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  1. Find the mistakes in the text and correct them. How to End the Lesson Calmly

Even in the end of an orderly, well organized lesson, things can get off hand. Some pupils only need a little minutes to cause chaos in a classroom. Therefore, keep pupils occupied until the bell signal go. Let some pupils (the noisier ones) to wipe the blackboard or put materials away, fill in the diary or have a conversation about a topic that appeals to the pupils.

Don't wait until the end of the lesson to tell pupils they haven't finished their job and have to complete it at home. Warn them on time to prevent irritation and be reasonable in the demands. Don't wait with important announcements until the very end of the lesson when pupils are sleepless and not focused anymore. Give them the chance to absorb things proper.

Find a routine to end the lesson orderly and quietly; give pupils money to pack their bags and get ready with what comes next.

Being able to avoid (public) confrontations rather than to react on them will strengthen a teacher's classroom management considerably.

ADDITIONAL READING

1. Read the text and analyze the ways of pedagogical communication organization.

I traveled to Eastern District High School in Brooklyn for my teaching test, the last hurdle for the license. The chairman handed me sheets of paper with the subject of my lesson: War Poems. I knew the poems by heart. When you teach in New York you're required to follow a lesson plan. First, you are to state your aim. Then you are to motivate the class because, as everyone knows, those kids don't want to learn anything.

I motivate this class by telling them about my aunt's husband, who was gassed in World War I and when he came home the only job he could find was shoveling coal, coke and slack at the Limerick Gas Works. The class laughs and the chairman smiles slightly, a good sign.

It isn't enough to teach the poem. You are to “elicit and evoke,” involve your students in the material. Excite them. That is the word from the Board of Education. You are to ask pivotal questions to encourage participation. A good teacher should launch enough pivotal questions to keep the class hopping for forty-five minutes.

A few kids talk about war and their family members who survived World War II and Korea. They say it wasn't fair the way some came home with no faces and no legs. Losing an arm wasn't that bad because you always had another. Losing two arms was a real pain because someone had to feed you. Losing a face was something else. You only had one and when that was gone, that was it, baby.

One girl with a lovely figure and wearing a lacy pink blouse said her sis­ter was married to a guy who was wounded at Pyongyang and he had no arms at all, not even stubs where you could stick on the false arms. So her sister had to feed him and shave him and do everything and all he ever wanted was sex. Sex, sex, sex, that's all he ever wanted, and her sister was getting all worn out.

The chairman in the back of the room says, Helen, in a warning voice, and she says to the whole class, it's true. How would you like to have someone you have to give a bath to and feed and then go to bed with three times a day? Some of the boys snicker but stop when Helen says, I'm sorry. I get so sad over my sister and Roger because she said she can't go on. She'd leave him but he'd have to go to the veterans' hospital. He said if that ever happened he'd kill himself. She turns around to speak to the chairman in the back of the room. I'm sorry over what I said about sex but that's what happened and I didn't mean to be disrespectful.I admired Helen so much for her maturity and courage and her lovely breasts I could hardly go on with the lesson. I thought I wouldn't mind being an amputee myself if I had her near me all day, swabbing me, drying me, giving me the daily massage. Of course, teachers were not supposed to think like that but what are you to do when you're twenty-seven and someone like Helen is sitting there in front of you bringing up topics like sex and looking the way she did?

(Teacher Man. Frank McCourt.)