WilliamsT

Schüfftan: Technical Direction

Directed by Fritz Friedman-Frederich

Cinematography by Werner Brandes & Werner Bohne

Indra-Tonfilm

Die Wasserteufel von Hieflau/The Water Devil of Hieflau (1932)

Schüfftan: Direction, with Erich Kober

Cinematography by Herbert Körner

Erich Kober-Filmproduktion & Tobias Melofilm

Zigeuner der Nacht/Gypsies of the Night (1932)

Schüfftan: Cinematography

Directed by Hanns Schwarz & Max de Vaucorbeil H. M.-Film

Coeurs Joyeux/Happy Hearts (1932)

Schüfftan: Cinematography

Directed by Hanns Schwarz & Max de Vaucorbeil Pathé-Natan

Der Läufer von Marathon/The Marathon Runner (1932)

Schüfftan: Cinematography

Directed by E.A. Dupont

Matador Film

Unsichtbare Gegner/Invisible Opponent (1933)

Schüfftan: Cinematography, with Georg Bruckbauer

Directed by Rudolf Katscher

Sascha Filmindustrie AG & Pan-Film-GmbH

Les Requins du pétrole/The Oil Sharks (1933)

Schüfftan: Cinematography, with Georg Bruckbauer

Directed by Henri Decoin

La Voix sans visage/Voice Without a Face (1933)

Schüfftan: Cinematography

Directed by Leo Mittler

Vandor Film

Du Haut en bas/High and Low (1933)

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Schüfftan: Cinematography

Directed by G.W. Pabst

Société des Films Sonores Tobias

Le Scandale/The Scandal (1934)

Schüfftan: Cinematography, with Christian Matras

Directed by Marcel L’Herbier

Ayres d’Aiguiar & Euréka Films

La Crise est finie/The Slump is Over (1934)

Schüfftan: Cinematography

Directed by Robert Siodmak

Nero Film

Irish Hearts (1934)

Schüfftan: Cinematography

Directed by Brian Desmond Hurst

Clifton Hurst Productions

The Invader (1934)

Schüfftan: Cinematography

Directed by Adrian Brunel

British and Continental Film Productions

The Robber Symphony (1935)

Schüfftan: Cinematography

Directed by Friedrich Feher

Concordia Films

La Symphonie des brigands (1935)

Schüfftan: Cinematography

Directed by Friedrich Feher

Concordia Films

La Tendre ennemie/The Tender Enemy (1935)

Schüfftan: Cinematography, with assistance from Henri Alékan Directed by Max Ophüls

Eden-Productions

Children of the Fog (1935)

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Schüfftan: Cinematography

Directed by Leopold Jessner & John Quin

Jesba Films

Komedie om Geld/The Trouble with Money (1936)

Schüfftan: Cinematography

Directed by Max Ophüls

Cinetone

Mademoiselle Docteur/Under Secret Orders (1936)

Schüfftan: Cinematography

Directed by G.W. Pabst

Romain Pinès & Films Trocadéro

María de la O (1936)

Schüfftan: Cinematography

Directed by Francisco Elías

Ulargui Films

Yoshiwara (1937)

Schüfftan: Cinematography

Directed by Max Ophüls

Les Films Excelsior & Milo-Films

Drôle de drame/Bizarre Bizarre (1937)

Schüfftan: Cinematography, with assistance from Henri Alékan Directed by Marcel Carné

Productions Corniglion-Molinier

Forfaiture/The Cheat (1937)

Schüfftan: Cinematography

Directed by Marcel L’Herbier

Societé Cinéma du Panthéon

Mollenard (1937)

Schüfftan: Cinematography, with assistance from Henri Alékan Directed by Robert Siodmak

Productions Corniglion-Molinier

Le Quai des brumes/Port of Shadows (1938)

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Schüfftan: Cinematography, with assistance from Henri Alékan

Directed by Marcel Carné

Ciné-Alliance

Le Drame de Shanghaï/Shanghai Drama (1938)

Schüfftan: Studio cinematography, with assistance from Henri Alékan. Location cinematography by Curt Courant

Directed by G.W. Pabst

Lucia Films & Gladiator Films

Le Roman de Werther (1938)

Schüfftan: Studio cinematography. Location cinematography by Georges Stilly, Fédote Bourgassof Directed by Max Ophüls

Nero Film

Campement 13/Camp 13 (1938)

Schüfftan: Cinematography, with Nicolas Toporkoff, and with assistance from Henri Alékan Directed by Jacques Constant

Société des Productions Cinématographiques F.C.L.

Trois valses/Three Waltzes (1938)

Schüfftan: Cinematography

Directed by Ludwig Berger

Sofror Films

Sans lendemain/Without Tomorrow (1939)

Schüfftan: Cinematography, with assistance from Henri Alékan

Directed by Max Ophüls

Ciné-Alliance & Inter-Artistes-Films

L’Émigrante/The Emigrant (1939)

Schüfftan: Cinematography, with assistance from Henri Alékan

Directed by Léo Joannon

Société des Films Vega

Les Musiciens du ciel/Musicians of the Sky (1939)

Schüfftan: Cinematography, with assistance from Henri Alékan

Directed by Georges Lacombe

Régina

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De Mayerling a Sarajevo/From Mayerling to Sarajevo (1940)

Schüfftan: Studio cinematography, with Curt Courant & Otto Heller. Location cinematography by Robert LeFebvre

Directed by Max Ophüls

British Unity Productions française

Tales of Manhattan (1941)

Schüfftan: Location cinematography, with studio cinematography by Joseph Walker Directed by Juilien Duvivier

Boris Morros, S.P. Eagle & 20th Century Fox

Hitler’s Madman (1942)

Schüfftan: Uncredited cinematography. Credited as Technical Director

Directed by Douglas Sirk

Angelus Pictures & MGM

A Voice in the Wind (1943)

Schüfftan: Uncredited cinematography. Credited as Technical Advisor

Directed by Arthur Ripley

Rudolph Monter Production

It Happened Tomorrow (1943)

Schüfftan: Technical Director

Directed by René Clair

Cinematography by Archie Stout

Arnold Productions

Summer Storm (1944)

Schüfftan: Uncredited cinematography. Credited as Technical Consultant

Directed by Douglas Sirk

Angelus Pictures

Bluebeard (1944)

Schüfftan: Uncredited cinematography. Credited as Production Design

Directed by Edgar G. Ulmer

PRC

Strange Illusion (1945)

Schüfftan: Uncredited cinematography

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Directed by Edgar G. Ulmer

PRC

A Scandal in Paris (1945)

Schüfftan: Production Supervisor

Directed by Douglas Sirk

Arnold Productions & United Artists

Club Havana (1945)

Schüfftan: Production Supervisor

Directed by Edgar G. Ulmer

PRC

The Wife of Monte Cristo (1946)

Schüfftan: Uncredited cinematography. Credited as Production Supervisor Directed by Edgar G. Ulmer

PRC

The Dark Mirror (1946)

Schüfftan: Trick Photography

Directed by Robert Siodmak

Universal International Pictures

Carnegie Hall (1946)

Schüfftan: Credited for Production Technique

Directed by Edgar G. Ulmer

PRC

Women in the Night (1947)

Schüfftan: Cinematography

Directed by William Rowland

Southern California Pictures S.A.

Gunmen in the Streets (1950)

Schüfftan: Cinematography

Directed by Frank Tuttle

United Artists

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Le Traqué (1950)

Schüfftan: Cinematography

Directed by Boris Lewin

ProSaGor

Les Joyeux pélerins/The Happy Pilgrims (1950)

Schüfftan: Cinematography

Directed by Alfred Pasquali

Union Cinématographique Lyonnaise

Le Banquet des fraudeurs/The Smugglers’ Banquet (1951)

Schüfftan: Cinematography

Directed by Henri Storck

Frankfurt a.M. & Teve Film

L’Hotel-Dieu de Beaune (1951)

Schüfftan: Direction

Technifilm

Le Rideau cramoisi/The Crimson Curtain (1952)

Schüfftan: Cinematography

Directed by Alexandre Astruc

Argos Films & Como Films

Mina de Vanghel (1952)

Schüfftan: Cinematography

Directed by Maurice Barry

Argos Films & Como Films

La Putain respectueuse/The Respectful Prostitute (1952)

Schüfftan: Cinematography

Directed by Charles Brabant & Marcel Pagliero

Films Agiman & Artès Films

Le Chemin de Damas/Road to Damascus (1952)

Schüfftan: Cinematography

Directed by Max Glass

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Films Max Glass & Films Fernand Rivers

Die Venue vom Tivoli/Venus of Tivoli (1952)

Schüfftan: Cinematography

Directed by Leonard Steckel

Gloriafilm AG

Ulisse/Ulysses (1953)

Schüfftan: Special Effects

Directed by Mario Camerini

Ponti-De Laurentiis & Lux Film

Una parigina a Roma/A Parisian in Rome (1954)

Schüfftan: Cinematography

Directed byErich Kobler

Rivo-Film

Begegnung in Rom (1954)

Schüfftan: Cinematography

Directed by Erich Kobler

Copa-Filmgesellschaft

Marianne de ma Jeunesse/Marianne of My Youth (1954) Schüfftan: Special Effects

Directed by Julien Duvivier

Filmsonor & Regina Films

Marianne (1954)

Schüfftan: Special Effects

Directed by Julien Duvivier

Royal-Produktionsgesellschaft & Allfram-Film

The First 99

Schüfftan: Cinematography

Directed by Louis de Rochemont

Louis de Rochement Associates

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Hawkeye and the Last of the Mohicans (TV) (1957)

Schüfftan: Cinematography

Directed by Sam Newfield

Incorporated TV & Normandie Productions

La Première nuit/The First Night (1958)

Schüfftan: Cinematography

Directed by Georges Franju

Argos Films

La Tête contre les murs/Head Against the Wall (1958)

Schüfftan: Cinematography

Directed by Georges Franju

Sociétè Films Sirius, A.T.I.C.A. & Elpénor Films

Les Yeux sans visage/Eyes Without a Face (1959) Schüfftan: Cinematography

Directed by Georges Franju Champs-Élysées Productions & Lux Films

The Bloody Brood (1959)

Schüfftan: Cinematography

Directed by Julian Roffman

Meridian Film

Un Couple/A Couple (1960)

Schüfftan: Cinematography

Directed by Jean-Pierre Mocky

Balzac Films, Disci, Tamara, Paris Overseas & Arès

Something Wild (1960)

Schüfftan: Cinematography

Directed by Jack Garfein

Prometheus Enterprises

The Hustler (1961)

Schüfftan: Cinematography

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Directed by Robert Rossen

Rossen Enterprises

Les Vierges/The Virgins (1962)

Schüfftan: Cinematography

Directed by Jean-Pierre Mocky

Boréal Films, Balzac Films, Stella Films

Captain Sindbad (1962)

Schüfftan: Cinematography, replaced by Günther Senftleben Directed by Byron Haskin

King Brothers Productions

Lilith (1963)

Schüfftan: Cinematography

Directed by Robert Rossen

Centaur Enterprises

La Grande frousse/The Big Scare (1964)

Schüfftan: Cinematography

Directed by Jean-Pierre Mocky

A.T.I.C.A., S.N.C., Productions Raimbourg

Trois chambres à Manhattan/Three Rooms in Manhattan (1965)

Schüfftan: Cinematography

Directed by Marcel Carné

Montaigne, F.C.M.

Chappaqua (1966)

Schüfftan: Cinematography, replaced by Robert Frank Directed by Conrad Rooks

Winkler Film

Der Arzt stellt fest…/The Doctor Says (1966)

Schüfftan: Cinematography

Directed by Aleksander Ford

CCC Filmkunst, Fono-Film, Praesens-Film

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