- •Instinct); speech is a non-instinctive, acquired, "cultural" function.
- •Indulgent criticism, be termed an element of speech, yet it is obvious
- •Impressions or images that sentient beings have formed or may form of
- •In the brain, together with the appropriate paths of association, that
- •Visual speech symbolisms is, of course, that of the written or printed
- •Is the correspondence that they may, not only in theory but in the
- •Its later stages, we associate with literature is, at best, but a
- •Incapacity of an element to stand alone. The grammatical element,
- •It has not yet succeeded in this, apart, possibly, from isolated adverbs
- •Independent word or as part of a larger word. These transitional cases,
- •Vowel (_-mü_, animate plural). Such features as accent, cadence, and the
- •Its feeling of unity so long as each and every one of them falls in
- •Into the subject of discourse--_the mayor_--and the predicate--_is going
- •Instinctive utterance that man shares with the lower animals, they
- •Value which the others do not possess (think of _storm and stress_). If
- •In such a word as _please_. It is the frequent failure of foreigners,
- •I have gone into these illustrative details, which are of little or no
- •Voluntary speech movements with the all but perfect freedom of voluntary
- •Independent muscular adjustments that work together simultaneously
- •Variations in pitch which are present not only in song but in the more
- •Ignoring transitional or extreme positions. Frequently a language allows
- •It is highly doubtful if the detailed conditions that brought about the
- •In that the compounded elements are felt as constituting but parts of a
- •Incapable of composition in our sense. It is invariably built up out of
- •Ideas as delimit the concrete significance of the radical element
- •It is not always, however, that we can clearly set off the suffixes of a
- •It will not be necessary to give many further examples of prefixing and
- •Indicates activity done for the subject (the so-called "middle" or
- •Is characteristic of true verbal forms that they throw the accent back
- •Indicates that there is implied in this overburdened _-s_ a distinct
- •Interrogative sentence possesses an entirely different "modality" from
- •Is the outgrowth of historical and of unreasoning psychological forces
- •I have exaggerated somewhat the concreteness of our subsidiary or rather
- •Indeed, there is clear evidence to warrant such a reading in. An example
- •Independent word; nor is it related to the Nootka word for "house."]
- •Is indefinite as to aspect, "be crying" is durative, "cry put" is
- •Implication in terms of form. There are languages, for instance, which
- •Idea, say an action, setting down its symbol--_run_. It is hardly
- •Isolated elements in the flow of speech. While they are fully alive, in
- •Instead of "a rich man."
- •Its unique structure. Such a standpoint expresses only a half truth.
- •Independently and frequently. In assuming the existence of comparable
- •Various kinds. First and foremost, it has been difficult to choose a
- •Inferred from the context. I am strongly inclined to believe that this
- •Into more than one of these groups. The Semitic languages, for instance,
- •Involved in this difference than linguists have generally recognized. It
- •Is one that either does not combine concepts into single words at all
- •Isolating cast. The meaning that we had best assign to the term
- •Is at the mercy of the preceding radical element to this extent, that it
- •Its indicative suffix, is just as clearly verbal: "it burns in the
- •III will be understood to include, or rather absorb, group IV.
- •Indicate relations. All these and similar distinctions are not merely
- •Ignored; "fusion" and "symbolism" may often be combined with advantage
- •Ignored in defining the general form of the language. The caution is all
- •I need hardly point out that these examples are far from exhausting the
- •Into "isolating," "agglutinative," and "inflective" (read "fusional")
- •Interesting, however, to note that of the three intercrossing
- •In the technical features of language. That highly synthetic languages
- •In which we can cover up our fault by a bit of unconscious special
- •It is probable that rhythm is an unconscious linguistic determinant even
- •Is still not as difficult to reconcile with our innate feeling for
- •In certain paradigms particular cases have coalesced. The case system is
- •In later medieval and in modern times there have been comparatively few
- •It_. Can it be that so common a word as _its_ is actually beginning to
- •It. We could hold to such a view if it were possible to say _the dog
- •It is only animate pronouns that distinguish pre-verbal and post-verbal
- •Impatience of nuancing is the group _whence_, _whither_, _hence_,
- •Vocabulary is rich in near-synonyms and in groups of words that are
- •Is an interesting example. The English type of plural represented by
- •In other words, to state in a definitive manner what is the "phonetic
- •Is quite frequent in the history of language. In English, for instance,
- •In the singular (_foot_, _Fuss_) and modified vowel in the plural
- •In all manner of other grammatical and derivative formations. Thus, a
- •Itself in one way and another for centuries. I believe that these
- •Variations won through because they so beautifully allowed the general
- •I would suggest, then, that phonetic change is compacted of at least
- •Is identical with the old Indo-European one, yet it is impressive to
- •It was different in German. The whole series of phonetic changes
- •Instance, "umlaut" plurals have been formed where there are no Middle
- •Is often so small that intermarriages with alien tribes that speak other
- •Into England, a number of associated words, such as _bishop_ and
- •Imprint of the Sanskrit and Pali that came in with Hindu Buddhism
- •Is anywhere entering into the lexical heart of other languages as French
- •Its customary method of feeling and handling words. It is as though this
- •Is the presence of unaspirated voiceless stops (_p_, _t_, _k_), which
- •Is biological, sense, is supremely indifferent to the history of
- •Its colonies, represent a race, pure and single? I cannot see that the
- •Is such[183] as to make it highly probable that they represent but an
- •Intrinsically associated. Totally unrelated languages share in one
- •Various--political, cultural, linguistic, geographic, sometimes
- •Importance, while the linguistic division is of quite minor
- •Intelligible historical association. If the Bantu and Bushmen are so
- •In language and culture. The very fact that races and cultures which are
- •Is only apparently a paradox. The latent content of all languages is the
- •It goes without saying that the mere content of language is intimately
- •Intertwined two distinct kinds or levels of art--a generalized,
- •Indeed, is precisely what it is. These artists--Whitmans and
- •Is under the illusion that the universe speaks German. The material
- •Important are its morphological peculiarities. It makes a great deal of
- •Inherent sonority and does not fluctuate significantly as to quantity
- •Verse has developed along very much the same lines as French verse. The
- •Verse, on the principles of number, echo, and contrasting pitches. Each
- •Vocalic,
- •International donations are gratefully accepted, but we cannot make
- •Including how to make donations to the Project Gutenberg Literary
Incapacity of an element to stand alone. The grammatical element,
moreover, is not only non-existent except as associated with a radical
one, it does not even, as a rule, obtain its measure of significance
unless it is associated with a particular class of radical elements.
Thus, the _-s_ of English _he hits_ symbolizes an utterly different
notion from the _-s_ of _books_, merely because _hit_ and _book_ are
differently classified as to function. We must hasten to observe,
however, that while the radical element may, on occasion, be identical
with the word, it does not follow that it may always, or even
customarily, be used as a word. Thus, the _hort-_ "garden" of such Latin
forms as _hortus_, _horti_, and _horto_ is as much of an abstraction,
though one yielding a more easily apprehended significance, than the
_-ing_ of _singing_. Neither exists as an independently intelligible and
satisfying element of speech. Both the radical element, as such, and the
grammatical element, therefore, are reached only by a process of
abstraction. It seemed proper to symbolize _sing-er_ as A + (b);
_hort-us_ must be symbolized as (A) + (b).
[Footnote 1: We shall reserve capitals for radical elements.]
[Footnote 2: These words are not here used in a narrowly technical
sense.]
So far, the first speech element that we have found which we can say
actually "exists" is the word. Before defining the word, however, we
must look a little more closely at the type of word that is illustrated
by _sing_. Are we, after all, justified in identifying it with a radical
element? Does it represent a simple correspondence between concept and
linguistic expression? Is the element _sing-_, that we have abstracted
from _sings_, _singing_, and _singer_ and to which we may justly ascribe
a general unmodified conceptual value, actually the same linguistic fact
as the word _sing_? It would almost seem absurd to doubt it, yet a
little reflection only is needed to convince us that the doubt is
entirely legitimate. The word _sing_ cannot, as a matter of fact, be
freely used to refer to its own conceptual content. The existence of
such evidently related forms as _sang_ and _sung_ at once shows that it
cannot refer to past time, but that, for at least an important part of
its range of usage, it is limited to the present. On the other hand, the
use of _sing_ as an "infinitive" (in such locutions as _to sing_ and _he
will sing_) does indicate that there is a fairly strong tendency for the
word _sing_ to represent the full, untrammeled amplitude of a specific
concept. Yet if _sing_ were, in any adequate sense, the fixed
expression of the unmodified concept, there should be no room for such
vocalic aberrations as we find in _sang_ and _sung_ and _song_, nor
should we find _sing_ specifically used to indicate present time for all
persons but one (third person singular _sings_).
The truth of the matter is that _sing_ is a kind of twilight word,
trembling between the status of a true radical element and that of a
modified word of the type of _singing_. Though it has no outward sign to
indicate that it conveys more than a generalized idea, we do feel that
there hangs about it a variable mist of added value. The formula A does
not seem to represent it so well as A + (0). We might suspect _sing_ of
belonging to the A + (b) type, with the reservation that the (b) had
vanished. This report of the "feel" of the word is far from fanciful,
for historical evidence does, in all earnest, show that _sing_ is in
origin a number of quite distinct words, of type A + (b), that have
pooled their separate values. The (b) of each of these has gone as a
tangible phonetic element; its force, however, lingers on in weakened
measure. The _sing_ of _I sing_ is the correspondent of the Anglo-Saxon
_singe_; the infinitive _sing_, of _singan_; the imperative _sing_ of
_sing_. Ever since the breakdown of English forms that set in about the
time of the Norman Conquest, our language has been straining towards the
creation of simple concept-words, unalloyed by formal connotations, but
