- •0. Sudlenkova
- •0. A. Cy eHKosa
- •Isbn 985-03-0384-0.
- •Isbn 985-03-0384-0
- •I. Uter.Ature of the middle ages
- •Geoffrey chaucer
- •II. Literature of the renaissance
- •William shakespeare
- •In many of the sonnets the poet meditates on Life and
- •6A4b1Ub flbiXy y 33jj3TbiX cTp3i1x, uiioTy, 31'b3jjy311yio XI)k3h CiJi3h,
- •Daniel defoe
- •Jonathan swift
- •Robert burns
- •It's corning yet, for all that,
- •IV. Literature of the early 19th century
- •George gordon byron
- •In the form of a ballad, a lyrical form, that gives them
- •Walter scott
- •Ivanhoe
- •V. Literature from the 1830s to the 1860s
- •William makepeace thackeray
- •Vanity fair. A novel without a hero
- •VI. Literature of the last decades of the 19th century
- •Oscar wilde
- •VII. Literature of the early 20th century
- •4 AHrJntAckbh nHTepaTypa john galsworthy
- •Herbert george wells
- •George bernard shaw
- •VIII. Literature between the two world wars
- •Katherine mansfield
- •Archibald cronin
- •IX. Literature from the 1940s to the 1990s
- •James aldridge
- •Graham greene
- •Charles percy
- •John osborne
- •Alan sillitoe
- •Stan barstow
- •William golding
- •Iris murdoch
- •John fowles
- •The collector
- •Muriel spark
- •In the novel Brave New World ( 1932) a I do us h u X
- •X. Supplement
- •11030PHdmy ctoj16y
- •VI. Literature of the last decades of the
- •19Th century
- •VIII.Literature between the two world wars
- •Intensification
- •Idea ]a1'd•a]
- •Irony ('a taram]
- •Ur.11d1cKaR jzhTeparypl
- •Verse Iva:s I
- •113 IiP.CiIbJw a»
- •JlCthSl»
- •7. Robinson Crusoe could not use his first boat because ;:1
- •10. Friday was
- •4) Walter Scott d) Prometheus Unbound
- •I) Charlotte Bronte a) The Strange Case o/ Dr. Jekyll and
- •2) George Winlcrbourne b) The Quiet American
- •2) John Osborne b) Look Back in Anger
- •3) William Golding c) The Black Prince
- •4) Iris Murdoch d) Key to the Door
- •2) The French Lieutenant's Woman e) Charles Smithson;
- •X. Supplement 0. Sudlenkoua
- •113 3Lii"jihhckom !l3biKc, 9-10-e kji.
- •4ECkhh peJj.AKTop c. H.. JlwjKeau
Geoffrey chaucer
( 1340-1400)
Geoffrey Chaucer was the greatest writer of the 14th century. He was born in London in the family of a wine merchant. At 20 he took part in the war with France, was taken prisoner by the French and ransomed by his friends. He held a number of positions at the English king's court and several times visited Italy and France on diplomatic missions.
In Italy he got acquainted with the works of Dante,
Petrarch and Boccaccio. What they wrote was full of new, optimistic ideas and love of life and had a great influence on his future works, the most important of which was the Canterbury Tales.
CANTERBURY TALES
The Canterbury Tales is a collection of stories in verse told by people of different social standing. Chaucer had planned 120 stories but wrote only 24, because death broke off his work. The stories are preceded by a Prologue, in which the characters that will tell the stories are described. Short prologues to each story connect them to form one work.
The Prologue tells about a group of pilgrims, who were on their way to pray at the Cathedral of Canterbury. One fine April evening these pilgrims met at a London inn called the Tabard; the innkeeper was a jolly man whose name was Harry Bailey There were twenty-eight pilgrims,
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men and women, and with Harry Bailey and Chaucer himself there were thirty in all at the Inn.
Harry Bailey proposed to the company that each pilgrim should tell two stories on the way to Canterbury and two more on the way home. They would decide whose
story was the best and a dinner would be given to the winner.
The next morning, sunny and beautiful, the pilgrims set out for Canterbury.
The Canterbury Tales was the first great work in verse in English literature. Chaucer painted a vivid picture of
English society, as it was in his day; each of his characters
was shown as an individual, typical of his country and his time. Among the pilgrims there was a doctor, a merchant, a student from Oxford, a carpenter, a miller, a lawyer, a sailor and a cook. There were also some women, some monks and a pardoner among the company.
The pilgrims tell their stories according to their rank or standing. Thus, the knight tells a romance, the miller a fabliau, the pardoner- a moralizing tale.
Here are the contents of the pardoner's tale Three
Young Men, Death and a Bag of Gold:
Three young men were making merry over a bottle of wine at an inn, when they saw a funeral pass under the
windows.
"Who is dead? they asked, and were told it was a dear
friend of theirs, a young man like themselves. At first they could not believe it, but the innkeeper told them:
"Yes, it is quite true. Death, the traitor, takes both young and old. There is a village not a mile from here
where Death has killed this year all the men, women and children. One might think that Death lived in that village" The innkeeper was probably speaking of a village
where the plague had carried away all the inhabitants. But
the young men were a little drunk and they understood that Death really lived not far from the inn where ihe:1' were drinking wine. And so they cried:
"Since Death is such a wicked traitor and has kiiled our friend, let us go and kill Death. But before we go, let us join hands and promise we shall help e3ch other 3nd be <iS brothers until we find and kill Death"
So they joined hands and promised to be true to e3ch
other, and set out. Very soon they met an old man on the road and asked him:
"Do you know where we can find De3th?"
"Why, yes", said the old man, "I just saw him in that little wood over there. Do you see that big oak-tree? You will find him just under it"
When the three young men heard that, they ran till they reached the tree, and under it they found a large bag of
gold. Then they forgot all about Death- they were so glad to have found so much gold. They sat down by the bag and the youngest of them said:
"We shall now lead a jolly life and spend all this gold. But first we must carry it home, and that we must do by night, when no one can see us. 