- •General Notes on Style and Stylistics
- •Stylistics and Other Linguistic Sciences
- •Meaning from a Stylistic Point of View
- •Stylistic Devices
- •Lexical Stylistic Devices
- •EMs and sDs based on the interaction of primary and contextual meanings
- •Em and sd based on the interplay of primary (dictionary) and derivative meanings (zeugma, pun, violation of phraseological units)
- •Sd based on the interaction between the logical and the nominal meanings of the word
- •Em and sd based on the interaction between the logical and emotive meanings
- •EMs and sDs which give additional characteristics to the objects described
- •Syntactical Stylistic Devices
- •SDs used within a sentence. SDs based on the juxtaposition (соположение) of different parts of the utterance
- •SDs based on the peculiarities of oral speech
- •SDs based on the stylistic use of interrogative and negative constructions (rhetorical questions, litotes)
- •SDs used within an utterance sDs based on parallelism
- •SDs Based on Repetition
- •Functional Style of the English Language
- •The Belles-Lettres Functional Style (the Style of Fiction)
- •The Scientific Prose Style
- •Popular Science prose
- •Newspaper Style
- •Paper 1
- •Paper 2
- •4. Answer the questions in writing
- •Translate the sentences and analyze the cases of metonymy
- •Paper 3
- •4. Give examples of irony and sarcasm.
- •5. Answer the questions in writing
- •Paper 4
- •5. Answer the questions in writing
- •6. Translate the sentences in writing. Indicate the types of cases of play on words, how it is created, what effect it adds to the utterance
- •Paper 5
- •Give your examples of antonomasia.
- •Analyze the following cases of antonomasia
- •Paper 6
- •Give your examples of different types of epithet
- •Define the type and function of epithet. Translate the sentences
- •Paper 7
- •Give your own examples of hyperbole, understatement and oxymoron.
- •7. In the following examples concentrate on cases of hyperbole and understatement. Translate the sentences.
- •Translate the following sentences, pay attention to oxymoron.
- •Paper 8
- •Learn the following phrases and use them in your own sentences:
- •4. Discuss the following cases of simile
- •Paper 9
- •3. Define the periphrases in the sentences and state their type:
- •Paper 10
- •7. Find examples of inversion and detachment in w. S. Maugham’s novel “Theatre”.
- •8. Analyze cases of inversion and detachment. Make the sentences sound neutral by restoring the word order
- •Paper 11
- •4. Find examples of represented speeh, rhetorical questions in w. S. Maugham’s novel “Theatre”.
- •5. Discuss different types of stylistic devices dealing with the completeness of the sentences
- •Analyze the structure and the functions of litotes
- •Paper 12
- •5. Find and analyze cases of suspense and climax. Indicate the type of climax
- •Paper 13
- •3. Discuss the semantic centre and structural peculiarities of antithesis
- •Paper 14
- •3. Find cases of different types of repetition, parallelism and chiasmus in w.S Maugham’s novel “Theatre”
- •4. Define repetition, parallelism and chiasmus
- •Paper 15
Analyze the structure and the functions of litotes
“To be a good actress, she must always work for the truth in what she’s playing” the man said in a voice not empty of selflove.
“Yeah, what the hell”. Anne said and looking at me, gave that not unsour smile”. (R.W.)
It was not unnatural if Gilbert felt a certain embarrassment. (E.W.)
The idea was not totally erroneous. The thought did not displease me. (I.M.)
I was quiet, but not uncommunicative; reserved, but not reclusive; energetic at times, but seldom enthusiastic. (Jn.B.)
He had all the confidence in the world, and not without reason. (J. O’H)
Kirsten said not without dignity: “Too much talking is unwise”. (Ch.)
“No, I’ve had a profession and then a firm to cherish,” said Ravenstreet, not without bitterness. (P.)
Paper 12
1. What are the types of climax?
2. What is anticlimax?
3. What is the function of anticlimax?
4. What is suspense and how is it technically organized?
5. Find and analyze cases of suspense and climax. Indicate the type of climax
1. “Is it shark?” said Brody. The possibility that he at last was going to confront the fish – the beast, the monster, the nightmare – made Brody’s heart pound.
2. We were all in all to one another, it was the morning of life, it was bliss, it was frenzy, it was everything else of that sort in the highest degree.(D.)
3. How many pictures of new journeys over pleasant country, of resting places under the free broad sky, of rambles in the fields and woods, and paths not often trodden – how many tones of that one well-remembered voice, how many glimpses of the form, the fluttering dress, the hair that waved so gaily in the wind – how many visions of what had been and what he hoped was yet to be – rose up before him in the old, dull, silent church!
4. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside. (D.)
5. “I shall be sorry, I shall be truly sorry to leave you, my friend.” (D.)
6. “Of course it is important. Incredibly, desperately important.” (D.S.)
7. “I’ve never told you about the letter Jane Crofut got from her minister when she was sick. He wrote Jane a letter and on the envelope the address was like this: Jane Crofut, The Crofut Farm; Grover’s Corners; Sutton County; New Hampshire; United States of America.” “What’s funny about it?” “But listen, it’s not finished: the United States of Americe; Continent of North America; Western Hemisphere; the Earth; the Solar System; the Universe; the Mind of God – that’s what it said on the envelope.” (Th.W.)
8. It was not the monotonous days unchecked by variety and uncheered by pleasant companionship, it was not the dark dreary evenings or the long solitary nights, it was not the absence of every slight and easy pleasure for which young hearts beat high or the knowing nothing of childhood but its weakness and its easily wounded spirit, that, had wrung such tears from Nell. (D.)
9. For that instant there was no one else in the room, in the house, in the world, besides themselves. (M.W.)
10. This was appalling – and soon forgotten. (G.)
11. If all my old association, of all my old pursuits and hopes, of all the living and dead world, this one poor soul alone comes natural to me. (D.)
12. In moments of utter crises my nerves act in most extraordinary way. When utter disaster seems imminent my whole being is simultaneously braced to avoid it. I size up the situation in flash, set my teeth, contract my muscles, take a firm grip of myself, and without a tremor always do the wrong thing. (B.Sh.)
13. “You have heard of Jefferson, of Jefferson Brick, I see, sir,” said the Colonel with a smile. “England has heard of Jefferson Brick. Europe has heard of Jefferson Brick.” (D.)