- •0. Sudlenkova
- •0. A. Cy eHKosa
- •Isbn 985-03-0384-0.
- •Isbn 985-03-0384-0
- •I. Uter.Ature of the middle ages
- •Geoffrey chaucer
- •II. Literature of the renaissance
- •William shakespeare
- •In many of the sonnets the poet meditates on Life and
- •6A4b1Ub flbiXy y 33jj3TbiX cTp3i1x, uiioTy, 31'b3jjy311yio XI)k3h CiJi3h,
- •Daniel defoe
- •Jonathan swift
- •Robert burns
- •It's corning yet, for all that,
- •IV. Literature of the early 19th century
- •George gordon byron
- •In the form of a ballad, a lyrical form, that gives them
- •Walter scott
- •Ivanhoe
- •V. Literature from the 1830s to the 1860s
- •William makepeace thackeray
- •Vanity fair. A novel without a hero
- •VI. Literature of the last decades of the 19th century
- •Oscar wilde
- •VII. Literature of the early 20th century
- •4 AHrJntAckbh nHTepaTypa john galsworthy
- •Herbert george wells
- •George bernard shaw
- •VIII. Literature between the two world wars
- •Katherine mansfield
- •Archibald cronin
- •IX. Literature from the 1940s to the 1990s
- •James aldridge
- •Graham greene
- •Charles percy
- •John osborne
- •Alan sillitoe
- •Stan barstow
- •William golding
- •Iris murdoch
- •John fowles
- •The collector
- •Muriel spark
- •In the novel Brave New World ( 1932) a I do us h u X
- •X. Supplement
- •11030PHdmy ctoj16y
- •VI. Literature of the last decades of the
- •19Th century
- •VIII.Literature between the two world wars
- •Intensification
- •Idea ]a1'd•a]
- •Irony ('a taram]
- •Ur.11d1cKaR jzhTeparypl
- •Verse Iva:s I
- •113 IiP.CiIbJw a»
- •JlCthSl»
- •7. Robinson Crusoe could not use his first boat because ;:1
- •10. Friday was
- •4) Walter Scott d) Prometheus Unbound
- •I) Charlotte Bronte a) The Strange Case o/ Dr. Jekyll and
- •2) George Winlcrbourne b) The Quiet American
- •2) John Osborne b) Look Back in Anger
- •3) William Golding c) The Black Prince
- •4) Iris Murdoch d) Key to the Door
- •2) The French Lieutenant's Woman e) Charles Smithson;
- •X. Supplement 0. Sudlenkoua
- •113 3Lii"jihhckom !l3biKc, 9-10-e kji.
- •4ECkhh peJj.AKTop c. H.. JlwjKeau
VII. Literature of the early 20th century
The Boer War lasted from the II th of October 1899 to the 31st of May 1902. The English suffered many difficul ties and losses at the beginning of the war, but they came out of it victors. However, this victory did not improve the negative attitude of progressive people in England towards bourgeois ideology and culture, towards its social life and economic development.
During the 1890s critical realism continued to develop
in the works of many writers. One of them was George Meredith ( 1828-1909). He is considered to be a master of irony. In his novel The Egoist he drew a portrait of a typical representative of the upper strata of English society and revealed the egoism that ruled their lives.
Samuel Butler (1835-1902) was another critical realist of those years, who analysed the psychology of the bourgeoisie. His best known work is The Way of All Flesh, in which he depicted a clergyman's family, for whom money was the most important thing in life.
Probably the most outstanding novelist of those years was Thomas Hardy (1840-1928). He was born and lived most of his life in one of the Southwest rural counties of England, Dorsetshire, which is called Wessex in his novels.
He began by portraying idyllic pictures of country life, and little by little took up tragic themes in such novels as
Tess of the d'Urbervilles and Jude the Obscure.
In 1891 Hardy wrote Tess of the d'Urbervilles which, as a challenge to puritan bigotry, he called "the story of
a pure woman" It is the tragedy of a poor girl, whose life is broken by the bigotry of society in that period.
Jude the Obscure, which is considered to be Hardy's
best novel, was written in 1895. In it he continued to deve lop his theme. Jude, a gifted boy who grows up into a ta lented man, goes through life seeing all his hopes and expectations shattered.
He belongs to the lower classes of society and every
95
road of life seems to be closed to him. After a life of countless sufferings he dies a young man with the words "Let the day perish wherein I was born" on his lips.
Hardy differed from other critical realists of the 19th
century in that his criticism of bourgeois society developed into a psychology of pessimism. He was one of the last representatives of the old patriarchal farmer's England and saw in the villages the terrible effects of capitalism that spoiled the life of their inhabitants; this gave rise to his tragic world outlook.
A follower of the great traditions of the critical realists, whose life and works span practically a hundred years, is
Ethel Lilian Voynich (1864-1960). She was the daughter of a prominent English mathematician, George Boole. Her mother, Mary Everest, was the niece of a famous
engineer and geographer, George Everest (after whom Mount Everest, the highest peak of the Himalayas was named).
Ethel Lilian Boole studied at the Berlin conservatory
and in 1887-1889 worked in Russia as a governess. In
1890 she married a Polish revolutionary, Wilfrid Michael
Voynich, who fled from tsarist exile to London. All her novels of the end of the century are a reflection of revolu tionary movement, for Voynich was very close to Russian members of the "Narodnaya Volia", especially to Stepniak Kravchinsky.
The Gadfly ( 1897), her masterpiece, is the story of
a young man, Arthur Burton, one of the leaders in the struggle of the Italian people against Austrian religious
and social oppression during the 1840s. To his un derground friends Arthur is known under the name of the Gadfly.
In this novel, one of the strongest among atheist fiction in world literature, we see better than in any of her other
works connection of Voynich's creative art with the revo lutionary romantic traditions of English letters. It is not mere chance that Shelley is the favourite poet of Gemma
Warren, Arthur's beloved, that many of Byron's traits are given to the Gadfly, that Arthur's little ditty, written in his last letter to Gemma
For am
A happy [ly,
H I live
Or i[ I die!
96
is taken from a verse by William Blake, the forerunner or the romanticists.
The novel is written with courage, all the more notable in that it was finished on the eve of the Boer War, at a time of the most violent imperialist reaction. In the character of the Gadfly Voynich portrayed the main features of pro gressive people.
Her peculiarity lies in the exceptional interest she
shows in the lives of other peoples- a fact that is entirely inherited from the romanticists- peoples of Italy, Russia and France. This is her own, special way of expressing her patriotism, for while describing other peoples and other customs she never forgot her own country, just like the great revolutionary romanticists Byron and Shelley
During the last decade of the 19th century and the first years of the 20th century three names were prominent among the writers who continued the traditions of critical realism. They were John Galsworthy, Herbert G. Wells and the great playwright Bernard Shaw. All three possessed remarkable individual talent and developed critical rea lism along their own, individual lines.
I. What writers continued to develop the traditions of critical realism at tile end of the l9til and tile beginning of the 20th centuries? 2. Who was the main character of Thomas Hardy's best novel? 3. What events arc described in the novel The Gadfly?