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404 BALANCE FUNCTION ASSESSMENT AND MANAGEMENT
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figure 16–5. A patient prepared for a cVEMP recording using frontal skull taps. tial reflex hammer that generates a trigger pulse when the hammer strikes the head. The pulse triggers a record­ing epoch and the signal averager records the response.
The mechanical stimulus is an iner-
hearing loss. In a similar study, Yang and Young (2003) compared the clinical utility of skull taps and air-con­ducted stimuli for recording cVEMPs in patients with otitis media. As expected, only 59% of the subjects with middle ear disease generated measurable cVEMPs in response to the air-conducted stimuli compared with 91% when light skull taps were used. The patients who failed to generate responses to skull taps had larger conductive impairments. Mechanical stimulation also has been shown to be useful in identifying peripheral vestibular end-organ impairments. Brantberg and col­leagues (2003) evaluated cVEMP responses using fore­head skull taps and air-conducted stimuli in patients diagnosed with vestibular neuritis. Cervical VEMPs recorded using air-conducted clicks and skull taps were similar. It is noteworthy that the location (e.g., lateral versus forehead) of the skull taps can produce different responses. Brantberg and Tribukait (2002) showed that taps to the forehead produced bilateral cVEMP waveforms similar to those generated by air­conducted stimuli. However, cVEMPs in response to lateral skull taps generated a typical looking cVEMP (i.e., P1 to N1) from the contralateral side but an anti­phasic waveform from the ipsilateral side. The authors suggested that this bilateral response represented syn­chronized EMG activity from the SCMs analogous to what would occur during a natural translation of the head. Figure 16–6 shows cVEMP responses obtained in the author’s lab using a customized “skull tapper” delivered to the midline of the skull.
recording technique. The most common method is to record the response bilaterally, since both the left and right saccules are stimulated by the mechanical stimu­lus. The non-inverting and inverting electrode inputs are unchanged. However, the ground electrode must be moved elsewhere, since the forehead is the site where the skull taps are delivered. The response is recorded with the patient supine and with a gauze 4 × 4 cm pad placed on the forehead. The patient is asked to lift his/ her head in the midline position and to push against the examiner’s hand that is exerting a gentle force against the patient’s head. This creates an isometric contraction of the bilateral SCMs and tonic EMG activity that will be attenuated by the mechanical stimulus. Halmagyi et al. (1995) showed that cVEMP responses generated with mechanical stimulation could be recorded bilater­ally, had larger amplitudes than air-conducted stimuli, and were measurable in the presence of conductive
figure 16–6. A cVEMP recorded in response to frontal skull taps using a novel bone tapper device (Intelligent Hearing Systems). Note: x-axis is time in ms.
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Stimulus Frequency
The effect of stimulus frequency on the cVEMP has been systematically described by several groups of investigators (Akin, Murnane, & Proffitt, 2003; Muro­fushi et al., 1999; Piker, Jacobson, Burkard, McCaslin, & Hood, 2013). The consensus of these investigations and others has been that although the cVEMP can be recorded using unfiltered click stimuli, maximum cVEMP amplitude is obtained using short-duration, low-frequency tone bursts. In one of the first studies describing the effects of stimulus frequency on the cVEMP, Murofushi and colleagues (1999) compared cVEMP amplitudes in response to low-frequency tone bursts and clicks. The frequency-specific stimuli were 500, 1000, and 2000 Hz tone bursts. The authors showed responses recorded with 500-Hz tone bursts and clicks were similar in amplitude, while the 2000 Hz cVEMPs were the smallest (Figure 16–7). Similarly, Todd, Cody, and Banks (2000) investigated the differences in the amplitude of cVEMPs recorded with 100-, 200-, 400-, 800-, 1600-, and 3200-Hz tone bursts while keeping the intensity stable (100 dB SPL). The authors applied a curve-fitting algorithm to the data and determined that the stimulus frequency that maximized cVEMP ampli­tude was between 300 and 650 Hz. Akin et al. (2003) also investigated the effect of stimulus frequency (i.e., 500–750 Hz) on latency and threshold of the cVEMP response. Changing the frequency of the stimulus does not appear to have an effect on latency when the rise and fall time of the stimulus remained constant (Akin et al., 2003; Welgampola & Colebatch, 2001a). Welgam­pola and Colebatch (2001a) recorded cVEMP responses using tone bursts between 200 and 1000 Hz using 100­Hz increments. The investigators reported that cVEMPs with the largest amplitudes were generated in response to stimuli between 600 and 1000 Hz. The finding that low-frequency tone bursts between 500 and 1000 Hz are the optimal auditory stimuli to generate a cVEMP has been replicated by numerous groups of investiga­tors (Akin et al., 2003; Lin et al., 2006; Murofushi et al.,
1999). These findings are in agreement with neuro­physiological recordings from the inferior vestibular nerve afferents in cats where tuning is most sensitive from 500 to 1000 Hz (McCue & Guinan, 1995).
Stimulus Intensity
The level of the stimulus used to elicit a cVEMP response directly influences the amplitude of the cVEMP. Record­ing a cVEMP requires a high-intensity stimulus with a short onset time (e.g., 95 to 100 dB normalized hearing
Figure 16–7. The effect of stimulus frequency on cVEMP amplitude. stimulus level was 127 dB p on the left represent individual runs and the recordings on the right represent the average of responses. From Piker, E. and Hood, cVEMP and oVEMP. Ear and Hearing, 34(6), 65–73. Used with permission.
G., Jacobson, G. P., Burkard, R. F., McCaslin, D. L.,
L. J. (2013). Effects of age on the tuning of the
SPL. The tracings
level [nHL], with a 1 cycle rise/fall time) (Colebatch et al., 1994; Ochi, Ohashi, & Nishino, 2001). In fact, stimulus intensities near or below 75 dB HL are not sufficient to generate a cVEMP in most individuals with normal vestibular function (Akin et al., 2003; Papathanasiou, Murofushi, Akin, & Colebatch, 2014). Most commer­cial evoked potential systems that are used to record cVEMPs are capable of generating stimuli of sufficient intensity to consistently record cVEMPs. However, it is important to ensure that the system generating the stimulus is calibrated using peak-to-peak equivalent SPL so that peak and cumulative sound exposure can
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be measured and calculated (Papathanasiou et al., 2014; Rosengren, Govender, & Colebatch, 2009). The stimulus generator should be routinely calibrated in dB peak SPL using a sound-level meter. Stimulus level is one of the key factors that modulate the amplitude of the cVEMP response. The relationship between oVEMP amplitude and intensity is maintained with click stimuli as well as frequency-specific stimuli such as tone bursts (Akin et al., 2003; Colebatch et al., 1994; Ochi et al.,
2001). In a comprehensive look at the effect of stimulus level on cVEMP amplitude, Ochi and colleagues (2001) reported significant changes in the amplitude of the cVEMP with increasing stimulus level (i.e., 85, 95, and 105 dB). Specifically, the authors reported peak-to-peak amplitudes of 203.96 microvolts (µV), 264.10 µV, and
293.35 µV for cVEMPs evoked using clicks at 95, 100, and 105 dB nHL, respectively. However, this relation­ship between stimulus intensity and cVEMP ampli­tude is not completely linear. Figure 16–8 illustrates the effect of stimulus intensity on cVEMP amplitude.
Stimulus Rate
The effects of presentation rate/stimulus presentation rate on the cVEMP have been described (Brantberg &
Fransson, 2001; Wu & Murofushi, 1999). Brantberg and Fransson (2001) presented stimuli using presentation rates of 4, 6, 8, and 20 per second. The authors evalu­ated waveform reproducibility and used a specific set of criteria to register whether a cVEMP response was present or absent. In order for a response to be clas­sified as present, the peak-to-peak amplitude of the cVEMP had to significantly exceed the voltage varia­tion of the first 5 ms following stimulus onset. Further­more, the initial component of the cVEMP needed to be both identifiable in the 15 to 20 ms post-stimulus period and reproducible. The authors reported that as stimulus rate was increased from 6 to 20 Hz, cVEMP responses that met the preset criterion decreased from 87% (6/sec) to 56% (20/sec). Furthermore, the cVEMP peak-to-peak amplitude was shown to decrease signifi­cantly as stimulus rate was increased.
In a similar study, Wu and Murofushi (1999) eval­uated the effects of five repetition rates (1, 5, 10, 15, and 20 Hz) on the response characteristics of the cVEMP. They reported that responses could be recorded using repetition rates of 10 Hz and less. The cVEMP was recorded in only 63% of subjects when the rate of stimulus presentation was 20 Hz. The investigators also reported that the largest VEMP amplitudes were recorded using stimulation rates of 5 Hz and below
Figure 16–8. The effect of stimulus level on cVEMP amplitude.
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(Figure 16–9). Based on this investigation, the authors recommended a stimulus repetition rate of 5 Hz to maximize amplitude and reproducibility.
Stimulus Gating and Duration
The envelope of a tone burst refers to how the onset and offset of the stimulus are shaped. Different gating parameters can change the spectral characteristics of a frequency-specific stimulus. Cheng and Murofushi (2001a) evaluated the effect of stimulus rise/fall time on the latency of the VEMP. The investigators reported their observations of the effects of four rise and fall times on the latency of the P1 and N1, and the time separating the two peaks. The investigators reported that P1 latency increased as the rise/fall time increased. A similar trend of increasing latency with increasing stimulus rise and fall time was reported for N1.
Welgampola and Colebatch (2001a) evaluated the optimal duration for frequency-specific stimuli using durations of 1, 3, 5, 7, 10, and 20 ms delivered at a rate of five per second. The investigators reported that the largest cVEMP responses were obtained when stimuli of approximately 7 ms duration were used.
Stimulus Monaural/Binaural
The clinical utility of monaural versus binaural stim­ulation for recording cVEMPs has been described. Yang and Young (2003) described the characteristics of cVEMPs in response to monaural and binaural stimula-
tion. The authors were particularly interested in deter­mining if cVEMP latencies, amplitudes, and response rates recorded using binaural stimulation were simi­lar to those recorded when two monaural responses were recorded and analyzed separately. In fact, there were no significant differences found when response metrics were compared between the two stimulation paradigms. The authors concluded that it was appro­priate to use bilateral stimulation and recordings. Bilat­eral testing has the potential to reduce the amount of recording time by 50%. This procedure has merit where patients may be unable to sustain the required muscle contraction for the time it would take to record two monaural recordings (e.g., elderly patients).
RECORDING VARIABLES
Electrode Placement
Cervical VEMP recording requires that the non-invert­ing electrode (i.e., active electrode) be placed at the midpoint between the termination of the muscle at the mastoid and its origin at the sternum. The resulting response is a positive peak (P1) followed by a negative peak (N1) (Jacobson & McCaslin, 2007). Sheykholes­lami, Murofushi, and Kaga (2001) examined the effect of electrode position on cVEMP amplitude and latency by recording from several different locations along the length of the SCM (Figure 16–10). The investigators showed that response latency was most stable when the response was recorded from the belly (i.e., middle)
Figure 16–9. The effect of stimulus rate (500 Hz tone burst) on cVEMP response amplitude.
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Figure 16–10. Electrode locations used to determine the optimal placement for recording the c middle part of the tion for recording c Murofushi, T., and Kaga, K. (2001). The effect of sterno­cleidomastoid electrode location on vestibular-evoked myogenic potential. Auris Nasus Larynx, 28(1), 41–43. Used with permission.
SCM muscle is the optimal loca-
VEMPs. From Sheykholeslami, K.,
VEMP. The
of the muscle. The inverting electrode (i.e., reference) should be placed in an electrically indifferent posi­tion. Several investigations have reported placing the inverting electrode near the sternal tendons or at the sternoclavicular junction (Rosengren, Welgampola, & Colebatch, 2010). However, in our experience, these locations are not always free from reference contami­nation. The common or ground electrode can be affixed to the forehead except when a mechanical stimulus is employed. This electrode configuration results in positive potentials represented as upward deflections. The cVEMP response is predominantly a unilateral response, although in some instances contralateral responses have been shown to be present. Accord­ingly, a one- or two-channel evoked potential system is appropriate for recording the response because only the ipsilateral response is typically measured for diag­nostic purposes.
Amplification and Filtering
The cVEMP is much larger than a typical neurogenic auditory evoked potential. Where an auditory brain-
stem response (ABR) wave V might be 0.5 µV, a cVEMP P1 response may be 300 µV in amplitude. This means that amplification values of only 3000 to 5000× are nec­essary to bring the response into the recording range of the signal averager. Because the response is a stimulus synchronized attenuation of tonic EMG activity, it is necessary to ensure that artifact rejection is disabled. If artifact rejection is disabled, it is incumbent on the examiner to monitor the amplifier input to the signal average to ensure that saturation of the amplitude has not occurred (i.e., clipping of the raw EMG). Where amplifier saturation has occurred, it is a simple matter to reduce the amplifier gain (e.g., 5000× to 3000×).
There has been variability in the reported opti­mal bandpass filter (BPF) settings (Burkard, McCaslin, Jacobson, & McNeerney, 2010; McCaslin, Jacobson, Hatton, Fowler, & Delong, 2013; Ochi et al., 2001; Vanspauwen, Wuyts, & Va de Henning, 2006). BPF is a process that enables the clinician to reject unwanted endogenous (e.g., EKG) and exogenous (e.g., 60 Hz) electrical interference (Jones et al., 2002). The deci­sion of how wide to set the BPF to record the response of interest is based on (1) the spectral characteristics of the response, (2) the spectral characteristics of the unwanted noise, and (3) the “skirt” of the filter (Wang, Jaw, & Young, 2013). In an effort to describe the opti­mal BPF for the cVEMP, Burkard, McCaslin, Jacobson, and McNeerney (2010) recorded cVEMPs from eight subjects. VEMPs were obtained using 120 dB peak (p) SPL 500 Hz tone bursts (2-1-2 cycle, Blackman window) and presented at a rate of 5 Hz (Jacobson & McCaslin,
2007). Responses were averaged to ~250 stimuli, and each response was replicated one time. The authors reported that the dominant energy composing the cVEMP response was in the range of 15 to 70 Hz. There­fore, the authors recommended a minimum high-pass cutoff of ~5 to 15 Hz and a minimum low-pass cutoff of ~100 to 150 Hz.
SUBJECT VARIABLES
EMG Activity and Monitoring
Even though the absolute latency of P1 and interaural P1 latency differences are routinely measured during the cVEMP recording, amplitude has become the stan­dard parameter for detecting most abnormalities affect­ing the end organs in clinical populations (Jacobson & McCaslin, 2007; McCaslin et al., 2013). Intersubject absolute amplitude variability is an issue that arises when using cVEMP amplitude in clinical assessments.
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One method to account for the intersubject ampli­tude variability is to use relative amplitude measures through the use of amplitude asymmetry calculations. A confounding factor associated with using amplitude measures is the known relationship between the tonic background EMG and the peak-to-peak amplitude of the cVEMP. In this regard, Lim, Clouston, Sheean, and Yiannikas (1995) reported that cVEMP amplitude was positively correlated with the level of tonic muscle activity (Lim et al., 1995). That is, as the level of tonic EMG increases, the amplitude of the response increases (Akin et al., 2004; Karino et al., 2005; Lee et al., 2008; Lim et al., 1995; McCaslin et al., 2014; Welgampola & Colebatch, 2001b; Figure 16–11). Because the cVEMP represents a synchronized attenuation of tonic EMG activity, patients must activate the SCM (i.e., produce a criterion level of tonic EMG above the resting baseline) in order to resolve a response (i.e., which is the sound­synchronized reduction in background EMG). Sev-
eral methods have been described for the purpose of maximally activating the SCM during cVEMP record­ing. Two proven methods described in the literature are (1) superior flexion of the head while rotating the head away from the ear stimulated with the patient in a semi­recumbent position (Figure 16–12) and (2) lifting the head at midline while the patient is in the supine posi­tion (i.e., bilateral activation; Figure 16–13) (Colebatch et al., 1994; Rosengren et al., 2010; Vanspauwen et al., 2006; Wang & Young, 2006; Zapala & Brey, 2004). The former technique has been reported to consistently generate cVEMP in normal participants and is the technique we currently employ in our laboratory (Isaradisaikul et al., 2008; McCaslin et al., 2013; Wang & Young, 2006).
Accounting for the level of SCM activation is criti­cal for both the reliability of cVEMP measures as well as validity of interaural measures. Occasionally, patients are unable to generate equal amounts of background EMG for testing the left and right sides (e.g., patients
UncorrectedP1–N1Amplitude
figu re 16 –11. cVEMP amplitude increases with increases in EMG amplitude. Each subject was instructed to keep their tonic EMG as close to a fixed point as possible on the monitor. From McCaslin, D. L., Fowler, A., and Jacobson, G. P. (2014). Amplitude normalization reduces cervical vestibular evoked myogenic potential (cVEMP) amplitude asymmetries in normal subjects: Proof of concept. Jour- nal of the American Academy of Audiology, 25(3), 268–277. Used with permission.
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figure 16–12. A model prepared for a two-channel cVEMP recording using the sternoclavicular junction as the inverting (reference) elec­trode. The head is rotated away from the ear stimulated while in the semirecumbent position.
with cervical spondylosis). Two primary methods have been shown to be valid for use in controlling for the level of background tonic EMG activity. These include: (1) self-monitoring of the EMG activity by the patient through the use of a visual EMG target (Colebatch &
figure 16–13. A model prepared for a two-channel cVEMP record­ing using the sternoclavicular junction as the inverting (reference) electrode. The head is lifted in the midline while the patient is in the supine position. This technique can be used for bilateral activation and recording.
Halmagyi, 1992) and (2) mathematical correction (i.e., amplitude normalization) of evoked potential ampli­tude for the magnitude of EMG that occurred during signal averaging (Brantberg et al., 2008; McCaslin et al., 2014; Welgampola & Colebatch, 2001b).
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Patient Self-Monitoring (Biofeedback)
Self-monitoring of EMG involves the use of biofeed­back. That is, the patient is provided an ongoing measure of his or her rectified continuous tonic EMG activity. The EMG is transformed into a visual target and displayed on a screen for the patient to observe in real time during the recording. In most instances, EMG magnitude is represented on the vertical axis and recording time displayed along the horizontal axis (Figure 16–14).
This form of feedback enables the patient to com­pare his or her current level of EMG with the preset target level window (i.e., minimum and maximum amount of allowable EMG). The patient must contin­ually maintain a specified level of EMG activity and either increase or decrease his or her ongoing EMG activity to stay within the predefined target window. When the level of EMG in a particular recording epoch exceeds the ceiling of the window or falls below the minimum allowable EMG, the individual sweep is rejected. In this way the variability of the EMG is con­trolled to a degree that the tester predetermines. View­ing the ongoing EMG activity during the recording also provides the patient with a threshold to exceed in order to ensure that an adequate level of SCM contraction
is achieved to produce a cVEMP (e.g., 50 µV). What must be known before a target window for the EMG can be created is what the variability is when a subject is asked to maintain a certain level of EMG at a target level (McCaslin et al., 2014). In order to answer this question, McCaslin and colleagues (2014) instructed study participants to contract their SCMs in such a way as to maintain the level of EMG at one of four tar­get levels (i.e., of 100, 200, 300, and 400 µV). A visual target was provided via a video monitor for the sub­jects to observe. At the end of each recording, a mean (and standard deviation [SD]) of the EMG activity was calculated. EMG variability (i.e., window width) was calculated using two SDs from the mean. Figure 16–15 shows that as the EMG target increases, background muscle activity variability increases and the window should be widened (McCaslin et al., 2014). Because of the variability in commercial EMG monitors, it is recommended that normative data be obtained that quantify the variability associated with different target levels before setting the target window width.
There is now consensus that controlling for the level of EMG during a cVEMP recording is critical (Akin et al., 2004; Akin, Murnane, Tampas, & Clinard, 2011; McCaslin et al., 2014). In one of the first articles dem­onstrating the relationship between EMG and cVEMP
figure 16–14. A representative EMG monitor (Interacoustics) for recording cVEMPs. EMG magnitude is represented on the vertical axis and time represented on the horizontal axis. The percent completed dial allows the patient see how much time remains for the recording.
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figure 16–15. Mean RMS EMG variability increases with increases
MG amplitude. Each subject was instructed to keep his or her
in E tonic E
MG as close to a fixed point as possible on the monitor. The upper ends of the boxplots represent the 75th percentile (upper quartile), and the lower ends of the boxplots represent the 25th percentile (lower quartile). by the line in the center of the boxplot. From A., and Jacobson, cervical vestibular evoked myogenic potential (c asymmetries in normal subjects: Proof of concept. Journal of the American Academy of Audiology, 25(3), 268–277. doi:10.3766/ jaaa.25.3.6.
Used with permission.
G. P. (2014). Amplitude normalization reduces
The median of the data is represented
amplitude, Akin and associates (2004) systematically described how cVEMP amplitude increased with cor­responding increases in EMG. The authors employed an EMG monitor to quantify the amplitude of the back­ground muscle activity and concluded that the opti­mal amount of tonic EMG for recording a cVEMP fell between 30 and 50 µV. The results of the study con­cluded that the close relationship between EMG and cVEMP amplitude makes monitoring the EMG during a cVEMP recording necessary. Without the ability to monitor background SCM EMG, the cVEMP responses from the left and right sides cannot be reliably com­pared. However, some investigators have failed to find statistically significant differences in grouped data between unmonitored and self-monitoring conditions when optimal muscle activation techniques were used (Isaradisaikul et al., 2008; McCaslin et al., 2013). Isara­disaikul and associates (2008) acknowledged that there
McCaslin, D. L., Fowler,
VEMP) amplitude
were a number of patients who did benefit from moni­toring (although it did not reach statistical significance) and suggested that EMG monitoring is beneficial for a subset of patients receiving a less than perfectly admin­istered test procedure (e.g., in the case of a severely asymmetrical SCM activation).
cVEMP Amplitude Normalization
A second technique for controlling for the effects of asymmetrical tonic EMG activity during the cVEMP recording is through the use of a mathematical correc­tion known as amplitude normalization (Colebatch et al., 1994; Lee, Cha, Jung, Park, & Yeo, 2008; McCaslin et al., 2013, 2014). Colebatch and colleagues (1994) described a method to correct for asymmetrical muscle contrac­tion that utilized a calculation of the magnitude of the rectified EMG that occurred in the pre-stimulus
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period. The method consists of collecting a sample of tonic EMG activity preceding the stimulus onset (e.g., 100 ms in duration) during each recording epoch and then calculating the mean root mean square (RMS) value of the rectified pre-stimulus EMG to derive an average. This pre-stimulus EMG average theoretically represents an estimate of the EMG produced by the contraction of the SCM during the overall recording. A derived waveform that accounts for the level of EMG during the recording is then calculated by dividing the mean RMS of the EMG into each data point of the final signal averaged cVEMP waveform. In this way the amplitude of P1–N1 is “normalized” so that side-to­side amplitude comparisons can be calculated and the variability of side-to-side differences in muscle contrac­tion (reflected by EMG amplitude) can be controlled (Figure 16–16).
Several investigators have studied the clinical utility of amplitude normalization with mixed results (Bogle, Zapala, Criter, & Burkard, 2013; Kim, Jung, Lee, & Suh, 2013; McCaslin et al., 2013). McCaslin and asso­ciates (2013) reported that in a group of normal subjects (i.e., pediatric and adult) amplitude normalization did not reduce significantly the variability in the interaural amplitude asymmetry when a single EMG target was employed. In some instances, amplitude normaliza­tion converted an “abnormal” cVEMP into a “normal” cVEMP, although the opposite effect occurred as well, suggesting that the amplitude normalization technique was valuable in a subset of patients in their sample but
not enough to reach statistical significance. In a follow­up study designed to further investigate the effective­ness of amplitude normalization on asymmetrical EMG, the investigators recorded cVEMPs while having patients maintain four different levels of EMG ampli­tude (i.e., 100, 200, 300, and 400 µV) for each ear. This method enabled the investigators to compare cVEMP responses obtained with varying levels of background EMG and evaluate the effectiveness of amplitude nor­malization. For each ear in each condition the P1–N1 interaural asymmetry ratios were calculated. As was expected, when responses obtained using dramati­cally different EMG target levels were compared (e.g., 100 µV target versus 400 µV target), large asymmetries were noted (Figure 16–17). Following the application of amplitude normalization, cVEMP amplitude did not change significantly with changes in RMS EMG or EMG target levels for any condition (see Table 16–2). This study confirmed the benefits of using amplitude normalization as well as helped determine the degree of tonic EMG asymmetry required to generate an abnor­mal amplitude asymmetry result in normal subjects.
One fact that has come to light recently is that the relationship between EMG amplitude and P1–N1 amplitude is not entirely linear. That is, the input-output growth function for cVEMP peak-to-peak amplitude has been shown to saturate at supramaximal SCM con­traction levels (Bogle et al., 2013; McCaslin et al., 2014). The point where further increases in background SCM EMG do not yield corresponding increases in P1–N1
figure 16–16. Example of a subject with asymmetrical EMG during the cVEMP recording and whose interaural asymmetry value was transformed by amplitude normalization.