- •51. Разграничение исполнительной и судебной власти.
- •52. Исторические предпосылки права.
- •53. Признаки права.
- •54.Функции права.
- •55. Социальное значение права.
- •56. Право и мораль.
- •57. Право и другие социальные нормы.
- •58,59,60,61,62 Признаки правовых норм, структура, гипотеза, диспозиция и санкция правовой нормы.
- •63. Понятие и структура правоотношений.
- •64,69. Содержание правоотношений.
- •66. Юридические факты.
- •65. Виды правоотношений.
- •67. Субъекты правоотношений.
- •68. Объект и предмет правоотношений.
- •70. Субъективное и объективное право.
- •71. Осуществление (действие) права.
- •72. Эффективность права.
- •73. Формы реализации права.
- •74. Правоприменение: понятие, отличие от иных форм реализации права.
- •75. Стадии правоприменения.
- •76. Понятие юридической квалификации.
- •77. Толкование норм права: понятие, виды.
- •78. Понятие источника права.
- •79. Форма права, виды.
- •80. Нормативно-правовой акт как форма права.
- •81. Судебный прецедент как форма права.
- •82. Обычай как форма права.
- •83. Правопорядок и общественный порядок.
- •84,85 Понятие и признаки правонарушения, состав правонарушения.
- •87,88 Понятие юридической ответственности, основания юридической ответственности.
- •89. Виды юридической ответственности.
- •90. Основные правовые системы современности.
- •91. Романо-германская (континентально-европейская) правовая система.
- •92. Англо-саксонская (англо-американская) правовая система.
- •93. Особенности российской правовой системы.
- •94. Критерии периодизации государства и права.
- •95.Правосознание: понятие, структура и виды.
- •96, 99. Особенности российского правосознания, особенности российской правовой культуры.
- •97.Правовая культура: понятие, структура, функции.
- •98.Типы правовых культур.
- •1.Теория государства и права как наука.
- •100. Правовой режим законности.
- •История создания ансамбля Петропавловской Крепости/The Peter and Paul Fortress Ensemble – the history of creation, 1703-1730s
- •2. Летний Сад Петра Великого/The Summer Gardens Ensemble of Peter the Great, 1704-1720s
- •3. Архитектурный облик Адмиралтейства/The architectural design of the Admiralty, (1704 – the date of the foundation), 1732-1738
- •4. Меншиковский Дворец – резиденция светлейшего князя Александра Даниловича/The Menshikov Palace – the residence of Prince Alexander Danilovich, 1710-1720s
- •Петропавловский Собор: история и современность/The Saints Peter and Paul Cathedral: the past and the present, 1712-1733
- •Ансамбль Александро-Невской Лавры/The Alexander Nevskiy Lavra Ensemble(Lavra - an honoured and populated monastery), 1717-1790
- •Кунсткамера как первый общественный музей в России/The Kunstkammer – the first Russian public museum, (1718-1734)
- •Здание Двенадцати Здание Двенадцати Коллегий (Санкт-Петербургский Государственный Университет/The Twelve Collegia Building (The Saint-Petersburg State University), 1721-1742
- •Шереметевский Дворец на Фонтанке: несколько музеев под одной крышей/The Sheremetev Palace: several museums under one roof, 1740s-1750s
- •Аничковский Дворец: история создания и особенности декора/The Anichkov Palace: the history of creation and peculiarities of the décor, 1741-1754
- •Ансамбль Воронцовского Дворца (Суворовское Военное Училище)/The Vorontsov Palace (The Suvorov Military School) Ensemble, 1749-1800
- •Строгановский Дворец – уникальный образец творения ф.-б. Растрелли/The Stroganov Palace – the unique example of the architecture by f.-b. Rastrelli, 1752-1754
- •Зимний Дворец – история создания и особенности внутреннего убранства/The Winter Palace – the history of creation and peculiarities of the interior décor, 1754-1762
- •Юсуповский Дворец – царская резиденция князей Юсуповых/The Yusupov Palace – the imperial residence of the Yusupovs, 1760s
- •Дворец Разумовского (Российский Государственный Педагогический Университет им. А.И. Герцена/The Razumovskiy Palace (The Herzen State Pedagogical University of Russia), 1762-1766
- •Малый Эрмитаж: история создания/The Small Hermitage: the history of creation, 1764-1775
- •Мраморный Дворец – интерьеры в веках/The Marble Palace: the interiors in centuries, 1768-1785
- •Большой (Старый) Эрмитаж: история создания эрмитажной коллекции/The Big (Old) Hermitage: the history of the Hermitage collection formation
- •28. Эрмитажный Театр – личный театр императрицы/The Hermitage Theatre – the private theatre of the Empress, 1783-1787
- •29. Таврический Дворец – шедевр архитектуры классицизма/The Taurida Palace – the masterpiece of Classicism architecture, 1783-1789
- •30. Инженерный Замок (Михайловский Замок)/The Engineers’ Castle (The Michael Castle), 1797-1800
- •31. Казанский собор – история создания кафедрального собора Санкт-Петербурга/The Kazan Cathedral – the history of creation of Saint-Petersburg Cathedral, 1801-1811
- •32. Биржа: история создания/The Stock Exchange: the history of creation, 1805-1810
- •33. Ростральные Колонны – часть архитектурного ансамбля стрелки Васильевского острова/The Rostral Columns – as part of the Spit of the Vasilyevskiy Island Ensemble, 1805-1810
- •35. Исаакиевский Собор – шедевр о. Монферрана/The St Isaac’s Cathedral – the masterpiece of a. Montferrand
- •39. Пристань со Сфинксами – египетские мотивы в архитектуре Санкт-Петербурга/The Pier with Sphinxes – the Egyptian motifs in the architecture of Saint-Petersburg, 1832-1834
- •36. Михайловский Дворец – Русский Музей/The Michael Palace – the Russian Museum, 1819-1825
- •37. Ансамбль Дворцовой Площади – уникальный памятник архитектуры классицизма/The Palace Square Ensemble as the unique example of Classicism architecture, 1819-1834
- •38. Александринский Театр – история строительства и внутреннего убранства/The Alexandrinskiy Theatre – the history of creation and peculiarities of the interior décor, 1828-1832
- •40. Аничковский мост – конные пары п. Клодта/The Anichkov Bridge – the horse pairs by p. Klodt, (1782-1787 an unknown author), 1839-1841
- •41. Мариинский Дворец – история создания и особенности интерьера/The Mariinskiy Palace – the history of creation and peculiarities of the interior décor, 1839-1844
- •42. Новый Эрмитаж – императорский музей Николая I/The New Hermitage – the Imperial Museum of Nicholas I, 1842-1852
- •43. Дворец Белосельских-Белозерских – последний дворец на Невском/The Belosel’skikiy-Belozerskiy Palace – the last Palace in Nevskiy, 1846-1848
- •44. Памятник Николаю I – история создания/Monument to Nicholas I – the history of creation, 1856-1859
- •45. Мариинский Театр: вчера и сегодня/The Mariinskiy Theatre – past and present, 1859-1860
- •46. Памятник Екатерине II – отражение эпохи/Monument to Catherine II – the mirror of the epoch, 1862-1873
- •47. Воскресенская Церковь («Спас-на-Крови»)/The Church of Christ’s Resurrection (“The Savior on Blood”), 1883-1907
- •48. Дворцово-парковый Ансамбль Ломоносова (Ораниенбаум)/The Palace and Park Ensemble of Lomonosov (Oranienbaum), 1710-1836
- •51. Дворцово-парковый ансамбль Гатчины/The Palace and Park Ensemble of Gatchina, 1766-1801
- •49. Дворцово-парковый ансамбль Петергофа/The Palace and Park Ensemble of Peterhof, 1714-183
- •50. Дворцово-парковый ансамбль Царского Села/The Palace and Park Ensemble of Tsarskoye Selo, 1717-1863
- •52. Дворцово-парковый ансамбль Павловска/The Palace and Park Ensemble of Pavlovsk, 1777-1825
- •24. Испанская живопись XV - начала XVIII века
30. Инженерный Замок (Михайловский Замок)/The Engineers’ Castle (The Michael Castle), 1797-1800
Authors: architects - V.I. Bazhenov and 'V.T. -Brenna (1797 - 1800), sculptors – P.Stadgi, Solditti, A.Triscorni, Thiebot (1797 - 1800)
Address: Zamkovaya ulitsa, 2
The Castle was built between 1797 and 1800 by Brenna and designed by V. Bazhenov as a fortified residence"5. The first sketches of a future Castle appeared in 1784. and there were 13 sketches of it by 1797. The erection of the residence began on the spol of the former summer palace of Elizabeth I erected by F.-B. Rastrelli in 1741 — 1745. where Paul was bom and where he had spent a lot of years. The Emperor himself supervised the building controlling every detail. About 6000 workers were involved in the construction, and did not slop the work even at night when fires were set. Necessary materials were sometimes taken from the former residences of Catherine I almost destroyed by Paul 1.
According to one legend the colour of the edifice was chosen at the ball when one of the Emperor's favourites - Anna Lopukhina dropped accidentally one of her red gloves, and some courtiers rushed to pick it up, but Paul I was the quickest. The next day the Emperor ordered V. Brenna to paint the facade of his new residence the colour of that glove.
The southern facade is impressive in its solemn grandeur, it is faced with marble and decorated with obelisks depicting knights' armour and Paul's monogram in a laurel wreath. The attic is adorned with the bas-relief the History is Writing the Glory of Russia on the Tablet (Истории наносит на спои скрижали славу России): the frieze is decorated with the inscription from the 92nd psalm of the Bible - Your House is the Sacred Possession of God in Long Days (Дому твоему подобает святыня Господня н долготу дней). The northern facade overlooking the Summer Gardens and reminding Italian palladiums of the Renaissance, has the attic embellished with caryatids and low relieves executed by Triscorni and Thiebot. The western facade is crowned with a golden spire of the Church of Archangel Michael. The side jutties arc linked by a Doric colonnade which is surmounted by a balcony. The broad staircase is adorned with statues of Flora and Hercules. The Castle was originally surrounded by water: the Neva, the Fontanka and two artificial ponds and had special drawbridges. The interior decor was lavishly ornamented but what has survived up to nowadays can be represented by the Slate Staircase decorated with marble, Raphael Gallery, the Throne and the Oval Halls and the Church with the fresco by Scotti.
In 1800 an equestrian sialue of Peter the Great thai had been created in 1743 - 1747 by B.-C. Rastrelli was finally put up in front of the Castle. On I February' 1801 the Royal Family moved into the Castle. On 2 February 1801 the ball-masquerade was held in the Imperial residence with 2837 masks present at the festivity. In the night of ! 1 - 12 March 1801 Paul I was assassinated in his bedroom1 After his death the apartment (decorated with 22 pictures by European paintcrs, moderately furnished with a camp-bed and the only luxurious piece of furniture - the table ordered by the Hmpcror's wife: the table desk was put on i\ory columns decorated with bronze capitals) and the adjoining room were closed for a long time.
The railings were carried out by C. Rossi and L. Charlemagne in early I9!h cent. In 1S23 the Castle was gi\en over to the School of Military Engineers (later Sikolayevskaya School). Among its graduates was F. Dosloycvskiy, I. Sechenov, P. Yablochkov, P. Semyonov-Tyanshanskiy. etc. In 1857 the Church was founded at the premises once occupied by the Emperor's bedroom following the order signed by Alexander II (architect K. Okhtomskiy). On 12 January 1858 the Church with a wonderful carved oak iconostasis was consecrated. As the historical documents testify Alexander II paid special attention to ihe church-on-hhod throughout the whole period of his reign - he used lo arrive ai the Church every year on 11 March and stay alone for a long time.According to some legend Paul I, being chosen Great Masier of the Maltese Monastic Order ordered lo erect ihe Castle to keep there the most precious treasure of the Order ihe Holy GrailЧаша святого Грааля (the cup believed lo have been used by Jesus al ihe Last Supper Последняя Вечеря just before his death: according to old stories it пал magical powers). There is a belief that the Emperor ciphered the vva\ ю that treasure in the interior decor of the Casile.