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Tipping the Velvet by Sarah Waters.doc
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I nodded. Then, 'Would you care,' I asked quietly, 'if I went?'

'If you went?' She swallowed. 'I thought you'd gone already. I saw a look upon your face

'And did you care?' I said again. She gazed at the flower between her fingers.

'I made up my mind to leave the park and go home. There seemed nothing to stay for - not even Eleanor Marx! Then I got as far as here and thought, "What would I do at home, with you not there .. . ?"' She gave the daisy another twist, and two or three of its petals fell and clung to the wool of her skirt. I looked once about the field, then turned to face her again, and began to speak^ to her, low and earnestly, as if I were arguing for my life.

'Flo,' I said, 'you were right, what you said before, about that address I gave with Ralph. It wasn't mine, I didn't mean the words - at least, not then, when I said them.' I came to a halt, then put a hand to my head. 'Oh! I feel like I've been repeating other people's speeches all my life. Now, when I want to make a speech of my own, I find I hardly know how.'

'If you are fretting over how to tell me you are leaving -'

'I am fretting,' I said, 'over how to tell you that I love you; over how to say that you are all the world to me; that you and Ralph and Cyril are my family, that I could never leave - even though I was so careless with my own kin.' My voice grew thick; she gazed at me but didn't answer, so I stumbled on. 'Kitty broke my heart -1 used to think she'd killed it! I used to think that only she could mend it; and so, for five years I've been wishing she'd come back. For five years I have scarcely let myself think of her, for fear that the thought would drive me mad with grief. Now she has turned up, saying all the things I dreamed she'd say; and I find my heart is mended already, by you. She made me know it. That was the look you saw on my face.' I raised a hand to stop a tickling at my cheek, and found

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tears there. 'Oh, Flo!' I said then. 'Only say - only say you'll let me love you, and be with you; that you'll let me be your sweetheart, and your comrade. I know I'm not Lily -'

'No, you're not Lily,' she said. 'I thought I knew what that meant - but I never did, till I saw you gazing at Kitty and thought I should lose you. I've been missing Lily for so long, it's come to seem that wanting anything must be only another way of wanting her; but oh! how different wanting seemed, when I knew it was you I wanted, only you, only you ..."

I shifted closer towards her: the paper in my pocket gave a rustle, and I remembered romantic Miss Skinner, and all the friendless girls who Zena had said were mad in love with Flo, at Freemantle House. I opened my mouth to tell her; then thought I wouldn't, just yet - in case she hadn't noticed. Instead, I gazed again about the park, at the crush of gay-faced people, at the tents and stalls, the ribbons and flags and banners: it seemed to me then that it was Florence's passion, and hers alone, that had set the whole park fluttering. I turned back to her, took her hand in mind, crushed the daisy between our fingers and - careless of whether anybody watched or not -1 leaned and kissed her.

Cyril still squatted with his frills in the lake. The afternoon sun cast long shadows over the bruised and trampled grass. From the speakers' tent there came a muffled cheer, and a rising ripple of applause.

Sarah Waters was born in Wales in 1966. She has a Ph.D. in English literature and has published articles on lesbian and gay writing and cultural history. She has worked in bookshops and libraries and now teaches for the Open University, though she has given up full-time academic work in order to concentrate on writing fiction. She is currently working on her second novel.

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