- •I. Recognition, memorization, reproduction
- •II. Comprehension, application, interpretation
- •III. Analytical-synthesized search
- •IV. Creative understanding and application
- •Introduction
- •Recognition, memorization, reproduction
- •II. Comprehension, application, interpretation
- •III. Analytical-synthesized search
- •IV. Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •1. Jake Armstrong
- •2. Laura Dyson
- •3. Emmy Mason
- •4. Luke Demain
- •The archetypal englishman
- •IV Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV. Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •Creative understanding and application
- •Recognition, memorization, reproduction
- •Comprehension, application, interpretation
- •Analytical-synthesized search
- •IV. Creative understanding and application
- •I. Recognition, memorization, reproduction
- •II. Comprehension, application, interpretation
- •III. Analytical-synthesized search
- •IV. Creative understanding and application
- •I. Recognition, memorization, reproduction
- •II. Comprehension, application, interpretation
- •III. Analytical-synthesized search
- •IV. Creative understanding and application
- •Expressions to Introduce the Opinion
- •Киноискусство Учебно-методическое пособие по практике устной и письменной речи английского языка
- •225404 Г. Барановичи, ул. Войкова, 21
FOREWORD
№ Unit
|
Hours |
Level of Tasks |
|||
I level recognition, memorization, reproduction |
II level comprehension, application, interpretation |
III level analytical -synthesized search |
IV level creative understanding and application |
||
In-Checking |
2 |
1 |
1,2 |
1 |
1 |
Introduction |
2 |
1 |
1 |
1 |
1 |
Unit 1 |
2 |
1 |
1, 2, 3 |
1, 2 |
1 |
Unit 2 |
2 |
2 |
1, 4 |
1, 3 |
1 |
|
2 |
1 |
2, 3, 5, 6 |
2, 4 |
2 |
Unit 3 |
2 |
1 |
1, 2, 6 |
2, 4, 6 |
2 |
|
2 |
Revision |
3, 4, 5 |
1, 3, 5 |
1 |
Unit 4 |
2 |
1 |
2, 4, 5, 7 |
3, 5 |
2 |
|
2 |
2 |
3, 6 |
1, 2, 4 |
1 |
Unit 5 |
2 |
1 |
1, 4 |
3, 4 |
1 |
|
2 |
Revision |
2, 3, 5, 6 |
1, 2 |
2 or 3 |
Unit 6 |
2 |
1 |
1, 2 |
1, 5, 7 |
4 or 6 |
|
2 |
Revision |
3, 4, 5 |
3, 4 |
1 or 2 |
|
2* |
Revision |
6 |
2, 6 |
3or 5 |
Unit 7 |
2 |
1 |
3, 4, 5 |
2, 3 |
2 or 4 |
|
2* |
Revision |
2, 6 |
1 |
1 or 3 |
Unit 8 |
2 |
1 |
5, 6 |
1, 3, 5 |
2 or 4 |
|
2* |
Revision |
1, 2, 3 |
4, 6 |
3 |
|
2* |
Revision |
4, 7 |
2, 7 |
1 |
|
1* |
|
|
|
5 |
Unit 9 |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2, 3, 4, 5 |
1 or 2 or 3 |
Summary |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2 |
1 |
Out- Checking |
2 |
1 |
1 |
1 |
1 |
36 classroom hours (Foreign language (English). Informatics specialization)
№ Unit
|
Hours |
Level of Tasks |
|||
I level recognition, memorization, reproduction |
II level comprehension, application, interpretation |
III level analytical -synthesized search |
IV level creative understanding and application |
||
In-Checking |
2 |
1 |
1,2 |
1 |
1 |
Introduction |
2 |
1 |
1 |
1 |
1 |
Unit 1 |
2 |
1 |
1, 2, 3 |
1, 2 |
1 |
Unit 2 |
2 |
2 |
1, 4 |
1, 3 |
1 |
|
2 |
1 |
2, 3, 5, 6 |
2, 4 |
2 |
Unit 3 |
2 |
1 |
1, 2, 6 |
2, 4, 6 |
2 |
|
2 |
Revision |
3, 4, 5 |
1, 3, 5 |
1 |
Unit 4 |
2 |
1 |
2, 4, 5, 7 |
3, 5 |
2 |
|
2 |
2 |
3, 6 |
1, 2, 4 |
1 |
Unit 5 |
2 |
1 |
1, 4 |
3, 4 |
1 |
|
2 |
Revision |
2, 3, 5, 6 |
1, 2 |
2 or 3 |
Unit 6 |
2 |
1 |
1, 2 |
1, 5, 7 |
4or 6 |
|
2 |
Revision |
3, 4, 5 |
3, 4 |
1 or 2 |
Unit 7 |
2 |
1 |
1, 2, 3 |
2, 3 |
2 or 3 |
Unit 8 |
2 |
1 |
5, 6 |
1, 3, 5 |
1 or 2 or 4 |
Unit 9 |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2, 3, 4, 5 |
1 or 2 or 3 |
Summary |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2 |
1 |
Out- Checking |
2 |
1 |
1 |
1 |
1 |
|
Hours |
Level of Tasks |
|||
I level recognition, memorization, reproduction |
II level comprehension, application, interpretation |
III level analytical -synthesized search |
IV level creative understanding and application |
||
In-Checking |
2 |
1 |
1,2 |
1 |
1 |
Introduction |
2 |
1 |
1 |
1 |
1 |
Unit 1 |
2 |
1 |
1, 2, 3 |
1, 2 |
1 |
Unit 2 |
2 |
2 |
1, 4 |
1, 3 |
1 |
|
2 |
1 |
2, 3, 5, 6 |
2, 4 |
2 |
Unit 3 |
2 |
1 |
1, 2, 6 |
2, 4, 6 |
2 |
|
2 |
Revision |
3, 4, 5 |
1, 3, 5 |
1 |
Unit 4 |
2 |
1 |
2, 4, 5, 7 |
3, 5 |
2 |
|
2 |
2 |
3, 6 |
1, 2, 4 |
1 |
Unit 5 |
2 |
1 |
1, 4 |
3, 4 |
1 |
|
2 |
Revision |
2, 3, 5, 6 |
1, 2 |
2 or 3 |
Unit 6 |
2 |
1 |
1, 2 |
1, 5, 7 |
6 or 4 |
|
2 |
Revision |
3, 4, 5 |
3, 4 |
1 or 2 |
|
2 |
Revision |
6 |
2, 6 |
3 or 5 |
Unit 7 |
2 |
1 |
2, 6 |
1 |
1 or 3 |
|
2 |
Revision |
3, 4, 5 |
2, 3 |
2 or 4 |
Unit 8 |
2 |
1 |
5, 6 |
1, 3, 5, 7 |
1 or 2 or 4 |
|
2 |
Revision |
1, 2, 3, 4, 7 |
2, 4, 6 |
3 |
Unit 9 |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2, 3, 4, 5 |
1 or 2 or 3 |
Summary |
2 |
1 |
1, 2, 3, 4, 5 |
1, 2 |
1 |
Out- Checking |
2 |
1 |
1 |
1 |
1 |
It is recommended to use this book in a combination with a rating system of assessment, which allows to control student`s work at the beginning, end, during the module. Due to the structure of the book (units) students have a possibility to take 10 points for their every lesson (I level –max. 1 point; II level – max. 2 points; III level – max. 3 points; IV level – max. 4 points).
The book comes with an audio cassette and a CD version of in-classroom tasks and out-class activities.
We owe our thanks to people who have directly and indirectly contributed to the book. In particular, Anna Boyko (choosing audio texts for Units 2, 3, 4, 8; texts for Units 3, 6); Tatyana Shagun (choosing audio texts for Units 3, 4; texts for Units 3, 6);Tatyana Mitrakhovich, teachers of the Theory and Practice of English Language Department of Baranovichi State University.
Author
CINEMA
IN-CHECKING
Students should be able to:
choose words which are connected with the topic “Cinema” among a group of others;
choose the most suitable word to complete sentences;
give English equivalents to sentences, written in Russian;
express author’s attitude towards the content of a text;
express their agreement or disagreement with a statement;
write a film review.
I. Recognition, memorization, reproduction
Task 1. Choose words which are connected with the topic “Cinema” from the given below. Be ready to read and explain their meaning.
ache, n
actor, n
airsickness, n
archery, n
artistic, adj
boat, n
border, n
boxing, n
cameo, n
cancer, n
canoeing, n
caption, n
career, n
cathedral, n
coach, n
comedy, n
cough, n
crew, n
crossing, n
cruise, n
cue, n
customs, n
cycling, n
destination, n
disease, n
diving, n
drama, n
employment, n
faint, v
fencing, n
fever, n
figure-skating, n
flight, n
fortress, n
genre, n
glider, n
hotel, n
insomnia, n
landmark, n
landscape, n
marathon, n
mountaineering, n
musical, n
pneumonia, n
produce, v
profession, n
promotion, n
quit, v
race, n
racket, n
rash, n
receptionist, n
release, v
retire, n
return ticket
review, n
salary, n
scene, n
sci-fi, n
security check
shoot, v
shuttlecock, n
single room
single ticket
skating, n
skiing, n
soap opera, n
steward, n
still, n
swell, n
thriller, n
thrilling, adj
tour, n
tourist, n
tournament, n
trailer, n
travel agency
travel agent
travel by air
trip, n
triple jump
vacation, n
vocation, n
voyage, n
weight-lifting, n
western, n
wrestling, n
II. Comprehension, application, interpretation
Task 1. Choose the most suitable word.
1. The _____ of the jealous husband was played by Paul Newman.
a) part; b) acting.
2. The _____ applauded warmly when the curtain dropped.
a) spectators; b) audience.
3. The film is _____ in the 18th century England.
a) set; b) held.
4. Everyone clapped enthusiastically when the actors came on _____.
a) screen; b) stage.
5. Most critics agree that Celia gave the best _____.
a) acting; b) performance.
6. It was a good film, and I thought Nick Nolte _____.
a) acted; b) played.
7. There was so much suspense that I was kept on the edge of my _____.
a) place; b) seat.
8. Quite honestly, I haven't got much time for _____ films.
a) horror; b) horrific.
9. Most modern films don't need a lot of complicated _____.
a) scenery; b) scenes.
10. I thought it was a good film but it got terrible _____.
a) critics; b) reviews.
Task 2. Give English equivalents to the following sentences.
Извините, что я так говорю, но я не жалею, что пропустил этот премьеру фильма. Это был полный провал. 2. Говорят, что она великолепная актриса, способна вызвать слезы у зрителей. 3. Этот фильм стоит посмотреть. Состав актеров просто великолепен. 4. Кажется, фильм ему не понравился. Хотя, сюжет был хорошим, игра актеров оставляла желать лучшего. 5. Я не могу не восхищаться игрой этой блистательной актрисы. 6. Я была очарована музыкой и декорациями, которые были великолепны. 7. Посмотрев фильм дважды, я могу сказать, что это лучшая экранизированная версия комедии Шекспира, которую я когда-либо видел. 8. Действие фильма разворачивается в конце 90-х. 9. Не упусти шанс посмотреть фильм "Красотка" с Джулией Роберте в главной роли. 10. Я не люблю смотреть фильмы ужасов, а предпочитаю боевики. 11. Говорят, что этот фильм снимался не в студии, а на натуре в какой-то экзотической стране. 12. Я никогда не сижу слишком близко к экрану, а покупаю билеты на места в последнем ряду.