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Реферирование и аннотирование. Реферативный перевод. Учебное пособие

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world), has finally resulted in the entire operation costing more to the end-user than it would have cost before the use of TM's became generalized.
When these various translation memory programs (TM's) were first introduced claims were made by the manufacturers that their systems would result in translations being produced more quickly, due to repeated sentences being pre-translated. But now, when the TM system is so frequently imposed on the translator, the TM systems are found to slow up translation, particularly when translators are required to use some of the more complicated TM ancillary systems.
Freelancers are nowadays even being asked occasionally to translate texts that are already formatted in a TM-related system, where proof-reading and spell-checking become something of a nightmare when lengthy texts are involved, as compared to a Word format text.
Many experienced translators tend to dictate their translations either into a voice recognition system which types the dictation directly on the computer screen or else by emailing dictation to a typist, who types up the work and sends it back by email for proof-reading and correction. Most translators can speak much faster than they can type,
so a great deal of time is saved ‒ and time in the translation business means money. An
experienced translator, working with a text which falls within his or her set of specialities, can dictate up to 10,000 words per day.
Translators are often instructed to make strict use of the translation TM that they are sent by the agency or client and thereby inferior or even incorrect translations may be produced. All translations depend on context and it will be found when inspecting almost any large translation memory by using the "concordance" icon that there can be as many as 10 different translations made over the years for the same translation "unit". A further complication factor comes from the use of TM system analysis systems for computing word count and identifying direct and fuzzy matches. These are always source-word based whereas some translators prefer for certain language combinations (German>English for example) to price their work in target words. These analyses are used as a basis for the translator to give discounts on account of what is in effect largely fictitious time-saving. Thus the economies hoped for when TM's were first introduced
they have had the opposite effect ‒ costs have become higher to the translation agency
and the end-user (since translators had to increase their prices in order to live).
So what can be done to avoid this sort of problem? There is one translation agency which is now researching with its in-house translators, with its entire team of freelance translators and with its own customers, the possibility of fixing (and requiring from its freelancers) a reduced price per word for translations where the use of a TM is not needed.
Apart from the case of the highly standardized manuals mentioned above, the
language of which is particularly suitable for the use of translation memories, the
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extension of this policy in future might involve abandoning the use of a TM altogether, since most documents do not contain enough repetition to justify the use of a TM. This
would undoubtedly save time for everyone concerned in the translation process ‒ it
would make more money per hour for the translator and also save money for translation agencies and end-users.
Translation – tool in the process of cultural globalisation
BIANCA-OANA HAN
University of Tg. Mures, Romania. Published - October 2009 International symposium "Challenges of European Integration", Romania, 2008
People have always been living in a world governed by changes, either self­imposed, as the direct or indirect result of evolution and progress or externally imposed, by different social, historical, cultural factors. Each of the cases implied people understanding the need of circulation, communication of ideas, information, knowledge
from one culture to the other and back, i.e. synchronisation to the „atmosphere” of the
epoch, from all points of view that actually make a difference.
We came to agree to the existence of the so-called „cultural universals” that enhance communication, change of ideas in order to achieve progress in all life domains. Supporting this idea, the American sociolinguist and expert in cultural antropology Eugene Nida reminds us that the interlinguistic communication between people belonging to different or even to the same nation is always possible, but never perfect in a world of permanent changes (Nida: 2004)... We are invited in the area of those „cultural universals”, but also warned that communication is impossible if taken out of the context it rightfully belongs to. Thus, Nida points out that it is the context that transmits the message and clearifies the sense and the meaning, and not the word. „The fundamental unit of meaning is still the text, which is organised according to the culture it belongs to. Nevertheless, regardless of their culture, all texts are characterised from the point of view of spatial-temporal and logical relations existent among their component elements or of the existance of rhetorical procedures. Such considerations are extremely relevant for translations, as it is performed and established at the text level.” (Nida: 2004)
Moreover, translation seems to be the only possible way to „unite” all cultures in order to create the cultural network, the cultural globalisation some people agree to while some others run away from. By this cultural (linguistical, literary) globalisation we mean the union of all the forms of culture that matter and that imprint their vlaues to the art of the people. The people of the globe will never be one and only, as the tower of Babel issue has its reasons, after all. But we believe that no particular culture of a
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particular people could be in the position to state that it is so self-sufficient that it can not benefit from any type of contact to other cultures of other peoples.
Therefore, we strongly believe that „to translate means to circulate” (Crişan: 1979),
and this is what our world really needs: the freedom to find the right ways to express itself, to understand and to be understood out there, by the Other. If done correctly, translation has this prerogative of being the way and the means to make it happen.
...The isuue of correctness in a translation is indeed quite a delicate problem, which stirred lots of opinions and counter-opinions. A clearly accepted fact would be that translation is a necessity and it is performed at the language level. The fact that there is only one human speices is explained by the posibility to transfer sense, meaning from one language to the other, by means of the word, thus, by translation”. (Ricoeur, 2005)
On the other hand, Constantin Lupeanu (Lupeanu: 1987) considers that translations have always enriched the national culture, but only those that respect the spirit and the breath of the original even if the translations are not perfectly achieved. Moreover, he
also considers that “a less perfect, but true translation, which is able to transmit the
strength of the original and to bring some novelty to our culture is preferred to a perfect
but untrue book.”
Antoine Berman (Berman: 1984) sees translation as „an attempt of the foreigner”,
a fundamental experience which defines our relation to the Other, the Foreigner. The natural reaction of the foreigner might be opposition, refusal, etnocentrism. Any culture, thus any language, might consider itself to be self-sufficient and tends to enslave, attach other cultures and languages. The attaching translation is the effect of this etnocentrist tendency, of the superiority complex towards the foreigner, the foreign language, the original text. Berman proposes a translation based not on a subordinate relation of the
foreign language by the receiving language, but on a equality raport, “a dialog between the foreign language and native tongue.”
The truth that lies behind all this debate is that translation is indeed a tool in the complex process of assimilation of information from another culture, of enrichment with aesthetic values belonging to different other literatures, of both-ways borrowings of linguistic treasures from the language of the Other. The only problem would, thus, be to be able to achieve translation properly, so as not to betray neither the giver nor the receiver.
"Can't We Talk?" (condensed from: You Just Don't Understand)
DEBORAH TANNEN
A married couple was in a car when the wife turned to her husband and asked, "Would you like to stop for a coffee?" "No, thanks," he answered truthfully. So they didn't stop. The result? The wife, who had indeed wanted to stop, became annoyed
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because she felt her preference had not been considered. The husband, seeing his wife was angry, became frustrated. Why didn't she just say what she wanted?
Unfortunately, he failed to see that his wife was asking the question not to get an instant decision, but to begin a negotiation. And the woman didn't realize that when her husband said no, he was just expressing his preference, not making a ruling. When a man and woman interpret the same interchange in such conflicting ways, it's no wonder they can find themselves leveling angry charges of selfishness and obstinacy at each other.
As a specialist in linguistics, I have studied how the conversational styles of men and women differ. We cannot lump all men or all women into fixed categories. But the seemingly senseless misunderstandings that haunt our relationships can in part be explained by the different conversational rules by which men and women play.
Learning about the different though equally valid conversational frequencies men and women are tuned to can help banish the blame and help us truly talk to one another. Here are some of the most common areas of conflict:
Status vs. Support. Men grow up in a world in which a conversation is often a contest, either to achieve the upper hand or to prevent other people from pushing them around. For women, however, talking is often a way to exchange confirmation and support.Many men approach the world as a place where people try to achieve and
maintain status, women ‒ as a network of connections seeking support and consensus.
Independence vs. Intimacy. Since women often think in terms of closeness and support, they struggle to preserve intimacy. Men, concerned with status, tend to focus more on independence. These traits can lead women and men to starkly different views of the same situation.
Advice vs. Understanding. The problem stemmed from a difference in approach. To many men a complaint is a challenge to come up with a solution. But often women are looking for emotional support, not solutions.When my mother tells my father she doesn't feel well, he invariably offers to take her to the doctor. Invariably, she is disappointed with his reaction. Like many men, he is focused on what he can do, whereas she wants sympathy.
Information vs. Feelings. A cartoon shows a husband opening a newspaper and asking his wife, "Is there anything you'd like to say to me before I start reading the paper?" We know there isn't - but that as soon as the man begins reading, his wife will think of something. The cartoon is funny because people recognize their own experience in it. What's not funny is that many women are hurt when men don't talk to them at home, and many men are frustrated when they disappoint their partners without knowing why.
To avoid this kind of misunderstanding, both men and women can make adjustments. A woman may observe a man's desire to read the paper without seeing it is
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a rejection. And a man can understand a woman's desire to talk without feeling it is a manipulative intrusion.
Orders vs. Proposals. Diana often begins statements with "Let's." She might say "Let's park over there" or "Let's clean up now, before lunch". This makes Nathan angry. He has deciphered Diana's "Let's" as a command. Like most men, he resists being told what to do. But to Diana, she is making suggestions, not demands. Like most women, she formulates her requests as proposals rather than orders. Her style of talking is a way
of getting others to do what she wants ‒ but by winning agreement first.
With certain men, like Nathan, this tactic backfires. If they perceive someone is trying to get them to do something indirectly, they feel manipulated and respond more resentfully than they would to a straightforward request.
Conflict vs. Compromise. In trying to prevent fights, some women refuse to oppose the will of others openly. But sometimes it's far more effective for a woman to assert herself, even at the risk of conflict.
Dora was frustrated by a series of used cars she drove. It was she who commuted to work, but her husband, Hank, who chose the cars. Hank always went for cars that were "interesting" but in continual need of repair. After Dora was nearly killed when her brakes failed, they were in the market for yet another used car. Dora wanted to buy a late-model sedan from a friend. Hank fixed his sights on a 15-year-old sports car. She tried to persuade Hank that it made more sense to buy the boring but dependable car, but he would not be swayed. Previously she would have acceded to his wishes. This time Dora bought the boring but dependable car and steeled herself for Hanks' anger. To her amazement, he spoke not a word of remonstrance. When she later told him what she had expected, he scoffed at her fears and said she should have done what she wanted from the start if she felt that strongly about it. As Dora discovered, a little conflict won't kill you. At the same time, men who habitually oppose others can adjust their style to opt for less confrontation.
When we don't see style differences for what they are, we sometimes draw unfair conclusions: "You're illogical," "You're self- centered," "You don't care about me." But once we grasp the two characteristic approaches, we stand a better chance of preventing disagreements from spiraling out of control.
Learning the other's ways of talking is a leap across the communication gap between men and women, and a giant step towards genuine understanding.
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Creoles and pidgins
The Routledge Linguistics Encyclopedia. Taylor & Francis e-Library, 2009. Third edition 2010
A pidgin is a language which has arisen by a process of mixing a simplified form of a language spoken by people who travelled and colonised extensively (such as English, French, Spanish, Portuguese and Dutch), with a simplified form of a language of the people with whom they interacted repeatedly. Such languages often develop near main shipping and trading routes (Trudgill 1974b: 166, 169–70): “English-based pidgins were formerly found in North America, at both ends of the slave trade in Africa and the Caribbean, in New Zealand and in China. They are still found in Australia, West
Africa, the Solomon Islands … and in New Guinea. … (Not all pidgin languages have
arisen in this way, though. Kituba, which is derived from Kikongo, a Bantu language, is a pidgin widely used in western Zaire and adjoining areas. And Fanagolo, which is based on Zulu, is a pidgin spoken in South Africa and adjoining countries, particularly in the mines. There are several other indigenous pidgins in Africa and elsewhere.)
Pidgins also arose when Africans who did not share a language were working together on plantations and chose to communicate using what they could glean of the coloniser/ slave-owner’s language, to which they added elements of their own native languages.
For second and subsequent generation users, pidgins may become a mother tongue,
a creole (Holm 1988: 6); ‘a language which has a jargon or a pidgin in its ancestry; it is
spoken natively by an entire speech community, often one whose ancestors were displaced geographically so that their ties with their original language and sociocultural identity were partly broken’. Examples of creoles include Sranan, an English-based creole spoken in coastal areas of Surinam (Trudgill 1974b: 170), and the English-based West Indian creoles used mainly by people of African origin in the Caribbean (Sutcliffe 1984: 219). Non-English-based creoles derived from other European languages include French-based creoles spoken in, among other places, Haiti, Trinidad, Grenada, French Guiana, Mauritius, the Seychelles and some parts of Louisiana. There are also creoles based on Portuguese and Spanish (Trudgill 1974b: 170). A pidgin may become creolised at any stage of its development.
Some generally fairly limited, anecdotal accounts of creoles and pidgins were written by travellers, administrators and missionaries as long ago as the early sixteenth century. Although some early reports were written with the explicit aim of teaching Europeans something about the structure of a pidgin or creole so that they could use it to communicate with its speakers (Romaine 1988: 7), the serious study of creoles and
pidgins began with Schuchardt’s series of papers on creole studies, Kreolische Studien,
published in the 1880s (Schuchardt 1882, 1883), and Schuchardt (1842–1927) is
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regarded by many as the founding father of pidgin and creole linguistics (Romaine 1988: 4).
However, creoles and pidgins tended to be regarded as merely inferior, corrupt versions of donor languages (Romaine 1988: 6), and the study of them did not gain generally perceived respectability until 1959, when the first international conference on creole language studies was held in Jamaica by a group of scholars who recognised themselves as creolists (Decamp 1971a), and the proceedings published (Le Page 1961). Growing interest in the relationship between American Black English and pidgin and creole English also helped establish the discipline as a proper academic concern, and the publication in 1966 of the first undergraduate textbook on pidgins and creoles (Hall
1966) greatly helped to secure its place (Holm 1988: 55). A second conference was held in Jamaica in 1968 (Hymes 1971b), and since then conferences on pidgin and creole linguistics have been held regularly.
In the development of a pidgin language, the superstrate language typically provides most of the vocabulary. The superstrate language will commonly be that of the socially, economically and/or politically dominant group, and will be considered the language that is being pidginised, so that a pidgin is often referred to as, for instance, Pidgin English or Pidgin French. The other language or languages involved are referred to as the substrate language(s). The pidgin tends to retain many of the grammatical features of the substrate language(s). In spite of the fact that pidgins thus arise as two or more languages are mixed, so that speakers of any one of these languages may perceive the pidgin as a debased form of their own language (an attitude clearly expressed by the superstrate-language-speaking authors of many early studies), it is important to note that it is now generally agreed among scholars of pidgin languages that they have a structure of their own which is independent of both the substrate and superstrate languages involved in the original contact (Romaine 1988: 13).
How well does the world wide web represent human language?
The Economist. Jan 20th 2005
LINGUISTS must often correct lay people's misconceptions of what they do. Their
job is not to be experts in “correct” grammar, ready at any moment to smack your wrist
for a split infinitive. What they seek are the underlying rules of how language works in the minds and mouths of its users. In the common shorthand, linguistics is descriptive, not prescriptive. What actually sounds right and wrong to people, what they actually write and say, is the linguist's raw material.
But that raw material is surprisingly elusive. Getting people to speak naturally in a controlled study is hard. Eavesdropping is difficult, time-consuming and invasive of
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privacy. For these reasons, linguists often rely on a “corpus” of language, a body of
recorded speech and writing, nowadays usually computerised. But traditional corpora have their disadvantages too. The British National Corpus contains 100m words, of which 10m are speech and 90m writing. But it represents only British English, and 100m words is not so many when linguists search for rare usages. Other corpora, such as the North American News Text Corpus, are bigger, but contain only formal writing and speech.
Linguists, however, are slowly coming to discover the joys of a free and searchable corpus of maybe 10 trillion words that is available to anyone with an internet connection: the world wide web. The trend, predictably enough, is prevalent on the internet itself. For example, a group of linguists write informally on a weblog called Language Log. There, they use Google to discuss the frequency of non-standard usages
such as “far from” as an adverb (“He far from succeeded”), as opposed to more standard usages such as “He didn't succeed – far from it”. A search of the blog itself shows that
354 Language Log pages use the word “Google”. The blog's authors clearly rely heavily on it.
For several reasons, though, researchers are wary about using the web in more formal research. One, as Mark Liberman, a Language Log contributor, warns colleagues, is that “there are some mean texts out there”. The web is filled with words intended to attract internet searches to gambling and pornography sites, and these can muck up linguists' results. Originally, such sites would contain these words as lists, so the makers of Google, the biggest search engine, fitted their product with a list filter that would exclude hits without a correct syntactical context. In response, as Dr Liberman notes, many offending websites have hired computational linguists to churn out syntactically correct but meaningless verbiage including common search terms. “When some sandbank over a super slots hibernates, a directness toward a progressive jackpot earns frequent flier miles” is a typical example. Such pages are not filtered by Google, and thus create noise in research data.
There are other problems as well. Search engines, unlike the tools linguists use to analyse standard corpora, do not allow searching for a particular linguistic structure,
such as “[Noun phrase] far from [verb phrase]”. This requires indirect searching via samples like “He far from succeeded”. But Philip Resnik, of the University of Maryland, has created a “Linguist's Search Engine” (LSE) to overcome this. When
trying to answer, for example, whether a certain kind of verb is generally used with a direct object, the LSE grabs a chunk of web pages (say a thousand, with perhaps a million words) that each include an example of the verb. The LSE then parses the sample, allowing the linguist to find examples of a given structure, such as the verb without an object. In short, the LSE allows a user to create and analyse a custom-made corpus within minutes.
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The web still has its drawbacks. Most of it is in English, limiting its use for other languages (although Dr Resnik is working on a Chinese version of the LSE). And it is mostly written, not spoken, making it tougher to gauge people's spontaneous use. But since much web content is written by non-professional writers, it more clearly represents informal and spoken English than a corpus such as the North American News Text Corpus does.
Despite the problems, linguists are gradually warming to the web as a corpus for formal research. An early paper on the subject, written in 2003 by Frank Keller and Mirella Lapata, of Edinburgh and Sheffield Universities, showed that web searches for rare two-word phrases correlated well with the frequency found in traditional corpora, as well as with human judgments of whether those phrases were natural. What problems the web throws up are seemingly outweighed by the advantages of its huge size. Such evidence, along with tools such as Dr Resnik's, should convince more and more linguists to turn to the corpus on their desktop. Young scholars seem particularly keen.
The easy availability of the web also serves another purpose: to democratise the way linguists work. Allowing anyone to conduct his own impromptu linguistic research, some linguists hope, will do more to popularise their notion of studying the intricacy and charm of language as it really exists, not as killjoy prescriptivists think it should be.
READERS SAY THE BEST AGE TO BE IS...
Posted by Georgia Grimond, October 22nd 2013
Age, they say, is but a number ‒ but of all the ages, which is the best to be? In our
last Big Question, we asked six writers to choose their ideal time of life. Readers were asked to cast their vote online, either endorsing our writers’ choices or making their own. Their answer? Somewhere in the middle.
When the results came in, the biographer Michael Holroyd’s pitch – that life is best at 40 – won the most votes (38%). When he was 40, he said, he was on his "gap year", succumbing to the pace of Irish life in Dublin, while researching his book about George Bernard Shaw. Robert Guest, United States editor of The Economist, chose his gap year too. When he was 18, he was working dead-end jobs, embarking on adventures and relishing his own immortality. In our poll, 20% of voters were equally misty-eyed for that stage. The novelist Penelope Lively, who is in her 80s, had more years to choose from than most. "Don't worry, you 40-somethings," she wrote, "the best is yet to be." In her view it's 55, and 9% of readers agreed.
Ian Jack glimpsed his future career as a journalist at 16, a time of "excitement and innocence". From his older brother and two new teachers he got an idea of "what I
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could do; perhaps even who I could be." His view landed 7% of the votes. Uta Frith, a psychologist, went for a handful of years: between 65 and 70 she experienced an "exhilarating sense of freedom", an acceptance of herself and greater tolerance of others, and 6% of voters agreed. Boyhood was best for The Economist’s foreign editor, Edward Carr. Aged 12, he was poised between innocence and transgression, camping out with friends, smoking hay and boozing on cola. He persuaded 5% of the electorate. Our writers passed over their 20s, but our readers didn't. Between 23 and 27, one pointed out, "you are sexy, optimistic, enthusiastic and very much wanted." At 25, another said, you can enjoy the combination of maturity and energy. A third reader said that at 17 she felt "so lost, so owned and yet so utterly myself". Old age got a look-in, as did childhood and the beginning of motherhood. But several readers came up with a consoling thought: "if you can’t be the age you love, love the age you are".
Georgia Grimond is letters editor of Intelligent Life
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