drawing from photos
Morrow suggests: "If, for whatever reason, you don't draw from live models, there is a preponderance of photographic references available
to study and draw from. This material can be invaluable in solving problems of perspective and foreshortening-and in saving time. Sometimes just 'making it up' can consume hours, and may not even pay off. Use photographs wherever applicable to create your own sirens."
good gal heroes
Now let's see how we get there, step by step. Artist Frank Springer approaches the figure by starting rough in an attempt to capture it in sweeping lines.
The comic book heroine has a narrow waist large rib cage, somewhat wide hips (slender hips are less attractive), and muscular legs. Note how the lines that form the hips travel downward to the tops of the feet giving a pleasing curve to the lower leg. The feet are
positioned to allow for her highheeled boots, which are added later. (Just because she fights bad guys doesn't mean she isn't a fashion plate.) Shoulder flares serve no purpose except to put a little zing in her look. (Remember: In art form follows function, but in comics, form
never follows function!) Even though the cape is flowing, the costume always fits snugly, as if it were painted on. That's why it's so important to concentrate on mastering anatomy. Comic book characters wear extremely revealing costumes. You just can't fake it.
Allow yourself the freedom to sketch loosely while you search for the right form.
All the initial work on the body pays off in the final costumed figure, which appears solid and proportional.
