здание Двенадцати Здание Двенадцати Коллегий (Санкт-Петербургский Государственный Университет/The Twelve Collegia Building (The Saint-Petersburg State University), 1721-1742
- •Шереметевский Дворец на Фонтанке: несколько музеев под одной крышей/The Sheremetev Palace: several museums under one roof, 1740s-1750s
- •Аничковский Дворец: история создания и особенности декора/The Anichkov Palace: the history of creation and peculiarities of the décor, 1741-1754
- •Ансамбль Воронцовского Дворца (Суворовское Военное Училище)/The Vorontsov Palace (The Suvorov Military School) Ensemble, 1749-1800
- •Строгановский Дворец – уникальный образец творения ф.-б. Растрелли/The Stroganov Palace – the unique example of the architecture by f.-b. Rastrelli, 1752-1754
- •Зимний Дворец – история создания и особенности внутреннего убранства/The Winter Palace – the history of creation and peculiarities of the interior décor, 1754-1762
- •Юсуповский Дворец – царская резиденция князей Юсуповых/The Yusupov Palace – the imperial residence of the Yusupovs, 1760s
- •Дворец Разумовского (Российский Государственный Педагогический Университет им. А.И. Герцена/The Razumovskiy Palace (The Herzen State Pedagogical University of Russia), 1762-1766
- •Малый Эрмитаж: история создания/The Small Hermitage: the history of creation, 1764-1775
- •Мраморный Дворец – интерьеры в веках/The Marble Palace: the interiors in centuries, 1768-1785
- •Большой (Старый) Эрмитаж: история создания эрмитажной коллекции/The Big (Old) Hermitage: the history of the Hermitage collection formation
- •28. Эрмитажный Театр – личный театр императрицы/The Hermitage Theatre – the private theatre of the Empress, 1783-1787
- •29. Таврический Дворец – шедевр архитектуры классицизма/The Taurida Palace – the masterpiece of Classicism architecture, 1783-1789
- •30. Инженерный Замок (Михайловский Замок)/The Engineers’ Castle (The Michael Castle), 1797-1800
- •31. Казанский собор – история создания кафедрального собора Санкт-Петербурга/The Kazan Cathedral – the history of creation of Saint-Petersburg Cathedral, 1801-1811
- •32. Биржа: история создания/The Stock Exchange: the history of creation, 1805-1810
- •33. Ростральные Колонны – часть архитектурного ансамбля стрелки Васильевского острова/The Rostral Columns – as part of the Spit of the Vasilyevskiy Island Ensemble, 1805-1810
- •35. Исаакиевский Собор – шедевр о. Монферрана/The St Isaac’s Cathedral – the masterpiece of a. Montferrand
- •39. Пристань со Сфинксами – египетские мотивы в архитектуре Санкт-Петербурга/The Pier with Sphinxes – the Egyptian motifs in the architecture of Saint-Petersburg, 1832-1834
- •36. Михайловский Дворец – Русский Музей/The Michael Palace – the Russian Museum, 1819-1825
- •37. Ансамбль Дворцовой Площади – уникальный памятник архитектуры классицизма/The Palace Square Ensemble as the unique example of Classicism architecture, 1819-1834
- •38. Александринский Театр – история строительства и внутреннего убранства/The Alexandrinskiy Theatre – the history of creation and peculiarities of the interior décor, 1828-1832
- •40. Аничковский мост – конные пары п. Клодта/The Anichkov Bridge – the horse pairs by p. Klodt, (1782-1787 an unknown author), 1839-1841
- •41. Мариинский Дворец – история создания и особенности интерьера/The Mariinskiy Palace – the history of creation and peculiarities of the interior décor, 1839-1844
- •42. Новый Эрмитаж – императорский музей Николая I/The New Hermitage – the Imperial Museum of Nicholas I, 1842-1852
- •43. Дворец Белосельских-Белозерских – последний дворец на Невском/The Belosel’skikiy-Belozerskiy Palace – the last Palace in Nevskiy, 1846-1848
- •44. Памятник Николаю I – история создания/Monument to Nicholas I – the history of creation, 1856-1859
- •45. Мариинский Театр: вчера и сегодня/The Mariinskiy Theatre – past and present, 1859-1860
- •46. Памятник Екатерине II – отражение эпохи/Monument to Catherine II – the mirror of the epoch, 1862-1873
- •47. Воскресенская Церковь («Спас-на-Крови»)/The Church of Christ’s Resurrection (“The Savior on Blood”), 1883-1907
- •48. Дворцово-парковый Ансамбль Ломоносова (Ораниенбаум)/The Palace and Park Ensemble of Lomonosov (Oranienbaum), 1710-1836
- •51. Дворцово-парковый ансамбль Гатчины/The Palace and Park Ensemble of Gatchina, 1766-1801
- •49. Дворцово-парковый ансамбль Петергофа/The Palace and Park Ensemble of Peterhof, 1714-183
- •50. Дворцово-парковый ансамбль Царского Села/The Palace and Park Ensemble of Tsarskoye Selo, 1717-1863
- •52. Дворцово-парковый ансамбль Павловска/The Palace and Park Ensemble of Pavlovsk, 1777-1825
- •24. Испанская живопись XV - начала XVIII века
Юсуповский Дворец – царская резиденция князей Юсуповых/The Yusupov Palace – the imperial residence of the Yusupovs, 1760s
Authors: architects - an unknown architect (the mid.of 18th cent.), I.-B. Vallin de laMothe (1760s), A.A. Mikhayloov (1830 - 1838), I.-A.. Monigetti (1858 - 1859), A.A.Stepanov (1892- 1894), A.-P. Veitens and A.Ya. Beloborodov (1910)Address: naberezhnaya reki Moyki, 94
In early I8'h cent., a small Palace was built for Princess Praskovya. Peter the Great's niece, on the left bank of the Moyka River. In 1726 Praskovya gave her estate to the Semyonovskiy Royal Guard Regiment, which made the Palace its headquarters until 1742. In the mid. of 1740s the Palace was merged with a larger estate belonging to Count Pyotr Shuvalov who wielded enormous influence in the government throughout Elizabeth's reign. The birth of Tsarcvich Paul was marked with a luxurious fancy-dress ball at Shuvalov's Palace on the Moyka in 1754.Pyotr Shuvalov's son Count Andrey sold his father's mansion. A young and ambitious aristocrat favored by Catherine II. A. Shuvalov planned lo build another palace to his taste father up the Moyka River. The new Palace designed by a celebrated architect J.-B. Vallin de la Mothe was built in 1760s, The architect placed the front entrance inside the courtyard, surrounded with a fence of 7 m high adorned with an elegant Classical colonnade.The government purchased the Moyka mansion from Shuvalov's descendants and Empress Catherine II gave it as a gift to Countess Alexandra Branitskaya in 1 795. On 5 March 1830 she sold the mansion to her nephew Prince Boris Yusupov for 250 000 roubles. A new owner commissioned A. Mikhaylov with the reconstruction of the edifice in Classicism. The architect built up a three-storey block to the eastern wing of the mansion and placed the largest room of the future Palace - the Banquet Hall there. The Palace wings were reconstructed and united in a complex that accommodated the Picture Gallery (from Moscow Prince B. Yusupov brought his father's priceless collection of pictures, marble pieces and china-ware) and the Theatre. The territory of the Yusupovs residence was decorated with a greenhouse, a garden pavilion and a landscape garden. The apartments of the Palace were decorated in the Russian Empire Style. A new-residence of Princes Yusupov turned into a spacious magnificent Palace lavishly decorated after seven years of the reconstruction. The Palace soon became a very popular place in Saint-Petersburg often visited by the most high-ranking people of that epoch. The hostess of the Palace was Princess Zinaida Yusupova born Naryshkina that was often called the star of the first magnitude - being a very charming lady she had among her admirers Nicholas 1 and Napoleon 111.In 1840 - I860 the interiors of the Palace were designed by B. Simon and I. Monighetii who decorated the Theatre, the winter garden, the musical salon, dining-rooms, refreshment rooms, libraries and bedrooms in a new romantic style of Russian architecture - Historism, In early 1890s the Yusupovs inviied architect A. Sicpanov who designed the Moorish Siuing-Room, the Oak Dining-Room and the miniaiure Theatre. In early 20th cent. A. Beloborodov redesigned the apartments of the first floor for Felix Yusupov and his wife Irina in Neoclassicism and the Modem Style. By that time Princes Yusupov had become the biggest landowners and very successful manufacturers in Russia who owned brick-yards, saw and textile mills, plywood factories and mines. The Yusupovs were owners of the priceless collection of objects of art and luxurious palaces in Moscow, Arkhangcl'skoye. Crimea and Saint-Petersburg. In 1900 the Yusupovs made the will according to which their property would become property of the Slate in case the family ended. On 21 March 1915 the last representatives of the Yusupov family (born in Russia) - Irina Feiiksovna Yusupova was born in the Palace, having received Nicholas 11 and widowed Empress Mariya Fyodorovna as godparents.The Yusupov Palace went down in history also as the scene of one of the most notorious crimes of 20th cent. - the assassination of Grigoriy Rasputin"' that took place in the left wing of the Palace where the apartments of a young couple Felix and Irina were situated. In 1914 A. Bebborodov redesigned that part of the edifice that comprised several rooms separated from the other part of the Palace by a Small Hall, thus the apartments of a young couple formed so called guixonerie a private apartment of a young Prince Felix Yusupov. It comprised a semicircular antechamber, an octagonal mirror dressing-room, the study and the bedroom located on the first floor and the dining-room situated in the basement under the study. That very dining-room became the scene of crime, in the night of 16 - 17 December 1916 when G. Rasputin was invited by F. Yusupov to the private parly. The four conspirators among which there was Nicholas It's cousin Grand Duke Dmitriy Pavlovich, planned to poison G. Rasputin by potassium cyanide that was added to wine and cakes served to him. While the conspirators were waiting in the study. Felix Yusupov was vis-a-vis with Gngoriy Rasputin in the dining-room on the ground floor. Nowadays one can follow the dramatic events of that night visiting a special exposition in the Yusupov Palace created in 1993 - 1996 and based on the memoirs of K. Yusupov himself and different archive historical documents. Grigony Yefimovich Rasputin (Sovykh) (1872 - 1916) - a Russian peasant from Tobol'sk region who claimed to be a prophet and a healer. Having arrived in S-Petersburg he became a favourite of Nicholas ll's wife Alexandra Fyodorovna (he was the only person who could cure her younger son suffering from haemophilia - a serious disease in which (he blood is unable to clol) and had strong influence on Ihe Slate affairs. G. Rasputin was known for his immoral sexual behaviour and unusual strength (when ihc monarchists planned to assassinate him they had great difficulty in doing lhaL - at first the conspirators poisoned him with the cakes and wine. then shot twice, beat with a rubber stick and finally threw him to the Ne\a River. Three days laier when his body was found Rasputin's lungs turned out to be full of water i.e. he was still a!i\c when thrown to the river).