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BACK

- 31

BAD

BACK — FORTH

The bottle worked back and forth now like a shuttle.

From Here, 170

It slid up and down at the top of its oiled shaft, back and forth...

Cross, 211

BACK — FORWARD(S)

He distinguished the choice open to him of forward or back, and he selected forward.

Egoist, 259 As she paced back and forwards across the small green...

Hatter's, 89

BACKWARD(S) — FORWARD(S)

She began to rock backward and forward, at the same time swaying from side to side as in a trance.

Tragedy, 425

... he looked, not forward, but backward.

Hatter’s, 430

A dog... ran backwards and forwards on the parapet...

Oliver, 507

BAD — GOOD

If you’ve obeyed all the rules, good and bad, and you still come out at the dirty end, then I say the rules are no good.

 

Live,

466

... they

are determined to get on by any means, good

or bad.

228

 

Colonel,

Through letters, whatever of good or bad was to

be

told

would be communicated.

 

Pride, 283

BA D

- 32 -

6 E F O R 6

I ’ve a

feeling that big things are to happen soon, for

good

and for bad.

Spring, 574

 

 

We’re all in this together for" better or for worse.

Cross, 346

BEAST — MAN

But man or beast, it will be wise to stay here a minute and let it get by and out of the way.

 

 

 

 

 

Yankee,

233

As a

beast,

the

forces

of life aligned him

with them;

as a man, he was not yet wholly learned

to ally him­

self

with

the

forces.

 

Sister,

87

 

 

 

 

 

BEAUTIFUL — PLAIN

Curious thing, plain women are always jealous of their husbands, beautiful women never are.

Woman, 108

Her face was not beautiful, it was rather plain.

Crusaders, 34

BEAUTIFUL — UGLY

Do you know what it is to be ugly all your life and inside to feel that you are beautiful.

For Whom, 97

They are not ugly! They are strong and... beautiful.

Tomorrow, 59

BEFORE — SINCE

Gunpowder, it seems, was never so cheap, before or

since...

Lorna, 30

B E F O R E

- 33 —

BIG

They

were looking

at each other with as

bewildered

and

helplessly miserable expression as I

have ever

witnessed on any

human countenance before or since...

Three, 96

BEGIN — END

BEGINNING — END

Romance should never begin with sentiment. It should begin with science and end with a settlement.

Ideal, 239

I want to settle it — to begin it or end it.

Heroes, 272

This is not the end for her, but the beginning.

Joan, 587

... may be the end of your world, but it is the beginning of a world for all others.

Heroes, 341

BEGIN — FINISH

They were all eating similar food simultaneously; they began together and they finished together.

Wives, 486

Office affairs are easy to begin and difficult to finish, particularly in a small town.

Room, 71

BIG — LITTLE

He looked at them all — little and big.

Tragedy, II, 262

It was the little things that got Pa Dunn. Not the big

things.

Tomorrow, 265

... they want to shake us out and that’s the big and little of it, nothing more and nothing less.

Financier, 231

4 Заказ 818

b i g

— а4 —

B l a m e

BIG — SMALL

... insisted that the workers should look upon all of the farmers, small as well as big, as their enemies.

Outline, 324

... a bedbug is small and our house is big.

Cross, 374

BITTER — SWEET

... who shall analyse her tears, and say whether they were sweet or bitter?

Vanity, II, 371

... when they find life bitter they blame us for it, and when they find it sweet we do riot taste its sweetness with them...

Woman, 159

BLACK — WHITE

... whose intentions and actions towards Miss Alden were as different from those set forth by Mason as white from black.

Tragedy, II, 132

Ihave no objection to sit down and listen; but I don’t see how that can make black white.

Widower, 67

BLAME — PRAISE

.. whenever Alderman Dunstable praised or blamed she nodded twice or thrice, according to the require­ ments of his emphasis.

Ann, 140

.. if anywhere... any innocent man was wrongly blamed, then I would speak. If it were only that St. Clare was wrongly praised, I would be silent.

Brown, 273

bLAMfi

*-

35

BUV

Praise or blame has

but

a

momentary effect on

the

man whose love of beauty makes him the severest critic of his own works.

Tomb, 301

I, who am beyond praise and blame...

Joan, 595

BLESSING — CURSE

Still, as I see it, marriage is a very sacred thing, and children are a blessing — not a curse.

Once all

Tragedy,

423

in all, but now a thing apart, thou canst

not

be my

blessing or my curse.

 

 

Don,

65

BODY — MIND

He felt as he had felt when he came out of battle, body and mind exhausted.

Say, 270

What’s talked of as ‘breeding’ in humans is an attrib­ ute of mind rather than of body.

End, 152

BROAD — NARROW

... he emerged on Breite Strasse, which seemed to have been given its name Broad Street, as a joke, so nar­ row it was.

Crusaders, 540

But the beams or cleats I found myself on were not the broad, generous ones... on the contrary they were very narrow...

 

Bulls,

309

 

BUY — SELL

 

robbed by the

merchants both when they bought

and when they

sold.

 

 

Outline,

90

4 * .

BUY

36

C L E V E R

Women like you have no hearts. Heart is not in you. You are bought and sold.

Lady, 64

CHEAP — DEAR

... for clothes, though dear to buy, are cheap to pawn...

Martin, 287

Buying cheap and selling dear...

All Men, 263

CHEAP — EXPENSIVE

... the long corridor that was like every other hotel

corridor whether cheap or expensive...

 

 

 

From Here,

313

I bought

the cheap rayon garment to

please

myself;

I bought the expensive silk garment

because

always

to

wear

clothes of that quality is an unwritten term

of

my

contract.

Room,

24

 

 

 

CLEAN — DIRTY

Air they dirty, or air they clean, Sir?’ ’ said Scadder, holding them out.

 

Martin,

438

She did not

simply look clean; she looked as if

she

had never

been dirty.

170

 

Room,

CLEVER — FOOLISH

You don’t mean to say that this charming, clever young lady has been so foolish as to accept you?

Ideal,

274

“ They are all of them very clever.’ ’ — “ ...But 1

must

so far differ from you as to think our two youngest daughters uncommonly foolish.”

Pride, 30

C L E V E R

37

COLD

CLEVER — STUPID

I don’t call women of that kind clever. I call them stupid.

Ideal, 198

“ You become quite clever when you talk about her.’ ’— “ I didn’t know I was so very stupid on other subjects. ’ ’

Heartbreak, 188

CLOSE — FAR

The nearer to his favour, the nearer to his insolence; the closer to him, the farther from him.

Dombey, II, 244

... it may be farther off in your father’s sermons, Cal. But for the people it’s closer.

Tomorrow, 60

CLOSE — OPEN

Soames walked with his eyes on the ground, his lips opening and closing as though in anticipation of a delicious morsel.

Man, 71

He closed his eyes for a while, tlien opened them.

Love, 32

COLD — HOT

COLD — HEAT

Mrs. Jenkinson expressed her fears of Miss de Bourgh’s being too hot or too cold, or having too much or too little light.

 

 

 

Pride,

163

First

you are

hot,

then you are cold, and the

best

you

have got

is

the fact you are old.

 

Song, 168

COL D

 

38

 

COMIC

But not putting enough behind

it,

blowing hot

and

cold

the whole wretched

time.

 

Homecoming,

141

 

 

 

 

Between these extremes of cold

and

heat and wet and

dry

are vast temperate

zones.

 

Outline,

25

 

 

 

 

Every day is a day of adventure with its cold and heat, its light and darkness, its cycles of exultant vigour and exhaustion...

Too

True,

285

COLD — WARM

 

 

Don’t keep him too warm, ma’am; but

be careful

that you don’t let him be too cold.

 

125

Oliver,

“ I want to tell you something — two things,” he said hurriedly as the train came up. “ One is a warm one, the other a cold one.”

Jude, 191

COME — GO

Ministers come and ministers go; but 1 go on for ever.

Apple, 24

The hell with the money, come easy go easy.

Some Came, 144

COMIC(AL) — TRAGIC

COMEDY — TRAGEDY

.. it is tragic how much they trust us... Or comic, Lady

Basildon?

Ideal, 185

.. the thing was evidently more tragic than comic...

Club, 42

COMICAL

- 39

COOL

He was comical, yes, but he was also heartrendingly tragic.

Some Came, 212

The soul is born old but grows young. That is the com­ edy of life. And the body is born young and grows old. That is life’s tragedy.

Woman, 111

He gave a start and a little laugh as if he had been sud­ denly switched from tragedy to comedy.

 

 

End,

268

 

COMPLICATED — SIMPLE

 

 

“ But this

is complicated.’ ’ — “ And on

paper

very

simple,’ ’

Robert Jordan grinned.

 

 

 

For

Whom,

152

But now he wanted to know about him — not compli­ cated things, only a few simple matters.

 

 

 

Cross,

319

COOL — HOT

 

 

Everybody was very hot

and happy,

except the

lady

in the dust cloak who was perfectly cool.

 

 

 

 

Brit ling,

87

must do my duty, Rick,

or you

could never care for

me in cool blood; and

I hope

you

will always

care

for me, cool and hot.

 

 

Bleak,

351

 

 

 

COOL — WARM

For the first time her lips were not cool, shut and sister­ ly, but warm and open and delicious...

Death, 223

The day had been fine and warm; but at the coming on of night, the air grew cool.

Eden, 409

COU NT RY

- 40

CRY

COUNTRY — TOWN

In town or country, wet or dry, hot or cold, Tom Codlin suffers.

Curiosity, 324

But town or country, the table should be sacred.

 

 

Egoist,

410

 

CROOKED — STRAIGHT

 

I ’ve been

going crooked, but now I ’m

going straight,

and the

first step will be to get a job

in some office...

 

 

Babbit,

266

... my chimney’s crooked, and I can’t put it straight...

Poor

Man,

43

CRUEL — KIND

 

 

 

CRUELTY — KINDNESS

 

 

 

Because the people of this town are kind

as

they

can

be cruel.

Whom,

116

For

The kind man drinks and turns cruel...

 

 

 

 

 

 

 

Brown,

102

...as if the creature had found a midway

and border­

line to walk on between cruelty

and

kindness,

and

between

repulsion and attraction.

 

 

Egoist,

345

 

 

 

 

 

 

 

They would go

on — safe for

ever,

living

their

little

pigmy

lives,

doing pigmy

kindnesses

and cruelties

' each to

 

the other.

 

 

 

Food,

281

 

 

 

 

 

 

 

 

 

 

CRY — LAUGH

 

 

 

 

 

 

 

CRYING — LAUGHTER

 

 

 

The words

were

of an old lovesong

which

one might

cry or

laugh

at.

 

 

 

 

 

Lorna, 64

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