
- •Instinct); speech is a non-instinctive, acquired, "cultural" function.
- •Indulgent criticism, be termed an element of speech, yet it is obvious
- •Impressions or images that sentient beings have formed or may form of
- •In the brain, together with the appropriate paths of association, that
- •Visual speech symbolisms is, of course, that of the written or printed
- •Is the correspondence that they may, not only in theory but in the
- •Its later stages, we associate with literature is, at best, but a
- •Incapacity of an element to stand alone. The grammatical element,
- •It has not yet succeeded in this, apart, possibly, from isolated adverbs
- •Independent word or as part of a larger word. These transitional cases,
- •Vowel (_-mü_, animate plural). Such features as accent, cadence, and the
- •Its feeling of unity so long as each and every one of them falls in
- •Into the subject of discourse--_the mayor_--and the predicate--_is going
- •Instinctive utterance that man shares with the lower animals, they
- •Value which the others do not possess (think of _storm and stress_). If
- •In such a word as _please_. It is the frequent failure of foreigners,
- •I have gone into these illustrative details, which are of little or no
- •Voluntary speech movements with the all but perfect freedom of voluntary
- •Independent muscular adjustments that work together simultaneously
- •Variations in pitch which are present not only in song but in the more
- •Ignoring transitional or extreme positions. Frequently a language allows
- •It is highly doubtful if the detailed conditions that brought about the
- •In that the compounded elements are felt as constituting but parts of a
- •Incapable of composition in our sense. It is invariably built up out of
- •Ideas as delimit the concrete significance of the radical element
- •It is not always, however, that we can clearly set off the suffixes of a
- •It will not be necessary to give many further examples of prefixing and
- •Indicates activity done for the subject (the so-called "middle" or
- •Is characteristic of true verbal forms that they throw the accent back
- •Indicates that there is implied in this overburdened _-s_ a distinct
- •Interrogative sentence possesses an entirely different "modality" from
- •Is the outgrowth of historical and of unreasoning psychological forces
- •I have exaggerated somewhat the concreteness of our subsidiary or rather
- •Indeed, there is clear evidence to warrant such a reading in. An example
- •Independent word; nor is it related to the Nootka word for "house."]
- •Is indefinite as to aspect, "be crying" is durative, "cry put" is
- •Implication in terms of form. There are languages, for instance, which
- •Idea, say an action, setting down its symbol--_run_. It is hardly
- •Isolated elements in the flow of speech. While they are fully alive, in
- •Instead of "a rich man."
- •Its unique structure. Such a standpoint expresses only a half truth.
- •Independently and frequently. In assuming the existence of comparable
- •Various kinds. First and foremost, it has been difficult to choose a
- •Inferred from the context. I am strongly inclined to believe that this
- •Into more than one of these groups. The Semitic languages, for instance,
- •Involved in this difference than linguists have generally recognized. It
- •Is one that either does not combine concepts into single words at all
- •Isolating cast. The meaning that we had best assign to the term
- •Is at the mercy of the preceding radical element to this extent, that it
- •Its indicative suffix, is just as clearly verbal: "it burns in the
- •III will be understood to include, or rather absorb, group IV.
- •Indicate relations. All these and similar distinctions are not merely
- •Ignored; "fusion" and "symbolism" may often be combined with advantage
- •Ignored in defining the general form of the language. The caution is all
- •I need hardly point out that these examples are far from exhausting the
- •Into "isolating," "agglutinative," and "inflective" (read "fusional")
- •Interesting, however, to note that of the three intercrossing
- •In the technical features of language. That highly synthetic languages
- •In which we can cover up our fault by a bit of unconscious special
- •It is probable that rhythm is an unconscious linguistic determinant even
- •Is still not as difficult to reconcile with our innate feeling for
- •In certain paradigms particular cases have coalesced. The case system is
- •In later medieval and in modern times there have been comparatively few
- •It_. Can it be that so common a word as _its_ is actually beginning to
- •It. We could hold to such a view if it were possible to say _the dog
- •It is only animate pronouns that distinguish pre-verbal and post-verbal
- •Impatience of nuancing is the group _whence_, _whither_, _hence_,
- •Vocabulary is rich in near-synonyms and in groups of words that are
- •Is an interesting example. The English type of plural represented by
- •In other words, to state in a definitive manner what is the "phonetic
- •Is quite frequent in the history of language. In English, for instance,
- •In the singular (_foot_, _Fuss_) and modified vowel in the plural
- •In all manner of other grammatical and derivative formations. Thus, a
- •Itself in one way and another for centuries. I believe that these
- •Variations won through because they so beautifully allowed the general
- •I would suggest, then, that phonetic change is compacted of at least
- •Is identical with the old Indo-European one, yet it is impressive to
- •It was different in German. The whole series of phonetic changes
- •Instance, "umlaut" plurals have been formed where there are no Middle
- •Is often so small that intermarriages with alien tribes that speak other
- •Into England, a number of associated words, such as _bishop_ and
- •Imprint of the Sanskrit and Pali that came in with Hindu Buddhism
- •Is anywhere entering into the lexical heart of other languages as French
- •Its customary method of feeling and handling words. It is as though this
- •Is the presence of unaspirated voiceless stops (_p_, _t_, _k_), which
- •Is biological, sense, is supremely indifferent to the history of
- •Its colonies, represent a race, pure and single? I cannot see that the
- •Is such[183] as to make it highly probable that they represent but an
- •Intrinsically associated. Totally unrelated languages share in one
- •Various--political, cultural, linguistic, geographic, sometimes
- •Importance, while the linguistic division is of quite minor
- •Intelligible historical association. If the Bantu and Bushmen are so
- •In language and culture. The very fact that races and cultures which are
- •Is only apparently a paradox. The latent content of all languages is the
- •It goes without saying that the mere content of language is intimately
- •Intertwined two distinct kinds or levels of art--a generalized,
- •Indeed, is precisely what it is. These artists--Whitmans and
- •Is under the illusion that the universe speaks German. The material
- •Important are its morphological peculiarities. It makes a great deal of
- •Inherent sonority and does not fluctuate significantly as to quantity
- •Verse has developed along very much the same lines as French verse. The
- •Verse, on the principles of number, echo, and contrasting pitches. Each
- •Vocalic,
- •International donations are gratefully accepted, but we cannot make
- •Including how to make donations to the Project Gutenberg Literary
Its later stages, we associate with literature is, at best, but a
superficial thing. The fundamental groundwork of language--the
development of a clear-cut phonetic system, the specific association of
speech elements with concepts, and the delicate provision for the formal
expression of all manner of relations--all this meets us rigidly
perfected and systematized in every language known to us. Many primitive
languages have a formal richness, a latent luxuriance of expression,
that eclipses anything known to the languages of modern civilization.
Even in the mere matter of the inventory of speech the layman must be
prepared for strange surprises. Popular statements as to the extreme
poverty of expression to which primitive languages are doomed are simply
myths. Scarcely less impressive than the universality of speech is its
almost incredible diversity. Those of us that have studied French or
German, or, better yet, Latin or Greek, know in what varied forms a
thought may run. The formal divergences between the English plan and the
Latin plan, however, are comparatively slight in the perspective of what
we know of more exotic linguistic patterns. The universality and the
diversity of speech lead to a significant inference. We are forced to
believe that language is an immensely ancient heritage of the human
race, whether or not all forms of speech are the historical outgrowth of
a single pristine form. It is doubtful if any other cultural asset of
man, be it the art of drilling for fire or of chipping stone, may lay
claim to a greater age. I am inclined to believe that it antedated even
the lowliest developments of material culture, that these developments,
in fact, were not strictly possible until language, the tool of
significant expression, had itself taken shape.
II
THE ELEMENTS OF SPEECH
We have more than once referred to the "elements of speech," by which we
understood, roughly speaking, what are ordinarily called "words." We
must now look more closely at these elements and acquaint ourselves with
the stuff of language. The very simplest element of speech--and by
"speech" we shall hence-forth mean the auditory system of speech
symbolism, the flow of spoken words--is the individual sound, though, as
we shall see later on, the sound is not itself a simple structure but
the resultant of a series of independent, yet closely correlated,
adjustments in the organs of speech. And yet the individual sound is
not, properly considered, an element of speech at all, for speech is a
significant function and the sound as such has no significance. It
happens occasionally that the single sound is an independently
significant element (such as French _a_ "has" and _à_ "to" or Latin _i_
"go!"), but such cases are fortuitous coincidences between individual
sound and significant word. The coincidence is apt to be fortuitous not
only in theory but in point of actual historic fact; thus, the instances
cited are merely reduced forms of originally fuller phonetic
groups--Latin _habet_ and _ad_ and Indo-European _ei_ respectively. If
language is a structure and if the significant elements of language are
the bricks of the structure, then the sounds of speech can only be
compared to the unformed and unburnt clay of which the bricks are
fashioned. In this chapter we shall have nothing further to do with
sounds as sounds.
The true, significant elements of language are generally sequences of
sounds that are either words, significant parts of words, or word
groupings. What distinguishes each of these elements is that it is the
outward sign of a specific idea, whether of a single concept or image or
of a number of such concepts or images definitely connected into a
whole. The single word may or may not be the simplest significant
element we have to deal with. The English words _sing_, _sings_,
_singing_, _singer_ each conveys a perfectly definite and intelligible
idea, though the idea is disconnected and is therefore functionally of
no practical value. We recognize immediately that these words are of two
sorts. The first word, _sing_, is an indivisible phonetic entity
conveying the notion of a certain specific activity. The other words all
involve the same fundamental notion but, owing to the addition of other
phonetic elements, this notion is given a particular twist that modifies
or more closely defines it. They represent, in a sense, compounded
concepts that have flowered from the fundamental one. We may, therefore,
analyze the words _sings_, _singing_, and _singer_ as binary expressions
involving a fundamental concept, a concept of subject matter (_sing_),
and a further concept of more abstract order--one of person, number,
time, condition, function, or of several of these combined.
If we symbolize such a term as _sing_ by the algebraic formula A, we
shall have to symbolize such terms as _sings_ and _singer_ by the
formula A + b.[1] The element A may be either a complete and independent
word (_sing_) or the fundamental substance, the so-called root or
stem[2] or "radical element" (_sing-_) of a word. The element b (_-s_,
_-ing_, _-er_) is the indicator of a subsidiary and, as a rule, a more
abstract concept; in the widest sense of the word "form," it puts upon
the fundamental concept a formal limitation. We may term it a
"grammatical element" or affix. As we shall see later on, the
grammatical element or the grammatical increment, as we had better put
it, need not be suffixed to the radical element. It may be a prefixed
element (like the _un-_ of _unsingable_), it may be inserted into the
very body of the stem (like the _n_ of the Latin _vinco_ "I conquer" as
contrasted with its absence in _vici_ "I have conquered"), it may be the
complete or partial repetition of the stem, or it may consist of some
modification of the inner form of the stem (change of vowel, as in
_sung_ and _song_; change of consonant as in _dead_ and _death_; change
of accent; actual abbreviation). Each and every one of these types of
grammatical element or modification has this peculiarity, that it may
not, in the vast majority of cases, be used independently but needs to
be somehow attached to or welded with a radical element in order to
convey an intelligible notion. We had better, therefore, modify our
formula, A + b, to A + (b), the round brackets symbolizing the