DENISENKO1
.pdfLIST OF SOURCES
Учебные пособия
1.Гинсбург С. С. Очерки теории кино. – М.: Искусство, 1974. – 264 с.
2.Либерман Н. И., Фролова-Багреева Н. А., Кедрова М. М. Английский язык для вузов искусств. English for art students. – М.: Высшая школа, 1989. – 463 с.
3.Мельц И. М., Соколова Д. Ф. Хрестоматия кинотекстов на английском языке. – Всесоюзный государственный институт кинематографии. – 1968. – 98 с.
4.Нечай О. Ф., Ратников Г. В. Основы киноискусства. – Минск: Вышейшая школа, 1985. – 368 с.
5.Поуви Д. Пособие по лексике разговорных тем. – М.: Высшая школа, 1988. – 120 с.
6.Тарнаева Л. П. Культура и общение. – СПб..: Союз, 2001. – 240 с.
7.Шевелева С. А. Английский для гуманитариев.: учеб. пособие для ву-
зов. – М.: Юнити-Дана, 2008. – 397 с.
8.Юренев Р. Н. Краткая история советского кино. – М.: Бюро пропаганды советского киноискусства, 1979. – 274 с.
Словари
9.Harmon R. M. Англо-русский толковый словарь американского разговорного языка. – М.: Видар, 1999. – 416 с.
10.Pearson L. Dictionary of English Language and Culture. – Education Limited, 2005. – 1620 с.
11.Амосова Н. Н., Апресян Ю. Д., Гальперин И. Р. Большой англорусский словарь: в 2 т. – М.: Русский язык, 1987.
12.Мюллер В. К. Англо-русский словарь. – М.: Русский язык, 1991.
13.Сахаров А. А. Англо-русский словарь по фотографии и кинематографии. – М.: Физматгиз, 1960.
251
14.Уилсон Э. А., Уилсон Э. Современный англо-русский словарь. Modern English-Russian Dictionary. – М.: Астрель: АСТ, 2005. – 862 с.
15.Феоктистова Л. В. Лексический минимум по английскому языку для студентов театральных и кинематографических вузов. – Владивосток: Изд-во Дальневосточного университета, 1992. – 160 с.
16.Юткевич С. И. Кино: Энциклопедический словарь. – М.: Советская энциклопедия, 1986. – 640 с.
Энциклопедии
17.Encyclopaedia Britannica 2006, Ultimate Reference Suit.
18.Microsoft Encarta Premium 2006.
19.Большая энциклопедия Кирилла и Мефодия 2007.
Газеты и журналы
20.English learner’s Digest. Дайджест для изучающих английский язык. – Киев: Знание. – 1995–1998.
21.School English. – Самара, 2006–2008.
22.Иностранные языки в школе. – М.: Издательский дом. – 1993–2003.
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CONTENTS |
|
I. HISTORY OF MOTION PICTURES ................................................. |
6 |
INTRODUCTION.................................................................................... |
6 |
EARLY EXPERIMENTS ........................................................................ |
8 |
THOMAS EDISON AND WILLIAM DICKSON................................... |
9 |
THE RISE AND FALL OF KINETOSCOPES ........................................ |
10 |
THE LUMIÈRE BROTHERS.................................................................. |
12 |
ONE-REELERS ....................................................................................... |
13 |
SILENT MOVIES .................................................................................... |
14 |
D. W. GRIFFITH AND HIS EPICS ...................................................... |
14 |
SILENT COMEDIES............................................................................. |
15 |
EUROPEAN SILENT MOVIES ............................................................ |
16 |
THE SILENT DOCUMENTARY........................................................... |
18 |
SOUND FILMS........................................................................................ |
19 |
EARLY TALKIES .................................................................................. |
20 |
DEVELOPMENTS IN EUROPE .......................................................... |
21 |
THE DEVELOPMENT OF COLOR FILMS........................................... |
22 |
FILMS AFTER WORLD WAR II ........................................................... |
23 |
NEOREALISM AND THE NEW WAVE ............................................... |
24 |
THE ACHIEVEMENTS IN NEW CINEMA OF OTHER EUROPEAN |
|
COUNTRIES......................................................................................... |
25 |
NON-EUROPEAN CINEMA ................................................................ |
27 |
NEW AMERICAN FILMMAKERS........................................................ |
29 |
BIG-BUDGET BLOCKBUSTERS ......................................................... |
31 |
RECENT TRENDS .................................................................................. |
33 |
II. THEORY OF MOTION PICTURES................................................. |
36 |
WHAT IS MOTION PICTURE? ............................................................. |
36 |
TYPES OF MOTION PICTURES ........................................................... |
37 |
DOCUMENTARY FILM....................................................................... |
38 |
UNDERGROUND FILM ...................................................................... |
39 |
ANIMATED FILMS .............................................................................. |
40 |
FILM GENRES ........................................................................................ |
41 |
MAIN FILM GENRES............................................................................. |
43 |
253 |
|
FILM SUB-GENRES............................................................................... |
45 |
HORRORS! ........................................................................................... |
48 |
SOAP OPERAS ..................................................................................... |
49 |
MUSICAL FILM ................................................................................... |
50 |
PEOPLE WHO MAKE A MOTION PICTURE ...................................... |
52 |
Producer ............................................................................................... |
52 |
Screenwriter.......................................................................................... |
52 |
Film Director ........................................................................................ |
53 |
Unit Production Manager..................................................................... |
53 |
Casting Director ................................................................................... |
54 |
Actors .................................................................................................... |
54 |
Stunt People .......................................................................................... |
54 |
Animal «Actors» ................................................................................... |
55 |
Director of Photography....................................................................... |
55 |
Cameraman........................................................................................... |
55 |
Designers .............................................................................................. |
56 |
Assistant Directors................................................................................ |
56 |
Film and Sound Editors ........................................................................ |
56 |
Music Composer ................................................................................... |
57 |
Other Positions ..................................................................................... |
57 |
THE ART OF TELEVISION ................................................................... |
58 |
III. SHOOTING A MOTION PICTURE................................................ |
61 |
GENERAL FILMING PROCESS............................................................ |
61 |
SCRIPT .................................................................................................... |
63 |
SETTINGS ............................................................................................... |
64 |
COSTUME............................................................................................... |
65 |
THE SECRETS OF MAKE-UP ............................................................... |
66 |
TECHNICAL ASPECTS OF FILMING.................................................. |
67 |
OPERATING THE CAMERA ............................................................... |
68 |
LIGHTING THE SCENE ...................................................................... |
68 |
MONTAGE............................................................................................ |
69 |
RECORDING THE SOUND................................................................. |
70 |
MIXING................................................................................................. |
72 |
MUSIC .................................................................................................. |
73 |
DUBBING ............................................................................................. |
74 |
254 |
|
SPECIAL EFFECTS ................................................................................ |
75 |
DISTRIBUTING AND MARKETING A MOTION PICTURE ............. |
79 |
IV. ANIMATION....................................................................................... |
81 |
HISTORY................................................................................................. |
81 |
ANIMATION IN EUROPE ..................................................................... |
82 |
CONTEMPORARY DEVELOPMENTS ................................................ |
84 |
THE PRODUCTION PROCESS ............................................................. |
84 |
TYPES OF ANIMATION........................................................................ |
86 |
WALT DISNEY’S EARLY LIFE BEFORE HIS GREAT SUCCESS.... |
88 |
THE WALT DISNEY COMPANY ......................................................... |
90 |
SOYUZMULTFILM................................................................................ |
93 |
V. FILM CORPORATIONS AND FESTIVALS ................................... |
96 |
HOLLYWOOD........................................................................................ |
96 |
UNITED ARTISTS CORPORATION..................................................... |
97 |
WARNER BROTHERS........................................................................... |
98 |
METRO-GOLDWYN-MAYER, INC. ................................................... 99 |
|
PARAMOUNT PICTURES CORPORATION ....................................... |
101 |
TWENTIETH CENTURY FOX FILM CORPORATION ...................... |
102 |
BOLLYWOOD: INDIA'S STAR MACHINE ......................................... |
104 |
TŌHŌMOTION PICTURE COMPANY................................................ |
107 |
MOSFILM................................................................................................ |
107 |
GORKY FILM STUDIO.......................................................................... |
110 |
LENFILM................................................................................................. |
112 |
FILM FESTIVALS .................................................................................. |
114 |
CANNES FESTIVAL ............................................................................. |
116 |
«KINOTAVR” ....................................................................................... |
118 |
VI. FILM CELEBRITIES ........................................................................ |
120 |
FOUR GREAT COMEDIANS OF THE SILENT CINEMA................... |
120 |
CHAPLIN’S FIRST APPEARANCE ON THE STAGE ......................... |
122 |
GRETA GARBO...................................................................................... |
123 |
ALFRED HITCHCOCK .......................................................................... |
124 |
PAUL NEWMAN .................................................................................... |
126 |
STANLEY KUBRICK............................................................................. |
128 |
AKIRA KUROSAWA ABOUT HIMSELF............................................. |
129 |
255 |
|
SEAN CONNERY ................................................................................... |
130 |
YOU KNOW MY NAME – 007............................................................... |
131 |
JEAN-PAUL BELMONDO..................................................................... |
134 |
JACK NICHOLSON ................................................................................ |
135 |
GEORGE LUCAS.................................................................................... |
138 |
JOHN TRAVOLTA ................................................................................. |
139 |
LEONARDO DICAPRIO ........................................................................ |
141 |
KIERA KNIGHTLEY.............................................................................. |
143 |
MEGAN FOX .......................................................................................... |
146 |
EISENSTEIN AS A TEACHER .............................................................. |
149 |
LEONID GAIDAI .................................................................................... |
150 |
ROLAN BYKOV ..................................................................................... |
152 |
ELDAR RYAZANOV ............................................................................. |
153 |
NIKITA MIKHALKOV........................................................................... |
154 |
KONSTANTIN KHABENSKIY ............................................................. |
157 |
CHULPAN KHAMATOVA.................................................................... |
158 |
SUPPLEMENTS........................................................................................ |
160 |
LIST OF PROPER NAMES..................................................................... |
160 |
LIST OF MOVIES ................................................................................... |
178 |
GLOSSARY............................................................................................. |
187 |
ENLISH-RUSSIAN VOCABULARY .................................................... |
200 |
SLANG EXPRESSIONS ......................................................................... |
248 |
LIST OF SOURCES................................................................................. |
251 |
CONTENTS ............................................................................................... |
253 |
256
Учебное издание
CINEMA WORLD
ХРЕСТОМАТИЯ
по чтению на английском языке
Составители:
М. В. Денисенко,
Т. Н. Юдина
Верстка
М. Б. Сорокина
Дизайн обложки
М. А. Иноземцев
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257