- •51. Разграничение исполнительной и судебной власти.
- •52. Исторические предпосылки права.
- •53. Признаки права.
- •54.Функции права.
- •55. Социальное значение права.
- •56. Право и мораль.
- •57. Право и другие социальные нормы.
- •58,59,60,61,62 Признаки правовых норм, структура, гипотеза, диспозиция и санкция правовой нормы.
- •63. Понятие и структура правоотношений.
- •64,69. Содержание правоотношений.
- •66. Юридические факты.
- •65. Виды правоотношений.
- •67. Субъекты правоотношений.
- •68. Объект и предмет правоотношений.
- •70. Субъективное и объективное право.
- •71. Осуществление (действие) права.
- •72. Эффективность права.
- •73. Формы реализации права.
- •74. Правоприменение: понятие, отличие от иных форм реализации права.
- •75. Стадии правоприменения.
- •76. Понятие юридической квалификации.
- •77. Толкование норм права: понятие, виды.
- •78. Понятие источника права.
- •79. Форма права, виды.
- •80. Нормативно-правовой акт как форма права.
- •81. Судебный прецедент как форма права.
- •82. Обычай как форма права.
- •83. Правопорядок и общественный порядок.
- •84,85 Понятие и признаки правонарушения, состав правонарушения.
- •87,88 Понятие юридической ответственности, основания юридической ответственности.
- •89. Виды юридической ответственности.
- •90. Основные правовые системы современности.
- •91. Романо-германская (континентально-европейская) правовая система.
- •92. Англо-саксонская (англо-американская) правовая система.
- •93. Особенности российской правовой системы.
- •94. Критерии периодизации государства и права.
- •95.Правосознание: понятие, структура и виды.
- •96, 99. Особенности российского правосознания, особенности российской правовой культуры.
- •97.Правовая культура: понятие, структура, функции.
- •98.Типы правовых культур.
- •1.Теория государства и права как наука.
- •100. Правовой режим законности.
- •История создания ансамбля Петропавловской Крепости/The Peter and Paul Fortress Ensemble – the history of creation, 1703-1730s
- •2. Летний Сад Петра Великого/The Summer Gardens Ensemble of Peter the Great, 1704-1720s
- •3. Архитектурный облик Адмиралтейства/The architectural design of the Admiralty, (1704 – the date of the foundation), 1732-1738
- •4. Меншиковский Дворец – резиденция светлейшего князя Александра Даниловича/The Menshikov Palace – the residence of Prince Alexander Danilovich, 1710-1720s
- •Петропавловский Собор: история и современность/The Saints Peter and Paul Cathedral: the past and the present, 1712-1733
- •Ансамбль Александро-Невской Лавры/The Alexander Nevskiy Lavra Ensemble(Lavra - an honoured and populated monastery), 1717-1790
- •Кунсткамера как первый общественный музей в России/The Kunstkammer – the first Russian public museum, (1718-1734)
- •Здание Двенадцати Здание Двенадцати Коллегий (Санкт-Петербургский Государственный Университет/The Twelve Collegia Building (The Saint-Petersburg State University), 1721-1742
- •Шереметевский Дворец на Фонтанке: несколько музеев под одной крышей/The Sheremetev Palace: several museums under one roof, 1740s-1750s
- •Аничковский Дворец: история создания и особенности декора/The Anichkov Palace: the history of creation and peculiarities of the décor, 1741-1754
- •Ансамбль Воронцовского Дворца (Суворовское Военное Училище)/The Vorontsov Palace (The Suvorov Military School) Ensemble, 1749-1800
- •Строгановский Дворец – уникальный образец творения ф.-б. Растрелли/The Stroganov Palace – the unique example of the architecture by f.-b. Rastrelli, 1752-1754
- •Зимний Дворец – история создания и особенности внутреннего убранства/The Winter Palace – the history of creation and peculiarities of the interior décor, 1754-1762
- •Юсуповский Дворец – царская резиденция князей Юсуповых/The Yusupov Palace – the imperial residence of the Yusupovs, 1760s
- •Дворец Разумовского (Российский Государственный Педагогический Университет им. А.И. Герцена/The Razumovskiy Palace (The Herzen State Pedagogical University of Russia), 1762-1766
- •Малый Эрмитаж: история создания/The Small Hermitage: the history of creation, 1764-1775
- •Мраморный Дворец – интерьеры в веках/The Marble Palace: the interiors in centuries, 1768-1785
- •Большой (Старый) Эрмитаж: история создания эрмитажной коллекции/The Big (Old) Hermitage: the history of the Hermitage collection formation
- •28. Эрмитажный Театр – личный театр императрицы/The Hermitage Theatre – the private theatre of the Empress, 1783-1787
- •29. Таврический Дворец – шедевр архитектуры классицизма/The Taurida Palace – the masterpiece of Classicism architecture, 1783-1789
- •30. Инженерный Замок (Михайловский Замок)/The Engineers’ Castle (The Michael Castle), 1797-1800
- •31. Казанский собор – история создания кафедрального собора Санкт-Петербурга/The Kazan Cathedral – the history of creation of Saint-Petersburg Cathedral, 1801-1811
- •32. Биржа: история создания/The Stock Exchange: the history of creation, 1805-1810
- •33. Ростральные Колонны – часть архитектурного ансамбля стрелки Васильевского острова/The Rostral Columns – as part of the Spit of the Vasilyevskiy Island Ensemble, 1805-1810
- •35. Исаакиевский Собор – шедевр о. Монферрана/The St Isaac’s Cathedral – the masterpiece of a. Montferrand
- •39. Пристань со Сфинксами – египетские мотивы в архитектуре Санкт-Петербурга/The Pier with Sphinxes – the Egyptian motifs in the architecture of Saint-Petersburg, 1832-1834
- •36. Михайловский Дворец – Русский Музей/The Michael Palace – the Russian Museum, 1819-1825
- •37. Ансамбль Дворцовой Площади – уникальный памятник архитектуры классицизма/The Palace Square Ensemble as the unique example of Classicism architecture, 1819-1834
- •38. Александринский Театр – история строительства и внутреннего убранства/The Alexandrinskiy Theatre – the history of creation and peculiarities of the interior décor, 1828-1832
- •40. Аничковский мост – конные пары п. Клодта/The Anichkov Bridge – the horse pairs by p. Klodt, (1782-1787 an unknown author), 1839-1841
- •41. Мариинский Дворец – история создания и особенности интерьера/The Mariinskiy Palace – the history of creation and peculiarities of the interior décor, 1839-1844
- •42. Новый Эрмитаж – императорский музей Николая I/The New Hermitage – the Imperial Museum of Nicholas I, 1842-1852
- •43. Дворец Белосельских-Белозерских – последний дворец на Невском/The Belosel’skikiy-Belozerskiy Palace – the last Palace in Nevskiy, 1846-1848
- •44. Памятник Николаю I – история создания/Monument to Nicholas I – the history of creation, 1856-1859
- •45. Мариинский Театр: вчера и сегодня/The Mariinskiy Theatre – past and present, 1859-1860
- •46. Памятник Екатерине II – отражение эпохи/Monument to Catherine II – the mirror of the epoch, 1862-1873
- •47. Воскресенская Церковь («Спас-на-Крови»)/The Church of Christ’s Resurrection (“The Savior on Blood”), 1883-1907
- •48. Дворцово-парковый Ансамбль Ломоносова (Ораниенбаум)/The Palace and Park Ensemble of Lomonosov (Oranienbaum), 1710-1836
- •51. Дворцово-парковый ансамбль Гатчины/The Palace and Park Ensemble of Gatchina, 1766-1801
- •49. Дворцово-парковый ансамбль Петергофа/The Palace and Park Ensemble of Peterhof, 1714-183
- •50. Дворцово-парковый ансамбль Царского Села/The Palace and Park Ensemble of Tsarskoye Selo, 1717-1863
- •52. Дворцово-парковый ансамбль Павловска/The Palace and Park Ensemble of Pavlovsk, 1777-1825
- •24. Испанская живопись XV - начала XVIII века
44. Памятник Николаю I – история создания/Monument to Nicholas I – the history of creation, 1856-1859
Authors: architects - A-R. Montferrand and' N.Ye. Yefimov (1856 - 1859), sculptors - P. K. Klodt, R.K.Zaleman, N.A., Ramazanov (1856 - 1859)
Address: Isaakiyaevskaya ptoshchad1
The Monument lo Nicholas I was opened on 25 July 1859 soon after the Emperor's death (the idea of creation of the Monument belonged to his daughter -Mariya Nikolaycvna). The laic Kmpcror ruled the country in a very severe manner -- he flooded Russian cities with agents of the Secret Policy and introduced censorship and repressions in the country. People didn't love him and gave the Rmperor the nickname Nikolay Palkin (Nicholas the Stick).
The Monument resembles the Bronze Horseman - Nicholas I as well as Peter the Great is shown on a rear horse. The Monument is placed on one axis with the Bronze Horseman - no one can see it because of the Si Isaac's Cathedral. Such an obstacle gave birth to a popular saying A Fool catches up with a Clever, hut Isaac prevents! (Дурак умного догоняет, ла Исакий мешает!).
The Monument that is 16 m high has only two basis - the hind legs of the horse. The Emperor is dressed in a state uniform of the Cavalrygurdian regiment. The pedestal is decorated with allegorical statues of Wisdom, Strength. Belief ami Justice (to one legend Nicholas' wife and three daughters sat for these statues). The pedestal is also ornamented with high-relicves depicting the most important events that took place in the reign of Nicholas 1: the Revolt of the Decembrists in 1825, the rewarding ceremony of M. Spcranskiy for the compiling of the first statute-book in 1832, and a grand opening of the bridge on the road from Saint-Petersburg ю Moscow in IS51. The pedestal is faced with se\eral kinds of marble, red porphyry, a red Finnish and a dark-grey granite. The Monument is surrounded by four intricately designed lanterns.
45. Мариинский Театр: вчера и сегодня/The Mariinskiy Theatre – past and present, 1859-1860
Authors: architects – A.Kavos (1859-1860), V.Schreter (1885-1894)
Address: Teatral’naya ploshchad’, 1
On 12 July 1783 the Decree ordering the establishment of a special committee to control theatrical and musical performances was signed. On 5 October 1783 ihc Big Theatre designed by A. Rinaldi was opened at the Roundabout Square that soon became known under the name the Theatre Square. The first play performed on the scene was // Mondo dclla lima (Moonlight Night) by G. Pacsicllo. The Russian troupe performed there by turns with the French and the Italian ones. That period of lime was the Golden Age for the Big Theatre, among its frequent visitors was Alexander Pushkin himself. Not faraway there was ihc Drama School - among its famous graduates there were a lot of outstanding Russian actors of thai time, some of them dwelled nearby.In 1836 A. Kavos. the son of the composer and the conductor of the Big Theatre, changed the interior of ihc edifice, having enlargencd ihc capacity of its auditorium up to 2000 visitors. With the course of lime the performances of the Russian Opera troupe were staged in ihc Alexandrinskiy Theatre and the Theatre-Circus (located in front of the Big Theatre), while the Russian Ballet troupe and the kalian Opera continued lo perform on the stage of the Big Theatre.In 1859 A. Ka\os designed a new building for the burnt Theatre-Circus, lhat goi the name Mariinskiy after Alexander ll's wife - Mariya Alcxandrovna. On 2 October i860 the Mariinskiy Theatre was ceremonially opened by Glinka's opera Life for the Tsar. In 1883 - 18% the edifice of the Theatre was rebuilt by V. Schrcler who changed the interior of the building, decorated ihe main facade with a loggia and improved the acoustics of the auditorium. In 1886 all the performances that had been staged in the Big Thealre were moved to the stage of the Mariinskiy Theatre, while on the spot of the Big Theatre the Suinf-Petersburg Conservatoire was established in 1862.The contemporaries said the Mariinskiy Theatre was the most gorgeous in the whole Europe. The interior decoration resembled the one of the Alexandrinskiy Theatre: ihe snow-while sculptures, Ihe blue upholstery and the gilt carvings. E. Frachiolli created a wonderful plafond (the design by K. Duzi). A huge bron/e chandelier consisting of three circles of crystal pendants was made on ihe donations by merchant K. Plcskc. Such world-famous performances as Chaykovskiy's Queen of Spades. Sleeping Beauty, and Borodin's Prince Igor' were staged in the Theatre for the first time.In late 19lh cent. - early 20n cent, ihe ballet troupe headed by Maurice Petipa was successfully performing on the stage of the Mariinskiy Theatre. The ballet dancers famous all over the world (T. Karsavina, A. Pavlova, A. Vaganova. V. Nezhynskiy) participated in the ballets on ihc music by P. Chaykovskiy and A. Glazunov. A. Bcnois. K. Korovin, A. Golovin, V. Serov created wonderful examples of the theaire painting. In 1914 a famous curtain that soon became the emblem of the Theatre was created by A. Golovin. In 1952 S. Virsaladze changed a deep red colour into a navy-blue one to match the decoration of the hall.
On 9 November 1917 the Theatre became the property of the Soviet government. In 1920 it was renamed the Suite Theatre of Opera and Ballet. A kit of ballet actors left the Theatre. The situation was somehow improved when F. Shalyapin returned lo ihe Theatre in 1918, and became its art director. He invited a lot of talented young artists, preserved the costumes and the requisite of the Thealre the bol'sheviks planned to give out to the peasants. F. Shalyapin managed Ю restore some classical Russian and foreign operas in which he performed himself. In 1922 he left Russia.
In 1935 ihe Theatre was named after S. Kirov, During the Second World War ihe Thealre was evacuated in Perm' where the troupe continued giving performances. Part of the troupe left in Leningrad and was working in ihe concert brigades. Al the lime of siege more than twenty shells dropped on the Mariinskiv Theatre's edifice. By aulomn 1944 ihc building had already been restored. In 1968 - 1970 ihc Mariinskiy Theatre was reconstructed under the supervision of S. Gclfairc. As a result the left wing was prolonged and acquired its present look.In 1976 the Theatre was headed by Yu. Temirkanov who staged Chaykovskiy's operas. In 1988 V. Gcrgiyev became its art director. On 16 January 1992 the Theatre got its former name. In 2006 the Mariinskiy Concert Hall was built in ul. Dckabrisio\. 37.
Nowadays the Mariinskiy Theatre collaborates with ihc most famous opera theatres of the world: Covcni Garden, Metropolitan Opera. Opera de Bastille, La Scala. li is the most famous theatre in Saint-Petersburg that attracts thousands of spectators by high-quality performances and a special atmosphere created by talented architects and decorators of past and present.